Funky

ChaCha Arturo Sandoval

1   LATIN FUNK  = 140

                
          
   
5

  
      
Alto Sax 1

      
   



   
     
         
1 5

    


   
Alto Sax 2

   
                                   
  
1  5


Tenor Sax 1


                        
  
          
1  5


Tenor Sax 2

        
                         
         
1  5

     
    
Bari Sax

1     
                           
 5


  5 
Trumpet 1

  

                      
     



 
1


 5
Trumpet 2

       
                          



 
1


  5 
Trumpet 3

  
                       
     
      
1 

Trumpet 4

  
  
          5 
          


             
1

Trombone 1

  
          5  
            


            
1

 
Trombone 2

           5  
              


            
1

 
     5  
Trombone 3

        
                     


  
1

Trombone 4




         
Fm Am/ Fm Am/ Fm Am/
          
        
1 5

  
Guitar

      
       
 
     
 
     

1  5

    
                  
Piano  

 
1 5

    
 
 

                
   
1 5

      
Bass

                         
      


1 5

Drums



/16 ©L.Haber
  
            
            
     
9

       
 
Alto 1

     
           
                
9

      

Alto 2

       
   
   
                          
 
9

 
Tenor 1

                  
       
 
   
        
9

Tenor 2

                          
                 

9

    
   
Bari

        
                             

9

   
Tpt. 1

      
                                
    
9

   
Tpt. 2

   
 
                                
    
9

   
Tpt. 3

    
                               
        
9

             
Tpt. 4

   
                            

9

           
Tbn. 1

            
                     

9

          
         
Tbn. 2

  
                     
9

          
             
Tbn. 3


                    
 
9

Tbn. 4



Fm Am/ Fm Am/
            
     
9

 
Gtr.

    
        
            
9

      
           

Pno.
 9 

 
       
            
 9 

         
Bass

                      
                    
        
9

Drums

2/16 ©L.Haber
    
                 

2nd time only

   
         
13

          
Alto 1

 
 


  
     

        
2nd time only

      
13

    
  solo with trp   
         
Alto 2

      
                                        
  
  

 

13  
Tenor 1

        
                                  
    
 2nd time only

   
13


       
Tenor 2

     
      
                    
            
13  

Bari

          


                                  

2nd time only

    
13

  
Tpt. 1

  

                                         
solo with tenor

      
13

 
Tpt. 2

     

                                   
   
2nd time only

 
13

 
Tpt. 3

        
                                   
        
2nd time only

  
13

 
               
Tpt. 4

     
      
                       
2nd time only


13

                     
Tbn. 1

            

              
2nd time only

  
13

   
     
Tbn. 2

    
       
 
13

  
     
Tbn. 3

    
      
   
13

Tbn. 4

  
         

     
Fm C Gm C Fm B♭ Gm C Fm B♭
      
         
13

 
Gtr.

         
                          
      
13

 
                
Gm C Fm B♭ Gm C Fm B♭

 
Pno.

            



     
13

              
 
                         
    
 13 

  
Bass

          
                         

13

Drums

3/16 ©L.Haber
         
        
1. 2.

       
     
17 21

 
Alto 1

     
   
 
  
 

       
      
17 21



Alto 2

     
                               
   


 
17 21



Tenor 1

      
                   

 
    
17 21


Tenor 2

        
      
            


   
17 21

 
Bari

   
                                  
 
   
17 21

Tpt. 1

   

                                             
 


  
17 21

Tpt. 2

 
                                 

          


  
17 21

   
Tpt. 3


               
                          
    
17  21

                   
 
   
Tpt. 4

      
            

     
17  21

                     
Tbn. 1

  
                      
 
17  21

   
Tbn. 2

       
      

17  21

 
Tbn. 3

     
    
    
     
2nd time only

       
17 21

Tbn. 4

 
  

Gm C Fm Fm/E♭ G C Fm Fm B♭m E♭ A♭m
               
      
17 21

Gtr.

    
              
    
    
17 21

          

Gm C Fm Fm/E♭ G C Fm Fm

   
Pno.
            
