SOUNDCRAFT SPIRIT LIVE 4 Technical Manual Soundcraft Spirit Live 4 Technical Manual i© Soundcraft Electronics Lid. 1993 All rights reserved Parts of the design of this product may be protected by worldwide patents, Issue 1 Part No. ZM0009 Information in this manual is subject to change without notice and does not represent a ‘commitment on the part of the vendor. Soundcraft Electronics Ltd. shall not be liable for any loss or damage whatsoever arising from the use of information or any error contained in this manual. No part of this manual may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, electrical, mechanical, optical, chemical, including photocopying and recording, for any purpose without the express written permission of ‘Soundcraft Blectronics Lid. It is recommended that all maintenance and service on the product should be cartied out by Soundcraft Electronics Ltd. or its authorised agents. Soundcraft Electronics Ltd. cannot ‘accept any liability whatsoever for any loss or damage caused by service, maintenance or repair by unauthorised personnel. ‘Spirit Live 4 Technical Manual4. Specification Typical Performance Figures 1.2 Frequency Response Curves 1.4 —Snecification Notes and Conditions 1.6 2. Statutory Notices Wai 22 3. Technical Description - Introduction System Overview 3.2 Precautions and Safety Instructions 3.4 4. Functional Descriptions tt Channel 4.2 Stereo Sections 4.6 Group. i 4.8 Master Section 49 5. Block Diagram S Block Diagram 52 6. Circuit Descriptions Input PCB SC3209 6.2 Stereo PCB SC3210 6.4 Group PCB SC3211 6.5 Master LH PCB SC3212 6.7 Master RH PCB SC3213 6.8 Spirit Live 4 Technical Manual ilipT Input PCB ED3209. 7.2. _StereoPCBEDS20 7 Group PCB ED3211 7.5 _MasterLHPCBEDI212 78 Master RHPCBEDS213 8. Maintenance Introduction 8.3 tt cing ee Removing Channel Cards 8S Internal Settings: Level Die 8.6 Selectable Options 87 9. PCB Layouts Input PCB SC3209 9.2 _StereoPCBSCa10 Group PCB SC3211 9.4 Master LH PCB SC3212 95 Master RH PCB SC3213 6 Spirit Live 4 Technical Manual10. Installation Dimensions. 10.2 Mains Installation 10.3 General Wiring Procedure 10.4 Connections and Connectors: PSU Connections 10.7 Audio Connectors: 10.7 Connector Pinouts 10.9 SPIRIT LIVE 8 Channel Exploder 10.13 11. Spare Parts Parts Lists 11.2 12. Exploded Views: Complete Console Assembly 12.3 Master RH PCB 12.7 Master LH PCB 1 Group PCB 12.15 Stereo PCB 12.19 Input PCB 12.23 Spirit Live 4 Technical Manual v1. Specification Typical Performance Figures _1.2 Frequency Response Curves __1.4. ‘Specification Notes and Conditions 1.6 Spirit Live 4 Technical Manual 41ORY ke eames ene) SPECIFICATIONS ‘Typical Figures for a 16 Channel Console NOISE Measured RMS, 22Hz to 22kHz Bandwidth Line inputs selected at unity gain and terminated 150R. MIX NOISE Input faders down, channels routed to L-R, Pans central, Masters at maximum MixLeh — -824Bu MixRight — -824Bu ‘AUX NOISE Input faders down, Aux outputs at maximum, Four Stereo sections routed to Aux 1 Aue 1 816Bu ‘Aux 2 -$4.54Bu Aux 3 84.5080 ‘Aux 4 -$4.54Bu Aux 5 84.5080 GROUP NOISE Input faders down, channels routed to Groups, Pans central, Group gain at unity. Group! -84.54Bu Group2 -84.5dBu Group3-84.5Bu Groups 84. SdBu EIN. ‘Microphone Input, ‘Maximum Gain, terminated 150R -12784Bu CROSSTALK Channel ON switch Isolation > 1034B to Mix LIR @ IkHz ‘Max. Channel Fader Attenuation > 874B @ l0kH1z, > 974B @ 1k#lz Routing Switch Isolation > 87B @ l0kHz, > 1054B @ kHz Max. Master Fader Attenuation > 1004B wide band Max. Group Fader Attenuation > 904B @ 10kHz, > 100dB @ IkHiz Max. Aux Send Attenuation > 854B @ 10kHz, > 904B @ IkHz Max. Stereo Fader Attenuation > 954B @ 1kHz Stereo ON switch Isolation > 100dB wide band Stereo Routing Switch Isolation > 90dB @ IkHz DISTORTION ‘THD measured at +20dBu Line Input to Mix Output <0.0025% @ IkHz, <0.015% @ 10kHz. 1.2 Spirit Live 4 Technical ManualINPUT & OUTPUT IMPEDANCES ‘Microphone Input ‘Line Input Insert Sends Insert Returns ‘Outputs >a > 10k a 10k 5a INPUT & OUTPUT LEVELS ‘Mic Input Maxciomam Level Line Input Maximum Level Mix Out Maxinmm Level ‘Mono Out Maximum Level ‘Aux Out Maxim Level METERING 12 Segment LED Bargraph Accuracy Relative to 0dB +10dBu +30Bu 4214Bu 42148 421dBu 41 1dB Spirit Live 4 Technical Manual 1.3Frequency Response Curves of the Equaliser Input Module 1.4 Spirit Live 4 Technical ManualInput Module Spirit Live 4 Technical Manualand Cond SPECIFICATION NOTES AND CONDITIONS ‘A. The console has a nominal output level