Va

tacito e nascosto
Giulio Cesare Act 1, Scene 9 (HWV 17)


Nicola Francesco Haym G.F. Handel

     
                           
Andante, e piano

           

              
       



 
                           
4

     
          
     


  
      
                    
             
6

  

               


    

             
Cesare


8


             

Va ta ci toe na sco sto, quand'

                 
       
            
         

  
             
       
11

     



      
a vi doe di pre da, l'a stu to cac cia tor,

    
                 
 
                    
     
2

            
     
13

  


     
        
quand' a vi doe di pre da, l'a stu to cac cia

                 
 
   
         
           


          
16

  


       
          
tor; va ta ci toe na

                
       
           

      
                      
  
18


         
sco sto, quand' a vi doe di pre da, l'a stu to cac cia

       
                            
 
            

     

  
   

               
20

 


               
 
tor, va ta ci to, na sco sto,

           

                
       
  
  
3

                 
    
23

 



quand' a vi doè di pre da, l'a stu to cac cia

     
                           
   
  
               
     


    
                         

26

 


                 
tor, l'a stu to cac cia tor, va ta ci toe na

       
   

                       


    
           
         
29

   


 
sco sto, quand' a vi doè di pre da, l'a stu to cac cia

               
 
            
    

        
            
      
31

 


               
tor, l'a stu to cac cia tor, l'a

        

      
         
 

  
4

 
Adagio a tempo

        
33


         
        
stu to cac cia tor.

     
          
          
    
 
                
  



  
                               
36

            
     


 
                              
38

    
            
    


  
                        
      
40


     
          

         
         
 
  
Fine

 
42


E chié mal far di spo sto, non bra ma che si


                        
  
     
          

7 6 5 
 4 4
        
5

                        
44

 


     
ve da l'in gan no del suo cor, l'in gan no del suo

                  
                  
     
 
      
         
7 7 6 5 7 8 7 6 3 7 3 7 

    
 4 4  3 4  

      
 
        
46

    


cor, l'in gan no del suo cor; e chié mal far di

             
 
     
              

          
     
7 8 7 6 3 7 6 6 3
4 4

           
               
48


spo sto, non bra ma che si ve da l'in gan no del suo

                                
                     

          
       
 
7 3 7 3 7 6  6 


 

         
D.C. al Fine


50


  
cor, l'in gan no del suo cor.

            
     
  
 
 6 
2