    
17 21

       
                      

         
  
17 21

Bass


                         

17 21 

Drums

4/16 ©L.Haber
          
                 
     
    
25


Alto 1

       
   
 
 
          
      
25

  
 25  
Alto 2

 
                            
   

Tenor 1

    25    
                
 
         

Tenor 2

          
     
         
     

 
25

 
Bari

 
                                   
     
25

Tpt. 1

  
                                   
     
25

Tpt. 2

   25
                                        
     
Tpt. 3

  25
                                        
     
         25               
Tpt. 4

 
                
       25             
Tbn. 1

  
               

             
Tbn. 2

                 
  
25

          
Tbn. 3

   
                  
   
25

Tbn. 4


A♭m


A B♭m E♭ Amaj Gm C Fm Fm/E♭ G C Fm
                    
        
25

 
Gtr.

        
                                   
25

                                           
      
Pno.

   
25

            25                    
Bass          

                        
25

Drums

5/16 ©L.Haber
  
               
     

      
29 33

          

Alto 1

       
          
           
29 33

      


    
Alto 2

         
                                       
  
29 33


Tenor 1

                             
         
       
29  33

Tenor 2

                           
                
 
29  33

Bari

    
          


                          

half valve


29 33
ss.
gli
Tpt. 1

       
        


            
          
half valve

   
29 33
ss.
gli
Tpt. 2

      
        


             
 
 
     
half valve

    
29 33


ss.
Tpt. 3 gli

 
        


                       
  
half valve

     
29 33

s.

    
Tpt. 4 gli
s

   
         

                         

ss.
29 gli 33

 
  
Tbn. 1

 
           
                            



ss.


29 gli 33


  
          
Tbn. 2

 
     
                         



29 ss. 33
gli


               
Tbn. 3

                            
  
29  33
ss.
gli
Tbn. 4



Am/


Fm Am/ Fm Fm Am/
                 
        
29 33

  33 
Gtr.

      
         
 
     
 
     

29

                     


Pno. 29  33 

   
      
      
    
     
29  33 

Bass

                       
               
29  33

Drums



6/16 ©L.Haber
   
 2nd time only

              

            
37

                

Alto 1




    
    

     
2nd time only

                      
37

        

Alto 2

          


                 
               
    
2nd time only

  

37

Tenor 1

      


        
                   
    
  
2nd time only

        

37

 
Tenor 2

 
        
                                
            
37 

   
  
Bari

      
           


37 

Tpt. 1

     
         
Solo

                 

Gm C Fm B♭ Gm C

 
37

Tpt. 2

        
              

 


37

Tpt. 3

  
                   
      
37

    
Tpt. 4

  
                  

37


              
Tbn. 1

    
    
 
37


               
Tbn. 2

    
 
   
37

     
Tbn. 3


                  
   
37

Tbn. 4

  
       
Am/


Fm Gm C Fm B♭ Gm C Fm
          
       
37

 37
Gtr.

   
         
         
 
    
    
  
         



Pno.

 

Gm C Fm B♭ Gm C Fm
           
    
37

 37 
  

     
Gm C Fm B♭ Gm C Fm

             
 
    
     
Bass


 

                            
     

fill time
37

Drums

7/16 ©L.Haber
     45       
                
1. 2.

        
 
41

       
Alto 1

        
      
       
  

      
      
41 45

  
   
Alto 2

                                    
     
     
41 45

 45   
Tenor 1

   
               
             
           
41


Tenor 2

               
      
                      
41 45

Bari

          
 

41 45

Tpt. 1

 
                                 
Fm B♭ Gm  C Fm Fm/E♭ G C Fm Fm B♭m E♭ A


41 45 A♭maj
Tpt. 2

         
 

41 45

Tpt. 3


          
  
41 45

    
Tpt. 4

  
            

41 45


    
Tbn. 1

          
  
 
41 45 

    
Tbn. 2

          
   

41 45 

    
Tbn. 3


            
  
41 45 

Tbn. 4

 


                  
B♭ Gm C Fm/E♭ G C Fm Fm B♭m E♭ A♭


A♭maj
               
       
41 45

Gtr.

