The Music of Paul Chambers

You might also like

Download as pdf
Download as pdf
You are on page 1of 58
THE MUSIC OF ‘PAUL CHAMBERS TRANSCRIBED BY JIM STINNETT INTRODUCTION ‘The Music of Paul Chambers is a collection of twenty solos which | feel epitomizes BeBop as played on the bass. Two of the three chapters are devoted to Blues and Rhythm Changes. These song forms were the basis of much of the BeBop improvisations. Chapter three consists of various jazz tunes ranging from standards to more obscure originals, by Chambers and his fellow musicians. ‘The material presented here is a visual representation of Paul Chambers’ musical ideas. Hearing the actual record- ings is the only way to fee! his self expression. | have chosen to leave out most of the articulations. The chord changes have been placed above the solo as an aid to analysis. My intention is to show the solo as a melody which is based on the changes, but able to stand by itself. | believe Chambers “heard” melodies. | hope this book will be an aid to those who already know Chambers! work. To those who do not know his work, Ihope even more that this will be an inspiration to listen to one of the greatest bassists and a master of improvisation; Paul Chambers. im Stinnett Chapter | — Blues Castle Rock. Blue Spring Trane BWues 20s. Straight No Chaser Midtown Blues... The Lion and The Walf Blues for Nico ‘Chapter II — Rhythm, hanes The Theme «ss .-s. Since | Fell For You (Carit See For Lookin Black Out (Chasin’ The Bird Chapter Il . Visitation When Your Lover Has Gone You'd Be So Nice To Come Home TS WS A Blue World es ‘Just For Pow. ‘Teach Me Tonight - Paul's Pal. ‘Syeedais Song Flute Special Thanks to Mark Minkler Cover Itustration by Paul Metcalf CHAPTER I Castle Rock: (Blues in BD) from the LP “Can't See For Lookin” by Red Gatland, Prestige 7276 Blue Spring: (Blues in F) from the LP “Kenny Dorham/1959" by Kenny Dorham, Prestige 7754 ‘Trane's Blues: (Blues in B>) from the LP “Workin’ with the Miles Davis Quintet” by Miles Davis, Prestige 7166 Straight No Chaser: (Blues in F) from the LP “Milestones” by Miles Davis, Columbia 9428 ‘Midtown Blues: (Blues in B>) from the LP “Leeway” by Lee ‘Morgan, Blue Note 84034 ‘The Lion and The Wolf: (Blues in BP Minox) from the LP Leeway” by Lee Morgan, Blue Note 84034 Blues for Nica: (Blues in F) from the LP “The Kenny Drew Trio” by Kenny Drew, Riverside 12-224 CASTLE ROCK | | | Got A _ Bm Fe t: te Fi ch th Pm Gh a fot Fr Ba or Got 8h 8, Ei zi 2 b BA he a Dm1 67 mt Fa Be? Gy nt oe ah (mt A 87 Gr tt Fa Bh Dm br ont Smt Fr BLUE SPRING By3 1 Cr fro Dy 3 Am bm Dy G mt tr A Dean ah fr Am? Dr TRANE’S BLUES fh iY be 8% . Dus 64 a Fauisees 7 Soe ee — mt fr ah Cmte Fe BY Dnt 7 ot fi B68 mt Fr 9 STRAT 10 GHAGER f7 Br Pr gmt (i Fr Da Gmr Cr MIDTOWN BLUES 8% ee Bn Fa 8 Cnt 2 tighe, pp taben se G1 tm Fy ae =z By ge? Dnt = «Gt BG mT Fr == ss== Ss a Cot omy FA b a 8 o 7 THE LION AND THE WOLF emt Em Ar mt on 68> Fy (#9) so emnll®) 5, te9) BP, Oe eee ze ra = Zz a aS dmb) F, (#8) in _ #9) Bho Ff?) CHAPTER II “The Theme: (Rhythm Changes in BE from the LP “Miles” by Miles Davis, Prestige 7041 — re-released on LP “Green Haze", Prestige P-24064 Since | Fell For You: (slow Rhythm Changes in Bb) from the LP “its A Blue World” by Red Garland, Prestige 7638 Can't See For Lookin’: (Rhythm Changes in BD) from the LP “Can't See For Lookin’” by Red Garland, Prestige 7276 Black Out: (Rhythm Changes in Bb) from the LP “Can't See For Lookin" by Red Garland, Prestige 7276 ‘Chasin’ The Bird: (Rhythm Changes in F) from the LP “Bass On Top” by Paul Chambers, Blue Note 81569 THE THEME Be ont fe mt St Int For gh eh Dn? gy lee fe fm «8 67 Gm fh gy rs ee m7 fm Fa Dnt G7 bm Fa ft Bh & im Ft e SINCE | FELL FOR YOU Onair G4 ome Ff? Brgt Gy _ arr Feet ee erst heme y i 8 &4 A Gat Fnt ont ng? a) Cnr, & bn Grit?) ve thebes a =a fae = — a at yD? Bing? Gy? Ont fur BY £t ont A Bouj7 £4 == zee EA are ge pte a == = Srjt ty Bs a =— Se ee SS faa Boe y(t? 6169) ecm é # x ee F,t9) Gms? 2 + trot Fut Br ft staley £4 one OD, fT ease F # Breit be shag, ont Four BY (9) ont ane Boyt Golbs) «4 oor 1 A Bingt bn? G m7 Fy Bimj? G09) mt Fra Boo? §— 6709) mr Foot By phy GT ‘ Dnt sickeKs tnt A je)? a Byres te fee ee tefi rebeer tte, tmnt Fr®D i 7 “re BASIC CHANGES FOR SOLO 78) . rie 3b? By? Ab? Dm’ G7 om? _F7 CAN'T SEE FOR LOOKIN’ by Boy? Get bm fa Bhuj Gt tm BY ea E7 oBF oT tn my af ed = 7 oS SS Ts TS a bat GPT, fre » Gm (mt BY a Soil See a ttt EES : ta fr Es be gt mt b pe £2 > BmjT — Fae ee Fititly po 4 Fry a cnr fr Binjt Gat + + 5 at = See SSS SS = ape (er By FA £4 be 7 Got Fr Bit mt tf ia a poeteetiche tee “PB aot _ _- 6 emt 5, E4 a, om 8a &o 7 CHANGES: Pmai7 7 Cm? BP? ere’) Be OG? ot” Cm FT Cot Fong? al Fr, = oo BY “niyTHM CHANGES FE ay ng? 7 fp? BP" AMyTHM “CHANGES: CHASIN’ THE B F, Gm & ht By bm (mt Fa Bing” Amt 27 mtb bm or onto Amt = Da Cnt Fa 8h Gmi C7 f Dart sles Gr Gm a cle pe —~ c ——-=——— he a Le —peote te SS =F BE: mt cr Amt mt ald Ee Br Amt Dy Gmt br a ee tiers F ain & Ant Dy bm = SSS ee Cnt Fy Bh gmt or F Arn Gm7 Cy 29 CHAPTER III Visitation: from the LP “High Step” by Paul Chambers! John Coltrane, Blue Note re-issue series BN-LAG51-H2 When Your Lover Has Gone: from the LP “Tenor Madness” by Sonny Rollins, Prestige 7657 You'd Be So Nice To Come Home To: from the LP “Bass On Top” by Paul Chambers, Blue Note 81569 I's A Blue World: from the LP “It's A Blue World” by Red. Garland, Prestige 7838 Just For Now: from the LP “Capuchin Swing” by Jackie ‘McLean, Blue Note 84038 “Teach Me Tonight: from the LP “Its A Blue World” by Red Garland, Prestige 7838 Paul's Pe: from the LP “Tenor Madness” by Sonny Rollins, Prestige 7657 ‘Syeeda's Song Flute: from the LP “Alternate Takes” by John Coltrane, Atlantic SD-1668 VISITATION Fngj7 Fng? Bm7lb8) ey Gm bm Amt a a Dr An? G12) s Am Gm a Dr Am? Di lé9) Smt 0069) See Sa wl = Z = bee (SECOND CHORDS ~ ° fing? oot Fait i Fimaj7 “ “i Gm la Amt Brn? g, fmt Dy GT Cy emt) 4, Dt gr#9) Fag bor Sayin Fg mg? Gmt Gy fmt i) Bm Amt Dy mtr Gm 