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-literature in its broadest sense, is everything

LITERATURE that has ever been written


-the best way to understand human nature fully
PRELIMS REVIEWER and to know a nation completely is to study
literature
WHY LITERATURE? -through this, we learn the innermost feelings
MARIO VARGAS LLOSA and thoughts of people - the most real part of
-born in Peru, 1936 themselves
-one of the pioneers of the Boom Period in Latin → thus, we gain an understanding not only of
American aLiterature others but more importantly, of ourselves and of
-awarded the Nobel Prize in Literature (2010) life itself
-won the Nobel for “his cartography of -offers us an experience in which we should
structures of power and his trenchant images of participate as we read and test what we read by
the individual’s resistance, revolt and defeat” our own experience
-does not yield much unless we bring something
❖ According to Llosa, specialization leads of ourselves to it
to a lack of social understanding, to the -is a faithful production of life, in a sense it is a
division of human beings into ghettos of product and a commentary on life process
technicians and specialists -illuminates life
-is our life’s story including its struggles, ideas,
LITERARY TERMS failures, sacrifices and happiness
● Quixotic -appeals to man’s higher nature and its needs -
-from ​Don Quixote​ (​Miguel de Cervantes​) emotional, spiritual, intellectual and creative
-hopeful/romantic in a way that is not practical → like other forms of art, literature entertains
● Rabelaisian and gives pleasure; it fires the imagination and
-​Francois Rabelais​ (​Gargantua & Pantraguel​) arouses noble emotions and it enriches man by
-gross robust humor; extravagance of caricature enabling him to reflect on life and by filling him
● Orwellian with new ideas
-​George Orwell
-destructive to the welfare of an open society HALLMARKS OR CHARACTERISTICS
● Sadistic -ability to judge of literature is based on the
-​Marquis de Sade application of certain recognizable standards of
-deriving pleasure from pain of others good literature
● Masochistic ➢ Universality
-​Sacher-Masoch -forever relevant in terms of theme
-deriving gratification from self-pain ➢ Permanence
-endures across time
INTRODUCTION TO ● Timeliness
-occurring at a particular time
LITERATURE ● Timelessness
ESSENCE & SIGNIFICANCE -remaining invariable throughout time
-“litera” which means “letter” ➢ Artistry
-deals with ideas, thoughts and emotions of man -quality w/c appeals to beauty
→ thus, it can be said the literature is the story ➢ Suggestiveness
of man -moves us deeply and stir our creative
-comes from the french phrase “belles lettres” imagination
which means “beautiful writing”

© Ana R. Barrantes ​1
➢ Intellectual Value ➢ Drama
-helps us realize fundamental truths about life -tragedy, comedy, dramatic history, farce,
and human nature melodrama
➢ Spiritual Value ● Prose Drama
-brings out moral values which makes us better -a drama in prose form
persons -consists entirely of dialogues in prose
and is meant to be acted on stage
MAJOR LITERARY FORMS ● Verse Drama
➢ Prose
-written in paragraph form ESSENCE and SIGNIFICANCE
-expressed in ordinary language OF LITERATURE
-appeals to the intellect -deals with ideas, thoughts and emotions of man
-aims to convince, inform, instruct, imitate, -can be said the literature is the story of man
reflect -everything that has ever been written
● Fiction -people read literature for information,
-something invented, imagined or amusement, higher and keener pleasure, for
feigned cultural, upliftment and for discovery of broader
to be true dimensions in life
-ghost and horror stories, crime and
mystery series, adventure stories, love HISTORICAL DEVELOPMENT
stories, science fiction, fantasy, thriller,
short story, fables, folktales and OF PHILIPPINE LITERATURE
fairytales ➢ Pre-Colonial Literature
● Non-fiction -spontaneous and instinctive
-formal essay, literary criticism, → oral tradition
scientific -expressed in its own dialect
Prose, historical prose -crude in ideology and phraseology
● Creative Nonfiction -longest period
-personal essay, memoir, autobiography,
travel writing, food writing, profiles common literary forms:
● Myths
➢ Poetry -considered as sacred
-written in stanza or verse form -deal mainly with the creation of the
-expressed in metrical, rhythmical and figurative universe, origin of man, gods and
language supernatural beings and native culture
-appeals to the emotion heroes
-aims to stir the imagination and set an ideal of ● Legends
how life should be -secular time; more recent than myth
● Lyric -prose narratives like myths that are
-ode, elegy, song, sonnet, simple lyric, regarded true by the narrator and
haiku audience but are set in a period more
● Narrative remote, when the world was much as it
-epic, ballad, metrical tale, metrical is today
romance ● Fables
-stories that use animals as characters
and are meant to impart lessons

© Ana R. Barrantes ​2
● Proverb ● Secular Literature
➔ Didacticism ➔ Komedya
-contents -native poetic theater
➔ Conciseness -plots were drawn from
-form medieval Spanish ballads
● Tanaga -later known as “Moro-moro”
-short folk poems composed of 7 → poetic theater about
syllables, 4 lines and full of metaphors Christian and Moorish warriors
● Riddle ➔ Awit (12 syllables;
-traditional verbal expression containing dodecasyllabic) and Korido (8
1 or 2 descriptive elements, a pair of syllables; octosyllabic)
which may be in opposition to each -Philippine metrical romances
other, the referent of the elements is to -always chanted and not simply
be guessed read
● Folk Epic -difference between the two lies
-one of the most important literature in its structure
-narratives of sustained length, based on ● Prose
oral tradition, revolving around
supernatural events and heroic deeds, in ➢ American Colonization (1898)
the form of verse (either chanted or -Spanish continued to dominate the elite
sung) with a seriousness of purpose, -English became the official language of the
embodying or validating the beliefs, communication
customs, ideals or life values of the -”Thomasites” became the Filipinos’ first
people teachers
● Poetry
➢ Spanish Colonization -used as a vehicle for language-learning
-centered on Christian faith rather than an art in itself
-imitative of Spanish themes, forms & traditions -used for personal purposes
-repetitious plots -used as a means of promoting national
-the rise in the printing press in the 19th century sentiments
enabled faster dissemination of works ● Fiction
virtues: -unified single impression/effect
❖ Virtue of Isolation through atmosphere, tone and style
❖ Virtue of Resistance -plausible characterization
-a well-defined plot structure
common literary types: -control of language as medium
● Pasyon -interesting situation & significant
-passion and death of Christ theme
-replaced the epic poems of the pagan
past some important writers and works:
-later on referred to as the “Senakulo” *Lope K. Santos - “Ang Pangginagera”
*Jose Corazon de Jesus - “Husena Batute”
*Jose Garcia Villa - advocated “art for art’s sake”
→ there’s no social-political function;
It’s just for aesthetics
*Severino Reyes - “Sarsuela Walang Sugat”