 
         
 C
                       
       
41 45



           
Pno.
B♭ Gm C Fm/E♭ G C Fm Fm B♭m E♭ A♭

 
A♭maj
                       
       
41 45




          

B♭ Gm C Fm/E♭ G C Fm Fm B♭m E♭ A♭


A♭maj
                       
       
41 45

Bass


                                 

41  45

Drums

8/16 ©L.Haber
        
               
 
 
To Coda

         
49 53

 
Alto 1

         
     
         
      
49 53

    
 
Alto 2

        
                       
  
49 53

 
Tenor 1

    
              
 
         
 
 
49 53

 
Tenor 2

 
         
          
         
 
49 53

Bari

      
    
half valve
49 53

Tpt. 1 gliss.


                           gliss.
half valve
B♭m E♭ A♭maj () A♭maj Gm C Fm Fm/E♭ G C E♭m


49 53

Tpt. 2

        
half valve

 glis s.
49 53

Tpt. 3

        
  
49 53


  
Tpt. 4

    
           
49 53
 gl is s.

    
Tbn. 1

  
           
49 53
 gl is s.

    
Tbn. 2

  
          
49 53


    
Tbn. 3

           
 
49 53

Tbn. 4


    
B♭m E♭ A♭maj A♭maj Gm C Fm Fm/E♭ G C Fm
                   
      
49 53

Gtr.


                          
      
49 53

      
B♭m E♭ Gm C Fm Fm/E♭ G C Fm


Pno. A♭maj A♭maj
                   
      
49 53

     

B♭m E♭ A♭maj A♭maj Gm C Fm Fm/E♭ G C Fm
                   
      
49 53

Bass

                       

49 53

Drums

9/16 ©L.Haber
  
               
       
   
57

  
       

Alto 1

      
           
                  
57

     


  
Alto 2

   57   
                 
                       
 


 57 
Tenor 1

      
                                         


Tenor 2

                           
                    
 57

       
  57        
Bari

   
                     



gliss.

Tpt. 1

  gliss.   57 ( E♭m )       
                


                   
( E♭m ) ( Gm/ ) ( Gm/ ) ( E♭m ) ( Gm/ )

     
   
Tpt. 2

 57   
  glis 
                                  
      



s.

   
Tpt. 3

   
                                   
  


    
57

gl 
   
Tpt. 4

  
            
                        

is s.
57


gl     
Tbn. 1

              
                                



is s.
57


  
             
Tbn. 2

 
  
                       

57


      57              
Tbn. 3

  
                    
 


Tbn. 4





Fm Am/ Fm Am/ Fm Am/
                 
        
57

  
Gtr.

      
      
 
     
 
     
 
57

                    


Pno.
 57 

  
    
      
    
       
 57 


Bass

                  
                  
 57

Drums



10/16 ©L.Haber
 

 
           
D.S. al Coda after solos

         
back to segno for next soloist

           
 
61 65

   
Alto 1




after solos

                     
back to segno for next soloist

          
    
61 65

  
Alto 2



  65    
          
after solos

                         
back to segno for next soloist

    
61

Tenor 1



     65      
after solos

                                   
back to segno for next soloist


61

Tenor 2



       
            
after solos

                 
   
back to segno for next soloist

       
61 65

Bari

      65 
                             
after solos

       
back to segno for next soloist

  
61

Tpt. 1


after solos

        65 
                            
back to segno for next soloist

        
( E♭m ) ( Gm/ )

  
61

Tpt. 2



   65 
                              
after solos

          
back to segno for next soloist

  
61

Tpt. 3



   65 
                                    
after solos

     
back to segno for next soloist

    
61

Tpt. 4



             65             
     
after solos

            
back to segno for next soloist

 
61

Tbn. 1



                                        
after solos

 
back to segno for next soloist

    
61 65

Tbn. 2



                                       
after solos

  
back to segno for next soloist

  
61 65

Tbn. 3



                 65             
after solos

            
back to segno for next soloist

    
61

Tbn. 4
after solos
back to segno for next soloist 

   
Fm


Fm Am/ Fm Gm C B♭ Gm C Fm B♭
                    
        
61 65

Gtr.

   
after solos

              
back to segno for next soloist

              
      
61 65

 
           
Fm


Pno. Fm Gm C B♭ Gm C Fm B♭
       

      
     
61 65

after solos

   


 
back to segno for next soloist

   
Fm

 
Fm Gm C B♭ Gm C Fm B♭

    



 

   



   

