Professional Documents
Culture Documents
F&C 228 February 2015
F&C 228 February 2015
&cabinetmaking
D E S I G N • I N S P I R AT I O N • P R O J E C T S • T E C H N I Q U E S • T E S T S • N E W S • E X C E L L E N C E
Beauty in strength
Japanese joints for
furniture makers
Learn from
the masters
Waters & Acland’s
apprentice’s notebook
Still not blending
your own wax? Project
Read our guide David Barron’s
on why it’s a tool chest – MKII
great idea
Is there a
spin doctor
John Lloyd in the house?
Why hand drawings Chris Yates talks top
are better than CAD and bottom bearings
www.ukfelder.co.uk
Quality and
precision from
AUSTRIA
Welcome to...
structural perfection
New series
By way of an advance warning, the
new series are going to be coming
thick and fast over the next few
months. We’ve featured pieces from
the workshop of Waters & Acland
in recent years, so it’s really exciting
to be getting together with these
guys each month to report back from
their furniture-making school in the A selection of Theodore Marshall’s handmade surfboards
Lakes. W&A are ludicrously obsessed
with precision and accuracy in their Some of you might know him as
cabinetwork, so if raising your game Cedarsurfer77; to the rest of the world
is on your agenda any time this year, he’s Theodore Marshall. Now if his
then please take notes. name wasn’t cool enough to start with,
then just fast forward to page 16 and
The Cedar Surfer see what he makes. I absolutely love the
Every now and then we like to go uncompromising beauty of structural
outside the typical genre and see perfection. So now that 2015 is well
what other related craftsmen are and truly underway, let’s load up the
getting up to in their workshops, ‘woody’ and head for the coast, because Derek Jones
and this month we’ve struck gold. the surf is well and truly up. derekj@thegmcgroup.com
www.woodworkersinstitute.com F&C228 1
39
legal responsibility can be accepted for the results of the use
by readers of information or advice of whatever kind given in
this publication, either in editorial or advertisements. No part of
this publication may be reproduced, stored in a retrieval system
or transmitted in any form or by any means without the prior
permission of the Guild of Master Craftsman Publications Ltd.
47 Enhancing your work using
rare earth magnets
Aaron Moore describes two methods for
incorporating rare earth magnets into your
© Guild of Master Craftsman Publications Ltd. 2015 work, which will add to the functionality of the
Problems finding F&C? Call Tony Loveridge, our piece without compromising its appearance
Circulation Manager, on 01273 477374 or email him
at tonyl@thegmcgroup.com Alternatively, save up
to 20% on the cover price by subscribing. Visit www.
thegmcgroup.com/publications 54 Router table joinery
Peter Sefton Furniture School
routing tutor Chris Yates looks at the
Woodworking is an inherently dangerous application of bearings to router cutters
! pursuit. Readers should not attempt the
procedures described herein without
seeking training and information on the
safe use of tools and machines, and all readers should
observe current safety legislation.
2 F&C228 www.woodworkersinstitute.com
Purveyor of Fine
Hand Tools
& Accessories
since 2004
Cabinet Making Tools
Lie Nielsen
Blue Spruce Toolworks
Clifton, Auriou, Starrett
Ron Hock, Veritas
BenchCrafted, Barr
Thomas Flinn, Ashley Isles
Japanese Saws & Chisels
23
Wood/Stone Carving Tools
Pfeil, Auriou
Your F&C Flexcut
1 Leader
Derek Jones welcomes you to this
month’s issue of F&C
Woodturning Tools
Robert Sorby
Hamlet Craft Tools
4 News & Events
A round-up of what’s going on in the
world of furniture
Finishes + Books
Fine Cabinetware
Brusso Hardware
8 F&CUK
An open invitation for furniture makers
to let us know what you’re up to…
Sharpening Supplies
Toishi Ohishi, Shapton
10 Editor’s choice
Having trouble sourcing the right
tool for the job? Derek Jones sets about
Dan’s Whetstone Company
Norton Pike, Tormek
identifying the essential tools and equipment
on offer this month
Books & DVDs
Lost Art Press
68 Next month in F&C
Get a peek at what we’ll be bringing
you in issue 229
Astragal
Lie Nielsen Toolworks
72 Workshop library
This month, Derek Jones looks
at Houses of the National Trust and
All of the above
and much more at
Masterpieces of Italian Design and we have
a book offer on Irreplaceable Woodlands 69 www.classichandtools.co.uk
www.woodworkersinstitute.com F&C228 3
4 F&C228 www.woodworkersinstitute.com
www.woodworkersinstitute.com F&C228 5
6 F&C228 www.woodworkersinstitute.com
Events
Stockholm Furniture
& Light Fair
This event provides the world’s largest
meeting place for Scandinavian furniture
and lighting design. Visitors will see a
PHOTOGRAPHS COURTESY OF IMM COLOGNE
concepts. The show features established and the 2015 Spring Fair International will
emerging designers and brands from North include a larger Home sector, including
America and abroad. The three-day event furniture, textiles, accessories, lighting
will begin with ‘Professional Trade Day’, and wall art.
followed by ‘Globe Style Saturday’ and When: 1–5 February, 2015
‘House & Home Sunday’. Where: NEC Birmingham, Pendigo Way,
When: 22–25 January, 2015 Marston Green, Birmingham B40 1NT GamFratesi was named guest of honour at the
Where: Metro Toronto Convention Centre, Web: www.springfair.com 2014 Stockholm Furniture & Light Fair
255 Front Street West, Toronto, Ontario,
M5V 2WG, Canada
Web: www.interiordesignshow.com Design Icons Amsterdam
Design Icons will include 60 dealers
MAISON&OBJET Paris from across Europe who specialise in
MAISON&OBJET is the major trade event high quality vintage interior design
for professionals working in the art of from the 1930s to 1980s. These pieces
PHOTOGRAPH COURTESY OF WONENBLOG.COM
living in all its rich and varied expressions. will be on sale to both professional
Now in its 20th year, this lifestyle show dealers and the general public. A
brings together a 360° product offering. diversity of interior objects will be
Decoration, design, furniture, accessories, offered for sale to both professionals
textiles, fragrances, the world of children and broad public, from well-known
and tableware. The styles coexist in a classics to anonymous designs, with
multifaceted way, throughout the inventive Eames next to Mies van der Rohe and
show design, which enlivens the spaces. from Italian-chic to raw industrials. Design Icons Amsterdam 2012
This extraordinary diversity is in line with The event takes place annually in the
the varied expectations of global markets. beautiful venue of De Overkant. The
PHOTOGRAPH COURTESY OF DESIGN-ICONS.COM
www.woodworkersinstitute.com F&C228 7
Imaginative work displayed at Bucks New University’s annual MA Art and Design Show
ietnamese bamboo and stretched steel were among the
V materials used by students exhibiting at Buckinghamshire
New University’s colourful annual MA Art and Design Show.
The show, at the University in Queen Alexandra Road, High
Wycombe, featured special items created by students on MA Art
and Design Practice; MA Advertising; and MA Conservation of
Work by MA Art and Design Practice: Furniture Design student Linh Nguyen
If you’re a member of a collective and would like to raise your profile then submit a story to teganf@thegmcgroup.com
8 F&C228 www.woodworkersinstitute.com
Ashley said: “Working with wood, tempt the taste buds of both existing
and for a brewery, is my dream job! and new customers alike. Each year
When I was 10, I saw Jonathan Jonathan makes hundreds of casks
demonstrating his coopering skills at – from four-gallon pins through to
the Great Yorkshire Show. It was a 36-gallon barrels. Next year, he and
magical experience and one I have never Ashley will be making considerably
forgotten. When I saw that Theakston’s more as we increase production of
were advertising for an apprentice our classic beers and add new ones Ashley Thompson, 19, has taken up a four-year apprenticeship
craft cooper to work under Jonathan I to the range.” with Masham brewers, T&R Theakston Ltd
www.woodworkersinsitute.com F&C228 9
W
e all like to think we can spot
quality, right? But what, exactly,
is quality and how much or little of
it do we need before we can appreciate the
difference between one tool and the next?
Is it a few extra noughts on the end of the
price perhaps, or is it an endorsement
from the bloke down the road who has
something similar? Whatever it ends up
being for you, first and foremost it must be
quantitative within the context of your needs.
So, in a roundabout sort of way, that’s my
introduction to this month’s selection of tools
and kit for the workshop. On the one hand
PHOTOGRAPH BY GMC/DEREK JONES
10 F&C228 www.woodworkersinstitute.com
£79.99
Free
New kits
from Dremel
The Dremel Home Décor
Kit contains both the
Dremel 930 dual-temparature
glue gun and the Dremel 290
engraver, carbide engraving bits,
engraving templates, multipurpose
glue sticks and glitter sticks.
The Dremel Home Repair Project
Kit contains the popular Dremel 3000
multitool, three useful attachments – the
shaping platform attachment 576 for precision
sanding, cutting guide attachment 565, flex shaft attachment 225 – plus, 105 high quality
genuine Dremel accessories, including EZ SpeedClic accessories which allow for quick and
easy accessory changes. Comes packed into a soft bag. Both kits also contain an inspirational
home décor project booklet.