of +44Bu: all input sensitivities are relative to this: ie. with line input gain set to °0’, an input of OdBu, will give an output of +4dBu at any main output and, a sensitivity of +4dBu gives unity gain from input to output. B Noise measurements are.taken with 22Hz-22kHz bandwidth, average reading response, Line inputs selected at unity gain, terminated 150R. C_ Distortionmeasurements are made withaninput of +20dBu (ine inputs at unity gain) giving an output of +20dBu. The analyser reads THD+N with an average response, over a 20Hz-20kHz bandwidth. D_ Frequency response and E.Q. measurements are made with an input of 0dBu to line inputs at unity gain, outputs are quoted relative to OdBu. E_ Crosstalk and rejection measurements are made with an input level of +20dBu (Cine inputs at unity gain) giving an output of +20dBu on the active signal path. The ‘tio quoted is relative to +20dBu output. F Gain tolerance +/-1.54B or 10% of indicated value, which ever is the greater, 16 Spirit Live 4 Technical Manual2. Statutory Notices Warranty 2.2 Spirit Live 4 Technical Manual 24arran 7. Soundcraft means Soundcraft Electronics Ltd. End User means the person who first puts the equipment into regular operation. Dealer means the person other than Soundcraft Gif any) from whom the End User purchased the Equipment, provided such a person is authorised for this purpose by Soundcraft or its accredited Distributor. ‘Equipment means the equipment supplied with this manual. [If within the period of twelve months from the date of delivery of the Equipment to the End User it shall prove defective by reason only of faulty materials and/or ip to such an extent that the effectiveness and/or usability thereof is ‘materially affected the Equipment or the defective component should be returned to the Dealer or to Soundcraft and subject to the following conditions the Dealer ‘Soundcraft will repair or replace the defective components. Any components replaced will become the property of Soundcraft. Any Equipment or component returned will beat the risk ofthe End User whilst in transit (both to and from the Dealer or Soundcraft) and postage must be prepaid. ‘This warranty shall only be available a) the Equipment has been properly installed in accordance with instructions contained in Soundcraft’s manual; and ») the End User has notified Soundcraft or the Dealer within 14 days of the defect appearing; and ©) 10 persons other than authorised representatives of Soundcraft or the Dealer have effected any replacement of parts maintenance adjustments or repairs to the Equipment; and 4) the End User bas used the Equipment only for such purposes as Soundcraft recommends, with only such operating supplies as meet Soundcraft’s specifications and otherwise in all respects in accordance Soundcraft’s recommendations. Defects arising as a result ofthe following are not covered by this Warranty: faulty (or negligent handling, chemical or electro-chemical or electrical influences, accidental damage, Acts of God, neglect, deficiency in electrical power, air-conditioning or humidity cootrol. ‘The benefit ofthis Warranty may not be assigned by the End User. End Users who are consumers should note their rights under this Warranty are in ‘addition to and do not affect any other rights to which they may be entitled against the seller of the Equipment. 22 Spirit Live 4 Technical Manual3. Technical Description - Introduction System Overview _ 3.2 Precautions and Safety Instructions _3.4 Spirit Live 4 Technical Manual 3.1System Overview Designed by engineers who understand the individual needs of musicians, SPIRIT Live 4 bas been built to the highest standards using quality Japanese components and employing automated assembly techniques beyond the reach of most manufacturers of compact mixers. ‘A rugged steel chassis is combined with moulded side trims to give protection and distinctive appearance. Custom moulded controls, designed forthe best ‘feel’ and ‘visual clarity complement the styling, resulting na truly professional product which is ideal for both touring and fixed PA installations. Frame Sizes ‘SPIRIT Live 4 is available in the following frame sizes: © 12 Channel © 16 Channel © 24Channel © 32Channel ‘The 12 and 16 channel sizes may be extended by adding an 8 channel Expander. ‘The Expander can be attached quickly and securely to the console, requiring only a screwdriver to complete the installation, Input Channel “The input channels are able to accept a wide range