61 65


11/16 ©L.Haber
Bass

after solos

                          
 
fill back to segno for next soloist
61 65
    
            
   
   
 
69 73


  
69 
Alto 1

      
 
      
    


         
73

 
Alto 2


 69 
                  


    
73

Tenor 1


   69     
              
 

  
73

  69
Tenor 2

   
               
          
 73 

Bari

 
    69   
 

    
          
73

Tpt. 1

   69      
              



73

Tpt. 2

   69      
             


 
73

Tpt. 3

 
       
              


 
69 73

Tpt. 4


          69    


      
    
73

Tbn. 1


          69     


      
  
73

Tbn. 2


              


      
  
69 73

Tbn. 3


          69     


      
   
73

Tbn. 4

 
 


    


Gm C Fm 69 Fm Calt
                         
 
                 
73

Gtr.


     
 




      

  
   
                              
69 73


 
      
    
 


                                   
Pno. Gm C Fm 69 



  
  
73

     
                         
Gm C Fm 69

 
  

  


   
73

Bass



  
  

                                   
  
GROOVE!
69 73

Drums

  

12/16 ©L.Haber
   
   
  
       
  

 
     
       
   
77


Alto 1


              
 
       
       
     
77

Alto 2

                                            
            
77

Tenor 1

                                      
 
          

     
77

Tenor 2

     
             
                                
77

      
      
Bari

    
             
77 

         
Tpt. 1

   
             
77

         
Tpt. 2

   
             
77

        
Tpt. 3


                 
 
 
77

      
 
Tpt. 4

    
             
77

      
Tbn. 1

  


                

77

Tbn. 2

      
   


               

77

Tbn. 3

      
       


           
 
77

Tbn. 4


            
Calt
Fm Fm  Calt Fm Calt
              
    
77

 77  
Gtr.

   
       
           
      
  77     
                     

Pno.

     
          77               
               
Bass              

                        
        
77

Drums

13/16 ©L.Haber
  
        
  
     
 
       
     
     
81 85

Alto 1


               
 
       
       
     
81 85

Alto 2

                                       
     

          
81 85

Tenor 1

                                    
 
     

     

     
81 85

Tenor 2

  
                
                               
81 85

  
      
         85 
Bari

             
                    

81

     85  
       
             
Tpt. 1

 
                     
81


      
Tpt. 2

    
                                    
  
81 85

 
Tpt. 3

          
                                    
       
81 85

  
          85
Tpt. 4

                  
                       
81

  
   
       85
              
Tbn. 1

  
                       
81


      

             85          
Tbn. 2

 
                      
81

        85
                    
Tbn. 3

                       
 
81

Tbn. 4

            
Calt


Fm Calt Fm Fm Calt
              
    
81 85

  85 
Gtr.

   
               
      

81

    
    85  
                        

Pno.

     
81

      85   
                          
                  
81

Bass

                        
81 85

Drums

14/16 ©L.Haber
    
   

  

  
   
       
on cue after drum/perc solo

          
89

Alto 1

  
              
   


      
            
89

Alto 2

 
                                     
    


         
89

Tenor 1

 
                                    
                
89

Tenor 2

    
                      
                          
89

           
Bari

    
                          



89

           
Tpt. 1

   
                 
     
  
89

          
Tpt. 2

    
                          
 
89

Tpt. 3

                      
               
          
89

           
Tpt. 4

 
  
                   

    
   
89

       
Tbn. 1

     
                      
 
89

              
Tbn. 2


                         
 
89

           
Tbn. 3


                        
  
89

Tbn. 4


             
Calt

 
Fm Fm Calt Fm Calt
              
     
89

 89  
Gtr.

    
                   
     
  89    
                        
 
Pno.

     
   
       89 
               
                  
Bass
         

                         

89

Drums

15/16 ©L.Haber
     
   
  
  
  
opt. vamp

 
last time

   
   
93 97


Alto 1

  
        
        
     
93 97


Alto 2

  
 
              


 
      
 
93 97

Tenor 1

        
             

       
 
93 97

Tenor 2

      
       
                
93 97

 
 
Bari

  
                        
 
93 97

Tpt. 1

   
           
Solo

            
Calt

 

93 97


Tpt. 2

  
                        
 
93 97


Tpt. 3


                          
   
93 97

 
       
Tpt. 4

   
                

93 97

         
Tbn. 1

   
               

93 97

        
Tbn. 2

     
              
 
93 97

Tbn. 3

          
 
       
 
        
93 97

Tbn. 4

  
         

Fm Calt Fm
     
 
93 97


Gtr.

