Professional Documents
Culture Documents
TN Tourism New
TN Tourism New
Workshop Team 4
Workshop Sessions 5
Executive Summary 7
Introduction 9
Session - VII “Potential and Prospects in Tourism Sector in Tamil Nadu” Guest
40
Faculty, Depertment of Indian History University of Madras, Chepauk, Chennai
Recommendations 53
List of Participants 55
Session –VIII - “Tourism & Culture Dr. Shanti Pappu (Founder /Secretary)
Resource Management In Dr. Kumar Akhilesh Director –Research
Tamil Nadu Perspectives For Sharma Centre for Heritage Education, Chennai
Future Planning”
in mind encouraging private sector investments 2010 1030.10 28.05 1058.15 31.60
in tourism. Promotion of local and domestic 2011 1367.51 33.08 1400.59 32.36
tourism, Manpower development in the hotel
2012 1841.37 35.62 1876.99 34.01
and tourism policy, adequate publicity for
tourism promotions in India and abroad, 2013 2442.32 39.90 2482.22 32.02
state, highly developed economy & scope for Offices and 22 Tourist Information Centres.
Tamil Nadu is a State known for of renowned artistes and upcoming talented
several fairs and festivals, which attracts large youngsters. Due to the overwhelming success
number of people who want to relax and and continued patronage of tourists, the dance
rejoice. Cultural programs, musical events and festival is now conducted as “Indian Dance
dance performances suit the festive mood and Festival for 30 days during this period, Classical
provide entertainment to the crowd. The unique and Folk performances were presented which
campaign Discover Tamil Nadu 2012-2016 is international look which will act as the projection
being rolled out. The Department will arrange of the improved image. Measures to promote
for Fairs & Festivals and special events during local products at international and interstate
this period in India. Art & craft will be given levels would be taken. It will also be projected
fillip by organizing sale-cum-demonstration to the target group for a better image perception
events making it interesting for the tourists so that he/she is unable to resist visiting Tamil
Puliattam, Folk dance of various states, Mohini international standards and practices.
Attam, Kathak, Kathakali, Bharathanatyam,
Kuchipudi, Odissi etc,. Draft Tourism Policy 2013
The Vision of the policy is “to make
New Segments promoted by Tamil Nadu Tamil Nadu as one of the most preferred
Tourism Tourism Destination by creating a tourist
1. Cruise Tourism friendly environment and to have an
Cruise shipping is one of the most environmentally & socially sustainable and
dynamic and fastest growing components of the economically vibrant tourism”. The Principal
global leisure industry. Passenger berth with Secretary / Commissioner of Tourism held a
modern facilities is available at both Chennai and series of meetings with various stakeholders
Thoothukudi Port. Through our participation and senior representatives of Travel, Tourism
at leading international travel marts like, ITB and Hospitality sectors to gain valuable inputs
Berlin, London etc., we are inviting important for a comprehensive and development oriented
cruise operators like P&O, Star cruise, Royal tourism policy. The draft tourism policy has
Norwegian, and Royal Caribbean. been submitted to Government for examination
and approval.
2. Adventure Tourism
Tamil Nadu offers enough adventure
sports to people visiting this wonderful place.
Trekking, Aqua Sports, Hang-Gliding, Angling,
Skiing, Surfing, Diving are some of the sports
that tourists like. In view of high tourism
potential. Trekking programmes are conducted
3) Setting up of Oceanarium at
Mamallapuram
The Honourable Minister for Finance
announced that a World Class “Oceanarium”
will be set at Mamallapuram at a cost of Rs 250
crore through TTDC under PPP mode with the
technical support of Fisheries Department. The
• To declare ‘Zero Garbage Zones/ Clean
exhibits in the Oceanarium will be in the form
and Green Zones’ around tourist
of series of underwater, see through, acrylic
attractions by the local bodies
glass tunnels where sharks swim above the
visitors and through the recreation of a coral
reef environment. The Oceanarium will be a
high end, full family infotainment (Information
+ Entertainment) facility for varied profile
of visitors. It will focus on themes such as
ocean environment, marine ecology, man and
ocean, bio diversity of the ocean which will
be informative and educative to the public,
researchers and students and hobbyists and
tourists.