of Microphone and Line level signals from separate input sockets. Every channel features wide range gain control and Line input pad, 3-band ‘Equalisation with swept Mid and LF range, plusa Hi-Pass tte, 5 Auxiliary Sends, PFL(Pre Fade Listen), Peak LED, Panning to a Stereo Bus and routing in pairs to four Output Groups. Each channel has a separate Direct Output and is controlled ‘by a high-quality long throw fader. Stereo Sections ‘All frame sizes are provided as standard with dedicated stereo inputs, arranged in pairs. One pair is included on the 12 channel frame and two pairs on all other frame sizes. Each stereo input includes a 2-band EQ and a single auxiliary send control with switching which allows prefade or postfade sourcing with access to three of the five ary busses. The stereo channel signal may be routed to either the Mix output or to Groups 1 & 2 (upper) or Groups 3 & 4 (lower). Group Sections ‘The four Output Groups provide submixing to the Mix L/R outputs or may feed ‘extemal equipment directly. Each incorporates stereo panning and PFL monitoring, ‘orbargraph metering and includes an external Return input for effects or submixing from extemal sources. 3.2 Spirit Live 4 Technical ManualMaster Section “The Master section provides master level control for the Left, Right, Mono and ‘Auxiliary Send busses, with separate AFL monitoring on each Auxiliary Send and the Mono output. ‘The Mix L/R and Group outputs all have insert points forthe connection of external signal processing. Comprehensive Talkback facilities are provided, which allow an external talkback microphone to be routed to Mix L/R, Groups and Auxes 1 & 2 as required. Six 12-segment, 3-colour peak reading LED bargraph meters provide clear display of ‘MixLUR, Group and PFL signals. Pressing any PFL or AFL switch puts the selected signal onto both sides of the headphones output, and the right bargraph meter. Frame Construction SPIRIT Live 4 is based on a folded steel frame for on-he-road reliability, with an integral carrying handle and single section front panel supporting all the channels ‘and input and output connectors. Custom moulded side trims and armrest provide protection and a distinctive appearance. Bus Connections via Ribbon Cable ‘The main motherioom is made from flexible ribbon cable and makes use of insulation displacement technology for maximum reliability. Power Supply ‘The SPIRIT Live 4 should only be used with the correct Soundcraft Power Supply unit as follows: © 12, 16 and 24 channel frames require the DCP100 power supply. ‘* 32 channel frames require the CPS150 power supply. Spirit Live 4 Technical Manual 3.3Precautions and Safety Instructions General Precautions Caution! ‘Avoid storing or using the mixing console in conditions of excessive heat or cold, or in positions where itis likely to be subject to vibration, dust or moisture, Do not use any liquids to clean the fascia of the unit: a soft dry brush is ideal. Use only ‘water orethyl alcohol to clean the trim and scribble strips. Other solvents may cause damage to paint or plastic pants. Avoid using the console close to strong sources of electromagnetic radiation (eg. video monitors, high power electric cabling): this may cause degradation of the audio quality due to induced voltages in connecting leads and chassis. For the ssame reason, always site the console power supply away from the unit {n all cases, refer servicing to qualified personnel. Handling and Transport ‘The console is supplied ina rugged cardboard box. This packing should be retained foruse as protection f the console is moved any distance after installation. Be sure to disconnect all cabling before moving. If the console is to be regularly moved (€g. for touring) we recommend that itis installed in a foam lined flight case. A shoulder-strap carrying bag is also available forthe 8 and 16 channel frames to give light protection during transit. At all times avoid applying excessive force to any ‘knobs, switches or connectors. Power supplies & cables Always make sur that the power supply has been set othe same source vollage as Warning! the mains supply. ‘Always use the power supply and power cable supplied with the mixer: the use of alternative supplies may cause damage and voids the warranty; the extension of ower cables may result in malfunction of the mixing console. Always switchrthe power supply off before connecting or disconnecting the console power cable or opening the mixer for servicing. In the event of an electrical storm, or large mains voltage fluctuations, immediately switch off the PSU and unplug from the mains. 