www.woodworkersinstitute.com F&C228 11
12 F&C228 www.woodworkersinstitute.com
Makita expands
£75 accessory range
Contact: Makita
Tel: 01908 211 678
Web: www.makitauk.com
www.woodworkersinstitute.com F&C228 13
O OR TE
O A H E
A S E
FOR CTS11 & CTS10D
N
N
S
W LF E 4" BELT/ TABLE £22.99 EX VAT FROM ONLY
E
.98
6" DISC SAWS
£27.59 INC VAT £
69EX.VAT
CS4-6D
SANDER
CTS10D
£
83.98
INC.VAT
• Dust extraction
M
£
84.99
EX.VAT facility
• 4" x 36" belt tilts
£
101.99
INC.VAT & locks 0-90°
• 225mm x 160mm
table, tilts 0-90° SUPERSTORES
• 370w, 230v motor NATIONWIDE
CDP101B 245/5 £79.98 £95.98 Great for 3mm to 10mm WAS £17.99 inc.VAT
£
286.80
INC.VAT
CDP151B 300/5 £106.99 £128.39 FROM ONLY HSS drill bits 70W motor • 1600w motor
.98 ‡ was £17.99 inc.VAT
CDP10B 370/12 £169.98 £203.98 £
29EX.VAT Drill bit guide
# was £68.39 inc.VAT • 315mm blade
ensures
sharpening at the £21EXC.VAT
.98 £ .99
CDP301B 510/12 £199.98 £239.98 BS1 £35INC.VAT CCS12 • 90mm max cut depth at 90°
CDP451F 510/16 £239.98 £287.98 MODEL SHEET SIZE MOTOR EX VAT INC VAT • Dust extractor
CDP501F 980/12 £429.00 £514.80 MODEL WATT M/MIN EX VAT INC VAT correct angle 26INC.VAT
.39
COS200‡ 190X90mm 150w £12.99 £15.59
‡ was £77.99 inc.VAT Clarke BS1 900w 380 £29.98 £35.98 Saves cost of
Makita 9911 650w 75-270 £94.99 £113.99 new drills C0N300 230X115mm 330w £29.98 £35.98 13" MINI
B=Bench mounted Makita# 112X102mm 200w £54.99 £65.99 WOOD LATHE
F=Floor standing BO455
RANDOM PORTABLE
£
129EX.VAT
.98
SAVE
BOLTLESS • Simple fast assembly PLANERS &
in minutes using only a 3 PCE CHISEL SET
SHELVING BENCHES THICKNESSERS
10%
hammer FROM ONLY WOODWORKING INCLUDED WITH
CWL1000
£
29EX.VAT .98
CPT800 LATHES
£
35.98
INC.VAT WHEN YOU BUY
ANY MIX OF 5
FROM THIS RANGE CWL1000
SAVE AT LEAST
£17.99 INC.VAT
• Ideal for DIY &
CHOICE OF 5 COLOURS
Hobby use •Dual
purpose, for both FROM ONLY
ALSO EXTRA WIDE
RED, BLUE, BLACK,
SILVER & GALVANISED
finishing & sizing of
timber (CP-6 planer only)
£
139.98
EX.VAT
SEE CATALOGUE
INDUSTRIAL UNITS
AVAILABLE
STEEL
£
167.98
INC.VAT
FOR ACCESSORIES
MODEL MOTOR MAX THICK. EX INC
(evenly (evenly MODEL SHELF DIMS CAPACITY VAT VAT MODEL CENTRE TO TURNING TURNING EX INC
3
FROM ONLY
distributed) distributed) WxDxH(mm) EX VAT INC VAT CP-6 1100w * £139.98 £167.98 CENTRE (mm) CAP. SPEEDS VAT VAT £
Strong 9mm Strong 12 mm 150Kg 800x300x1500 £29.98 £35.98 CPT600 1250w 120mm £169.98 £203.98 CWL1000 1016 350mm 4 £114.99 £137.99 114EX.VAT
.99
£
fibreboard fibreboard 350Kg 900x400x1800 £49.98 £59.98 CPT800 1250w 120mm £189.98 £227.98 CWL12D 940 305mm 5 £189.98 £227.98 137INC.VAT
.99
PER SHELF shelves PER SHELF shelves
22902LH
CBM1B
Accurately creates deep square
recesses Table size 150 x 340mm
Maximum chisel cap.76mm Robust
FOR
OVER
PRODUCTS
14,000 FREE
CATALOGUE
500
PAGE
YOUR
FREE
cast iron base & column ensures
stability & accuracy 95mm depth
of cut
INCLUDING
NEW Over COPY
NOW!
“It is fast and accurate with a
good solid feel...Excellent value for
money, I’m really pleased with it.”
See www.machinemart.co.uk
SPECIALIST PRODUCTS
NEW CLICK &
1800 PRICE CUTS &
• INSTORE
• ONLINE
NEW PRODUCTS • PHONE
CHISELS AVAILABLE FROM
£7.99 EX VAT £9.59 INC VAT COLLECT 0844 880 1265
K
nown online as Cedarsurfer77, about furniture making, something just ‘clicked’. wooden surfboards. I found a great online
Theodore Marshall is a furniture maker Almost overnight I moved from making two- forum that reaches out to woodworkers
turned surf and paddleboard maker. dimensional media into three-dimensional worldwide called Tree to Sea. I was able
Based in Washington state in the Pacific objects. I’ve had no formal training in to build some of my first boards using
Northwest, he uses sustainably sourced woodworking, but could never seem to quench information from that forum, and started
native woods to create his high-quality my thirst for knowledge. I started buying every to branch out more on my own.”
boards. He recently set up the company woodworking book I could get my hands on
Red Cedar Paddleboards. and worked on building my skills.” Favourite paddleboards
When he then combined these Of the paddleboards that he has made so
Education and training woodworking skills with his other main far, Theodore chose one called ‘Seahurst’
Theodore has always been creative and interest, it took his career in another as his favourite. This board is a 10ft 6in
interested in art, telling us that as a child direction. “I’ve always been around water and stand-up paddleboard, which was named
he always had a pad and pencil nearby: it continues to be a big part of my life. I’m after a waterfront park about a five-minute
“Art had a huge influence on my life with an avid surfer and stand-up paddleboarder. drive from his house. “I designed it as my
how I viewed the world and how I wanted A few years back I volunteered down at ‘all-in-one’ style of paddleboard. It measures
to be creating images,” he says. He studied The Center for Wooden Boats in Seattle, 815mm wide by 115mm thick and comes
traditional art in high school and then at Washington, where I spent time in the shop in at 163 litres of volume allowing it to float
community college and spent a lot of his doing repairs and learning how boats were someone up to about 190lbs,” he explains.
free time painting landscapes. However, constructed. Combining those two worlds “It has a moderate entry and exit rocker
his interest soon turned to furniture. “After started to make more and more sense to me, allowing you to take it out in mellow surf, but
I met a friend on a jobsite and started to talk so I started to educate myself about hollow it also paddles well on flat bodies of water. I
16 F&C228 www.woodworkersinstitute.com
The starting point for making a board This photo shows the internal rib structure, but does not display the clamping jig
Hand-held electric planer being used to rough shape the rails Refining the edges takes considerable skill and time
was inspired by traditional Chris Craft boats program that takes slices of the board and passionate about both in my personal life and
and used cedar (Thuja plicata) and aspen creates a full size printable PDF. I print that in woodworking. I strive to make a product
(Populus spp.) on the deck of my board to file out full size on a plotter and attach it to that has a low environmental impact by using
give it that classical nautical aesthetic.” 6mm plywood with spray adhesive, creating eco-based epoxies, locally sourced woods
a master set of router templates. I find that and tree lignin-based fibreglass cloth. I want
Design ethos I am drawn to the classic aesthetics of to build something that is going to last for
The design of a new paddleboard is a vintage wooden boats, but I’m able to many generations.”
complicated process that requires a great blend modern paddleboard and surfboard Theodore told us that he takes a lot of
deal of thought and planning. “You need technology into them. It gives me the best pride in all the little details: “I strive to make
to balance aesthetics with hydrodynamics. of both worlds, which I really enjoy.” my boards almost completely out of wood
Building a paddleboard has similarities to Wood selection is critical and Theodore and wood-based products. In main-stream
traditional cabinetry with how everything firmly believes in using locally sourced surfboard and paddleboard construction,
starts off with parallel and perpendicular materials: “I live in Washington state, which the leash plugs, vent plugs, fingerholds, and
lines, but transforms into sculpture.” is also called the Evergreen State for all of fin boxes are usually made of plastic. I’ve
Theodore uses both new digital technology its trees and forests. I have also recently gone to great lengths to replace all of those
and traditional techniques to design his forged a new relationship with a Native components with resin-infused woods, which
boards. “I use CAD to design the interior American tribe that runs a sawmill here is a process that I do in-house. After infusion,
skeleton and outline and make sure that I in the Pacific Northwest. This is going to each piece receives a couple of coats of
have fair curves everywhere that I need them. allow me to procure cedar and other native acrylic sealer, ensuring that each piece is
Once I have the design refined the way I woods that have been sustainably harvested. completely water-proof. It’s my mission to
want it, I export that information into another Sustainability is something that I am greatly make some of the finest handmade hollow ➤
www.woodworkersinstitute.com F&C228 17
Approach to design
His approach to design blends woodworking
with his knowledge of paddleboarding and
surfing. “I usually have in my head a rough
idea of the type of board that I want to A thing of beauty and precision The tail fins are all individually made
create. With that in mind, I open up CAD
on my computer and start to rough out the When asked about his inspiration and I want my boards to have a classic feel to
shape that I want to create. This has taken influences, Theodore finds inspiration from them when you are out on the water, either
me a lot of years of studying board shapes his surroundings in the Pacific Northwest paddling or surfing. I’m also influenced by
and how they work. Not only are they visually and its rich sailing tradition. “Seattle is a some of the very high-end kayak and canoe
appealing, they are also quite complex with maritime city nestled in the Puget Sound. makers here in the Northwest. I plan to start
the convex and concave shapes that help to It’s rare to not see boats in every direction using some more detailed string inlay in my
push and pull the water where you want it to when you look to the water around here. future models.”
help control the board. As I’m designing in I’ve always been drawn to sailing and have
the digital world, I’m also thinking about the found wooden boats to be some of the Future projects
jigs that I will need to create to help press most beautiful. I used to volunteer down at Theodore is currently working on refining
the board together. When I have refined the the Center for Wooden Boats and that’s weight-to-strength ratios with his current
shape to my liking, I take and export slices where my appreciation and fascination for flagship model the ‘Seahurst’ and plans
of the board that are based off of 255mm the craft really grew. There is a lot of history to release a lightweight, high-performance
centres over the total length. With that and skill that goes into making a boat and model that will be much more responsive
information I can take the negative space so many directions that you can take it. But in the surf. He is also working on plans
that is around that image and print it off the day I saw another local surfer here in for a couple of displacement hull style
to create a perfect ‘clamp’ on the top and Washington who had made his own wooden paddleboards that resemble the look of
bottom of the board. This allows me to board, I knew that was something I had to a kayak more than a surfboard, along with
introduce complex bottom contours on try. I became infatuated with how to make a couple of boards that will be used more
the board that assist with performance.” a modern, efficient and lightweight, hollow for surfing. He also plans to continue building
The analogy he uses to explain the wooden stand-up paddleboard.” up his company, Red Cedar Paddleboards,
process is that of building an aeroplane The style of classic boats holds a and will be launching a website for it here:
wing. “A board has a skeleton interior particular appeal for him: “I was really www.redcedarpaddleboards.com.
structure that is surrounded with a wood drawn to the traditional teak (Tectona
shell. When it all comes together it forms grandis) decks on wooden sailboats and Contact details
a monocoque hull that is incredibly strong have mimicked that style in my boards Email: theodore@redcedarpaddleboards.
and lightweight,” he explains. along with other nautical influences. com
18 F&C228 www.woodworkersinstitute.com
DAVID BARRON
Tools for
Fine Woodworking
See my videos
www.davidbarronfurniture.co.uk
Top, side and bottom view of the “Seahurst” ➤
www.woodworkersinstitute.com F&C228 19
Maker’s maker
“I haven’t had a mentor, and have
learned everything I know about this
craft by trial, error and untold hours of
experimentation and research. I am heavily
influenced by the great woodworkers of the
past century: Tage Frid, Wharton Esherick
PHOTOGRAPH COURTESY OF STEVEN PAUL WHITSITT
20 F&C228 www.woodworkersinstitute.com
Tibby Sing
Singh
h
Examples of what you can create:
Young Carpenter
Carpen
of the Year
!XMINSTER 4OOL #ENTRE s WWWAXMINSTERCOUK s
#LASSIC (AND 4OOLS s WWWCLASSICHANDTOOLSCOM s
'3 3PECIALIST 4IMBER s WWWTOOLSANDTIMBERCOUK s
4HE #ARPENTRY 3TORE s WWWTHECARPENTRYSTORECOM s
www.lie-nielsen.com
Wooden worktops...