The guide lines are detailed in Eco responsibilities for different stakeholders-State
tourism Policy (1998) and guidelines, (2002) Governments, PA management, tourist facilities/
National Tourism Policy : At the institutional tour operators, local communities, temple
level, a framework would have to be evolved, boards and general public. Dos and Don’ts.
Administrative Costs-Output
Impacts of mass tourism visitation,
Tourist destinations and sites will be developed
with the required infrastructure to initiate and
Forest Department will develop the
sustain eco tourism ventures.
required integration and synergy between the
communities and various other stakeholders
to achieve long-term sustainability of the
programme. Enhanced visitor satisfaction,
which would go for developing positive
orientation for forests and wildlife, will accrue.
Ecotourism is not just about ‘green’ The key components of ecotourism are
destinations, it is much more about ‘green’ considered to be as follows (Wood, 2002):
behaviour in reaching and exploring such It Contributes to conservation of
destinations. The International Ecotourism biodiversity sustains the well being of local
Society (1991) and the world’s largest and oldest people includes an interpretation/learning
ecotourism organisation established in 1990, experience, involves responsible action on
defines ecotourism as: “Responsible travel to the part of tourists. The tourism industry is
natural areas that conserves the environment delivered primarily to small groups by small-
and improves the welfare of local people”. scale businesses requires lowest possible
The IUCN-World Conservation Union’s (1996) consumption of non-renewable resources.
definition of ecotourism, albeit less succinct, Stresses local participation, ownership and
makes specific reference to the appreciation of business opportunities, particularly for rural
cultural, as well as natural, heritage and to low people.
visitor impact. Environmentally responsible
travel to natural areas, in order to enjoy and Unlike many other forms of sustainable
appreciate nature and accompanying cultural tourism, ecotourism must be rigorously
features, both past and present that promote planned and managed to successfully deliver
conservation, have a low visitor impact and its key ecological and social objectives. This
provide for beneficially active socio-economic requires: specialised marketing to attract
involvement of local peoples. travellers primarily interested in visiting
natural areas. Management skills, particularly
Typology of tourism, highlighting the related to handling visitors in protected areas.
importance conceptual differences between Guiding and interpretation services, preferably
ecotourism and some other types of tourism that provided and managed by local inhabitants,
do not necessarily accommodate environmental which focus on natural history and sustainable
or local community needs (adapted from development issues. Government policies
Chafe, 2005).Adventure tourism Nature-based that earmark fees from tourism to generate
tourism that incorporates an element of risk, funds for both conservation of wild lands and
higher levels of physical exertion and need for sustainable development of local communities
specialised skill. and indigenous people. Focused attention on
The South Zone Cultural Centre is The Copper garden at the entrance
located in an area of 25 acres of land gifted was designed and created by Sirpi (sculptor)
by the Government of Tamil Nadu adjacent Kanniappan. The Copper Garden has two
to the Tamil University in Thanjavur. With grapevines with seven bunches of grapes.
the financial assistance of Rs.2.00 Crores from To naturalise the situation, the sculptor has
the Government of Tamil Nadu, the New designed a peacock, 19 sparrows, 6 butterflies,
Cultural Complex was constructed housing an 3 beetles, 3 snails, 7 humbees along with 30
air-conditioned Art Gallery, air-conditioned copper flower buds. The supporting pipes are
Exhibition Hall, air-conditioned Auditorium, given bamboo finish. The central mandapam
and Central Mandapam with ample space for serves as the stage for performances of the
accommodating the administrative office. invited artistes. At a time, 200 invitees can be
Art Gallery accommodated along the corridors
teakwood door reflecting the cultural heritage Headquarters Programmes, Training Classes,
Theme based Programmes, Cultural Exchange
of the member states of South Zone Cultural
Programmes – Abroad, Documentations, Guru
Centre. Renowned wood craftsmen from Tamil
Shishya Parampara Scheme, Young Talented
Nadu, Andhra Pradesh, Karnataka and Kerala
Artists – Patronage, Theatre Rejuvenation
were invited to Thanjavur to get the doors
Scheme, Collaborative Programmes. Scheduled
carved. These decorated entrances make a
Programmes, Thirupavai Thiruvizha,
visitor feel proud of his native state.