© Ana R. Barrantes ​3
➢ Japanese Occupation -religion was a primary source of lit before the
-Japanese pushed for the use of Tagalog and rise of ancient Greece
de-emphasized English -religious literature has an ancient history in
-some writers who used to write in English India and China
turned to Filipino
-some newspapers continued operation but most ➢ Classical Period (up to A.D 100)
of them were stopped by the Japanese -rise of Greek and Roman lit with texts ranging
-Anti-Japanese writings were discouraged from drama, poetry, history and philosophy
-there was an underground movement in -writers such as Homer (Greek writer of the
nationalist literature Iliad, Odyssey), Virgil (Roman writer of The
-Filipino literature was given a break during this Aeneid), Ovid (Roman poet) and philosophers
period such as Plato and Aristotle gained popularity
-volume of short stories was published (25
Pinakamabuting Kwento ng Taong 1943) ➢ Medieval or Middle Ages (100-1500)
-drama experienced a lull during this period -establishment of Christianity in Europe
because movie houses showing American films -in the west, the fusion of Christian theology and
were closed classical philosophy formed the basis of the
→ big movie houses were just made to show medieval habit of interpreting life symbolically
stage shows; many of the plays were -interpretative methods the early Christians
reproductions of English plays to Tagalog applied to the Scriptures were extended to all
*Macario Pineda, Liwayway Arceo, NVM forms of literature
Gonzales -main literary achievement was vernacular
works
➢ Contemporary Period -medieval drama grew out of the religious
-entry of new criticism ceremonies of the Catholic Church
-resurgence of nationalist movement with -majority of literature was written anonymously
students as core during the Martial Law years
-PH Lit. flourished ➢ Renaissance (1500-1700)
→ it continues to grow in various languages -“rebirth”
especially with new publications -stirred a new spirit of artistic and intellectual
-Filipino writers continue to write poetry and inquiry and restoration of the spirit of ancient
short fiction with the varied themes (social Greece and Rome
commitment, gender/ethnic related, -printing became widespread from 15th century
personal/impersonal, among others) onwards
-emergence of creative nonfiction have widened -a shift from religious to secular writing
the span of prose thereby is a positive sign to → a weakening influence of the Catholic
encourage more writers to publish Church in the society
Famous writers: S ​ hakespeare, Miguel de
HISTORICAL DEVELOPMENT Cervantes, Francois Rabelais

OF WORLD LITERATURE ➢ Romanticism (1800)


➢ Ancient Period -a breakdown of rigid ideas about the structure
-first literature for children was found on and purpose of society and the known world
Sumerian clay tablets in Ur (in Mesopotamia) -an emphasis on the importance of the
literary types:​ lullabies, proverbs, fables individual’s experience, rather than
-epics are a popular genre (ex: Gilgamesh) interpretations handed down by church or
tradition

© Ana R. Barrantes ​4
-features of Romantic literature ➢ Postmodernism (mid19th century to the
→ emphasized the individual’s experience, present)
feeling and emotion, which were deemed -concerned with imprecision and unreliability of
superior to logic language
-poetry was believed to be the highest form of -“Deconstruction” (Jacques Derrida) became a
literature popular mode of criticism
→ novels were regarded only of secondary → involves the critique of the criteria of
importance certainty, identity and truth
-romanticism in England developed earlier than -there’s a disintegration of concepts, including
in America the nature of language, the idea of knowledge,
→ gothic type of literature the notion of universal truth
Famous writers: P ​ ercy Bysshe Shelley, William -there’s a rise in multiculturalism, paving the
Wordsworth, Samuel Taylor Coleridge, Jane way for cultural studies
Austen, Mary Chelley, Edgar Allan Poe

➢ Realism (mid-19th century)


-first developed in France in mid-19th century,
this period is best represented by the novel
-writers during this period became masters at
psychological characterization, detailed
descriptions of everyday life and in dialogue that
captures the idioms of natural speech
-realists endeavored to accurately represent
contemporary culture and people from all walks
of life and addressed socio-economic concerns
-exerted a profound influence in drama
Famous writers: C ​ harles Dickens, Fyodor
Dostoevsky, Guy de Maupassant, Leo Tolstoy,
Henry James

➢ Modernism (early to mid-20th century)


-world was in between wars (WW1 & WW2)
which radically changed the society
-modernism’s roots are in the rapidly changing
technology of the late 19th century and in the
theories of Freud, Marx and Nietzsche
-movement’s concerns were with the
accelerating pace of society toward destruction
and meaninglessness
-this period influenced painting first
(Impressionism and Cubism)
Famous writers:​ Virginia Woolf, James Joyce,
T.S Eliot, Ezra Pound

© Ana R. Barrantes ​5

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