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Stylistics Analysis of The Poem "Ambulance" by Philip Larkin
Stylistics Analysis of The Poem "Ambulance" by Philip Larkin
Stylistics Analysis of The Poem "Ambulance" by Philip Larkin
Abstract: Philip Larkin is known as a movement poet, because there are many poems which were published in the book of
poetic movement, New Lines. This movement was started in 1950, against the unreasonable, inflated and extortionate
romanticism of 1930's and 1940's. The common features of movement poetry are; the use of irony and wit, an element of
satire, the loneliness of modern man, pessimistic outlook on life, realism, use of ordinary diction, use of symbols, and loss of
religious faith. Robert Conquest is known as the representative poet of this movement. The poets of this movement believed
that the language of poetry should be simple, lucid and intelligible. The poem Ambulance deals with the important features of
movement poetry. Through the stylistics study of this poem the researchers will show the loneliness and concept of death in
modern man.
The Poem:
Leech and Short (1981) is of the view that, "The word style
AMBULANCE has an uncontroversial meaning. Style depends on the context
for a given purpose for which the language is being used".
Closed like confessionals, they thread
Loud noons of cities, giving back Leech and Short (1981) also said that, "It is the selection of
None of the glances they absorb. the words from a grand linguistic vocabulary".
Light glossy grey, arms on a plaque,
They come to rest at any kerb: Short and Candlin (1989) said that, "Stylistics is a linguistic
All streets in time are visited. approach to texts".
Then children strewn on steps or road, According to Freeman (1971), "Stylistics is a sub-discipline
Or women coming from the shops which started in the second half of the 20th century".
Past smells of different dinners, see
A wild white face that overtops 4. STYLISTICS ANALYSIS OF THE POEM:
Red stretcher-blankets momently
As it is carried in and stowed, The researchers have analyzed the poem with great care and
attention to produce a quality product. The researchers have
And sense the solving emptiness analysed all the figure of Speeches in the poem. Different
That lies just under all we do, figures of Speech in this poem are as under:
And for a second get it whole,
So permanent and blank and true.
The fastened doors recede. Poor soul, 4.1. Form:
They whisper at their own distress;
Form of this poem is five stanzas with six lines each as in
For borne away in deadened air first stanza;
May go the sudden shut of loss
Round something nearly at an end, "Closed like
And what cohered in it across confessionals, they
The years, the unique random blend thread
Of families and fashions, there Loud noons of cities,
giving back
At last begin to loosen. Far None of the glances
From the exchange of love to lie they absorb.
Unreachable inside a room Light glossy grey, arms
The traffic parts to let go by on a plaque,
Brings closer what is left to come, They come to rest at
And dulls to distance all we are. any kerb:
All streets in time are
visited."
3. Literature Review
4.2. Rhyme Scheme:
Widdowson (1975) defines stylistics as, “The study of
literary discourse from a linguistic orientation”. The rhyme scheme of this poem is ABCBCA, for example
in second stanza "road" in first line is rhymed with "stowed"
Adejare (1992) makes this clear when he said that, "Style is in last line, "shops" of second line is rhymed with "overtops"
an ambiguous term". of forth line and "see" of third line is rhymed with
"momently" of fifth line.
Lawal (1997) also added that, "It may be reckoned in terms
of the sociolinguistic contexts and it may also be reckoned or “Then children strewn on
analyzed on linguistic, semantic and even semiotic terms". steps or road,
Alliteration is there in first line of first stanza “Closed like confessionals, they thread”
"Closed like confessionals, they thread"
4.6. Imagery:
Alliteration is there in forth line of first stanza
"Light glossy grey, arms on a In second stanza Larkin gives us a complete image of an
plaque," effected site where an ambulance is taking a body to hospital.
Children are playing, women are coming from shopping and
Alliteration is there in third line of second stanza few people are doing dinner in the hotels. It is important to
"Past smells of different dinners, see" mention that Larkin images are not visual or auditory but at
the same time his images are concerned with the sense of
Fourth line of second stanza also contains alliteration smell and taste.
"A wild white face that overtops"
“Then children strewn
Alliteration is also there in second line of fourth stanza on steps or road,
"May go the sudden shut of loss" Or women coming
from the shops
Last line of fourth stanza also has alliteration Past smells of different
"Of families and fashions, there" dinners, see
A wild white face that
Last line of last stanza also has alliteration overtops
"And dulls to distance all we Red stretcher-blankets
are." momently
As it is carried in and
4.4. Repetition: stowed,”
In third stanza there is a repetition of word "And" for four 4.7. Metaphor:
times, just deliver the idea that death is a bitter truth and we
can't make an escape from it. Metaphor is there in first line of the first stanza by using
the phrase "they thread". Larkin has used his phrase in the
"And sense the solving poem just to show clear picture of the site of casualty.
emptiness
That lies just under all “Closed like
we do, confessionals, they thread”
And for a second get it
whole, 4.8. Onomatopoeia:
So permanent and blank
and true. In poetry when a word presents the sounds that are like the
noises it is known as onomatopoeia. In last line of third
stanza there is Onomatopoeia.
Volume 1 Number 3, July-September 2016
onlinejournal.org.uk
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International Journal of Research and Education (IJRE)
4.12. Symbolism: