Professional Documents
Culture Documents
Eng9 Q2 Mod2 Wk1 Use-Literary-Devices-And-Techniques v3
Eng9 Q2 Mod2 Wk1 Use-Literary-Devices-And-Techniques v3
Eng9 Q2 Mod2 Wk1 Use-Literary-Devices-And-Techniques v3
9
English
Quarter 2,Wk.1 - Module 2
Literary Devices and Techniques to
Craft Short Prose Forms
i
Department of Education ● Republic of the Philippines
ii
English- Grade 9
Alternative Delivery Mode
Quarter 2, Wk 1 - Module 2: Use Literary Devices and Techniques to Craft
Short Prose Forms
First Edition, 2020
Republic Act 8293, section 176 states that: No copyright shall subsist in
anywork of the Government of the Philippines. However, prior approval of the
government agency or office wherein the work is created shall be necessary for
exploitation of such work for profit. Such agency or office may, among other things,
impose as a condition the payment of royalty.
Borrowed materials (i.e., songs, stories, poems, pictures, photos, brand
names, trademarks, etc.) included in this book are owned by their respective
copyright holders. Every effort has been exerted to locate and seek permission to
use these materials from their respective copyright owners. The publisher and
authors do not represent nor claim ownership over them.
Published by the Department of Education – Division of Iligan City
Schools Division Superintendent: Roy Angelo E. Gazo, PhD.,CESO V
Management Team
Chairperson: Roy Angelo E. Gazo, PhD, CESO V
Schools Division Superintendent
iii
9
English
Quarter 2,Wk.1 - Module 2
Literary Devices and Techniques to
Craft Short Prose Forms
iv
Department of Education ● Republic of the Philippines
v
Table of Contents
Lesson 1:
Summary…………………………………………………………………………………13
Assessment: (Post-Test)……………………………………………………………….14
Key to Answers.......................................................................................................15
References.............................................................................................................16
vi
What This Module is About
Literature mirrors life. All life experiences are reflected in any literary genres that will
help us understand others better. It evokes emotions which are sensationalized intensely,
using literary devices to let us experience and feel the actual emotions conveyed in a certain
piece of literature. In this module, you will learn to use literary devices and few techniques in
crafting a short prose and to appreciate literature by connecting its significance to real life
situation.
To achieve the objectives cited above, you are expected to do the following:
vii
Icons of this Module
What I Need to This part contains learning objectives that
Know are set for you to learn as you go along the
module.
viii
Literary Devices and
Techniques to Craft Short
Lesson Prose Forms
1
What I Need to Know
Activity 1 Examine carefully the pictures below and answer the questions that follow.
Write your answer on your activity notebook.
A.
PJOsorio (pixabay.com) .Flashback Transport Rear-view Mirror.
https://www.needpix.com/photo/1269792/flashback-transport-rear-view-mirror-travel-free-pictures-free-photos-free-
images-royalty-free-free-illustrations
B.
Arnold, Steve .Brisbane Lightening.www.flickr.com/photos/stevoarnold/6088514598/in/photostream. December 29,
2008
C.
Zoe Schlott.Air Force works with privatized housing project owners on emergency, urgent work orders.
https://www.af.mil/News/Coronavirus-Disease-2019/
ix
3. Which picture shows clue of what will be happening next?
What’s In
What’s New
Activity 3 Each of the numbered vocabulary words appears in the story “Everything
Has a Name”. Look at the four suggested definitions for each word and encircle the
correct one.
The most important day I remember in all my life is the one in which my
teacher, Anne Mansfield Sullivan, came to me. I am filled with wonder when I
consider the immeasurable contrast between the two lives, which it connects. It was
the third of March 1887, three months before I was seven years old.
On the afternoon of that eventful day, I stood on the porch, dumb, expectant. I
guessed vaguely from my mother’s signs and from the hurrying to and fro in the
house that something unusual was about to happen, so I went to the door and
waited on the steps.
I felt approaching footsteps. I stretched out my hand as I supposed to my
mother. Someone took it, and I was caught up and held close in the arms of her who
had come to reveal all things to me, and, more than all things else, to love me
The morning after my teacher came she led me into her room and gave me a
doll. The little blind children at the Perkins Institution had sent it and Laura
Bridgeman had dressed it; but I did not know this until afterward. When I played with
it a little while, Miss Sullivan slowly spelled into my hand the word “d-o-l-l,” I was at
once interested in this finger play and tried to imitate it. When I finally succeeded in
making the letters correctly, I was flushed with childish pleasure and pride. Running
downstairs to my spelling a word or even those words existed; I was simply making
my fingers go into monkey-like imitation. In the days that followed, I learned to spell
in this uncomprehending way a great many words, among them pin, hat, cup and a
few verbs like sit, stand, hand, walk. But my teacher had been with me several
weeks before I understood that everything has a name.
