The document outlines questions to help solve three problems in the music business: getting people to attend events, making a profit from events, and getting attendees without big name artists. For the first problem, it asks about event preferences, discovery methods, memorable past events, and turn-offs. For the second problem, it asks about spending on artists, food/drinks, merchandise, and desired activities. For the third problem, it asks about local underground artists, music exploration habits, reasons for checking out underground artists, interest in free events, and underrated music genres.
The document outlines questions to help solve three problems in the music business: getting people to attend events, making a profit from events, and getting attendees without big name artists. For the first problem, it asks about event preferences, discovery methods, memorable past events, and turn-offs. For the second problem, it asks about spending on artists, food/drinks, merchandise, and desired activities. For the third problem, it asks about local underground artists, music exploration habits, reasons for checking out underground artists, interest in free events, and underrated music genres.
The document outlines questions to help solve three problems in the music business: getting people to attend events, making a profit from events, and getting attendees without big name artists. For the first problem, it asks about event preferences, discovery methods, memorable past events, and turn-offs. For the second problem, it asks about spending on artists, food/drinks, merchandise, and desired activities. For the third problem, it asks about local underground artists, music exploration habits, reasons for checking out underground artists, interest in free events, and underrated music genres.
The document outlines questions to help solve three problems in the music business: getting people to attend events, making a profit from events, and getting attendees without big name artists. For the first problem, it asks about event preferences, discovery methods, memorable past events, and turn-offs. For the second problem, it asks about spending on artists, food/drinks, merchandise, and desired activities. For the third problem, it asks about local underground artists, music exploration habits, reasons for checking out underground artists, interest in free events, and underrated music genres.
Problem 1. Getting people to come to my events. 2. Making a profit from an event. 3. Getting attendees without big name artists. Questions: Problem 1 a. What scale of event do you prefer going? b. Where do you discover events? c. What are the most memorable parts from the last event you went to? d. What turns you off from going into an event? e. How many people do you usually bring to an event? f. Who do you want to see on our stage? g. Do you prefer seeing solo artists, bands, or DJs? h. Do you prefer day or night event? Questions: Problem 2 a. How much are you willing to spend for an artist you like? b. How much are you willing to spend for food and drinks inside an event? c. Do you usually buy merchandise from an event? d. What other activities do you love to see in an event outside the performance? e. What is your favorite food and drinks to consume at a music event? Questions: Problem 3 a. What local underground artists do you love but is not well known? b. Is music exploration something you usually do? c. What makes you want to check out underground artists? d. Are you interested in going to a free event with underground artists? e. What is an underrated type of music you think a lot of people should listen to?