PROBLEM

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PROBLEM C) EASTERN EXPOSURES

THE ARCHITECTURE DESIGN PROCESS IS A PROBLEM- EASTERN LIGHT IS DIRECT IN THE MORNINGS, MAKING IT
SOLVING PROCESS. THE CRITICAL FIRST STEP IN SOLVING A IDEAL FOR SLEEPING SPACES AND BREAKFAST NOOKS
PROBLEM IS TO CLEARLY DEFINE THAT PROBLEM. THIS MAY WHERE PEOPLE SPEND TIME EARLY IN THE DAY. MORNING
SOUND SIMPLE AND CONCEPTUALLY SPEAKING, IT IS. SUNLIGHT CAN HAVE A POSITIVE EFFECT ON MOOD,
HOWEVER, EVERY ARCHITECTURAL PROBLEM IS REDUCING DEPRESSION AND ANXIETY. AS WITH WESTERN
COMPLICATED BY A NUMBER OF VARIABLES. EXPOSURES, GLARE AND UNWANTED HEAT GAIN CAN BE AN
ISSUE WHEN SUN ANGLES ARE LOW IN THE HOURS AFTER
INVENTORY/ANALYSIS SUNRISE, AND VERTICAL SUN SHADES ON THE EXTERIOR
THE RESEARCH BELOW IS AN EXPLOSIVE STUDY ON ARE MORE BENEFICIAL ON WESTERN FACADES THAN
'ARCHITECTURAL ANALYSIS' AS A MEANS OF THINKING AND HORIZONTAL SHADES. EASTERN LIGHT IS WARM IN THE
DESIGNING ARCHITECTURE; IT IS A SPACE OF DISSECTION, MORNINGS AND COOL IN THE EVENINGS, CREATING
OBSERVATION, AND REPRESENTATION TO ESTABLISH (NEW) VARIABLE LIGHT AND COLOR QUALITY AS DOES WESTERN
RELATIONSHIPS CREATING ELEMENTS THAT DISCUSS, LIGHT.
DEEPEN, AND EXTEND THE IDEAS.
D) WESTERN EXPOSURES
CONCEPTUALIZATION WESTERN LIGHT IS DIRECT IN THE EVENINGS OFTEN
DESIGN CONCEPTUALIZATION IS THE PROCESS OF CAUSING GLARE AND HEAT GAIN ISSUES IN THE HOURS
GENERATING IDEAS FOR AN OPTIMUM SOLUTION TO THE BEFORE SUNSET AS THE LOWERED SUN ANGLE RENDERS
DESIGN PROBLEM. THESE IDEAS SHOULD STEM ORIGINALLY MANY SHADING STRATEGIES INEFFICIENT OR INEFFECTIVE.
FROM THE PRODUCT IDEA AND STATED DEFINITIONS OF THE VERTICAL SUN SHADES ON THE EXTERIOR ARE MORE
DESIGN PROBLEM. IN MOST SITUATIONS, PRODUCT IDEAS BENEFICIAL ON WESTERN FACADES THAN HORIZONTAL
ARE INSPIRED BY SOME NEED OR WANT EXPRESSED BY SHADES FOR THIS REASON, AS SPACES MAY OVERHEAT IN
PEOPLE, OFTEN IN NON-SPECIFIC TERMS, AS A SOUGHT-FOR THE EVENINGS. BECAUSE WESTERN LIGHT IS VARIABLE, IT
GOAL. IS DIFFICULT TO CONTROL FOR TASKS THAT REQUIRE MORE
EVEN LIGHTING (SUCH AS WORK AND READING SPACES). IT
SYNTHESIS IS ALSO A POOR CHOICE FOR AREAS WITH TVS AND
SYNTHESIS IS THE PROCESS WHEREBY THE FUNCTIONAL COMPUTER MONITORS, AS GLARE MAKES SCREENS
ARCHITECTURES AND THEIR ASSOCIATED REQUIREMENTS HARDER TO SEE, AND MOST PEOPLE LOOK AT SCREENS
ARE TRANSLATED INTO PHYSICAL ARCHITECTURES AND PRIMARILY IN THE EVENINGS IN THEIR HOMES.
ONE OR MORE PHYSICAL SETS OF HARDWARE, SOFTWARE,
AND PERSONNEL SOLUTIONS. IT IS THE OUTPUT END OF THE
DESIGN LOOP. 3.MOISTURE (HUMIDITY OR MOISTURE)
MOISTURE IS THE PRESENCE OF WATER, OFTEN IN SMALL
INTERPRETATION OR EVEN TRACE AMOUNTS. MOISTURE CAN BE FOUND IN
INTERPRETATION IS A PARTICULAR READING OF A WORK OF WATER VAPOUR, CONDENSATION, AND IN OR ON THE
SUBSTANCE, WITH ONE'S THINKING PROJECTED UPON, OR FABRIC OF A BUILDING AND CAN CAUSE DAMP RESULTING IN
DRAWING FROM, ANOTHER UNDERSTANDING TOWARDS A PROBLEMS SUCH AS STAINING, MOULD GROWTH, MILDEW
MEANS OF BUILDING. THUS, IN ONE'S PRACTICE IN AND POOR INDOOR AIR QUALITY, AND REDUCTION IN
ARCHITECTURE IS ONE'S INTERPRETATION OF WHAT ONE THERMAL RESISTANCE OF THE WALL, MOLD GROWTH, AND
KNOWS ABOUT MAKING ARCHITECTURE. DETERIORATION OF THE STRUCTURAL INTEGRITY OF THE
WALL.