:DWHU%DVHG:RRG6WDLQ
Our Water Based Stains have all the
advantages of oil base stains: they
spread easily, can be repaired, can be
EOHQGHGHϑRUWOHVVO\DQGKDYHSOHQW\
of open time. The thicker formula
allows controlled penetration, which
...love TopOil
will reduce blotching on hard-to- NEW
stain woods such as Oak, Pine and The ultimate protection TopOil
Satin
Maple. This stain formula will make wood for your wooden worktop 3028
staining an enjoyable experience for you.
8VH1DWXUDO:%:RRG6WDLQFOHDU¿QLVK > Resistant to common stains:
if you need to pre-seal the wood. wine; beer; drinks and fruit juice
Available in: Natural and 15 colours. > Will not crack, peel or blister
2
OC 0
> Highest coverage of any oil
NT · V
on the market
10
· CO
MPLI E
> Water repellent and dirt resistant
Call or visit
$OVR6DQGLQJ6HDOHU'\H6WDLQ*OD]H(ϑHFWV the web for
0LON3DLQW+LJK3HUIRUPDQFH 9$57RS&RDWV stockists.
3UH&DW8UHWKDQH(QGXUR/DFTXHU&RQYHUVLRQ9DUQLVK
:RRG7XUQHUV)LQLVK5HDG\7R0DWFK5706\VWHP
3UR)ORRU6\VWHP([WHULRU6WDLQVDQG7RS&RDWV
+44 (0)1296 481 220
8QLW3HϑHUPLOO3DUF.LQJ¶V+DXJK(GLQEXUJK(+8<
ZZZJHQHUDOILQLVKHVFRXN7HO
www.osmouk.com
B
ack in March 2010 I wrote an article The extra size of the lid ass
in F&C 164 on the making of an oak well as the tools stored
(Quercus spp.) tool chest. This has there would make it quite
served me very well, accompanying me to heavy and prone to closing ng
numerous shows over the last five years. This with a bang, so I used a
summer I will be teaching a five-day course box maker’s technique and d
for the New English Workshop at Bridgwater made the tray protrude a
College on making a tool chest and this gave little into the lid creating a sof ft
soft
me the opportunity to refine the design. The dn’tt
close. The other thing I didn’t
original has two lift out trays, which made want was any protrusions from from the piston fit on the tray,
it tedious accessing the tools stored in the ntially be
the box which could potentially which allows it to descend into
base, so I decided to go for just one tray and broken, so the attached feet eet aand the the carcass on a cushion of air; you can
move some of the storage up inside the lid. handle had to go. One thing I did retain was watch this on one of my YouTube videos. ➤
www.woodworkersinstitute.com F&C228 23
508 295
5 25
12
Section Section
Scale 1 in 5 Scale 1 in 5
24 F&C228 www.woodworkersinstitute.com
1 Edge jointing the bookmatched lid on the 2 With the edges shot the boards should be flat with no 3 The tails need to be accurately marked out,
shooting board visible light between them adding on 3mm for the waste in removing the lid
4 Two very useful dovetailing aids, a dovetailing 5 Grooves for the lid and base are cut on the router table 6 Tongues cut on the router table. Note the much thicker
alignment board and a Moxon Vice by BenchCrafted base to raise the sides up allowing for a good finger hold
7 Clamping up the corners of the dovetails 8 Final parting of the lid with a hand saw 9 Using a flat sanding board to level and smooth the lid
and base
The lid
With the glue dry it was time to separate the lid. I recommend The remaining 1mm can be carefully cut with a hand saw and the
doing this on a router table or bandsaw, or even saw by hand if resulting nib trimmed flush with a hand plane. The edges can then be
you have the skill and nerve! I like to cut about 1mm short of going levelled and flattened using a large sanding board, a technique I first
right through on three sides and then raise the cutter on the fourth. saw box maker Andrew Crawford using. ➤
www.woodworkersinstitute.com F&C228 25
10 Fitting the sides for the tray 11 Using the base to get an exact fit for the tray before 12 Carefully checking the fit of the tray on both sides
leaving the glue to set and both ends before deciding where material needs to
be removed to perfect the fit
13 The Neat Hinges fitted 14 The very discreet hinge knuckle to the rear 15 The subtle finger recess
26 F&C228 www.woodworkersinstitute.com
New
English
Workshop
New English Workshop
Short Courses for 2015
16 The separate chisel tray can be removed from the top tray for greater convenience
One-week courses in a variety
of locations that give you the
opportunity to work with:
Chris Schwarz,
David Barron,
Jeff Miller,
Tom Fidgen,
Peter Follansbee
& Roy Underhill.
www.woodworkersinstitute.com F&C228 27
Title Initial Surname I enclose a cheque made payable to GMC Publications Ltd, or Please debit my credit/debit card
Postcode Country
Signature Date
Telephone Email
Subscription options (please tick the appropriate magazine and price) Direct Debit Instructions to your Banks or Building Society
Name of account holder Originator’s identification number 6 5 9 9 5 7
Pay by cheque/card Pay by Direct Debt
SAVE 10% SAVE 30% Reference number (office use only)
Bank or Building Society
Furniture & Cabinetmaking (12 issues) £45.90 (UK) , £57.83 (Europe) , £64.26 (Overseas) £35.70 (UK only) account no.
Instruction to your Bank or Building Society:
Woodworking Plans & Projects (12 issues) £42.66 (UK) , £53.33 (Europe) , £59.72 (Overseas) £33.18 (UK only) Bank or Building Society
sort code Please pay GMC Publications Ltd Direct Debits from the account
Woodturning (12 issues) £42.66 (UK) , £53.33 (Europe) , £59.72 (Overseas) £33.18 (UK only) detailed in this instruction subject to the safeguards assured by
Name and full postal address of your Bank or Building Society the Direct Debit guarantee. I understand that this Instruction may
Woodcarving (6 issues) £21.33 (UK) , £26.66 (Europe) , £29.86 (Overseas) £16.59 (UK only) remain with GMC Publications Ltd and, if so, details will be passed
electronically to my Bank/Building Society.
Name
Banks and building societies may not accept direct debits for some types of accounts.
The Direct Debit Guarantee: This guarantee is offered by all Banks and Building Societies that take part in the Direct Debit Scheme.
Address
A4290
The efficiency and security of the Scheme is monitored and protected by your own Bank or Building Society. Please see your receipt for
details. Guild of Master Craftsman Publications will ensure that you are kept up to date on other products which will be of interest to you.
If you would prefer not to be informed of future offers, please tick this box Postcode Signature Date
Offer expires 31/03/2015 Plus free gift with some issues; sorry not available overseas
JOINTS
– part 1
In the first of a new series on Japanese
woodworking methods, John Bullar takes
a look at the wide range of Japanese tools
available to the furniture maker
30 F&C228 www.woodworkersinstitute.com
T
o survive in a land shaken by frequent
earthquakes, furniture must be reduced
to its bare essentials: strong, light and
portable. Japanese woodworking techniques
and aesthetics have been an influence on
many recent designers and makers. These
include Alan Peters, George Nakashima,
James Krenov, Sam Maloof and David Pye.
In this first article of the series, we will
look at Japanese tools used for cutting joints
and then we will look in detail at the specific
techniques for making Japanese joints, using
both Japanese and Western tools. While it is
sometimes interesting to work with Japanese
tools, I don’t want to give the impression they
are essential so the demonstrations will use
Western tools as well. Japanese joints can
be fused with Western tools and methods
– there is certainly no need to go out and
re-equip your workshop.
We start this short series of articles by
looking at the origins and development of
Japanese woodworking as well as some of the
Japanese tools commonly used in the West.
In later parts of the series, I will demonstrate
specific Japanese joints for connecting and
splicing wooden components together.
There are many pros and cons to tools from
all origins, which unfortunately, I don’t have
room to cover here. First a little background
on the most obvious differences between
Japanese and Western woodworking tools
and some of the reasons Japanese tools are
designed the way they are.
www.woodworkersinstitute.com F&C228 31
A Japanese craftsman sits on the floor to chop joints using his legs to secure the The long Sashi Tsuki Nomi or slick chisel is gripped vertically between the two fists
wood in place to combine fine positioning with strong paring force
The Sashi Tsuki Nomi can be The long Sashi Tsuki Nomi chisel
gripped horizontally for paring can be gripped horizontally between
across large surfaces of joints one fist and the fingertips of the
other hand for delicate paring
across small surfaces of joints
32 F&C228 www.woodworkersinstitute.com
Japanese sharpening
‘Toishi’ or Japanese waterstones have been
widely used in the West for many decades
now, both for grinding and honing Western
as well as traditional Japanese blades. Rather
than using oil they are always lubricated with
water, which is frequently replenished to wash
away metal particles. Like other stones from
around the world, these were traditionally
made from solid pieces of natural sedimentary
rock. They are now manufactured from fine
abrasive particulates, normally silicon carbide
or aluminium oxide for finer stones, bonded in
a clay matrix.
The finished stone is relatively soft and
wears away quickly. Perhaps counter- Traditional hand-held grinding on a Japanese waterstone is quick and once mastered, it can be repeated often as it
intuitively this makes it better at grinding does not need a setup time
the very hard steel laminated on the front of
Japanese blades. The reason for this is that
as the stone surface wears away, it exposes
new abrasive all the time keeping it sharp
and efficient. The problem with this is that
the stone quickly becomes hollow and must
itself be flattened on abrasive paper to avoid
producing rounded tool edges.
The Japanese waterstone is rinsed in clean water to With repeated use, the soft surface of a waterstone The hollowed out face of a Japanese waterstone is
remove metallic dust wears hollow as seen here against a straightedge flattened using abrasive wet and dry paper laid on a
thick sheet of glass ➤
www.woodworkersinstitute.com F&C228 33
Compare the Western saw – in front – with forward facing teeth that cut on the push The dozuki saw has its thin spring-steel blade hooked in place between the rigid sides
stroke, to the Japanese saw – behind – and its backward facing teeth that cut on the of the folded steel back
pull stroke. Both handles are on the right of the photo
The dark blue teeth of this dozuki saw have been electrically hardened One hand is used to drive the saw handle with the thumbnail on the other hand used to
guide the start of the cut
Japanese marking tools the joints yourself, then it is by no means them awkward to use. We have only looked
There is a range of different ‘kiridashi’ or essential to use Japanese tools. It is worth at a handful from the hundreds of Japanese
marking knives used for scribing lines. trying a few out because some Western tools available, but I hope this introduction
They tend to be bare steel without handles, makers really like them, while others find is helpful. F&C
which allows them to be used with great
accuracy. For example, against an edge
where a handle might otherwise get in the
way. They can be ground for left- or right-
handed use but are most versatile when
double ground for marking in either direction.
Smaller versions of these knives are
fitted in an adjustable stem to form marking
gauges known as ‘sujikebiki dai’. These are
similar to the Western marking gauge but
with a wider stock; this helps to reduce
judder when running parallel to an edge
and also a finer blade to mark a cleaner line.
34 F&C228 www.woodworkersinstitute.com
Tony Wilson
Mich
ael Painte
r Andrew Hall
FOLLOW US FOLLOW US
ON FACEBOOK ON TWITTER
ISBN: 9781440321016
Price: $29.99 (£18.82)
Contact: Popular Woodworking Books
Web: www.shopwoodworking.com
USING
YOUR BODY
CORRECTLY –
part 2 36 F&C228
In this excerpt from his book, Jeff Miller looks
at containment/proximity and how to use your
body, tools and materials to do your best work
www.woodworkersinstitute.com
F&C 228 P36-37 Jeff Miller Construction Tech Part 2DJtfJRSD.indd 36 17/12/2014 15:23
PROJECTS & TECHNIQUES
Construction tech – the foundations of better woodworking
C
ontrol, accuracy and force all is in the range between your knuckle and do work that would otherwise benefit from
diminish when you work farther your wrist height as you stand with your good body alignment or application of force
from your torso. And the farther arms comfortably at your side. This allows from stronger muscles.
you go, the more that’s true. So most of you to use both your body weight and lower Most workbenches are designed as
your work should be contained within a body strength effectively as you plane. But something of a compromise, because there’s
relatively small area around your body a height that works well for planing may so much variation in size from person to
where your strength and control are at their seem too low for joinery work, which can person, and plenty of variation in ideal heights
peak. The sweet spot is not right up next to be much more comfortable and accurate at for various tasks. There is no real all-purpose
your torso, but it’s pretty close. You should stomach-to-chest height. That height allows bench out there. There is an adjustable-height
find that your elbows don’t get all that far you to position your body well for tasks such workbench that can be raised or lowered
from your body, except as you finish up as sawing, measuring, marking, chiselling as needed; the Noden Adjust-A-Bench is
certain longer movements. You may have and routing without constantly leaning over available as a complete workbench or as
to play around a little to see just what works and stressing your back. Certain kinds of just a base mechanism. The Noden bench
best for you. detail work are better even higher than that, is rigid and relatively easy to raise and lower
at chest height. Working at the right height on a ratcheting mechanism. Some people
Working in the right position, will certainly save your back and neck. You’ll have enough shop space for more than one
working at the right height also see better and you’ll be able to apply workbench. In that case, separate planing
It’s extremely important that you position your the proper amount of force or control for the – relatively low – and joinery – relatively
workpiece so you can do whatever needs specific task as well. high – benches are a good idea. Perhaps
to be done on it comfortably and effectively. How can you quickly and easily accommodate the best solution is to make – or purchase
Important as this advice might be, it is the tasks you’ll do at these heights in your – a benchtop solution: either a miniature
easily overlooked or ignored. This is one of workshop? The easiest solution is simple workbench or an auxiliary vice that can be
the main reasons you need an appropriate denial. Just go ahead and do the work. The clamped to the top of your main workbench
workbench or work station; you need human body is very adaptable, and you’ll to hold a workpiece at a higher height.
flexibility in positioning and holding a variety do just fine; at least for a while. But you’ll Whatever solution you choose, it should
of pieces for all types of work. It’s equally probably start to feel the effects of working be something that you can turn to quickly
important, and even more easily overlooked, at a less-than-optimal height – and you’ll and easily. You don’t need to do this for
that you consider the height at which you feel it quicker and you’ll feel it more as you every little task that comes up – denial
work as well. get older. You can pull up a stool that’s an definitely works – but it’s good to avoid the
Different tasks in the workshop are best appropriate height to position yourself at a things that are going to hurt your back or
done at different heights. For example, better height in relation to your work at your neck if you’re at them for a while. And you’ll
planing usually works best at a height that bench, but sitting may impact your ability to see better and have more control as well.
The Noden Adjust-A-Bench gives you the flexibility to A shop-made benchtop bench – a small workbench Benchcrafted’s Moxon vice holds boards for dovetailing –
work at the right height for almost any task that you clamp on top of your existing bench – and other work – at a perfect height
provides workholding and a surface at an ideal
height for detail work
Staying relaxed
It’s common to tense up when trying to learn and without added movement or tension; to see how you should use your body and
a new way of doing something that involves an awareness of exactly where you need to understand what it is that you’re trying to do
physical movement. Adding in the thought cut; experimenting to see how you can best on a specific task, you’ll be on the path to
that you should relax is not always beneficial put these things together and then practice. discovering the best way to do it. You should
– although sometimes it helps. Instead, Sometimes lots of practice. Most people always experiment with how you do things.
try to break down the task into smaller don’t expect to be able to go out on a golf Partly, this is out of necessity – every piece
components and work on these until you can course and play a respectable round without of wood, every task and every project is a
do them without tension. Then add in the next having practised for years. Don’t place that little bit different. But knowing just what it is
component. It’s particularly helpful to commit kind of burden on yourself and expect perfect you’re supposed to do, and paying attention
to working on the muscle memory separate dovetails right away either. It won’t take nearly to how your body is accomplishing – or not
from the accuracy and detail. Don’t stress as long as learning to play golf, but it does accomplishing – what you want to do, you
about accuracy right away, either. It comes take good form, a solid concept of what you should be able to make quick adjustments
from a few things: using your body correctly need to do and practice. Once you start that will keep you on the right path. F&C
www.woodworkersinstitute.com F&C228 37
F&C 228 P36-37 Jeff Miller Construction Tech Part 2DJtfJRSD.indd 37 23/12/2014 10:40
scott sargeant the machinery experts
t
35000 ft2 of new & used machinery on display . ... THE LARGEST
iTECH BS600 Bandsaw 400v 3 phase iTECH C300 Universal Woodworker 220v 1 phase SHOWROOM OF
PROFESSIONAL
£1 incV
£4 incVA
WOODWORKING
62AT
19T
4
0
MACHINERY IN THE
SOUTH
19T
86
l scosarg.co.uk
Orde
Ord
Order On
der Onli
Onli
line
ne
e
sales@scosarg.co.uk
F 01 403 274444
T 01 403 273000
A natural alchemy
Home cooked is nearly always best and when it comes to wax polish, there’s really
no better recipe than the one you develop yourself, as Derek Jones finds out
W
e first covered the subject of making score points around the dinner table in future ingredients it offers a level of protection
your own wax polish back in issue is an added bonus. I can see the attraction; from dirt and moisture and when buffed
189 with Yannick Chastang. He a concoction of natural aromatic ingredients adds shine to the surface. Adjusting the
kindly gave away recipes for three different blended in a cauldron and decanted into glass ingredients and the ratio in which they are
blends of wax suitable for a variety of jars. It’s all very traditional and wholesome. used alters the properties of the blend.
applications. I’ve been promoting these But beyond the romantic idealism it’s also The possibilities are endless if you decide
recipes ever since in subsequent articles a process that makes for more predictable to colour your wax, so, as a long overdue
and as a little addendum to French polishing results than shop-bought products because part two to our original article, we will look
classes. Without fail, the little tub of wax the you know exactly what’s in the tin. at how you can do this and other things
students take home is the highlight of the Beeswax has a long association with the to get a range of home brew wax polishes
➤
course and the shared secret they will use to finishing of wood. Combined with other to suit all your needs.
www.woodworkersinstitute.com F&C228 39
The recipes
A 500g block of beeswax is easy to section out in 100g Shellac wax is very hard so can be broken up with Carnauba wax is typically available as flakes
portions edge tools or a small hammer
Soft wax is perfect for bare timber Medium blend is the closest thing to a shop-bought wax Hard blend will really shine if buffed with a rotary machine
Ingredients
When it comes to blending your own other time. For now though, if you
wax, or shellac polish for that matter, are reading this outside the UK do
there is often much emphasis placed some local research into the grades of
on the quantities of each ingredient denatured alcohol. The term is a catch-
required to make a successful blend. all phrase that unfortunately doesn’t
Take shellac polish for example and the translate accurately across borders.
‘pound cut ratio’. Sure, it’s helpful but In the UK I’ve been using methylated
not an exact science as there are far spirits manufactured by Morels from a
too many variables in the equation such specialist polishing suppliers. When
as ambient temperatures, humidity, used to make my own shellac polish
age of product and of course the the alcohol content is sufficient to
quality of each ingredient. The biggest negate the need to remove the oil from
factor in this case will typically be poor the surface of the polish at the end of
quality methylated spirits or denatured the process. In short, my advice is to
alcohol for dissolving the shellac contact a specialist supplier and avoid
flakes. There are some alternatives as the ‘sheds’ for any of your ingredients.
well and we will look at these some They may not be up to scratch. Solvents are best sourced from a specialist supplier
40 F&C228 www.woodworkersinstitute.com
Measuring quantities
These recipes are measured the domestic kitchen for use
in weight which can be a in the workshop is never a
convenient way of calibrating good idea in my experience.
liquid and solid ingredients. Don’t try and measure the solid
A cheap plastic measuring jug ingredients in the jug if you
is perfect for measuring the have broken them up or grated
solvents. Conveniently, the hard them. They will have increased
ingredients are often sold by in volume.
weight so it’s a simple case of Be mindful of the total
dividing the block or pack into volume of finished paste wax
the portion sizes you require you will end up with and make
when you get it and reserving provisions to store the amount
the rest for another day. It may you make. Should this be more
not be as accurate as using a than you require then simply
set of digital scales but as long halve the quantities in these
as you use the same jug for any recipes. To give you an idea,
subsequent blends you can if you follow these quantities
note any adjustments required you will end up with roughly
to alter the characteristics of the equivalent of two to three
Beeswax can be broken up by hand if you score a break line first the wax. Removing items from small tins of shop-bought wax.