One day, while I was playing with my new doll, Miss Sullivan put my big rag
doll into my lap also, spelled “d-o-l-l” and tried to make me understand that “d-o-l-l”
applied to both. Earlier in the day we had a tussle over the words “m-u-g” and “w-a-t-
e-r.” Miss Sullivan tried to impress upon me that “m-u-g” is mug and “w-a-t-e-r” is
water. But, I persisted in confounding the two. In despair she had dropped the
xi
subject for a time, only to renew it at the first opportunity. I became impatient at her
repeated attempts and seizing the new doll, I dashed it upon the floor. I was keenly
delighted when I felt the fragment of the broken doll at my feet. Neither sorrow nor
regret followed my passionate outburst. I had not loved the doll. In the still, dark
world in which I lived, there was not strong sentiment of tenderness.
I felt my teacher sweep the fragments to one side of the hearth and I had
sense of satisfaction that the cause of my discomfort was removed. She brought me
my hat, and I knew I was going out into the warm sunshine. This thought, if a
wordless sensation may be called a thought, made me hop and skip with pleasure.
We walked down the path to the well house, attracted by the fragrance of the
honeysuckle with which it was covered. Someone was drawing water and my teacher placed
my hand under the spout. As the cool stream gushed over one hand she spelled into the
other the word water, first slowly, then rapidly. I stood still, my whole attention fixed upon the
motions of her fingers. Suddenly, I felt a misty consciousness as of something forgotten – a
thrill of returning thought: and somehow the mystery of language was revealed to me. I knew
then that “w-a-t-e-r” meant the wonderful cool something that was flowing over my hand.
That living word awakened my soul, gave it light, hope, joy, set it free! There were barriers
still, it is true, but barriers that could in time be swept away.
I left the well house eager to learn. Everything has a name, and each name
gave birth to a new thought. As we returned to the house, every object which I
touched seemed to quiver with life. That was because I saw everything with the
strange, new sight that had come to me.
On entering the door I remembered the doll I had broken. I felt my way to the
hearth and picked up the pieces. I tried vainly to put them together. Then my eyes
filled with tears; for I realized what I had done, and for the first time I felt repentance
and sorrow.
I learned a great many words that day, I do not remember what they all were;
but I do know that mother, father, sister, teacher were among them – words that
were to make world blossom for me, “like Aaron’s rod, with flowers.” It would have
been difficult to find a happier child than I was as I lay in my crib at the close of that
eventful day and lived over the joys it had brought me, and for the first time I longed
for a new day to come.
How do you think has Ms. Sullivan made Helen understand what love is?
I remember the morning that I first asked the meaning of the word, “love.” This
was before I knew many words. I had found a few early violets in the garden and
brought them to my teacher. She tried to kiss me, but at the time I did not like to
have anyone kiss me except my mother. Miss Sullivan put her arm gently around me
and spelled into my hand, “I love Helen.”
“What is love?” I asked.
xii
She drew me closer to her and said, “It is here,” pointing to my heart whose
beats I was conscious for the first time. Her words puzzled me very much because I
did not then understand anything unless I touched it.
I smelt the violets in her hand and asked, half in words, half in signs, a
question which meant, “Is love the sweetness of flowers?”
“No,” said my teacher.
Again I thought. The warm sun was shining on us. “Is this not love?” I asked,
pointing in the direction from which the heat came. “Is this not love?”
It seemed to me that there could be nothing more beautiful than the sun,
whose warmth makes all things glow. But Miss Sullivan shook her head and I was
greatly puzzled and disappointed. I thought it strange that my teacher could not show
me love.
A day or two afterward, I was stringing heads of different sizes in symmetrical groups
– two large beads, three small ones and so on. I had made many mistakes, and Miss
Sullivan had pointed them out again and again with gentle patience. Finally, I noticed a
very obvious error in the sequence and for an instant I concentrated on the lesson and tried
to think how I should have arranged the
Activity 4 Task 1: Answer the questions below and write your answer on your
notebook.
1. Since Helen Keller was deaf, mute and blind, what did she mean
by the strange new sight that had come to her?
2. Explain in a few words how Anne Sullivan taught Helen to “see.”
3. Why was it difficult for Helen to learn the meaning of love? How did
her teacher help her understand it?
4. Why has both Helen Keller and Anne Sullivan been called
miracles?
5. Why do you think the author chose to tell the story from the “I”
point of view?
6. What if the story was told from Ms. Sullivan’s point of view?
Activity 5 Task 2
xiv
On the blanks, write the details/causes that support the statement in
the box. Write your answer in a 1 whole sheet of paper.
details
Helen's life
became
details sweet and details
useful
details
What Is It
Aside from the mentioned above, here are other few literary devices used in prose.
xv
Foreshadowing is a literary device in which a
FORESHADOWING
writer gives an advance hint of what is to come
later in the story.
