Clair

de Lune
from “Suite Bergamasque” L. 75
3rd Movement
Claude Debussy
(1862–1918)

                                             
Andante très expressif 2

 
2

 

         
 con sordina
                

Piano

     

                  

                       
   

   
7

  
   
                      
         
 

  

     

2

         2   

          
Tempo rubato

 
              
2 2

     
2 2

 
13
2




  
                
2

  
                       
          
2

    
2


             
                6           

   
peu à peu cresc. et animé

      
17 2

  
     

       
             
2

              

m.g.

         
2


  6 
    

                                 
2

             
21



              

 
       
                
 
          
dim. molto

          
   
   



     


    
Un poco mosso

                      
 
26

     





                   
   

     
     





          
         
    
29

 

    
     
        
        

 
   
        
   
31

 

            
 
        

     
      
   
       
33

    
    
      
            
 
    
             
   
 
cresc.

   
3


       
35

   
                 
      
  

   
    
    
     
En animant



37

 
            
   
più cresc.

        

  

     
  
  
39

  
         
          


   

          
         
41 2

 



    
           
dim.

     
     


 
           
         
calmato

  
43

         
   
                      
    


                   
 
 
         
4


         
       
46

     
      
     
    

 
  
      
              
48


      
   
         

    
     

      
a Tempo I

  
  
50

    


      
 
                   

   

                

        2
     
   
53
2

  
        
            
   
       
           


   


                                   
       
  
57

 

   
               
                     
     

       



    
                
 
 morendo jusqu'à la fin

  
5

    
       
    


62

 
        

     
        
 
      

  
          
  
67

 
      
    

  
   

   

           
     
     
    


69

    
                 
        
 
     
    