649) Fingj? Fngj7 Ant Gm7 a a py #8) G THIRD CHORUS Finajt Gm? G Ant Dr FOURTH CHORUS 34 0s) Ent” Dt ae” ont ty me mT bm7 by Fingjt mt Cr saree Bm t) £7 Am? Dy Gm % Amr Dyl9? EAD fingj? ie bm Frgjt G En 8) fy At Gm a Frgj7 En A Dnt 61 4D Gor a Frajt Gm Gm Ga (CNG. FoR S2L0 Fini? Gu" c Fai? 4 " fei? Ge Aa! D Biel tal tat fra! Gull) an Det o@) Gu Gy crt) Gua? Go CJ WHEN YOUR LOVER HAS GONE A°n(gmt) oe chair > 7 can Of . mrs) 799) oar Cr Fmt 8 Ger cr tne aPple = See — Eee ot Font 8 bc o Ebosjt Zao A (ort) Pr ao Alen) Mont Y, emg mt phmajt Emaj7 (em 67 4) abr) 3 (anges) ~ . u ap? an, oo 1 m3) a f \b AB mn? pb? EP ai? Cm 5? i) Am*? plead Gm 7 Fm? BP? Gud E27 7 Fm? BY? ab? 67) 2 Abm? dd 39 YOU’D BE SO NICE TO COME HOME TO on Aa? Dit) ont Frnt a Eg An8) 9 tn tg De ie alt _ = ee =: === — Emi 5) _ Ant) Ant 3) p, (bs) $e 9 shee ete 2 SSS at oer Gat Ant) D1 my Ft BY Enajt for Fr Bit ty Sow BER Brajt Ana? p,(va) Gr fr Fast Chow fa’? p09) Gmt bm Fmt BS E’naj7 AOD Dre Ont a = == -— ane [= Emits) mes? Amt? D,tb) bet peat l89) oon Font 8 chal, = mt A Bajt An DO) Gt fayreaS ya : Sao es itt =e or if Bog? ng6) p68) ““ISECOND CHokOS re Ant’? p06) Gmr s 9 2 > fo a Engi “ 08 »,(té) Gnt ° ’ . Pe rote nen aa e Emr) mn _ fmt), Gmt be 9408) ban Fo B eagit Crt Ft ingt Ana’) Dy) _Omr br hoo Bhai, Ames? x14? An) p(t) Gmnt Ft 8h fait Ayo) D709) Cm Emi?) Alt) Am D D, 0) mt Ant p09) em 5 pea Bog pat: ae See tier rinietiep ine lot Fr Bhuj? AnD 2) — Gmr & 5, fF Bhai? Anal ® p, (08) Gartind fume eace8! ‘Sorneal GUITAR & PIANO $0108 ‘Our Heap! HEAD Gm7 Amt D 5, (09) mt Fmt Bh Ebnaj7 Frat " ati? Arar 0,4) gmt Aa? 9 9) Gut Ft. 4 Eingjt AnD D8) _ Oma Lor fr __ Bing? oe 7 Smt Beg? 3 rn ) NO. Bag? CHANGES FOR SOLO ° Com? And) 6 mm” Fm™ Be? etmait ) Poi ates Tyros D764) nt wl) ATES) Aes! preva) cin F7 BYwai? Ant5) p70) Gm? 7 7 Bhi? Am) ph? 5 ee IT’S A BLUE WORLD mt a Fj? 6 % m7 (i b7 e E Am Dr Gm7 i N, Fray? _ CHANGES FOR SOLO Grn? C7 Finaj? JUST FOR NOW —fingj7 Amt Dp? Gragg Gm eg (eh) fmt_— Dr Gog? (m= fy Beh) mt Dt yt 4B mt | Boyt (EF) Am De Gangjt Gm on CHANGES FOR Soto! Fina" Am’ D7 Gm? ari? (67) Am D7 Gani? TEACH ME TONIGHT eb Ar, om Cyl04) Fn? Fralep nr atts) fat th Eos a 54 int ggg BT pth bm 6 nt off Fort? — Gy 68? Fre oe Pes ee Eng ’ ears ae tf ene ess iS By eer en Poni? £4 fint a én o fat h Bg? ge 84, Eng? Sgasic Guances FON Seco) BASIC CHANGED FOR S010 b b (9) z nS) 7102) 2 Fm 4, _{__—______________, Cat cv) es pp Amit) pried Cc)? Fnn/ pb FALLS FAL fmt Dz “Seti Er) tony py melt 3 (-5) Cem!) pty) gmt 669) gy lb? Omg? Amt__ Dr Gj G19) tm Dt Gmgjt + (5) Cut Fel) __Bm7 alt) aang Delta) Geaj7 Amt Dr Grnej? Am Da gj? = Be SS at 3 “ (9) £68) Cnt ie ae ig kerde ie” sine Of saat tt Lm 22 £1 #9) Amt 07 fmt pa Son? ry? $ by? gta led) ¢ Fer Bat er) pvt git CHANGES FoR SOLO ’ 7 (fs) jt 7 £9) oir) , om? 6779) in 7108) Guat #069) gtr) gn p70 a? D7 Arm? 0” Goi? £7 Wa) Am? 0” Gna? 5) 6 (>9) ha pint) gy £7 (68) Ae? DP) Gai? SYEEDA'S SONG FLUTE o aha G ee) CHANGES FOR 50LO 67 wr Gg? a Go Gg?”

You might also like