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PROBLEM
PROBLEM
PROBLEM
THE ARCHITECTURE DESIGN PROCESS IS A PROBLEM- EASTERN LIGHT IS DIRECT IN THE MORNINGS, MAKING IT
SOLVING PROCESS. THE CRITICAL FIRST STEP IN SOLVING A IDEAL FOR SLEEPING SPACES AND BREAKFAST NOOKS
PROBLEM IS TO CLEARLY DEFINE THAT PROBLEM. THIS MAY WHERE PEOPLE SPEND TIME EARLY IN THE DAY. MORNING
SOUND SIMPLE AND CONCEPTUALLY SPEAKING, IT IS. SUNLIGHT CAN HAVE A POSITIVE EFFECT ON MOOD,
HOWEVER, EVERY ARCHITECTURAL PROBLEM IS REDUCING DEPRESSION AND ANXIETY. AS WITH WESTERN
COMPLICATED BY A NUMBER OF VARIABLES. EXPOSURES, GLARE AND UNWANTED HEAT GAIN CAN BE AN
ISSUE WHEN SUN ANGLES ARE LOW IN THE HOURS AFTER
INVENTORY/ANALYSIS SUNRISE, AND VERTICAL SUN SHADES ON THE EXTERIOR
THE RESEARCH BELOW IS AN EXPLOSIVE STUDY ON ARE MORE BENEFICIAL ON WESTERN FACADES THAN
'ARCHITECTURAL ANALYSIS' AS A MEANS OF THINKING AND HORIZONTAL SHADES. EASTERN LIGHT IS WARM IN THE
DESIGNING ARCHITECTURE; IT IS A SPACE OF DISSECTION, MORNINGS AND COOL IN THE EVENINGS, CREATING
OBSERVATION, AND REPRESENTATION TO ESTABLISH (NEW) VARIABLE LIGHT AND COLOR QUALITY AS DOES WESTERN
RELATIONSHIPS CREATING ELEMENTS THAT DISCUSS, LIGHT.
DEEPEN, AND EXTEND THE IDEAS.
D) WESTERN EXPOSURES
CONCEPTUALIZATION WESTERN LIGHT IS DIRECT IN THE EVENINGS OFTEN
DESIGN CONCEPTUALIZATION IS THE PROCESS OF CAUSING GLARE AND HEAT GAIN ISSUES IN THE HOURS
GENERATING IDEAS FOR AN OPTIMUM SOLUTION TO THE BEFORE SUNSET AS THE LOWERED SUN ANGLE RENDERS
DESIGN PROBLEM. THESE IDEAS SHOULD STEM ORIGINALLY MANY SHADING STRATEGIES INEFFICIENT OR INEFFECTIVE.
FROM THE PRODUCT IDEA AND STATED DEFINITIONS OF THE VERTICAL SUN SHADES ON THE EXTERIOR ARE MORE
DESIGN PROBLEM. IN MOST SITUATIONS, PRODUCT IDEAS BENEFICIAL ON WESTERN FACADES THAN HORIZONTAL
ARE INSPIRED BY SOME NEED OR WANT EXPRESSED BY SHADES FOR THIS REASON, AS SPACES MAY OVERHEAT IN
PEOPLE, OFTEN IN NON-SPECIFIC TERMS, AS A SOUGHT-FOR THE EVENINGS. BECAUSE WESTERN LIGHT IS VARIABLE, IT
GOAL. IS DIFFICULT TO CONTROL FOR TASKS THAT REQUIRE MORE
EVEN LIGHTING (SUCH AS WORK AND READING SPACES). IT
SYNTHESIS IS ALSO A POOR CHOICE FOR AREAS WITH TVS AND
SYNTHESIS IS THE PROCESS WHEREBY THE FUNCTIONAL COMPUTER MONITORS, AS GLARE MAKES SCREENS
ARCHITECTURES AND THEIR ASSOCIATED REQUIREMENTS HARDER TO SEE, AND MOST PEOPLE LOOK AT SCREENS
ARE TRANSLATED INTO PHYSICAL ARCHITECTURES AND PRIMARILY IN THE EVENINGS IN THEIR HOMES.
ONE OR MORE PHYSICAL SETS OF HARDWARE, SOFTWARE,
AND PERSONNEL SOLUTIONS. IT IS THE OUTPUT END OF THE
DESIGN LOOP. 3.MOISTURE (HUMIDITY OR MOISTURE)
MOISTURE IS THE PRESENCE OF WATER, OFTEN IN SMALL
INTERPRETATION OR EVEN TRACE AMOUNTS. MOISTURE CAN BE FOUND IN
INTERPRETATION IS A PARTICULAR READING OF A WORK OF WATER VAPOUR, CONDENSATION, AND IN OR ON THE
SUBSTANCE, WITH ONE'S THINKING PROJECTED UPON, OR FABRIC OF A BUILDING AND CAN CAUSE DAMP RESULTING IN
DRAWING FROM, ANOTHER UNDERSTANDING TOWARDS A PROBLEMS SUCH AS STAINING, MOULD GROWTH, MILDEW
MEANS OF BUILDING. THUS, IN ONE'S PRACTICE IN AND POOR INDOOR AIR QUALITY, AND REDUCTION IN
ARCHITECTURE IS ONE'S INTERPRETATION OF WHAT ONE THERMAL RESISTANCE OF THE WALL, MOLD GROWTH, AND
KNOWS ABOUT MAKING ARCHITECTURE. DETERIORATION OF THE STRUCTURAL INTEGRITY OF THE
WALL.
B) NORTHERN EXPOSURES
NORTHERN LIGHT IS INDIRECT, MEANING THAT IT IS ALWAYS
IN SHADOW AND CAN CAUSE SPACES TO FEEL DARK AND
COLD. NORTH-FACING WINDOWS RECEIVE THE LEAST
AMOUNT OF LIGHT OF ANY ORIENTATION, BUT THE BENEFIT
IS THAT NORTHERN LIGHT IT IS DIFFUSE AND DOES NOT
TYPICALLY NEED TO BE CONTROLLED FOR GLARE. IT IS
COOLER IN COLOR THAN LIGHT FROM ANY OTHER
ORIENTATION, SO WARM COLORS (YELLOWS, ORANGES AND
REDS) AS WELL AS WARM FINISHES LIKE WOOD CAN HELP
SPACES WITH NORTHERN LIGHT FEEL MORE SUNNY.