Mixing up
If you have access to an old hot glue pot then down the heat on the hot plate. The harder solid ingredients have turned to liquid in your
you’re set to go, just make sure it’s clean and waxes generally melt at a higher temperature kettle, remove the saucepan from the hot
not harbouring flaky bits of glue. If not, then so add these to the kettle first. You can plate and add the solvents, stirring all the
you can make your own bain-marie from a speed up the melting process considerably time. You can return the saucepan to the hot
saucepan and a cheap paint kettle. Place if you break the solid ingredients down into plate if you are working in cold temperatures.
some suitable metal objects in the bottom of shavings or flakes. Softer waxes can be The mixture will remain molten for quite a
the pan to keep the kettle suspended in the grated on a domestic cheese grater and while and long enough for you to decant into
water. I use a handful of M8 nuts, and bring the harder ones broken down with a small lidded jars. As it cools, the mixture stiffens
the water to a gentle simmer before turning hammer or suitable edge tool. When the and becomes a semi-solid block or paste.
Put your nuts in a pan An electric hot plate is safer to use in the workshop than Add all your ingredients away from the hot plate
a gas burner
If your jug is large enough, mix the solvents together and Before the liquid starts to cool, pour the mixture into pots or airtight containers
add them at the same time ➤
www.woodworkersinstitute.com F&C228 41
Go natural
While it’s probably impractical to attempt
to produce your own turpentine or white
spirit it is quite possible to harvest your
own beeswax or acquire the raw material
locally and prepare it for use. Be warned,
it’s a messy business as raw beeswax is
littered with contents similar to those found
in a hairy biker’s beard, i.e. bits of bee,
plant life and remnants of their last meal.
The conservator and expert in historical
Quick Find Code: 19392
furniture techniques Don Williams has A polissoir from Don Williams
published his experiences in this field on The Complete Guide
his website – www.donsbarn.com. Do me and Don are not going to put the likes to Joint-Making
have a look and bookmark the page as Don of Liberon, Fiddes and Mylands out of £16.99
has taken the subject to a new level and business but we will certainly reclaim some
after more than 40 years is only partway of the traditional craft knowledge that is
through his research. Collectively you, as much under threat as the honeybee.
Hundreds of inspiring
woodworking and
DIY books available visit
Resources
www.thegmcgroup.com
Shellac wax:
www.kremer-pigmente.de or call 01273 488005
For everything else: Still want to know more? Then
PLEASE QUOTE: R4517
www.restexpress.co.uk check out the blog for a fourth
www.jpennyltd.co.uk recipe suitable for use on metal F&C
42 F&C228 www.woodworkersinstitute.com
Demonstrations, Entry:
One day £8 / In advance £6
Two days £12 / In advance £8
Personalities, Trade Stands, Under 16’s Free
ADVANCE TICKETS ON SALE
FROM 5TH JANUARY 2015
Advice and Fun. (TICKET HOTLINE CLOSES 1ST MARCH 2015)
ADVANCE TICKETS: Ticket Hotline 01474 536535 or buy securely Online at www.nelton.co.uk
FOR FAST,
ACCURATE,
STRONG JOINTS
A dowelmax is forever...
not just for Christmas
“Highly
“Hi hl recommended” d d”
Without sounding like a kid on Christmas morning, the Dowelmax
is perhaps one of the best jigs I have ever used, for any task. ...
Dowelmax jig has restored my faith in the possibility
and usefulness that dowel joints offer. I have never seen another
dowel jig that is as accurate, as simple to use and as uncomplicated
as the Dowelmax system. The precise engineering of the system is
something other jig makers should really be ashamed of.
The UK’s last remaining traditional
I can certainly recommend this system with my highest praise. It is solid, saw manufacturers.
it has proven to do what it says it will do, and it is great fun to use. Now also manufacturing Clifton Planes!
Dean Bielanowski, OnlineToolReviews.
I
we’ve decided to introduce a new style t’s not that I’ve decided to embrace entry’ system far better than I ever did,
of article that will take us on a workshop the ways of a luddite, and I really do try but I do struggle a bit with CAD!
tour of the globe. to adopt new technology, although my I’ve had a pretty good go at learning
Our reporter this month is a children would certainly tell you that there’s one of the more user friendly, free 3D CAD
bespoke furniture maker who was our room for improvement here, but the hard packages, which, to be fair, does manage
correspondent back in issue 225. He facts are that I didn’t grow up with computers to give a degree of hope to the more
returns again this month to talk about and I didn’t use one in earnest until I was in computer illiterate among us, but it’s not,
traditional hand-drawing methods for my 30s, so my natural default position when, I think, destined to ever become a process
furniture versus the complicated CAD for instance, drawing a piece of furniture, is that I enjoy.
packages on the market. He talks water- to use that well tried and tested method of
coloured perspective drawings and the ‘paper and pencil’. I don’t avoid computers – Low-tech drawing methods
fact that they are simply more client- I got rid of my carrier pigeons long ago – and My daughter, who has grown up with
friendly. Ladies and gentlemen, our global I have no inclination to go back to producing computers, as part of her university course
correspondent this month is John Lloyd. my accounts in hard-backed ledgers – my studied product design and marketing and
computer seems to understand the ‘double I was pleasantly surprised when she came
44 F&C228 www.woodworkersinstitute.com
www.woodworkersinstitute.com F&C228 45
For further details of this & our complete range of woodworking machinery please visit
www.sedgwick-machinery.co.uk, or contact us at:
M. Sedgwick & Co. Limited, Stanningley Field Close, Leeds LS13 4QG
E: sedgwickmachinery@btinternet.com Tel. 0113 257 0637 Fax. 0113 239 3412
Project examples
R
are earth magnets have become of saying ‘I hate it!’ Most kitchen knives are of
increasingly popular over the years So where can these magnets be put to use? various sizes and I don’t want to be obligated
and have been incorporated into a Here are a few examples to get you thinking. to place them in a specific spot that may be
variety of woodworking projects and jigs. My first woodworking endeavour using rare too close or too far away from the next knife on
However, the appearance of a shiny magnet earth magnets was a wall-mounted knife block the block. I also wanted to utilise more of my
on a project can be distracting. Selecting the for my wife using a strip of scrap bubinga available wall space, which meant I needed a
proper magnet can also be confusing, which (Guibourtia demeusei). Similar knife blocks longer knife block than I could find online. This
can result in a holding force that is too weak are readily available online, but they often have all led me to designing my own custom-sized
or too strong. In this article I will share a few obvious plugs or exposed magnets that I’m not knife block with no visible plugs and free of
examples where these magnets are useful, fond of and they almost always have generic zones. After making the knife block, I used
explain how to select the right magnet for ‘zones’ for the knives; this means there might some of the leftover magnets to make a few
the job and finally demonstrate two methods be one large magnet every 50-75mm where bottle cap openers that catch the caps as
I use for installing them without compromising a single knife can be stored. I have a serious they fall. Both of these projects were made
the final appearance of the piece. aversion to this design, which is a nice way using the ‘plug method’ described later. ➤
www.woodworkersinstitute.com F&C228 47
F&C 228 P47-51 Construction Tech Rare Earth MagnetstfJRDJSD.indd 47 17/12/2014 15:28
I have found several uses for these magnets
in my workshop as well, including a rack for
my chisels. I wanted something that gave
me quick access to my tools while keeping
the tips protected and magnets offered the
solution, but this time I went with a different
construction technique I refer to as the ‘resaw
method’. I should point out that unlike the
knife block, my bench chisels are specific
sizes, which I do not have plans to replace in
my lifetime. For the chisel rack, I deliberately
created zones from columns of magnets that
keep the chisels vertical as well as evenly
spaced from one another. As with most
woodworking projects, the beauty of making
something yourself is being able to customise
every aspect that matters to you.
A simple project that can be made to any size in any wood you like, completed in style
Rare earth magnets catch bottle caps as they fall Magnetic chisel rack provides open access to the tools and keeps their tips protected
Selecting magnets substantially weaker force than two magnets on a target pull force, the best advice I can
If you’re ready to incorporate magnets into pulling against each other. You also need to give on understanding how all these factors
your next project, how you go about selecting consider the distance between the magnet impact the magnet’s strength is to spend a
them is important and can be confusing. And and the object it’s holding. This is probably little time using the magnetic calculator on
while it may not be the most exciting thing to the most important factor to be aware of, my preferred website. I use K&J Magnetics –
read about, knowing what differentiates one because I like to use a thin layer of wood www.kjmagnetics.com/calculator.asp. Start
magnet from another will help you size them covering the magnet and the thicker that with your preferred magnet diameter, guess
correctly without a lot of trial, error and wasted layer gets, the more the pull force of at a thickness and pick a mid-level grade,
money. The first thing to be aware of with any the magnet drops off – and it drops off such as N45. For the distance, start with
magnet is its physical dimensions. The larger exponentially. Finally, consider your placement 0.5mm – more on that later – plug these
the surface area and the thicker the magnet, pattern. If you are planning to have multiple factors in and hit ‘calculate’, then look at
the higher force it will have. I typically use disc magnets providing a hold on a single item, your Pull Force Case – usually Case 1 –
magnets so the diameter and thickness are my then you should divide the total desired hold and see where you fall. Start to vary the
only concerns, but if you’re using rectangular force by the number of magnets acting on thickness and grade rating until you reach
magnets, you’ll have one more dimension to the single item. a pull force you’re comfortable with. If this
consider. Second is the magnet’s grade – doesn’t get you where you need to be,
typically N35-N52 – with the higher number Sizing magnets then change the diameter and try again,
correlating to a stronger magnet. Third, you Before actually selecting your magnet, you but make sure the diameter is something
need to account for what the magnet is need to decide on a target pull force for your that matches a drill bit you own or can
attaching to. A magnet being pulled against given application. I typically end up looking easily purchase. Now that you’re familiar
a steel plate will be different from a magnet for something between 2-9N but every with sizing magnets appropriately, let’s
between two plates, both of which yield a project is different. Once you have settled look at how to install them.
