Francisco

Esparza La Catedral Agustín Barrios Mangoré

arr. for viola solo

         
I. Preludio saudade

       
                                  
Lento

         
         
                                 
6

       
                 
             
  
11

           
                            
    
15

         
                                            
19

         
               
                          
24

      
                             

               
29

              
            
         
34
           
       
            
39

            
              
  
 
44

              
II. Andante religioso

                    

arco

    

       
                   
                      

7

          
 
                             
        
              
   
12

    
                               
         
                

16

        

          
        
          

    
20

3
7

2
       
III. Allegro solemne

 
          

      

A

          
                        
    
4

    1.
                              
      
  
7

              
                      


10
2.

          
   
  
      
 
13

             
 
         
 
15

          
        
     
 
17

           
         
       
19
B

     
                 
21

3
         
        
                                
23

                 
                               
26

                  
              
   
29

  
                         
 
                   

32

           
                      
   



  
 
  
C


35

       
    
D.C. to B


   
            
and skips to C
38

            
   
           
41

                      
  
   
43

4
   
          

           
45

                 
         

47

          
            
   
49

  
    
                     
  
51


                                  
   

 
54

D.C. to B

                  
and skips to Coda


                     
     
57

    
      
      
60