Cristo, A Fonte EsconDiDa ( Nº 523 H.C.

) Paulo Levias Macalão

Arr: Hezir Pereira
q=130 [5]
                

  
Flauta      
f mf


             
  

Clarineta Bb               
f mf


        
Alto 1           
f


        
Alto 2           
f

   
  
Tenor 1               
f

Tenor 2 
    
              
f


 


           
Sax. Bari.   

 
   
       
Trompa F         
mf

          
        
Trumpete 1              
  
f mf

          
        
Trumpete 2            
   
f mf


   
      
       

        
Trumpete 3   
f mf


      
   
         
Trumpete 4            
 
f mf
         

    
   
       
 
Trombone 1     
f mf

    
               
Trombone 2
        
f mf

                

      
     
Trombone 3
f mf


         
   
     
Trombone Baixo

         
f mf


   

 
  
Tuba         
 
f   mf

  
                 
F F7  B¨ F F/D  C F F/D Gm Gm7 Gm7 C

Base                      
f mf

  
                 
F F7  B¨ F F/D  C F F/D Gm Gm7 Gm7 C

Baixo Elétrico
                  
f mf

  
         
 
            
(2) (3) (4) (5)
Bateria    
f mf

Salmus Jazz Band

© S@ldanha 2010
2


10
              
Fl. 

     
p

     
         
Cl.       
p



    
Alto 1            
p mf

    
Alto 2                
p mf

    
Tenor 1                
p mf

    
Tenor 2                
p mf

   

 
Bari.           

p mf



  
            
Tpa.    
p


                         
Tpt. 1     

  
        
  
Tpt. 2             


    

Tpt. 3                      
 

  
       
           
Tpt. 4         

               
      
        
Tbn. 1
mf

       
  
   
       
Tbn. 2         
mf

        
 
                   
Tbn. 3 
mf

        
 
                   
Tbn. B. 
mf


   
Tba.        
        
p  mf
 

                                  
F C C7 F FMaj7 F7/E¨ B¨/D B¨m7/D¨ Gm7 C F C F C C7

Base       

                                  
F C C7 F FMaj7 F7/E¨ B¨/D B¨m7/D¨ Gm7 C F C F C C7

    

Bx. El. 

    
(6) (7) (8) (9) (10) (11) (12) (13) (14) (15)

  
Btr.           
 3

[21]     
               
  
Fl.     

Cl. 

                       


            
Alto 1        

      
Alto 2

            
 

Tenor 1 

        
    
 

Tenor 2 

               
 

      

 
Bari.          


Tpa.                   

         
Tpt. 1              



 

   
Tpt. 2                

     
   
Tpt. 3                


          
    
Tpt. 4         


     
Tbn. 1
           


     

           
Tbn. 2  

        
  
Tbn. 3
           

 
        
Tbn. B.     
  



 
Tba.          
     

           
F F7 B¨ Gm7 F F/D E¨ C C7 F

                           
 
Base

           
F F7 B¨ Gm7 F F/D E¨ C C7 F

                          
  
Bx. El.

            
(2) (3) (4) (5) (6) (7)  
     
Btr.       
4

     
    
30    1.    2.
      
Fl.         
  
f

       
  
       
Cl.    
   
        
f

        
       
Alto 1        
mp f

        
Alto 2

            

mp f


Tenor 1 

             
  
   


mp f

           
   
 
Tenor 2       
mp f

      
      
    
 
 

        
Bari. 
mp f

   
         
    
  
Tpa.            
 
   
f

       
    

Tpt. 1                   
f

           
 
     
Tpt. 2             
f

           
       
Tpt. 3           
  
f

  
  
       
Tpt. 4           
         
f

     
  
 
  
             
Tbn. 1 
f

 
  
                
Tbn. 2          
f

             
   
          
Tbn. 3 
f

     
 


   
        
Tbn. B.  
       
f

          
 
  
    
Tba.        
    
 f

                
B¨ B¨m7/G F F/D Gm7 C7 F C F D¨7 C7
                

Base        

                  
B¨ B¨m7/G F F/D Gm7 C7 F C F D¨7  C7

                 
  
Bx. El.  

                 

(2) (3) (4) (5) (6)  
       
Btr.      
 5

  
[39]
 
  
      
       
Fl.
mf

Cl. 
 
             
   

mf


   
    
Alto 1        
mf

    
  
Alto 2          
mf

 
            
Tenor 1   
mf

 
Tenor 2          
    

mf

 
Bari.        