 
       

    
93 97


             
 
Pno.

 
93 97

           

 

     
  
      
93 97

Bass

 
              

93 97

Drums

16/16 ©L.Haber
Alto Sax 1 Funky ChaCha
Arturo Sandoval


                                
 
LATIN FUNK  = 140


1

                               


  
5

   
                            
 
9


              
       
2nd time only

        
13

   
 

                  
  
17 1. 2.

                    


        
22

 
              
         
26

 
                              

30

 
                              



34


                  

   
2nd time only

        
38


/2 ©L.Haber
       
             
 

Alto Sax 1

    
42 1. 2.

                    
        
47

             
      
51 To Coda

 
                              

55



 
                              
D.S. al Coda
back to segno for next soloist


59

     
       
      

 after solos
       
  
     
  
      
    
63

                

 

           
        
70

 


       
                                    
80

   
              
87

     
                          


92 on cue after drum/perc solo 1. 2.


2/2 ©L.Haber
Alto Sax 2 Funky ChaCha

 
Arturo Sandoval

    
    
        
         
 
LATIN FUNK  = 140


1

   
                         


  
5

 
                         
    
 
9


                    
    
2nd time only

    
13

     
           
 

        
17 1. 2.

   
                   


 
   
22

  
            
           
26

 
                         
    
30

   
                         


  
34


                  

   
2nd time only

        
38

   
                          


  
42 1. 2.

/2 ©L.Haber
   
                     
Alto Sax 2

    
47


              
    

51 To Coda

   
                           

55

   
D.S. al Coda

 


                         
back to segno for next soloist


59

                          
      
 after solos
       
63



              


   
     
69

   
 

             
   
77

               
          
80

       
       
       
 
84

             
            
88

     
                          


92 on cue after drum/perc solo 1. 2.


2/2 ©L.Haber
Tenor Sax 1 Funky ChaCha

Arturo Sandoval

                             
    
 
1 LATIN FUNK  = 140


                             


   
 
5

    
                          
    
solo with trp

  
9

                             



  
      
13



                            
 
  
1. 2.


17

                    
       
 
22

     
                       

26


                            
     
30


                             


     
34

            


           
2nd time only

       
38


/2 ©L.Haber
                 
          
  
Tenor Sax 1

 
1. 2.


42

  
       

 

     
 
   

   
47

 
                    
51 To Coda


                            
     
55


                             
 D.S. al Coda

    
back to segno for next soloist


59


                                          
 after solos
   
      
63


                                      
 

          
70

     
                                            

79

    
                                   
84

    
                                  
88

                        

      
         
92 on cue after drum/perc solo 1. 2.

2/2 ©L.Haber
Tenor Sax 2 Funky ChaCha

Arturo Sandoval

                            
       
1 LATIN FUNK  = 140


                            


      
5

       
             
           
 
9

      
 
            
           
2nd time only
13

    
 

                   
 

17 1. 2.

       


                     
 
22

      
                      
26


                           
      
30


                             


     
34

            


           
2nd time only

       
38


/2 ©L.Haber
          
         
          
Tenor Sax 2


1. 2.


42

      
                     
  
47

 
                    
51 To Coda


                           
      
55


                             
 D.S. al Coda

     
59 back to segno for next soloist

            
 
 after solos
     
        
            

63

 
                                    


         
69

     
                                           
 
78

     
                                            
83

    
                                  
88

                           
              
92 on cue after drum/perc solo 1. 2.

2/2 ©L.Haber
Bari Sax Funky ChaCha


Arturo Sandoval


                         
      
1 LATIN FUNK  = 140

 
                   


   

    
5

  
                 
      
  
9

     
                        
     
13

   


        
      
1. 2.

 
17

          
          

  

   
22

   
     
      
        
26

                         
     
30

                      


   

    
34

       

             
   
   

   
 
38


/2 ©L.Haber
    
        
  
Bari Sax

    
1. 2.