34 Spirit Live 4 Technical ManualSignal Levels 1t is important to supply the correct input levels to the console, otherwise signal-to-noise ratio or distortion performance may be degraded; and in extreme ‘cases damage to the internal circuitry may result. Likewise, on all balanced inputs avoid sources with large common mode DC, AC ot RF voltages, as these will reduce, the available signal range on the inputs. Note that OdBu = 0.775V RMS. ‘The microphone input is designed for use with balanced low impedance (150 or 200 ‘ohm) microphones. DO NOT use unbalanced microphones or battery powered condenser microphones with the +48V phantom power switched on: degraded performance or damage to the microphone may result. The +48V phantom ‘Power may be removed from individual channels by removing an internal link, and this procedure is described in Chapter 8. ‘The sensitivity of the microphone input is variable from -10dBu to -604Bu (for OdBu at the outputs), and the maximum input level (balanced) is 20dB above the. set sensitivity that is, with the gain control at minimum, the maximum input level {s+10dBu. Although the microphone input can thus handle some line level signals, ‘we don't recommend this, since the source may be unduly loaded by the low (2k) input impedance, or be damaged by the +48V phantom power. The line inputs have a sensitivity variable between 40dBu and +10dBu, and can also handle a maximum input level up to 200B above the set value. Note that the ‘maximum input level for unbalanced inputs is 4 or SdB less than that for balanced signals, so very high level unbalanced signals (c.g. loudspeaker outputs of power amplifiers) may cause distortion. The input impedance is approximately 10k®2, and thus high impedance sources (eg. electric guitars) may be loaded too heavily. Such sources are best fed through an extemal DI (Direct Inject) box to the microphone inpat ‘The main outputs (Auxes, Mix, Mono and Groups) ofthe console have a nominal ‘output level of +44Bu, and an impedance of 752. These outputs will deliver full level of +214Bu into loads of greater than Sk. Secondary outputs, such as Insert Sends have 2 nominal output level of OdBu and an output impedance of 750, and ‘will deliver the fall output level of +214Bu into load impedances of greater than 5. ‘Spirit Live 4 Technical Manual 353.6 Spirit Live 4 Technical Manual4. Functional Descriptions Input Channel _4.2 Stereo Sections 4.6 Group Section 4.8 Master Section 4.9 Spirit Live 4 Technical Manual 44| ay Teer Microphone Input 1 The Microphone input is viaa standard female XLR-3 connector and is available ‘when the LINE -204B switch is released. It is designed to accept a wide range of balanced or unbalanced low impedance input signals. +48V Phantom Power is available on each input microphone socket. This is switched on globally from the power supply in the case of the 12, 16 and 24 channel desks, or from a rocker switch adjacent tothe d.c. power connector at te top right of the 32 channel desk. Should you wish to configure inputs without +48V power, see Section 8 for detls of this modification, ‘Transformer-coupled dynamic microphones may be used without causing damage, even when the +48V power is connected, bot care must be taken when using ‘unbalanced sources, because of the voltage present on pins 2 and 3 of the XL connector. Microphone input level is set by the GAIN control(6). NOTE: Phantom powered mics should not be plugged in with the +48V switched ‘on. Also you should be aware that some microphones draw an unusually large curreat which may overload the power supply, resulting in distortion. Consult your microphone supplier for guidance if necessary. Direct Output 2. A DIRECT output is provided, nominal level OdBu, fed from the output of the fader buffer, which is therefore unaffected by the position of the ROUTING switches or PAN control. This provides an ideal source for external processing "units, the output of which may be brought back tothe console through the STEREO sections or group RETURNS, or to directly send to the tracks ofa tape machine for ‘multitrack recording. This provides as many Tape Sends as there are mixer channels, without using the group or mix outputs. Line input 3 The LINE Input is a 3-pole Va"'A’ gauge jack socket, to accept balanced or ‘unbalanced line level sources when the LINE switch(5) is pressed. Unlike the low ‘impedance Microphone input, this stage presents a high impedance(>10kS2) to the {npot signal, enabling many types of instruments to be plugged straight in without DAL boxes or extemal preamplifiers. Line inputs will be found useful as extra Effects Retums, where additional post-effect equalisation is required. 