  

 
mf

 
    
 
Tpa.              

mf

 
Tpt. 1             

   
mf

 


Tpt. 2                
mf

 


Tpt. 3               
 
mf

 


Tpt. 4                
mf

      
          
Tbn. 1  
mf

 
        
Tbn. 2         
mf

      
      


  
Tbn. 3 
mf

         
Tbn. B.          
mf

  
 

Tba.          
 
mf

 
       
F Am7 Gm7 Gm7  C C7 F FMaj7 F6 FMaj7

Base                            

    
F Am7 Gm7 Gm7  C C7 F FMaj7 F6 FMaj7

Bx. El.                                 

 

           
(2) (3) (2) (3) (4)
Btr.      
        
6

         
47  
            
Fl.      
f

       
   
   
Cl.       
               
f

 
           
Alto 1       
f

             
Alto 2       
f

 
Tenor 1                    
f

 
Tenor 2                    
f



                  
Bari.
f


       

Tpa.                    

f

  
Tpt. 1           
p f

 
Tpt. 2            

p f

 
Tpt. 3         
  
p f

 
Tpt. 4        
   
p f

   
  
     
Tbn. 1
p f

   
Tbn. 2          
p f


Tbn. 3
           
p f


       
Tbn. B.   

p f


 
Tba.      
     
p
f

  
F F7(9) B¨ E¨7(9) Am7 D9sus4 Gm7 C9sus4 F F/D Gm7 C

Base                             
f

  
F F7(9) B¨ E¨7(9) Am7 D9sus4 Gm7 C9sus4 F F/D Gm7 C

                           

Bx. El.
f

  
(5) (6) (7) (8) (9) (10) (11)
Btr.        
f
 7

[55]      


   
 
   

    
         
Fl.       
mf

          

 
  

             
Cl.       

mf

       
Alto 1            
mp

     
     
Alto 2   



     
mp

    
Tenor 1                  
mp

    
Tenor 2                  

mp

   
    
Bari.           
    
mp


 
 
     
Tpa.             
 
mf
    
   
Tpt. 1            

   
Tpt. 2                
 

   
Tpt. 3                
 

    
Tpt. 4               
 

    
Tbn. 1
              

    
Tbn. 2

              

    
Tbn. 3
              

       
Tbn. B.           


         
Tba.


F  F7 B¨ Gm7 F F/D G Gm7 C(b9)sus4 F

Base                                     


F  F7 B¨ Gm7 F F/D G Gm7 C(b9)sus4 F

                                   

Bx. El.



       
(2) (3) (4) (5) (6) (7) (8)
Btr.        
8

                 
1. 2.

                    
64

Fl.         

                    
         
 
 

Cl.            
 

        
Alto 1         
mf

Alto 2

              
 
mf


              
Tenor 1  
mf

       

Tenor 2        

mf


        
 
Bari.       
mf

            
         

Tpa.      
 

Tpt. 1 
             
mf fp


   
Tpt. 2            
mf fp

Tpt. 3 


  
      
   
mf fp

Tpt. 4 
 
  
      
   
mf fp

Tbn. 1
 
    
      
mf fp

Tbn. 2

     
      
mf fp

Tbn. 3
  
 
         
mf fp

Tbn. B.
 
  
       
  
mf fp


 
   
Tba.       
   

 F
mf fp

                                     
F/D Gm7 Gm7 Am7 B¨m7 Am7 F/D Gm C9 F Fmaj7 F6 FMaj7 Fmaj7 F6 FMaj7
Base


          
F/D Gm7 Gm7 Am7 B¨m7 Am7 F/D Gm C9 F Fmaj7 F6 FMaj7 F Fmaj7 F6 FMaj7

                         

Bx. El.

     

(9) (10) (11) (12) (13) (14) (15)

  
Btr.         
 9

[73] 

  rit.   
    
Fl.       


      
Cl.           

  

Alto 1         
p

    
Alto 2        
p

   
Tenor 1         
p

     
Tenor 2        
p


  
Bari.         

p

  


Tpa.            
 

             

Tpt. 1  
f p

    
Tpt. 2             
f p

   
  
Tpt. 3           
f p

   
Tpt. 4       
     
f p

     
       
Tbn. 1
f p

       
Tbn. 2      
f p

     
Tbn. 3         
f p

  
  
Tbn. B.      
 
 f p



  
Tba.       
  
 p
Am7 F/D Gm7 C B¨ D¨ C F F%

                   

Base 

Am7 F/D Gm7 C B¨ D¨ C F F%

                  
 
Bx. El. 