48 F&C228 www.woodworkersinstitute.com
F&C 228 P47-51 Construction Tech Rare Earth MagnetstfJRDJSD.indd 48 23/12/2014 10:43
PROJECTS & TECHNIQUES
Construction tech – rare earth magnets
Note the continuous grain lines running from the face through the edges of the board, Install a sharp bit and set the depth stop on your drill press to stop the bit when the tip
made possible using the ‘plug method’ just touches a 0.5mm shim
A comparison of two holes shows the advantage of drilling a second time with a flat bit. If you’re unsure of the best spacing for your magnets, practise some different patterns
Now the magnet can sneak right up to the front face in MDF. When you’re satisfied with the results, split the MDF apart and reuse the
magnets in your final project ➤
www.woodworkersinstitute.com F&C228 49
F&C 228 P47-51 Construction Tech Rare Earth MagnetstfJRDJSD.indd 49 17/12/2014 15:29
Lots of holes to plug, but the results are worth it Drill all your holes, then install the flat-ground bit
Twist bits or Forstner bits can be ground flat for cleaning out the bottom of holes
Set the drill press to stop the flat-ground bit when it touches the same 0.5mm shim, It’s no secret where the magnets were installed using the ‘plug method’, but since this
now go back and redrill each of your holes face will be against a wall they will never be seen
50 F&C228 www.woodworkersinstitute.com
F&C 228 P47-51 Construction Tech Rare Earth MagnetstfJRDJSD.indd 50 17/12/2014 15:29
PROJECTS & TECHNIQUES
Construction tech – rare earth magnets
After resawing, remove the saw marks to leave a clean, flat surface for installing the
magnets and reattaching the face
Drill the holes just deep enough for the magnets to sit flush in the body, then glue the
face back on Lay out the pattern for your magnets – dividers help – then get to drilling
This second technique is fairly straightforward When the glue dries, you can clean up the and face, but I’ll leave that up to you.
and the title pretty much gives it away. The edges and address a few final details. If you’re hoping for an even look, then
‘resaw method’, as I call it, is generally easier If the face that was glued to the body was resawing your own board should be the
and faster for any project requiring more than left too thick after the resawing, now is the approach for quality work.
a few magnets. It also has no visible plugs, time to thin it out. This can be tough as you’re
so if the back of your project will be seen in aiming for a minute target thickness. Taking Conclusions
its finished state, this would be my preferred off too much will result in your equipment So which method is best? It really depends
approach in most cases. grinding into one or more magnets and your on what you’re making. Adding a few
Start by resawing a thin strip of wood off project will be ruined. Proceed carefully until magnets, especially when the back will be
the face of your board. The strip should be you reach your goal or until you’re happy hidden? I would use plugs. Adding a lot of
as close to 0.5mm as possible, but this may with the feel of the pull force the magnets magnets? I would resaw, unless I’m using
prove difficult, depending on your equipment. are providing – there is no sense in taking wood with pronounced grain lines I want to
If you have to go thicker, that’s fine – you can off more than you need to. With everything preserve, then it’s back to plugs. What if you
thin it out again once it has been reattached cleaned up, I like to plane a small chamfer want to use the plug method, but the plugs
to the body. With the face ripped free, clean around the edges that ends right at the glue will be visible? Go with face-grain plugs you
up the saw marks so you have a flat glue seam; this masks any visible glue line as can make yourself – search for ‘snug-plug
surface later on, then lay out and drill the merely the break line of the chamfer. cutters’ on www.leevalley.com. Be sure to cut
holes for the magnets, preferably with a An alternative for resawing your own the plugs from a piece of scrap off the same
Forstner bit. Drill the depth of the hole to the board is to simply add a piece of veneer to board your project is made from; this will
exact thickness of the magnets, which you an existing board; this saves the resawing ensure that the colour is a perfect match.
can check with a depth gauge or by placing a trouble and leaves a perfectly uniform strip Regardless of which method you use to
magnet in the hole and laying a non-magnetic of wood covering the magnets. The downside install the magnets, they can serve a useful
straightedge across it. If the magnet is flush is simply that the grain pattern and colour purpose and still maintain a clean look. Once
or just below the straightedge you’re in will differ between the board body and the you’ve tried them you will likely find more
business. Drill the holes, add the magnets, face. Maybe this is an opportunity to play with and more ways to incorporate them into your
then glue the resawn strip back to the body. deliberately contrasting woods for the body projects, so get started and good luck. F&C
www.woodworkersinstitute.com F&C228 51
F&C 228 P47-51 Construction Tech Rare Earth MagnetstfJRDJSD.indd 51 17/12/2014 15:29
www.norfolksawservices.co.uk
Visit us on-line or in-store for a comprehensive selecƟon of woodwork machinery,
power tools & consumables from all the top brands
I
n this article, I will look at the application
of bearings to router cutters and
discuss their uses and applications.
I will also suggest how and when they can
be used to assist in routing tasks, as well
as examining ways in which to extend the
usefulness of your existing router cutters
by the judicious use of bearings. Lastly,
I will cover safety issues in the use of
bearing-guided router cutters.
PHOTOGRAPHS BY LEWIS KWOK
54 F&C228 www.woodworkersinstitute.com
Top-bearing mounted cutters. Straight cutters in various sizes, including two down-shear cutters, from Trend,
Axcalibur, Titman, CMT and Wealden on 1⁄4in, 8mm and 1⁄2in shanks
Template
Workpiece
Spacer or
sacrificial board
www.woodworkersinstitute.com F&C228 55
Shaping an edge
Round-over cutters with bearings – a selection of round-over cutters from Titman, Wealden, CMT and
Trend on 1⁄4in and 8mm shanks
Another task that shapes an edge of a narrow central land of the edge on which
workpiece is the simple round-over, although the bearing needs to run. Try it on a thinner
it is sometimes difficult to achieve exactly piece of stock and you will quickly find that
what you want, especially if you are rounding the workpiece gets progressively smaller
A gap between the bottom of the cutter and the top edge
over both faces of a workpiece. Usually, from the second and subsequent passes! of the bottom-mounted bearing can make a perfect semi-
the diameter of the bottom bearing will Thus you may find that you cannot achieve circular profile impossible to achieve
be the same as the narrowest diameter a large enough radius of round-over using
of the round-over cutter, but the diameter this method, and you will have to use another of the cutter and the top edge of the bottom-
of the round-over will be constrained by approach, such as using a round-over cutter mounted bearing. The world awaits a range
the thickness of the workpiece. Generally, in a routing table. You will also be unable to of round-over bearing-guided cutters with
anything less than around 12mm will be achieve a full semi-circular rounding-over of a smaller gap between the cutter and the
difficult to do with a freehand router using the edge. This problem arises partly because bearing. The same applies to other bottom-
a bottom-mounted router cutter, because almost all round-over cutters that I have seen mounted cutters, but they don’t seem to
the rounding over will encroach onto the have a significant gap between the bottom cause me the same problems.
56 F&C228 www.woodworkersinstitute.com
Different names
Bottom-mounted bearing straight cutters cases, the depth of cut is given by half the mounted, making such changes convenient.
are often referred to as trimmers and difference in diameters of the cutter itself Also, because of the larger diameter of the
top-mounted bearing cutters as profilers. and the bearing fitted. These can be very cutters, the manufacturers’ guidelines on
However, these names do not imply limited useful as trimmers if an offset from the cutter speed should be followed carefully.
applications – the configuration of templates, guiding surface is required, as well as for Mention should be made of one variation
jigs, routers or fences is what determines their stated purposes. However, because of on the theme of rebate cutters, namely the
their use. Further, some cutters which have their configuration it is possible to attempt biscuit cutter. This is sold as a substitute
the same configuration are designed for very deep cuts and these are to be avoided for a biscuit jointer, or for use in confined
other very specific applications, such as – the usual rules about progressive removal spaces where there is insufficient space to
rebate or tenon cutters. These typically of stock by repeated passes should be use a biscuit jointer. The cutter is 4mm-thick
have a larger diameter – often up to around followed – and this can be aided by repeated and by changing the bearings, recesses for
35mm or more – and are often sold with substitution of progressively smaller diameter the three common patterns of biscuit, namely
sets of different diameter bearings. In all bearings, which are almost always bottom- 0, 10 and 20 may be slotted using a router.
Available alternatives
What about alternatives to bearing-guided reliant on the bearing for guidance. So once suppliers – they are after all standard
cutters? Guidebushes serve broadly the again, more choice. industrial products and are widely available
same purpose and work well. They give more The other option, of pin-guided cutters, is on the internet – just Google ‘small roller
choice in the use of offsets between the seen rather less these days. These have a bearings’. If you follow this route you will
edge guide and the workpiece cut edge at solid extension of the cutter shaft in lieu of a need to specify the correct pattern, which
lower cost than a selection of cutters and bottom-mounted bearing. In use, as might be apart from the precise dimensions – inside
bearings, but they take a little bit longer to expected, they tend to burn the surface with and outside diameter and depth – should
set up and they also require the router to which the pin is in contact, but the diameter be ‘sealed’.
be cantilevered over the edge guide slightly of the pin is usually much smaller than the
further, although this can be a definite equivalent bearings, enabling much tighter
advantage if using a jig that contains the internal radii to be followed. I have a few old
router cutter, such as a kitchen worktop pin-guided cutters, but only use them if I
jig, where it is important to reduce the can’t see another way of doing a job.
risk of damage by nicking the guide edge. Where can you get bearings suitable for
However, any jig used must take account of router cutters? All the main suppliers of
the offset to the cut edge inherent in using cutters also sell replacement and additional
guidebushes, although using guidebushes bearings, although they tend to be a bit
also means you may have more options pricey. Another option is to buy bearings
to change the depth of cut as you are not directly from bearing manufacturers and
Piloted cutters – a selection of cutters with bottom-mounted pilots The offset between the edge of the cutter and guidebush
needs to be taken into acount ➤
www.woodworkersinstitute.com F&C228 57
Template
Workpiece
Bench top
Two-flute cutter
The diagram on this page illustrates a typical edge, and particularly to give a clean finish to enable the wood shavings to clear the cut,
setup with a template mounted above the on the top edge of the workpiece. The as these cutters tend to compress them into
workpiece and using a top-mounted bearing- corollary is that there may be some breakout a very narrow band level with the centreline
guided cutter in a hand-held router. It shows on the bottom edge of the workpiece. of the workpiece. Whichever cutters you
clearly the need for spacer blocks to keep Alternatively, an up-cut shear or spiral cutter use, remember that safety requires that you
the bottom of the router cutter above the can be used to give improved machining of never exceed the manufacturers’ advice on
workbench. The cutter shown is actually a the bottom edge of the workpiece – and yes, maximum rotational speed. For small cutters,
standard straight cutter, but other variants there are cutters available that are combined this is typically around 20,000rpm, the max
can be used in the same setup. For example, up and down-shear cut, protecting both setting on most hand-held routers, but if
a down-cut shear or spiral cutter could be edges. However, with these it is even more bigger cutters are in use, this can drop to
used to give a smoother finish on the routed important to take repeated shallow passes, half that speed. If in doubt, check!