 
42

       
     
           
                    
To Coda

 
47

  
                       
     
54



                      
D.S. al Coda

  
   
back to segno for next soloist

  
59

           

                                     
after solos
63

   
  
       
    
   
             
  

69

 
    
 

 
                         
       
   
   
78

 
 
 

  
                 
    

   
84

 
 


        
                
 

      
88

 

      
                          
 
on cue after drum/perc solo

   
92 1. 2.



2/2 ©L.Haber
Trumpet 1 Funky ChaCha
          
        
Arturo Sandoval

    
                
LATIN FUNK  = 140

              
1

      

      
        


                    

8

                                       
 
2nd time only

       
13

                  
           
  
1. 2.


18

                         


       
 
22


                             
half valve

  
26
s.
glis

      
  
                        
   

30 s.
glis

      
            
 
  


  
 
35 1. 2.

   
To Coda    
                    
half valve
47
ss.
gli

   

                         



 D.S. al Coda


back to segno for next soloist


58

/2 ©L.Haber
    
 after solos
                          
Trumpet 1

   
63




 

   
               
 
67

           


      
               
74

 
                
 
        
83

           

                
87


              
                 
 

         
on cue after drum/perc solo


92 1. 2.

2/2 ©L.Haber
Trumpet 2 Funky ChaCha

                                       
Arturo Sandoval

 
         
LATIN FUNK  = 140

     
1

        solo with tenor

          
                


     
     
8

                               
       

13

                     
              
       

1. 2.


17

                         


       
 
22

             
              
half valve

  
26
s.
glis

       
                    
     
30
s.
glis

   
              


   
    
34

 
 Solo

                  
38 Am  D G m C Am  D G m C

      
                  
Am  D G m G m /F A D G m
1. 2.
Gm


42

/2 ©L.Haber
 
                
Trumpet 2
47 C m F B♭maj B  C m F B♭maj () B♭maj


To Coda

                 
51 Am  D G m G m /F A D Fm half valve
s.
glis

       



                     
( Fm ) ( Am/ ) ( Fm ) ( Am/ )

     
55
.
g liss

  



   
D.S. al Coda

            
( Fm )


( Am/ ) ( Fm ) ( Am/ )

     back to segno for next soloist

59

   

                          
after solos

   
63

   


                    
 
67

 
 
 
   
  
    
    


                


74

 
                
 
        
83

           

                
87

                                  Dalt 
          
1. 2.
Solo

 
on cue after drum/perc solo


92

2/2 ©L.Haber
Trumpet 3 Funky ChaCha

                                    
Arturo Sandoval

 
        
LATIN FUNK  = 140

    
1

        

    
                               


    
7

     

         
                       
2nd time only

    
13

 
                             
  
1. 2.

 
18

                       


     
  
 
22

 
                       
 
26

             
  
                             
half valve

         
29
s s.
gli


  
   


      



1. 2.


36

To Coda 

                     
half valve

     
47
ss.
gli

                        





 
D.S. al Coda

     
back to segno for next soloist

 
58

/2 ©L.Haber
    
 after solos
                          
Trumpet 3

   
63



   
  

                 
 
67



          

     
 
              
74

        
  
                  

83

  
         

                 
87

              
                 
 


         
on cue after drum/perc solo


92 1. 2.

2/2 ©L.Haber
Trumpet 4 Funky ChaCha

                                    
Arturo Sandoval

 
        
LATIN FUNK  = 140

    
1

                  


       

                
   

7

     

         
                       
2nd time only

    
13

 
                             
  
1. 2.

 
18

                       


     
  
 
22

                 
       
half valve

     
26


s.
glis

                         
          
   
30
s.
glis

 
  

                 


 
    
35 1. 2.

To Coda

                    
  
   
47

                        



 D.S. al Coda

      
back to segno for next soloist

  
58

/2 ©L.Haber
    

                          
Trumpet 4
after solos

   
63



   
  

                 
 
67



                 
                

74

 
     
                       
       

82

           
   
  

  
   
 

 
87

              
                 
 
 
         
on cue after drum/perc solo


92 1. 2.

