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  • Dummy - Alto Sax Solo

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    Maddox Humphries
    7 views2 pages
    This musical composition is written in a graphical notation format. It contains repeating rhythmic patterns and melodic phrases separated into measures. The piece builds in complexity over time with the introduction of additional rhythmic and melodic elements before resolving at the end.

    Original Description:

    Dummy

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    This musical composition is written in a graphical notation format. It contains repeating rhythmic patterns and melodic phrases separated into measures. The piece builds in complexity over time with the introduction of additional rhythmic and melodic elements before resolving at the end.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    7 views2 pages

    Dummy - Alto Sax Solo

    Uploaded by

    Maddox Humphries
    This musical composition is written in a graphical notation format. It contains repeating rhythmic patterns and melodic phrases separated into measures. The piece builds in complexity over time with the introduction of additional rhythmic and melodic elements before resolving at the end.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    Dummy!

    
    Toby Fox

             
                         
      
     = 120

                   
             
    Swing

     
     
     
       

     
          
                         

                         
    8

                                                       
             
    15

    
                                   
                 
    22

                                 
              
     
    28

                                   
    3

                  
                
    35

      
                                           
            
    42


            

            
                               
    To Coda

     
    48

         2.  
     

           
                              
    54
    1.

               

     
       
                     
             
              
    60
            
                                            
    66

              
                  
                             

    72

                                        

             
      
    78

                                                 

       
    D.S. al Coda

     
    85

                                        
     
       
     
              3  
    92

                                  
     
        
      
                     
    99
    3

       
     
    106

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