58 F&C228 www.woodworkersinstitute.com
Suppliers
Axcalibur router cutters
Common sizes of router cutter bearings Web: www.brimarc.com
Note that all bearings should be the ‘sealed’ type CMT Woodworking Tools
Web: www.cmtutensili.com
Inside diameter Outside diameter
Titman Tip Tools
Shank sizes Web: www.titman.co.uk
(top bearings) ¼in; 8mm; ½in 3
⁄16 in upwards × 1⁄16 in steps
Simply Bearings Ltd
Shank sizes ⁄32in; 1⁄8 in; 3⁄16 in;
3
5mm upwards × 1mm steps Web: www.simplybearings.co.uk
(bottom bearings) 4mm; 5mm; 6mm;
Trend Machinery & Cutting Tools
Web: www.trend-uk.com
Note that fixing screws may be either metric or UNC and therefore the hex keys required
will be either metric or imperial A/F. See manufacturers’ websites and catalogues for details Wealden Tool Company
Web: www.wealdentool.com
www.woodworkersinstitute.com F&C228 59
Ŕ$BTUJSPOUPQT
Ŕ4VQFSJPSBJSDPOUSPMT
Ŕ6OCFBUBCMFRVBMJUZ
Ŕ3BOHFPGTUPWFT
Ŕ#FTUXPSLTIPQTUPWFT
POUIFNBSLFU
Ŕ4UJMMTPMEXJUIB
QFSTPOBMTFSWJDF
K
esteven and Sleaford High School
Selective Academy (KSHSSA) nestles The natural human
in the heart of the Lincolnshire market instinct to make and
town of Sleaford. It is a selective school and create is fostered and
pupils must pass the 11-plus examination in encouraged through
order to attend. The school was founded in the Technology
1902 and currently provides an education to discipline. The key
over 800 pupils between the ages of 11 and focus of the D and
18. It continues to be affectionately known T curriculum is to
locally as, ‘The Girls High’ although boys can develop pupils’
study here at A-Level. talents in designing
Currently woodwork in secondary schools and making as well
PHOTOGRAPHS COURTESY OF SUSAN JOHNSON
62 F&C228 www.woodworkersinstitute.com
The first project undertaken in Year 7 is a wooden box It is a proud moment when the box is finished
www.woodworkersinstitute.com F&C228 63
Box making
Step 1 Step 2
Make the sides of the box using a simple joint. Dowel, comb, lap, Cut out the hardboard base and plywood lid
mitre or a butt joint for younger children – are all achievable choices using either the scrollsaw or a coping saw.
dependent on tools and experience.
A sample board showing how to make four common joints Cutting out the box lid on the Hegner saw
64 F&C228 www.woodworkersinstitute.com
Step 3 Step 4
Choose the type of lid to be made. A lift-off lid can be made using Glue and nail the base in place with panel pins.
two pieces of wood. Draw around the inside of the box for the
inside piece and then glue this to a larger piece of wood for the lid. Step 5
Alternatively, the lid can be attached using a screw in the corner to Decoration can be painted or burnt on with a pyrography pen.
make a swivel lid.
www.woodworkersinstitute.com F&C228 65
Title Initial Surname I enclose a cheque made payable to GMC Publications Ltd, or Please debit my credit/debit card
Postcode Country
Signature Date
Telephone Email
Subscription options (please tick the appropriate price) Direct Debit Instructions to your Banks or Building Society
Name of account holder Originator’s identification number 6 5 9 9 5 7
Pay by cheque/card 12 issues SAVE 10% 24 issues SAVE 20%
Reference number (office use only)
UK £45.90 £81.60 Bank or Building Society
account no.
Europe £57.38 £102.00 Instruction to your Bank or Building Society:
Bank or Building Society
Rest of World £64.26 £114.24 sort code Please pay GMC Publications Ltd Direct Debits from the account
detailed in this instruction subject to the safeguards assured by
Pay by Direct Debit (UK only) SAVE 30% Name and full postal address of your Bank or Building Society the Direct Debit guarantee. I understand that this Instruction may
remain with GMC Publications Ltd and, if so, details will be passed
UK only £17.85 every 6 issues £35.70 every 12 issues electronically to my Bank/Building Society.
Name
Banks and building societies may not accept direct debits for some types of accounts.
The Direct Debit Guarantee: This guarantee is offered by all Banks and Building Societies that take part in the Direct Debit Scheme.
Address
A4668
The efficiency and security of the Scheme is monitored and protected by your own Bank or Building Society. Please see your receipt for
details. Guild of Master Craftsman Publications will ensure that you are kept up to date on other products which will be of interest to you.
If you would prefer to not be informed of future offers, please tick this box Postcode Signature Date
Offer expires 31/03/2015 Plus free gift with some issues; sorry not available overseas
MT55cc
Precision P
lun
c/w 2x Railge Saw
Kit
£639.95 Prices
held until
INC VAT
28th Feb
SAVE 2015 prices
£ 298.62 valid from
INC VAT 1st March
For extended rail use two The MT 55cc works with or Mafell offers the fastest
guide rails, which can easily without a rail - simply turn blade change worldwide.
be fitted together with the the pointer to show the Simply press the release
connection piece. exact cutting depth. button and lift the lever.
The Apprentice’s
notebook In the first of a new series, Waters
& Acland student Jim Cooper shares the
lessons he’s learned at the master’s bench
F
rom day one in the furniture school we It instills the school’s belief that through the backed with pressure sensitive adhesive
try to instil in our students an eye for use of high-quality tools and a tried and (PSA), stuck onto a piece of 15mm non-
accuracy and detail. We demonstrate tested methodology, even a relative beginner toughened float glass. Non-toughened float
this through the pieces made in our can soon achieve precise and accurate glass is used to ensure that the surface is
professional workshop and the teaching results. This may not be for everyone of perfectly flat, as the toughening process
within the school. We make it clear that course. A plane CAN work straight out of can introduce distortions into the surface
accuracy in cabinetmaking doesn’t come the box and great work CAN be achieved of the glass, which you do not want. In use,
easy, that it takes time, hard work and without going to the lengths that we propose. the glass is lightly clamped to a benchtop
dedication. It comes from going that extra However, if you do make the investment in using cork pads, which help to protect
mile. Not stopping when you think it’s good the right kit, you do invest time and you do the glass. It is important that the bench is
enough but pushing that little bit further. commit to the process, then you will create flat, otherwise the surface of the glass can
Pushing until you have reached or come a tool that gives you amazing feedback. That distort when in use, losing the flatness that
close to perfection. allows us within the school to deal in tiny is essential for success. 15mm float glass
tolerances and never allows our craftsmen is used to minimise flexing during use. 3M
Taking notes or students to blame their tools. That kind micro finishing film is used in preference to
In this the first of our ‘apprentice’s notebook’ of nagging doubt just isn’t good for learning cheaper alternatives, as it has a far more
series of articles, our former student Jim cabinetmaking skills at the highest level. limited particle size range.
Cooper details the first task that faces all Get your tools tuned to perfection and the For flattening plane soles a piece of
students at the furniture school – getting rest is up to you and some serious practice. glass measuring 900 × 230mm is used.
the sole of a plane flat. Not just close to flat, This is able to accommodate three full
but really flat. This task may seem a little dull Scary Sharp sheets of 3M micro finishing film. The
and it’s certainly hard work, but it focuses In summary, the Scary Sharp system edges of the glass should be slightly
our students’ minds on accuracy and detail. consists of sheets of 3M micro finishing film, chamfered for safety reasons. ➤
www.woodworkersinstitute.com F&C228 69
Thorough cleaning of the glass before application of the 3M micro finishing film Application of the film begins with the front edge
Multiple sheets are applied with only a small gap between sheets If not left for long periods the sheets can be removed easily
Tool inspection
Prior to applying the film sheets and starting
the grinding process, the plane should be
placed on the glass surface and inspected
for flatness using a feeler gauge. As a
general guide, for a new high-quality plane,
if a 0.2mm feeler gauge can be pushed more
than 5mm under the sole at any point, then
we recommend that the plane should be
returned to the supplier, as it will take too
much time, effort and cost to flatten the sole
using this technique. Use the glass plate and a feeler gauge for initial inspection
70 F&C228 www.woodworkersinstitute.com
A balanced and controlled grinding technique is essential A grid pattern is applied to aid inspection
The gradual flattening of the sole and the removal Inspecting the scratch pattern reveals how close to Non water-based lubricant is used throughout the
of the grid pattern flat you are flatting process
Two or three sheets of 100 micron film are sole, you should periodically apply a grid of on until your sole has a mirror finish. This is
applied to the piece of glass. The number lines to the sole of the plane, with a felt-tip of course overkill and at the school we tend
of sheets is dependent on the length of pen and then take a number of passes over to stick at 100 microns. We also allow small
the sole of the plane. The abrasive surface the finishing film before re-examining the areas to be close to flat but not absolutely
needs to be long enough to allow the sole pattern. The grid lines will have been erased flat. As long as the area around the mouth
to be ground while staying essentially within from those areas of the sole that are flat is flat and good support is offered across
the area covered with abrasive sheets. and hence in contact with the finishing film. most of the rest of the sole, then the plane
When grinding the base of the plane, Any areas of the sole that are not flat will be will work wonderfully. It really is a process
it is important that the blade is in the plane highlighted, as in these areas the grid lines worth doing. It gives every maker who
and that the lever cap is tightened to give will not have been erased. The areas of the spends time within our furniture school a
the normal operating pressure on the blade. sole that are not in good contact with the faith in their tool. It allows Graham the head
This will ensure that the sole will be stressed abrasive sheets will also be highlighted as tutor to teach advanced planing techniques
similarly to when it is being used. The blade they will not have the regular scratch pattern with confidence. It also helps create some
should be retracted above the sole so that of those areas that are in contact with the beautiful shavings: shavings created with
it does not touch the abrasive sheets. sheets. When flattening with this system, a complete control.
