Waltz

in B Minor

    
Opus 69 No. 2

    
Frédéric Chopin

          
 
(1810 - 1849)

       
 
Moderato

  
         
 
    
                    
         
Piano

            
 
                    
    
rit.

 
9

            dim.   

               
            
  


  
           

     

                   
        
 
a tempo

 
16

   
              
      
                   
              
 
                       

 
 
24

      
    
    
   
   
          



 cresc. rit.

 
   
      

                    
               
    
a tempo

  
31 con anima


  
              
                  
      
 
         
 
     
                
     
     
    
40
a tempo

         
 
 
 
 
 
 

        
          
 
 



rit. 

     
            
                   
                 
  
48

           
             
             
           
  
            
                


56

    

 
 

   










 





 


     
 rit.

           
             
      

                   
63 a tempo

  
              
                            

    
         

    
                
     
           
72
a tempo

        
 
 
 
 
 
 
 
                  
 
 



rit. 

     
            
                           
         
 
80

           
 
  
                     
  
    
    
           
2
             
       
        
  
88

      
 
 
 
   rit. 

         
                



           
   
                         
      
95
a tempo

               
                  
        
dolce


          

                                   
 
103

               
      
            
       

            
      
                    
                   
111

              
                   
       
             
      
    
                           
       
118

      cresc.          

                
    
 
 
 

            


                        
             
125


 
     
 
 
 
   
                  
  


 
dim.

  
        
3
           
                  


131

             
              
 

        


             
 
            
            
 
138

 rit.

               
            




         

   
 
                      

     
a tempo


145 con anima

             
                
        
             
                      
       
      
152
a tempo

              
                 



rit.

    
           
             
           
        
159

         
          
        


 
           
    
         
               
 

a tempo


165

  
 
 
 
  
 
 
 
   
          
        
rit. 


           
4
    
                
      
171

          
   


        
calando

     
         