This document discusses theorizing cinema through a non-dual approach to communication. It continues an earlier article by Paolo Teobaldelli on viewing cinema and special effects from a non-dual perspective that sees communication as an integrated process without separation between the communicator and audience.
This document discusses theorizing cinema through a non-dual approach to communication. It continues an earlier article by Paolo Teobaldelli on viewing cinema and special effects from a non-dual perspective that sees communication as an integrated process without separation between the communicator and audience.
This document discusses theorizing cinema through a non-dual approach to communication. It continues an earlier article by Paolo Teobaldelli on viewing cinema and special effects from a non-dual perspective that sees communication as an integrated process without separation between the communicator and audience.
This document discusses theorizing cinema through a non-dual approach to communication. It continues an earlier article by Paolo Teobaldelli on viewing cinema and special effects from a non-dual perspective that sees communication as an integrated process without separation between the communicator and audience.