              
Fill

Btr.   
Flauta

Cristo, A Fonte EsconDiDa

( Nº 523 H.C. ) Paulo Levias Macalão
Arr: Hezir Pereira
q=130
             
 
f

 
   
[5]      
 
 
  

5–8 mf p
17       [21]        
     

25
              
 
    

    

   
32   1.    2.
 

 
    
 
 

 
33–34 f


 
[39]        
     

         
39–42 mf

                      
 
47–50 f
             
 
[55]   
 
    
          

                
mf

          
1. 2.

         
63  
    
64–68

[73]   rit. 

   
   
 
73–74 77–78

Salmus Jazz Band

© S@ldanha 2010
Clarineta Bb
Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Arr: Hezir Pereira
q=130
           
   
              
f

  
[5]
 

 
    

     
5–8 mf p

   
17 [21]

             
 
25

                
    

             
32  1.    2.


      
  
  
33–34 f

    
[39]
 
    
      
39–42 mf

         
    

   

       
     
47–50

f

       
[55]          
   
  

      
    

mf

                    
          
63  1. 2.

        

 

 
64–68

[73]  rit. 
       
     
73–74 77–78

Salmus Jazz Band

© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Alto 1 Arr: Hezir Pereira

q=130
          
    
f

  [5]
 
   
    
5–12 p 17–18 mf

[21]     
20   
      
 

24–26


         
28  1.


       
  
29–32 mp

    [39] 

37

2.   
    

f 39–44 mf

   
46   
           
  
47–52 f

[55]  
             
   
59–60 mp

       2.

  1.  
  
63–66 mf 69–70 71–72

rit.
[73]  
    
 

73–74 77–78 p
Salmus Jazz Band
© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Alto 2 Arr: Hezir Pereira

q=130
          
    
f

  [5]
 
   
    
5–12 p 17–18 mf

[21]     
20 
      


  
24–26

  
       
28  1.


        
  
29–32 mp

   [39]
 
37 2. 
   
    
f 39–44 mf


46 


 

             
47–52 f

[55] 
       
        
  
59–60 mp

       2.

  1.  
  
63–66 mf 69–70 71–72

rit.
[73]     
 
  
73–74 77–78 p
Salmus Jazz Band
© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Tenor 1 Arr: Hezir Pereira

q=130
         
    
f

  [5]
 
   
    
5–12 p 17–18 mf

   
20
     
[21]  
    
24–26


        
28  1.
      

    
29–32 mp

   [39] 

37 2. 
    
   
f 39–44 mf

   
46 
   

          
47–52 f
[55] 
        
         
59–60 mp

        2.

  1.  
 
63–66 mf 69–70 71–72

rit.
[73]     
    
73–74 77–78 p
Salmus Jazz Band
© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Tenor 2 Arr: Hezir Pereira

q=130
   
  
 
       
f

  [5]
 
  

    
5–12 p 17–18 mf

   
20
     
[21] 
    

24–26

       
28

  
 1.


       
  
29–32 mp

    [39]
 
37 2. 


   
 

f 39–44 mf

    
46 
    

        
47–52 f
[55]   
       

   
  

59–60 mp

        2.

  1.  
 
63–66 mf 69–70 71–72

rit.
[73] 
    
 
  
73–74 77–78 p
Salmus Jazz Band
© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Sax. Bari. Arr: Hezir Pereira

q=130


      
   

  [5]
 
   
   

5–12 p 17–18 mf

[21]      
20 
      
 
      
24–26


     
 1.
 
  

 

      

29–32 mp

 [39]
  
37 2.  

 
    
 
f 39–44 mf

46 
  


             
47–52 f

[55]
        
         
  
59–60
mp

 2.

 1.  
    
 
  
63–66 mf 69–70 71–72

rit.
[73]    
      
73–74 77–78 p
Salmus Jazz Band
© S@ldanha 2010
Trompa F
Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Arr: Hezir Pereira

q=130
          
    

 [5]
  
  
     
 
5–8 mf p
14


 
             

[21] 
               
24–27

       
31  1.    2.


        

  
33–34
  
     
     
[39]
    
38 

  
      

f 39–42
mf

         
 
             

47–50 f
[55]
   
 
      
           
mf

   2. 
            