Example The hints are straightforward, which makes the reader aware of what’s
going to happen.
“I
am sure she is going to be our future daughter-in-law, Jack.”, Judy
said with a bright smile.
As a mother takes pictures during her daughter’s graduation, she begins telling her
husband about memories she has of her daughter starting kindergarten. She has
interrupted the present action of graduation in order to tell about a past event.
.
IN MEDIAS RES It is a technique that is in or into the middle of a
narrative or plot. It is pronounced as [in ˈmēdēəs ˈres,
ˈmādēˌäs]
Example: After showing why Bruce Wayne is so afraid of bats, the film flashes
forward to a scene with Bruce Wayne in 9 prison. There’s no explanation of why
he’s there, and soon he’s attacked by the other inmates. The film then goes back
Sources: https://literarydevices.net/flashback/
in time to fill in the gaps leading up to that point.
https://andromeda.rutgers.edu/~jlynch/Terms/inmediasres.html
https://www.britannica.com/art/in-medias-res-literature
https://literarydevices.net/foreshadowing/ http://literary-devices.com/content/foreshadowing
What’s More
Activty 6 Match the definition in Column A with the right term in
Column B.
A B
xvi
1.It is a literary device in which a writer Flashback
gives an advance hint of what is to come
later in the story.
2.It is a transition in a story to an earlier In medias res
time that interrupts the normal
chronological order of events.
3.It is a narrative work beginning opens Foreshadowing
in the midst of action
Activity 7 Read the selection, and then answer the questions that follow.
One fine sunny day, Cricket was hopping about in the field. As he chirped
and danced, he spied Ant carrying a big grain of rice to his nest. Cricket watched
as Ant came back, lifted another grain, then carried it to the nest as well. This
happened repeatedly. Finally, Cricket asked, "Ant, why do you work so hard on
such a lovely day?"
"Soon it will be rainy day," replied Ant. "I'm gathering food for my family. I
suggest you do the same!"
"Why bother about rain?" asked Cricket. "There's plenty of food in the
fields now!"
Ant remembered last time and how the flood covered everything. There
had been no way to get out, let alone try to find food! Now, an even worse storm
was predicted. He shook his head and walked away.
When rain came, Cricket had no food. The fields were covered with deep
flood. Cricket was very hungry and sad, knowing that Ant had food enough
because he had worked hard to prepare in advance .
xvii
d. Cricket chirped.
_____ 3. Based on the story, which do you predict could NOT happen?
a. Cricket begs Ant for just a small bit of food.
b. Ant feels sorry for Cricket and gives him food.
c. Cricket happily swims in the flood.
d. Cricket weakens without any food.
What I Can Do
Activity 9 Write a short synopsis or summary of the story “ Everything Has a
Name” by using any of these literary devices; flashback, foreshadowing, or in
Medias res. Write your summary on the shape you have chosen and highlight the
part that shows the device you use to justify your answer
FORESHADOWING
xviii
FLASHBACK
IN MEDIAS RES
xix
Rubrics for Summary Writing
Criteria 3 2 1
Organization of The summary is The story is pretty Ideas and scenes
Plot very well well organized. seem to be
organized. One One idea or scene randomly arranged.
idea or scene may seem out of
follows another in a place. Clear
logical sequence transitions are
with clear used.
transitions
Sentence All sentences are Most sentences Sentences lack
Structure well-constructed are well- structure and
(Fluency) with varied and constructed but appear incomplete
interesting have similar and or rambling.
structure patterns. uninteresting
structure patterns.
Use of Literary Literary device is Literary device is No literary device
Device clearly used not properly used has been used.
Activity 10
Write a short story that will utilize the literary devices discussed. Using a highlighter,
indicate the parts where each of the literary devices has been used..
Summary
20
Assessment: (Post-Test)
Tell whether the following statements is a foreshadowing, flashback or
medias Res. Write your answer on your notebook.
21
Key to Answers
What I Know
1. C
2. A
3. B
What’s In
What’s New
What’s More
Activity 6
1. Foreshadowing 2. Flashback 3. In medias res
Activity 7
1. C 2. B. 3. c
Assessment: (Post-Test)
22
References
https://owl.purdue.edu/owl/research_and_citation/chicago_manual_17th_edition/
cmos_formatting_and_style_guide/chicago_manual_of_style_17th_edition.html
Zoe Schlott.Air Force works with privatized housing project owners on emergency,
urgent work orders. https://www.af.mil/News/Coronavirus-Disease-2019/
23
For inquiries and feedback, please write or call:
24