2/2 ©L.Haber
Trombone 1 Funky ChaCha
     
  
   
Arturo Sandoval

      
LATIN FUNK  = 140

                             
 
1

  
          
           


                    
7

                
           

    

2nd time only

 
13

                 
  
               
  
1. 2.
17

       
    


             

22

            
             
 
s.
26 glis

   
    
         
                  

s.
glis
30

   
               


 
    
    
35 1. 2.

           To Coda
        

47


/2 ©L.Haber
     
           

            
Trombone 1


s .
54 glis



   


 
         
                  
D.S. al Coda

  
back to segno for next soloist
58

                              
 after solos
     
63



 
  

  
                  

67

              



              

74


  


       
                       
      
82

           
               

87

      

     

                
on cue after drum/perc solo

   
92 1. 2.

2/2 ©L.Haber
Trombone 2 Funky ChaCha
      
   
   
Arturo Sandoval

         
LATIN FUNK  = 140

                           
1

  

 
 
     
      
       


                    
7

                
                  
2nd time only

 
13

                 
  
               
  
1. 2.
17

            


              

22

    
  
 
             
   
s.
26 glis

 
     
    
       
                  

s.
glis
30

       


 
             
     



35 1. 2.

           To Coda
        

47


/2 ©L.Haber
     
  
          
            
Trombone 2


ss .
54 gli


 

  
       
   
                  
D.S. al Coda

  
back to segno for next soloist
58

                              
 after solos
     
63



 
  

  
                  

67

            


  
              

74




  
         
      
                   
 
82

           
               

87

         
         
 

             

92
on cue after drum/perc solo 1. 2.

2/2 ©L.Haber
Trombone 3 Funky ChaCha
  
          
Arturo Sandoval

                        
LATIN FUNK  = 140

 
1





     
     
          
            
6

            
                
     
10 1. 2.

          
  
             

22

         
  
             

26
s.
glis


 
                 
                  
s.
30 glis



   
       
               
34

       
           

    

38 1. 2. To Coda


/2 ©L.Haber
       
         
            
Trombone 3


54


 


        
   
                  
D.S. al Coda

  
back to segno for next soloist
58

                              
 after solos
     
63



 
  

  
                  

67

            


 
 
              
74

 


        
                       
      
82

   
           
               

87

         
            
          
     
92 on cue after drum/perc solo 1. 2.

2/2 ©L.Haber
Trombone 4 Funky ChaCha

       
       
Arturo Sandoval

  
   
                             
LATIN FUNK  = 140
1




                  
      
                    
7

  
       
 
         
2nd time only

    
13 1. 2.

                      
      
22

         
  
             

26
s.
glis


    
   
           
                
30 s .
glis



         
             
     



35 1. 2.

           To Coda
        

47


/2 ©L.Haber
 
    
  
       
                  
Trombone 4


54

 

       
D.S. al Coda

                   
back to segno for next soloist


59

                              
 after solos
     
63



 
  

  
                  

67



        
   

      
          

74

 
           
      
                   
 
82


           
               

87

                  
                
      
92 1. 2.
on cue after drum/perc solo

2/2 ©L.Haber
Guitar Funky ChaCha
Arturo Sandoval


LATIN FUNK  = 140

 
Fm A m /  Fm A m /  Fm A m / 
                 
     
1


  


 
Fm A m /  Fm A m /  Fm C
                  
      
7

    
 
Gm  C   Fm B♭  Gm  C   Fm B♭ 
             
     
13

 
   

Gm  C   Fm Fm/E♭ G C Fm Fm
1. 2.

            
    
17


  
B♭m E♭ A♭m A  B♭m E♭ A♭m Amaj
             
     
22

 
Gm  C  Fm Fm/E♭ G C Fm
           
    
26


  
Fm A m /  Fm A m /  Fm A m /  Fm A m / 
                       
       
30

   


 
Gm  C Fm B♭ Gm  C Fm B♭
               
     
38

  
 

           
Gm  C Fm/E♭ G C Fm
1. 2.
Fm


           
   
42





B♭m  E♭ A♭maj A♭  B♭m  E♭ A♭maj A♭maj
               
     
47

/2 ©L.Haber
 
      
Guitar
Gm  C Fm Fm/E♭ G C Fm
           
To Coda

   
51


  
Fm A m /  Fm A m / 
           
     
55

D.S. al Coda


back to segno for next soloist


Fm A m /  Fm A m / 
           
     
59


      
 after solos
Fm Gm  C Fm B♭ Gm  C Fm B♭ Gm  C Fm
                   
      
63

   
   
     
         
       
       
       
69

 


          
Fm Calt Fm Calt
         
   
74




              
Fm Calt Fm Calt Fm Calt
           
  
78


          
Fm Calt Fm Calt
         
   
84

         
Fm Calt Fm Calt
         
   
88

     
on cue after drum/perc solo 1. 2.


