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The Book of Feeling Blue - Gwendoline Smith
The Book of Feeling Blue - Gwendoline Smith
The Book of Feeling Blue - Gwendoline Smith
I N T RO DUCT I O N 8
PART ONE
C H A P T ER O N E
Feeling blue 11
C H A P T ER T WO
Beyond the blues 35
C H A P T ER T H R E E
How to tell the difference between the blues
and depression 65
C H A P T ER F OUR
Images of psychiatry 93
C H A P T ER F I V E
To be medicated or not to be medicated? 109
C H A P T ER S I X
Whose couch is it anyway — which therapy is
for me? 127
C H A P T ER S EV E N
Natural therapies — looking back to
Mother Nature 139
C H A P T ER EI G HT
T
he purpose of Part One of The Book of Feeling
Blue is to provide you with information about
whether you are experiencing a dose of ‘the blues’
or whether you are experiencing depression, and
what sort of help is available. It also aims to provide
you with some understanding of the strengths
and pitfalls of the various treatment approaches.
Part Two looks at how depression affects different
groups in society, and the variety of approaches to
managing it.
I am a great believer, as a mental health clinician,
in providing people with as much education as I am
able. I believe there are a number of benefits from
this ‘psychoeducation’: it works not only to inform
but also to demystify and destigmatise all forms of
mental illness, not just depression.
Demystification breaks down the layers of
superstitious beliefs about these illnesses, as well
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as the ‘black magic’ theories about psychiatric
treatments and the scepticism within certain faith
communities regarding secular (non-religious)
psychotherapy or medical approaches.
Destigmatisation is a by-product of having
scientifically based information. This takes away
the shame from both the diagnosis and the process
of asking for help. It also enables families to ask
for support from their extended families and
communities when caring for a family member
with a mental illness or mood disorder.
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PART
ONE
CHAPTER ONE
Feeling blue
F
rom the late 1300s, the expression ‘feeling blue’
has been used to mean being sad. But there
are many other cultural meanings given to the
colour blue. In Western countries, blue also denotes
safety and trust or authority; for example, the blue
uniforms worn by the police. It has also been linked
with masculinity — that old notion ‘blue is for boys,
pink for girls’ — and associated with tranquillity.
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rary culture the colour blue also has a strong
association with sadness.
In Africa, blue is the colour of harmony and
love, symbolising the importance of peace and
togetherness. Yet for the African people who were
taken to the New World to work as slaves, singing
‘the blues’ was something different again. These
were songs of their despair and suffering, sung to
make the time pass more quickly. Historians refer
to blues music as being about the slaves’ struggle to
survive and their efforts to win back their freedom.
Perhaps our collective consciousness of ‘feeling
blue’ also emanates partly from our resonance with
the universal language of music such as the blues.
F E E L I NG SA D
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and at other times you feel disappointed; you feel
angry, excited or frustrated; you feel blue.
Emotions are innate. They are biologically driven
reactions to certain challenges and opportunities,
sculpted by evolution to help humans survive, as
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part of the ‘fight/flight/freeze’ response.
Some emotions, such as shame and guilt, are
learned emotions, shaped by the social and cultural
environment we grow up in.
What I have observed in my clinical work,
particularly in the past twenty or so years, is that
if we don’t like how we experience an emotion, we
don’t want it to be there. If you happen to be feeling
sad about the breakdown of your relationship, you
might find yourself surrounded by people making
comments such as ‘You’ll get over it’, ‘Snap out of it’,
‘Think positively’.
Although your friends and loved ones are trying
to be helpful, this pressure to never feel sad or ‘blue’
is very rarely helpful. These comments also tend
to encourage people to suppress feelings that are a
part of being human.
Poets often describe pain and joy as two sides of
the same coin — both are necessary for a life that
is fully lived. An example is John Keats’ ‘Ode on
Melancholy’ written in 1819.
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PR E S SU R E TO BE HAPPY
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What’s more, as I wrote in my earlier book The
Book of Knowing:
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