Mayiladudurai Moovar Vizha, Special
Programmes & Collaborative Programmes,
Evolution Theory National Cultural Exchange Programme,
Sirpi Lakshmana Chitra from Papanadu, Theatre Performances and Folk/Classical
Thanjavur, translates the theory of evolution into Performances, Martial Arts Performances,
a modern day version in cement sculpture. The Arulmigu Kallalagarthirukkoil, Alagarkoil,
life like images of the ancestors of the modern Melurtaluk, Madurai District .
Tmt. Bhanumathi Dharmarajan, Guest state of Pudukkottai for the special purpose of
Faculty, Dept of Indian History University distribution during Dasara days. Thirumayam
of Madras, Chennai expained about the - Rock–cut Vishnu Temple, Rock–cut Siva
importance of tourist potential in Pudukkottai Temple, Fort on the hillock in which cave
District. It has a rich past and is abundant temples are scooped out Narthamalai Amman
in historial and cultural monuments. Queen Kovil Amman Kovil Before Conservation
Victoria Diamond Jubilee Arch, Pudukkottai After Conservation Vijayalaya Cholisvaram
New Palace at present District Collectorate, located on the top of the hill - Melamalai,
Pudukkottai Public Offices including Court, Viajalayacholisvaram and Group of sub-shrines,
H.H. The Rajah’s College, Robert Chisholm Rock cut Siva Temple, Samanarkudagu Rock
Style of Architecture, Avudaiyarkoil Sculptures cut - Vishnu Temple, Sphinx – Egyptian type
inside the temple, ‘Kodungai’, a special feature of Sculpture – Samanarkudagu,Narthamalai
of sculptural excellence in Avudaiyarkoil. Kudumiyanmalai - Sikkannathaswamy temple,
Muvar Kovil, Under ground well (Muvar Kovil, Amman shrine , Musical Inscriptions Rock cut
Kodumbalur), Sapthamathrikas Sculptures shrine called Melakovil with Mandapam Cavern
found at Muvar Kovi excellence with minute on the western side of Kudumiyanmalai shown
details like Nails of the animals, Vinayaka in the background Jain Tirthankara Image,
Statue with decorative Thoranas, Kodumbalur, Annavasal.
The Structure of the Vimana which formed the
model for Brahadeeswarar Temple of Thanjavur
and Gangai Konda Cholapuram, Sculptures
found at Muvar Kovil. Rock-cut Temple with
images of Parsvanatha and a Jain Saint, the
back wall of the Sanctum has 2 images of Jain
Tirtankaras and a Jain Acharya. Sittanavasal,
’Eladipattam’ 17 Rock-beds with inscriptions,
Thirugokaranam - Front view, Mandapam -
Entrance. Amman kasu with Sri Brahadambal
image on the obverse side and Vijaya in Telugu
on the reverse side. Copper coin issued by the
11. Sittannavasal Pre-historic burial sites(1) In the field near road No.10at mile
8/5 stone and (2) in the north west corner of the Sengulam tank
water spread in Major Inam, in S.No. 1A.
12. Sittannavasal The Rock-cut Jain Cave temple
13. Sittannavasal The natural cavern with stone beds and Brahmi and old Tamil
inscriptions, called Eladipattam.
14. Vattanakkruichi Pre-historic burial sites (Pappankulam water spread) in S.No. 296
15. Poyyamani & Pre-historic burial site and Ayyanar image in S.No. 6-2, 22-2,173-
Virudapatti 1 etc.
16. Narangianpatti Pre-historic burial sites in Thumbakkulam Water-spread in
S.No.18.