63  1.
 
  
    
  
64–68
[73]  rit.
  
       
73–74

77–78

Salmus Jazz Band
© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Trumpete 1 Arr: Hezir Pereira

q=130   
      
             
f

  [5]          
 
 
    
 
5–6 mf 9–10
12

  

               
 
13–15

[21]       
           
 

21–23

 
  1.   

  
        
29–30 33–34

 2.          
[39]
    
37  
          

f 39–40 mf

   
        
44–46 p 51–53 f
[55] 
   
  
      
  
  
 
57–64 mf fp 67–68

 2. [73]

1.   

69–70 71–72 73–74
75 rit.
      
      
f p
Salmus Jazz Band
© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Trumpete 2 Arr: Hezir Pereira

q=130   
   
     





   
 
f

  [5]
 
        
  
    
  
5–6 mf 9–10
12   
   
      
     
13–15

[21]      
 
           
21–23

 
  1.


    
         
29–30 33–34


[39]
 2.        
 
37  
               
f 39–40 mf

   
        
44–46 p 51–53 f
[55]
            
 
        
57–64 mf fp 67–68

 2. [73]

1.   

69–70 71–72 73–74
75 rit.
     
          
f p
Salmus Jazz Band
© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Trumpete 3 Arr: Hezir Pereira

q=130   
   
     



   

  
f

  [5]
 
        
 
     
 
5–6 mf 9–10
12 
     

          
 
13–15

[21] 
     
  
           

21–23

 
  1.


    
       
  
29–30 33–34


[39]
 
   
37 
 2.       

       
     
f 39–40 mf

   
      

44–46 p 51–53 f
[55]
            
 
        
57–64 mf fp 67–68

 2. [73]

1.   

69–70 71–72 73–74
75 rit.
    
          
f p
Salmus Jazz Band
© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Trumpete 4 Arr: Hezir Pereira

q=130   
   
     



   

  
f

 
[5]
 
 
   
         
   
5–6 mf 9–10
12 
     
          
  
 
13–15
[21]
      
            
 
21–23

 
  1.


    
     
    
29–30 33–34


[39]
 
37 
 2. 
  
    
           
    
f 39–40 mf

   
    
   
44–46 p 51–53 f

[55]   
     
         
57–64     67–68
mf fp
 2. [73]

1.   

69–70 71–72 73–74
75 rit.
   
          
f p
Salmus Jazz Band
© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Trombone 1 Arr: Hezir Pereira

q=130 
              

f


     
[5]           
    
5–6 mf 9–10

12
          
    
    

13–15 mf

[21]    
     
        
24–26 29–30

            
 

31  1. 2.  
    
    
33–34 f

   
[39]  
       

  
   
39–40 mf 44–46 p

50     [55]       
        
51–53 f

 2.


       1.  
57–64 mf fp 67–68 69–70 71–72

[73] rit. 
     
     
73–74 f p
Salmus Jazz Band
© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Trombone 2 Arr: Hezir Pereira

q=130
              

f


 
[5]      
   


  
   
5–6 mf 9–10

12
     
    
        

13–15 mf

[21]   
     
        

24–26 29–30

 2.           


31  1. 
       
     
33–34 f

   
[39]  
       
     
 
39–40 mf 44–46 p

50    [55]       
         
51–53 f

 2.

      1.  

57–64 mf fp 67–68 69–70 71–72

[73] rit.
 
        

73–74 f p
Salmus Jazz Band
© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Trombone 3 Arr: Hezir Pereira

q=130
              

f


     
[5]       
         
5–6 mf 9–10

   
12   
             
 
13–15 mf

      
[21]   
        
 
24–26 29–30

 2.           

31 
    1.   
       
33–34 f

   
[39]  
       
      

39–40 mf 44–46 p

50   [55]     

             

51–53 f

 2.

    1.  
    
57–64 mf fp 67–68 69–70 71–72

[73] rit.
 
 
        
73–74 f p
Salmus Jazz Band
© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Trombone Baixo Arr: Hezir Pereira

q=130
             
  
f


 
[5]  
   
    
         
5–6 mf 9–10


12   
               
 
13–15 mf

[21]   
          
   
24–26 29–30

 2.    

31  1.

     
    
        
33–34    f

   
[39]  
      
        
39–40 mf 44–46 p

50   [55]     

           
 
51–53 f

 2.

     1.  
 
