The Musical Importance of Being Earnest Piano/Vocal Score Samuel French — London New York- Toronto - HollywoodNo.1 No.2 No.2A No.3 No.3 No.4 No.5 No.5A No. 5B No.6 No. 6A, No.7 No.8 No. 8A, No. 8B No.9 No. 10 No. 11 No. 12 No. 13, No. 14 No. 15 No. 16 No. 17 No.18 No. 18A, No, 18B No, 19 No. 194, No, 20 No. 21 No. 22 No. 23 No. 24 CONTENTS ACTI Overture A Fine and Gracious City Scene Change Bunburying ‘Scene Change : ‘The Importance of Being Exnest/One Love Your Engagement ‘Your Engagement ~ continuation ‘One Love~ underscore Bunburying ~ reprise Scene Change Must Write That. Down Before 1 Forget Need Someone To Rescue Me IMust Write That Down Before I Forget ~ reprise Scene Change Every Flower in the Garden Funeral March ‘The Importance of Being Ernest Sincerely Yours ‘Your Duty as a Gentleman acTm Entr’Acte ‘The Importance of Being Ernest 1 Am Never Wrong, May I Offer You a Cup of Tea? Yes for a Woman We Will Play-off Music’ Scene Change One Vital Question One Love Dance My Ward/Your Engagement Borne ina Handbag, Finale: One Love/The Importance of Being Ernest Music for Curtain Calls Play-out Music Page 1 Page 7 Page 13, Page 14 Page 22 Page 38 Page 4d Page 47 Page49 Page 52 Page 54 Page 65, Page 70 Page 73 Page 74 Page 82 Page 83 Page 87 Page 91 Page 99 Page 101 Page 105 Page 110 Page 119 Page 125, Page 126 Page 126 Page 132 Page 133, Page 142 Page 154 Page 161(io. 4] OVERTURE ACT 4 LAvieqro Brillante, \(deiy2) Pedal, [Molto Rall) fF - — Cae he rome |e. (wor ——* Siete eee ee ‘YouR DUTY ASA GENTLEMAN! A ‘em 90. Cid Marcabe ) a mh (F, ae Fle & Ge [oo a aN[cone wove] [Nolue Brillante. |(¢-+ 208) fa he © BEF i aaa fe = | | | gore ee E fe157 59 39 954 2ar sre Holto Red = =~ 397 999 997 ey peed ja F779 97fe : 8 EINE AND GRACIOUS CITY LoreNing Scene) (deo) [eu cun ss aoa Molto Moderato SN SGT OF THE PROPLE BAIT VEAVING GIRL AND wESSUNORR. ©(ors wove eto Po FOSTTION TO SING] iF Dex (Ex) Om on. Ls [Allegro Ha Ko. a sue VERN Centre oF THe LAND FRom WADE PARK GATE Ceo To eb" ob?aie ALL oF HEH oW-Pui-€RS To TH 19 A Fae went Fou of Wou-ey fover Add. FANE of t OTHERS Mot wu WEDE THo-Rodta-LY CHECKED YouR- 3 CHANCE fo MEET 1¢ pu ARE DIS ~CREETiS Em Dm Em Dow ‘Sa M1] |Poce Ta — Ken Eafe Dufe cle | Am G Ole cle Primo} “fe (play Bva 2nd time yc Dm Em Dim (En) Dm “fA ele, One Cle : ‘ bey &LEMle sone PLACE’ Pook BUNBURY CATCHES A ever t walt 10 wT cle - Fla 4s, we yoacad cone ur‘o-tou wes! Yoo CHoose —— MD rr You Wale wVer-Teo A SROT-ER — s 4S Fla a pio. Mewbv tol To 015 - Cov-ER —— THA maei-et-ovsoece?tiod to USE ie ~fou've| = io OPlab. f & Brigit Seffel (t=) eee : ene ae*gaee5 Got pal AUNT Aue US=Ta Who IN -SiSTS THE FaMAtMosr Ee. FORTHE DAME OLD Bote onl Nee ev-6R4| ar Deon-t1 WAT KNOW hit A GerTLE-MAN cad Freloy PRES-Eded 15 RE-QUEST-ED BY OLD GEORGE WHOHAS N-VEST-ED 6 a 00 he BerT-€e Tas on HS Hi t-ton Some folds on HiaHov WHE KNowd MAT A Got AN IN- Ure A -Tionl bo THe BEM-E2 TMnlaS on HIS ced-te-nabcad FID ¥ WY . Ae o0 cool Fo VST TWATDNGRELATioN Wile LIVES ti 1) SHeOP-SIEE 19.ONE WHY Eilon! Tan A Gatetie-aaloal Fuld Ao 0 The Bettee Tana ON His nf Om Gor23. [THE IMPORTANCE OF BEING ERNEST/ONE LOVE LADY Brack! ‘Gwendolen you will accompany me" GuENDOLAM: ‘Certainly Manna’ Gl atte, Vocel(w 2) ~ : (ra CHARH-WG O8Y 17'S BEEH MISS AIR-FAX QUITE wiReN FORTHE “TIME OF THE] oF 5 E., PRAY DONTRE-HINDME HE SUN Io BE-HuIDME IT DUST MAMesMe Nee-VOUS To pe te a ES E. Ts a roo fempol( Bright HEAR T_ “Todi You an Sone-tinta wh PoeT-aut to Terie 00 HAVE SonE-TiNG To