17. Melur Pre-historic burial sites in S.No. 211
19. Satyamangalam Melur Pre-historic burials and Jain Tirthankara Idol in S.No. 39-A
(near Kallumalai)
20. Satyamangalam Pre-historic Burial sites in S.No. 1-a.
30. Chettipatti Jain Tirthankara image and inscribed stone in S.No. 393
32. Alangudipatti (Hamlet Two Jain Tirthankara images in S. No. 5/4(b) &534.
of Tennatiriyanpatti)
and Puliyur Village
33. Karupparmalai in Jain Tirthankara basement of Jain temple with inscriptions
Mylapatti
34. Karupparmalai in Ganesa and Nandi idols and basement of Siva Temple
Mylapatti
35. Mangattevanpatti Jain images and ruins of a Jain Temple.
38. Ammachatram The natural cavern with beds and two Jain figures carved over
the facade.
39. Kulattur Eight natural caverns, Jain idols and inscriptions in Kudagumalai
Aladiperumalparai kadu
40. Kulattur Sundaracolisvaram Siva temple
42. Nanjur Jain Tirthankara Idol, 2 Durga Idols, 1 Vishnu idol and inscribed
stone slab.
43. Marudur Jain Tirthankara Aiyanar and Devi Idol
59. Kudumiyamalai Natural cavern with drip line (on the western side of the hill)
78. Mullaiyur Images of Hunter and Jyesta Devi on the Mullaiyur kulam
79. Rasipuram Stone idols of Vishnu and Devi and the ruined Siva temple
Tirumayam Taluk
80. Thekkattur Pre-historic burial site in the Sivapuram Kanmai waterspread in
S.No 3-a.
81. Thekkattur Jain Tirthankara Image on the east bund of Periakanmai, west of
Siva temple
82. Kannangarukudi Jain idol and Mound in S.No. 101-A
87. Malaiyakkovil The two rock-cut shrines on the eastern and southern slope of the
hill.
88. Devarmalai The rock-cut Sivashrine
89. Varpet The Siva temple on the western bund of Enadi Kanmai
105. Semboothi Natural cavern with drip line called Andaramadam situated in
Tenimalai
106. Sokkanathapatti Pre-historic dolmens
Alangudi Taluk
107. Perungalur Pre-historic burial sites in (a) S.No. 267-a and (b) 269-A and 302
111. Puthambur Prehistoric burial sites in (1) S. No. 223/1, (2) 224 la and (3) 224/2c
112. Puthambur Jain Tirthankara image and temple site locally called
Mottaipillaiyar Koil
113. Nattampannai Jain Tirthankara Image on foundations of a brick temple and
Pandya inscription of the rock nearby
114. Varappur The remains of the old mud fort in S. No. 86-A
115. Varappur The remains of the old mud fort, in S. No. 116
117. Sembattur Jain images (Tirthankara and Yakshi), Lion Pillars and the site of
Jain temple
118. Varappur Agastisvara temple
119. Varappur The remains of the old mud fort in S. No. 213
120. Veppangudi Porpanaikottai, in S.No. 132/1 and 131/9 and 135/1 and 137-8
Dr. S. Bakthavatchalam,
6 Additional Director of Tourism,
T.N. Tourism Complex, 2, Wallajh Road, Chennai – 600 002.
Ms. Karitha,
Additional Commissioner (Tiruppani),
7
Hindu Religious & Charitable Endowments Dept.,
119, Nungambakkam High Road, Chennai – 600 034.
A. Venugopal,
Assistant Director,
8
Department of Tourism,
T.N. Tourism Complex, 2, Wallajh Road, Chennai – 600 002.
Thiru P. Venkatesan,
9 Assistant Director,
South Zone Cultural Academy, Thanjavur.
P. Pushparaj,
Assistant Director,
10
Department of Tourism,
T.N. Tourism Complex, 2, Wallajh Road, Chennai – 600 002.
Dr. S. Vasanthi,
11 Commissioner (i/c),
Archaeology Department.
Dr. B. Zaberanisha,
13
Deputy Director of Medical Education, Chennai.
Michael Santhosh,
Lecturer, Institute of Hotel Management,
17
(Ministry of Tourism, GOI)
CIT Campus, Taramani, Chennai – 113.