            
Fm Calt Fm Calt Fm


        
 
92

2/2 ©L.Haber
Piano Funky ChaCha

 
Arturo Sandoval

          
               
LATIN FUNK  = 140


1


                
 
1



 
   
        
      
   
5

               


5  


 

 
           
                 
9

 
                  
 
9  

 

    
               
     
13

    
Gm  C   Fm B♭  Gm  C   Fm B♭ 

               
     
13




               
1. 2.

    
17

   

Gm  C   Fm Fm/E♭ G C Fm Fm

             
    
17

/4 ©L.Haber
         
         
Piano

      
          
22

                         
 
        
22



     
                      



26

                         
     
26

 
         
             
30

   
              

30 



 
   
        
      
   
34

               


34  

 

   

                  
     
38



  
  
Gm  C Fm B♭ Gm  C Fm B♭
               
     
38

 

2/4 ©L.Haber
  
           
Piano
C
           
1. 2.

   
42



           
Gm  C Fm/E♭ G C Fm Fm

            

   
42


  


               
     
47

 

B♭m  E♭ A♭maj A♭  B♭m  E♭ A♭maj A♭maj
               
     
47

                 
To Coda

   
51

      
Gm  C Fm Fm/E♭ G C Fm

            
   
51

 
    
         
        
55

               


55 

 
    
             
 D.S. al Coda

    
59 back to segno for next soloist

               


59  

    
 
 after solos
                 
     
63

      
Fm Gm  C Fm B♭ Gm  C Fm B♭

                
     
63

3/4 ©L.Haber
  
    

    
Piano

   
                
68

 
  
   
                 
Gm  C Fm






  

68







       
                
72


 
                         
                  
72

     



                     
       
76

   
            
               
      
76

    
               
  
82

  
    
                 
    
82

      
                     
     
86

     
            
               
      
86

         
               
  
92 on cue after drum/perc solo 1. 2.

  
      
                  
      
92

4/4 ©L.Haber
Bass Funky ChaCha
Arturo Sandoval

   
      
      
   
        
1 LATIN FUNK  = 140



            


           
     
7

                  

   
    
       

13

                           
           
 
17 1. 2.

                        
  
 
22


                          



26

      
                              
30

   

      

 Gm  C Fm B♭ Gm  C Fm B♭

                
     
38

 
 

           
Gm  C Fm/E♭ G C Fm


1. 2.
Fm


           
   
42



  
B♭m  E♭ A♭  B♭m  E♭


A♭maj A♭maj A♭maj
               
     
47

/2 ©L.Haber
       
Bass
Gm  C Fm Fm/E♭ G C Fm

            
To Coda

   
51

  
     
         
55

 

      
 D.S. al Coda

         
back to segno for next soloist

  
59

 

              
 after solos
Fm Gm  C Fm B♭ Gm  C Fm B♭ Gm  C Fm

            
      
63


      
  
69

                         


 
                        
72

                
 

 
         
        
76

                
 
         
        
80

    
 
      
 
    
                
84

                
 
         
        
88

 
                            
      
on cue after drum/perc solo

  
92 1. 2.

2/2 ©L.Haber
 Drums Funky ChaCha
     
Arturo Sandoval

                 
          
LATIN FUNK  = 140
1

      
           


                
           
5

       
                
          
9


                 

13


                     

17 1. 2.

        


22

                      
              
30



                
     
fill
35



                 
time


38


                     

42 1. 2.

/2 ©L.Haber
         

Drums
47 To Coda

                  
            
55



                    
       
59 fill D.S. al Coda

back to segno for next soloist


 after solos
                                      
63

 

                
GROOVE!
71




                        
          
74

                
80

                
84

                
88

 on cue after drum/perc solo  

                   
 
92 1. 2.

2/2 ©L.Haber