The story follows the journey of a Chinese statue of Emperor Kung from when it was acquired by Sir Alexander Heathcote, a British diplomat posted in China, up until it is sold at an auction house. The statue is passed down through generations of the Heathcote family, in accordance with the instructions left by Sir Alexander. However, the last owner, Alex Heathcote, sells the family heirloom at auction to pay off his debts from gambling. There it is revealed that the statue itself is a fake, but the decorative base that had been added to it turns out to be a very valuable work of art.
The story follows the journey of a Chinese statue of Emperor Kung from when it was acquired by Sir Alexander Heathcote, a British diplomat posted in China, up until it is sold at an auction house. The statue is passed down through generations of the Heathcote family, in accordance with the instructions left by Sir Alexander. However, the last owner, Alex Heathcote, sells the family heirloom at auction to pay off his debts from gambling. There it is revealed that the statue itself is a fake, but the decorative base that had been added to it turns out to be a very valuable work of art.
The story follows the journey of a Chinese statue of Emperor Kung from when it was acquired by Sir Alexander Heathcote, a British diplomat posted in China, up until it is sold at an auction house. The statue is passed down through generations of the Heathcote family, in accordance with the instructions left by Sir Alexander. However, the last owner, Alex Heathcote, sells the family heirloom at auction to pay off his debts from gambling. There it is revealed that the statue itself is a fake, but the decorative base that had been added to it turns out to be a very valuable work of art.
The story “The Chinese Statue” is about the journey of a
statue of Emperor Kung acquired by Sir Alexander Heathcote,a British diplomat when he was posted in China. The opening scene is set at the Sudheby’s , an auction house of considerable repute, here an antique Chinese statue had gone under the hammer. To apprise the bidders about the piece a fact sheet was made available which stated that the piece was purchased from a place called Ha Li Chuan in the year 1871. The name of the aristocratic owner remained concealed. The author was intrigued by the statues history and decided to delve into its past. The character SAH, is portrayed as an “exact man”. He rose every morning at 7 am,had the same breakfast with the same ingredients and in the same quantity every day. He was a punctilious man whose daily routine was set to the accuracy of a minute ,was as precise as his father who was also a general. After calling through various promotions he was finally posted as a minister in Peking. Sah had taken more than an amateur interest in the history of the Ming Dynasty and was ecstatic when he had got the opportunity to admire Chinese art in person. SAH arrived in Peking and handed over his credentials to Empress Tzu-Hsi in a traditional ceremony which took place in the Imperial Palace where the queen was standing in her white robe with bold embellishments and received the ambassador of Queen Victoria. SAH went through the ceremony with great finesse and aplomb. As SAH ministerial appointment was only for three years, he took no leave and spent most of his time travelling to the outer districts to “learn more about the country and its people.”He was accompanied by a mandarin who acted as an interpreter and as a guide. On one such journey SAH chanced upon a craftsmen workplace in a village called Ha Li Chuan, with curiosity gripping his mind he entered the workshop with the intention of acquiring a small memento. An old man looking very ordinary stepped out to meet the minister in a deferential manner. The old man was more than polite in giving his eager assent to the min request to watch him work. For over an hour the minister feasted his eyes on the splendid masterpieces. The master Artisan then assured the visitors into an inner chamber which appeared very intriguing with the collection of miniature statues and a conversation ensued between the minister and the artisan which had a component of ming dynasty with the Mandarin being the channel. The artisan preferred to show a statue belonging to Ming dynasty which had been in his family for over seven generations. After a while he returned and the author comments – “from the very way he held it close to his chest,had to be a treasure”. The minister was ecstatic on seeing the statue which was of Emperor Kung. The statue was not more than six inches in height and the minister was convinced that the maker was the great Pen Q. The author says – “ The statue’s only blemish was that the ivory bases on which such pieces usually rest was missing” but in the eyes of the Minister it was perfect never the less. A few moments later the minister uttered the most undiplomatic words in his whole career-“How I wish the piece was mine”. The minister immediately regretted voicing out his opinion openly as he was reminded of the Chinese tradition that if an honest guest requests for something then the giver will assume a higher status in society by parting with it. The min was momentarily confused and perplexed by the sudden turn of events. As the statue did not have a base the craftsman picked a base decorated with small dark figures and assured the min that it bore the mark of a master artisan who then left with the statue. Upon reaching Peking the mandarin was aware of the min predicament and reminded him of the Chinese tradition that if a stranger has been generous then you must return the favour within the calendar year, being an exact man he followed the traditions. The min ascertained the true worth of the piece from the Embassy Library which came out to be three years of his salary. With prior agreement from his wife he withdrew a large sum of money from his bank. The min was apprised that the craftsman was Yung lee who was growing old and wished to retire to the hills. His son was ready to continue the family tradition. Almost a year to the day , min and mand visited the cratsmens workshop and the min announced that he was back to repay his debt. They set out on a journey towards the hill and stopped when they had reached the hollow of the hill . In the hollow stood a newly completed small white house of the most perfect proportions. The min offered the house to the craftsmen by saying- “A small, inadequate gift and my feeble attempt to repay you in kind”. The craftsman initially refuse as it was forbidden for an artisan to accept gifts from a foreigner but when he heard that the Queen had indeed sanctioned it , he was overjoyed. The Min completed his tour duty in Peking and the and received the Silver Star from the Empress and the queen added the K.C.V.O to his decorations. He lived his twilight years in his ancestral home of Yorkshire. The statue was placed in the center of the mantelpiece in his drawing room. SAH drafted a detailed will giving instructions on the disposal of his estate and what was to happen with the staute. He stated that the statue should be passed on to the first born and should never be sold “unless the family’s honour was at stake. Sah first born Major James Heathcote was a fighting man who served the queen in the Boer War. Although he did not take much interest in culture, she treasured the family heirloom and exhibited it at the Regimental Mess in Halifax. When he died the statue returned to the drawing room. M J H had passed on his father’s instructions clearly. M J H first born R A H kept the statue on the mantelpiece of a vicarage. When he became the Bishop, it shifted to the Bishop’s Palace. He too had passed on his grand Fathers instruction. R A H first born C J H placed the statue in the mess at Halifax. He was tragically killed in the war and the statue came into the possession of his two year old son, Alex Heathcote, he was not of the mettle of his doughty ancestors. He grew up to be a selfish and spoiled brat who’s cultural values were not intact. He was prodigal/spendthrift who could not hold a job for more than a week. When casinos opened in Britain he was convinced that he had found an ideal way of earning a living without actually working. He squandered all his money by playing rouletteand was indebted to a a lot of people and was threatened to be harmed physically if he did not repay them. He decided to sell the family heirloom to which he felt “a little sad”. He delivered the piece to Sudheby’s. He expected the statue would be worth atleast 10000 pounds which was more than enough to cover all his debts. The head of the oriental dept tells him –“ A nice little piece your emperor, but unfortunately a fake,” . He was dejected to find out that it was worth only 720 pounds which was enough to buy a gun and bullets and kill himself, the atmosphere immediately changes when he is informed that the base was a magnificent piece of art. The randomly choosen base was sold for 22,000 guineas. Sah was an antique enthusiast, interested in Chinese history, even though he was an exact man he felt prey to his own indiscretion. He shared a lot of information about the statue swaying the readers into believing that the statue was genuine. Sah believed that the statue was real as it appeared beautiful. The theme of appearance vs reality is showcased.The story also reveals the psychology of human mind. This is a story of an overwhelming passion for possessing an extra ordinary work of art supposed to be of great value.