  
57–64 mf fp 67–68 69–70 71–72

[73] rit.
   

       
73–74  f p
Salmus Jazz Band
© S@ldanha 2010
Tuba
Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Arr: Hezir Pereira

q=130




  
   
 
f   


 
[5]  
  


  
5–7 mf 9–12 p
16
   
        
      
mf
[21]   
     
      
24–26  

 
  1.


    
     
    
29–30 33–34

    [39]

37 2. 
     
 
       
f 39–41  
mf
  
   
    
44–46 p  51–53
f

 
[55]   1. 

   
55–64     67–68 69–70
mf fp rit.
2.  [73]    
     
  
71–72 73–74  p
Salmus Jazz Band
© S@ldanha 2010
Base
Cristo, A Fonte EsconDiDa
( Nº 523 H.C. ) Paulo Levias Macalão
Arr: Hezir Pereira
q=130

 
F F7  B¨ F F/D  C
                 
f


[5] F F/D Gm Gm7 Gm7 C F C C7
                               
mf

             
13 F FMaj7 F7/E¨ B¨/D B¨m7/D¨ Gm7 C F C F
             

                                
20 C [21] F
C7 F7 B¨ Gm7 F F/D

 
27 E¨ C C7 F B¨ B¨m7/G
                 
 
  
1. 2.

                    
33 F F/D Gm7 C7 F C F D¨7 C7
            

 
[39] F Am7 Gm7 Gm7  C C7 F FMaj7
                              
46 F6 FMaj7 F F7(9) B¨ E¨7(9) Am7 D9sus4 Gm7 C9sus4 F F/D
                                


     
54 Gm7 [55] FC  F7 B¨ Gm7 F F/D
                       
f


61 G Gm7 C(b9)sus4 F F/D Gm7 Gm7 Am7 B¨m7
                      
1. 2.

 
Am7 F/D Gm C9 F Fmaj7 F6 FMaj7 F Fmaj7 F6 FMaj7

67

                         

[73] Am7 F/D Gm7 C B¨ D¨ C F F%

                    


rit.
Salmus Jazz Band
© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
Baixo Elétrico ( Nº 523 H.C. ) Paulo Levias Macalão
Arr: Hezir Pereira
q=130

 
F F7  B¨ F F/D  C
               
 
f


[5] F
 
F/D Gm Gm7 Gm7 C F C C7
                             
mf

             
13 F FMaj7 F7/E¨ B¨/D B¨m7/D¨ Gm7 C F C F
             


                         
   
20 C [21] F C7
F7 B¨ Gm7 F F/D
 

 
27 E¨ C C7 F B¨ B¨m7/G
                 
  
  

1. 2.


                
F F/D Gm7 C7 F C F D¨7  C7

33

         
  

 
[39] F
 
Am7 Gm7 Gm7  C C7 F FMaj7
                            
46 F6 FMaj7 F F7(9) B¨ E¨7(9) Am7 D9sus4 Gm7 C9sus4 F F/D
                                


   
54 [55] F
Gm7 C
 F7 B¨ Gm7 F F/D
                          
f


61 G Gm7 C(b9)sus4 F F/D Gm7 Gm7 Am7 B¨m7
                      


1. 2.


         
67 Am7 F/D Gm C9 F Fmaj7 F6 FMaj7 F Fmaj7 F6 FMaj7
                

[73]
Am7 F/D Gm7 C B¨ D¨ C F F%
                    
rit. 


Salmus Jazz Band

© S@ldanha 2010
 Cristo, A Fonte EsconDiDa
Bateria ( Nº 523 H.C. ) Paulo Levias Macalão
Arr: Hezir Pereira

 
q=130  
                
f

 [5]
    
(2) (3) (4) (5) (6) (7) (8)
      
mf

    
13
(9) (10) (11) (12) (13) (14) (15)

  
       

  
[21]
    
(2) (3) (4) (5) (6) (7)  
     
       

 
29

           
1.


(2) (3) (4) (5) (6)

       
   

   
       
[39]
   
37 2.
(2) (3)
 


42 
        
(2) (3) (4) (5) (6)
    

   
49
(7) (8) (9) (10) (11)
     
f


[55] 
        
(2) (3) (4) (5) (6) (7)
     

 
63 1.


(8) (9) (10) (11) (12) (13) (14) (15)

  
        

                
71 [73] rit.

 
2. Fill


Salmus Jazz Band
© S@ldanha 2010