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MONSTRUOS QUE HABLAN:
EL DISCURSO DE
LA MONSTRUOSIDAD
EN CERVANTES
ROGELIO MINANA
c HL
NOWTH CARO! DIES IN ‘THI, ROMANCE
LANGL D LITERATURES:
2007 ido para aspirar aun orden ut6pico, inexistente,euya base esti
tamentelingistics. Si su vida es us lenguaje,zeémo evita el etc.
tio de interpretacin? ¢Cimo encontetrcertidambees objetivas y
absolutas por las que guiatnos sin la letura de signos, de portentos,
de ralidades cotidianas? ¢Cémo evita con certeza el riesgo que to
da lecura conlleva,e6mo prevenienos de la posibilidad de una in
terpretacin ertnea? O, volviendo al ejemplo con que abst este ca
lo: ese puede predecie el comportamiento de un les africano
hhambriento al que estamos retando?
El monstruo es un discurso que nos habla en un lengusje al mae
‘gen de las normas y fuera del orden, y, por ese aspecto autoteflei-
‘yo, el monstruo se converte en un discursoextremo sobre su propio,
tiscurso de lo exttemo, "A monster is asin that has no distinct sig
nified”; en consecuencia, “language can create monsters, but it can
also be undermined by the very monster it creates” (Hock-soon Ng
178 y 80; ver también 23 y 179). En su intento de atrapar al mons
‘uo, el lengusje expone sus propis falls, su incapacidad para nom
brar Io desconocida, lo innombrable.
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