4.TEMPERATURE (OCCURRENCE OF TYPHOONS)


A TYPHOON IS A MATURE TROPICAL CYCLONE THAT
DEVELOPS BETWEEN 180° AND 100°E IN THE NORTHERN
HEMISPHERE. THIS REGION IS REFERRED TO AS THE
1.WIND (PREVAILING WIND DIRECTION) NORTHWESTERN PACIFIC BASIN,[1] AND IS THE MOST
THE DIRECTION OF WIND IS MEASURED IN TERMS OF WHERE ACTIVE TROPICAL CYCLONE BASIN ON EARTH, ACCOUNTING
THE AIR IS COMING FROM. A NORTHERLY WIND BLOWS AIR FOR ALMOST ONE-THIRD OF THE WORLD'S ANNUAL
FROM NORTH TO SOUTH. A SOUTHWESTERLY WIND BLOWS TROPICAL CYCLONES. FOR ORGANIZATIONAL PURPOSES,
AIR FROM THE SOUTHWEST TO THE NORTHEAST. THE NORTHERN PACIFIC OCEAN IS DIVIDED INTO THREE
THE PREVAILING WIND IS THE WIND THAT BLOWS MOST REGIONS: THE EASTERN (NORTH AMERICA TO 140°W),
FREQUENTLY ACROSS A PARTICULARLY REGION. CENTRAL (140°W TO 180°), AND WESTERN (180° TO 100°E).
DIFFERENT REGIONS ON EARTH HAVE DIFFERENT TYPHOONS AFFECT BUILDINGS AND OTHER STRUCTURES IN
PREVAILING WIND DIRECTIONS WHICH ARE DEPENDENT TWO WAYS: THROUGH DIRECT FORCE AND THROUGH
UPON THE NATURE OF THE GENERAL CIRCULATION OF THE PROJECTILES. DIRECT FORCE OCCURS WHEN A WIND GUST
ATMOSPHERE AND THE LATITUDINAL WIND ZONES. WIND SLAMS DIRECTLY INTO A BUILDING OR STRUCTURE AND
GENERALLY BLOWS FROM HIGH PRESSURE TO LOW CAUSES PHYSICAL DAMAGE, SUCH AS WHEN WIND BLOWS
PRESSURE, BUT DOES NOT TAKE THE MOST DIRECT NORTH- THE ROOF OFF A HOME. THE PHILIPPINES IS CONSIDERED
SOUTH ROUTE BETWEEN THE PRESSURE BELTS ON AS ONE OF THE WORLD'S NATURAL HAZARD “HOT SPOTS”
ACCOUNT OF THE EARTH'S ROTATION, WHICH DEFLECTS AND SUFFERS MORE NATURAL HAZARDS LIKE
AIRFLOW BY MEANS OF THE CORIOLIS FORCE. EARTHQUAKES, VOLCANIC ERUPTIONS, TYPHOONS,
FLOODS, DROUGHTS AND LANDSLIDES THAN ANY OTHER
2.SUN (EXPOSURES TO THE SUN) COUNTRY, WITH AN AVERAGE OF EIGHT DISASTERS PER
THE MOST NEED OF NATURAL LIGHT AND ENERGY YEAR. EACH YEAR ABOUT 20 TYPHOONS, EQUIVALENT TO
APPEARED IN THE PUBLIC EDIFICES 25% OF THE GLOBAL OCCURRENCE OF TYPHOONS, OCCUR
. IN THE PHILIPPINE AREA OF RESPONSIBILITY. MOST OF THE
A) SOUTHERN EXPOSURES TYPHOONS OCCUR DURING RAINY SEASON (JULY UNTIL
SOUTHERN LIGHT PROVIDES WARM, AMBIENT LIGHT SEPTEMBER)
THROUGHOUT THE DAY AND GENERALLY FEELS SUNNY AND
COMFORTABLE. MOST LIVING SPACES ARE IDEAL FOR
SOUTHERN EXPOSURE, AS IT BRINGS IN THE MOST LIGHT
AND DOES NOT VARY MUCH OVER THE COURSE OF THE
DAY. IT IS USUALLY PRACTICAL TO MAXIMIZE DAYLIGHTING
BY ORIENTING BUILDINGS SO THAT SPACES THAT REQUIRE
AMPLE LIGHT FOR ACTIVITIES AND COMFORT, AND WHERE
OCCUPANTS SPEND A MAJORITY OF TIME, GET THE MOST
SOUTHERN EXPOSURE.

B) NORTHERN EXPOSURES
NORTHERN LIGHT IS INDIRECT, MEANING THAT IT IS ALWAYS
IN SHADOW AND CAN CAUSE SPACES TO FEEL DARK AND
COLD. NORTH-FACING WINDOWS RECEIVE THE LEAST
AMOUNT OF LIGHT OF ANY ORIENTATION, BUT THE BENEFIT
IS THAT NORTHERN LIGHT IT IS DIFFUSE AND DOES NOT
TYPICALLY NEED TO BE CONTROLLED FOR GLARE. IT IS
COOLER IN COLOR THAN LIGHT FROM ANY OTHER
ORIENTATION, SO WARM COLORS (YELLOWS, ORANGES AND
REDS) AS WELL AS WARM FINISHES LIKE WOOD CAN HELP
SPACES WITH NORTHERN LIGHT FEEL MORE SUNNY.

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