The grinding technique is very important. non-water-based lubricant such as WD-40 or
The plane should be moved across the film GT85 is used to eliminate any chance of rusting
sheets with only a light pressure, allowing of the metal surfaces. In addition, the sheets Next month
the weight of the plane to do the work; this need to be cleaned periodically with additional In the next issue, we’ll look at flattening the
will ensure that you don’t apply uneven lubricant and a cotton rag to remove material backs of plane blades. Note: only attempt to
pressure during the grinding process. It is ground from the sole of the hand plane. flatten your plane using this technique if you
very important to ensure that the sole of This grinding process should be continued have a flat piece of float glass, a flat bench,
the plane remains on the film throughout until the above technique indicates that all plenty of patience and a real desire to seek
and that the ends of the sole do not travel the important areas of the sole are in contact out perfection. Without these ingredients,
significantly beyond the ends of the film with the finishing film and that the sole is you are in real danger of making things
sheets at the ends of the stroke. The entire essentially flat. worse rather than better!
surface of the film should be used during this Knowing when to stop is tricky with this To see the full video sequence of flatting
flattening process; this minimises the number process. Of course, you can keep going a plane, plus many other instructional videos
of sheets that are required and ensures even until you have an even scratch pattern as they appear in the series, visit the Waters
wear over the whole of the sheets. across the entire sole. If you are really keen, & Acland YouTube channel: www.youtube.
In order to check progress in flattening the you can move from 100 micron to 40 and so com/user/watersandacland. F&C
www.woodworkersinstitute.com F&C228 71
BOOKS
Lyd Greeves introduces
Lydia a museum wouldn’t have half set of Trump cards. So much
us to the cast of people the impact. When you’ve used it so that it’s hard to even begin
wh
whose life experiences a couple of times as a resource to define Italian design. Maybe
are embedded within for days out, I think you’ll dip it’s because I am first and
th
the bricks and mortar, into it for a lot more than that. foremost a user and not a
wa
wattle and daub or designer of these goods. OK,
cla
clay of each building. Published by National Trust so I haven’t got a Miura in
In Liverpool, for Books the garage, but Italian design
ex
example, you can £30 416 pages is surely as much of a visual
vi
visit the childhood ISBN: 9781907892486 experience for the world as it
h
homes of Lennon is a consumer driven entity?
aand McCartney; at Many of the objects listed in
BBateman’s in Sussex Masterpieces of Italian Design
yyou can spend are of mythical status but you
ttime in Rudyard kind of need to know what
KKipling’s office they are first before you pass
an
and library; nip over them over. Take the Laleggera
Ho
Houses of the l Hall in the West
to Moseley 301 chair, for example: 2.3kg
National Trust Midlands and you can retrace of maple (Acer campestre)
by Lydia Greeves Charles II’s steps when he or ash (Fraxinus excelsior)
managed to give Cromwell’s veneer and polyurethane.
Hardwick, the most theatrical and dramatic of Elizabethan houses The Riva Aquarama motorboat, from 1962
72 F&C228 www.woodworkersinstitute.com
ctor.
tables or table-top accessories £30 256 pages IRWIN, one of the world’s s
you’re after. Remember, though, ISBN: 9781847960474 leading hand tool and power wer tool
accessories brands is buildinguilding
on its reputation for quality ity and
innovation with the launch ch of
a new generation of circular ular
saw blades. IRWIN lookk to
continue to excel and providerovide
their customers with next xt
stry-
level help with the industry-
first app. The Circular Saw
Blade Selector is a digital ital
blade selection guide,
which helps you to match tch
the right blade for a job b to
your machine.
mple
The app offers a complete ete
assortment of blades
Riccardo Blumer’s ‘Laleggera 301’ chair, from 1996 icattion
suitable for every application tion
a material, all of which are
and
c
compatible with any machine hine
BOOK OFFER
R o the UK market. It includes
on udes
t launch of two key ranges:
the nges:
M
Marples stationary blades es and
Irreplaceable W
WeldTec hand-held blades.des.
Woodlands The app is available onlinenline
by Charles Flower a is compatible for iPhone
and hone
a Android, the user-
and
www.woodworkersinstitute.com F&C228 73
FURNITURE SCHOOL
BECOME A FURNITURE
DESIGNER/MAKER
MADE BY STUDENT MARK RATCLIFFE
www.johnlloydfinefurniture.co.uk/courses www
w.joh
hnlloyd
dfinefu
urnituure.co.uk
k
01444 480388 I Sussex 014
444 48
80388 | Susssex
74 F&C 278
ADVERTISING ● CLASSIFIED
We can help YOU create
your own furniture
making business...
STOP®
FLIP
SURREY TIMBERS Ltd
DATUM
TOOLS LIMITED
F&C 228 75
Highly
by Dav recommended
id Cha
rlesworth
An English saw made
in the English countryside
The only place to list members of The Guild of Master Craftsmen exclusively
www.trucutbandsaws.co.uk
• Hardwoods
• Wood finishes since 1986
• Australian Burrs
• Exotic Timbers
t: 01798 861611 f: 01798 861633
W.L.West & Sons Ltd
• Woodturning Blanks
Selham, Petworth, GU28 0PJ
76 F&C 228
ADVERTISING ● CLASSIFIED
The Old Tool Store Advertising in the INCHMARTINE TOOL BAZAAR
Suppliers of fine, old woodworking tools.
We now stock new tools by selected
UK’s only furniture
quality manufacturers including
Ray Iles, Ashley Iles, Kunz,
making magazine Visit our successful website for constantly changing tools for sale
Clifton and Gransfors Bruks. can ensure your
Please contact us for details of: message reaches www.toolbazaar.co.uk
•Ray Iles range of D2 thicker irons for
Bailey pattern planes your specific
•Standard replacement irons for most
obsolete planes target audience
•Reground planes by Record and Stanley
•Plane sole regrinding service. throughout the year.
We also buy quality old woodworking tools, from single
items to complete collections. Good prices paid.
Whitehaven Farm, Boston Road, Contact Russell on
Sole Propriator: Mr Andrew Stephens
Horncastle, Lincolnshire, LN9 6HU. 01273 402841 or
Tel: 01507 525697 Fax: 01507 523814 russellh@thegmcgroup.com
E-mail: ray@oldtools.idps.co.uk THE LEADING SUPPLIERS OF ANTIQUE
AND QUALITY OLD WOODWORKING
EA
LDE N TOO Router cutters TOOLS FOR BOTH CRAFTSMEN AND
Spindle tooling
W
CO
MPAN Y
Bandsaw, jigsaw, COLLECTORS IN THE COUNTRY
circular saw blades
www.wealdentool.com BRAND NEW WEBSITE NOW LAUNCHED
THE MILL ROOM,
D B KEIGHLEY MACHINERY LTD RAIT ANTIQUE CENTRE,
70 years service to woodworking industry. 70 machines always on show. RAIT, PERTHSHIRE PH2 7RT
Repairs to power tools and machines. part-ex and lease a pleasure.
New and second hand machinery
Tel: 01821 670770.
Vickers Place, Stanningley, Pudsey, Leeds, West Yorkshire LS28 6LZ Mobile: 07734 345652
Tel: 01132 574736 Fax: 01132 574293
Website: www.dbkeighley.co.uk
E-mail: toolbazaar@googlemail.com
SUBSCRIBE TO
SCROLL SAW
WOODWORKING
& CRAFTS
Catering for scrollers of all skill levels from beginner
to expert, this magazine is a wonderful resource
for anyone enthusiastic about scroll saws. Each TO ADVERTISE PLEASE CALL RUSSELL: 01273 402841
issue includes assorted projects and patterns and
combines inspirational pieces with invaluable
instruction and brilliant features. There are technical
articles and basic for those starting out and the
latest news, book and wood reviews for those
more experienced woodworkers.
F&C 228 77
B
onhams Oxford’s ‘The Oak Interior’ is a long-running from single-owner and private collections. Also included are
and perennially popular sale, offering a wide range of related works of art including early metalware, early carvings
items to cater to both connoisseur collectors and clients in wood and stone, early textiles and naïve art and portraits.
wishing to recreate period interiors. The 21 January sale also features 130 items from Yelford
The sale focuses on 16th-, 17th- and 18th-century vernacular Manor, Oxfordshire, a late-15th-century, Grade II listed timber-
furniture, made from a variety of timbers including ash (Fraxinus framed manor house owned and extensively renovated by the
excelsior), elm (Ulmus procera), fruitwood, oak (Quercus spp.), medievalist and writer Roger Rosewell.
walnut (Juglans spp.) and yew (Taxus baccata), and often coming
78 F&C228 www.woodworkersinstitute.com
Lot 443 – a rare George II yew-wood Cwpwrdd Lot 130 – an impressive oak and marquetry
tridarn, North Wales – circa 1730–60 inlaid tester bed – late 16th/early 17th century
Typically in three parts, the open-canopy features baluster- This tester bed features six deep recessed panels, each within a
silhouette side slats and baluster-turned column-supports and the carved and dentil-moulded frame, which are centred by applied
middle-section has a triple tablet and pendant-hung frieze, which geometric inlaid mounts. The headboard features a pair of finely
encloses a pair of recessed flattened ogee-arched cupboard arch-carved panels flanked by figurative terms, which are headed
doors, which are later centred by an open mirror-backed recess. by delicate floral marquetry. Inlaid are the initials ‘RM’ over ‘EM’ and
The piece comprises three drawers and a pair of conforming the date 1605, each end-post with a large bulbous cup-and-cover
cupboard doors centred by a fixed pointed-arched fielded turning supporting a strap-work carved tapering Corinthian pillar,
panel. The overall dimensions are 1,440m wide × 520mm deep all raised on stiff-leaf carved plinths. The piece measures 1,069mm
× 1,430mm high. This piece is estimated to reach somewhere wide × 2,190mm deep × 2,255mm high. The piece is expected to
between £5,000-£8,000. reach somewhere in the region of £8,000-£12,000.
www.woodworkersinstitute.com F&C228 79
A Charles I large oak refectory-type table, Welsh, circa 1630 and later
80 F&C228 www.woodworkersinstitute.com
Download your free ticket NOW at FFX.CO.UK for exclusive show discounts & prizes!
*STZLMYTTQXYTąQQT[JWQTWWNJX
&3)247*
£699.95
Includes
pedal
0
wheel
RP 0
fR 3
kit
Of e £
v
Sa
www.recordpower.co.uk Tel: 01246 571 020 sound engineering principles and service support
that comes with a Record Power product.