42 Spirit Live 4 Technical ManualInsert 4 The INSERT is a break point in the input channel signal path. It allows the signal to be taken out ofthe mixer, through an extemal piece of equipment and then back into the mixer to continue through tothe final output. The Insert is a3-pole V4" “AY gauge Jack Socket, which is normally by-passed. When a jack plug is inserted, the signal path is broken ata point just after the Hi-Pass Filter, but before the EQ section. The signal from the channel appears on the TIP of the plug and is returned on the RING. The insert point allows limiters, compressors and other signal processing units to be added as required to particular input channels and because itis located PRE EQ, noise generated by the external equipment may be reduced by a small amount of FLF. cut in the Equaliser. Line Select 5 ‘The LINE switch selects Line input when pressed, and Microphone input when released. When Line is selected the-Gain range is reduced by 20dB (sce 6 below). Gain Control 6 When the Microphone input is selected this control acts as a SENSITIVITY control covering a 50dB range. Channel signal level increases as the control is ‘ured clockwise. When the Line inputis selected it serves as a GAIN control, with the scaling reduced by -204B from the printed scale. A nominal OdB input signal ‘will pass through at unity gain, with the knob set atthe 204B position. Some audio equipment, particularly that intended for domestic use, operates at a oominal -10dBV level and an increased Gain setting will be required. HI-Pass Filter 7 Pressing this switch inserts a 124B per octave 100Hz Hi-Pass Filter inthe signal path, immediately after the input amplifier. This is particularly useful on live ‘vocals, and its use is strongly recommended, even on male vocals. It can also be used for filtering out low frequency bum, Equaliser 8 The Equaliser(BQ) comprises three sections. The upper control provides HLF (treble) boost and cut of #/-15dB. The lower two pairs of knobs are arranged sa cul/boost contsal dower knob) of +/- 15dB, and a SWEEP( frequency) control ‘which determines at which frequency the boost/cut action will be centered, The LF sections are essentially Swept Low Frequency controls, covering a range from 40 to 400Hz and providing much greater flexibility than a conventional LF(bass) control. The MID section, with a frequency range from 250Hz to 8kHz is particularly versatile for vocals, enabling particular characteristics ofthe singer to be lifted or suppressed very precisely. Spirit Live 4 Technical Manual 43rw Pr TT a I r t a 10 sh: ®. [ 7 a ERERERE Bape! EI is Auxiliary Sends 9 These controls route the input channel signal to any one or more Auxiliary busses. These are separate from the main outputs and can therefore provide Additional outputs for foldback, echo units or extra loudspeaker ‘fills’. ‘AUX 1 & 2 are detived before the channel fader(PRE FADE), and are therefore ‘unaffected by the fader position. This makes them particularly suitable for foldback ‘or monitor feeds, which need to be controlled separately from the main P.A. mix. AUX 3, 4 and 5 are derived after the channe! fader(POST FADE), and therefore follow any changes in fader level. They are normally used 10 drive effects processing units which are fed back into the mixer and which must fade out with the input channel. AUX 2 may be altered internally to be POST FADE. Refer to the Section 8 for a description of this modification. All of the Aux Sends are muted when the ON switch(12) is released. ‘The Pre-Fade source to Aux 1 and 2 may be fairly easily changed to be pre-EQ on later models. Consult your dealer and see page 5.2 for details. Pan 10 The PAN control determines the position of the signal within the stereo mix image or may be used to route the channel signal to particular output GROUPS as selected by the ROUTING SWITCHES (13). Rotation fully anticlockwise feeds the signal solely to the Left mix buss or Groups 1 and 3, while rotation clockwise ‘sweeps the image tothe right buss or Groups 2 and 4. PFL/Peak LED 11 When the PFL switch is pressed, the Pre-Fade signal is fed to the headphones, where it replaces the selected source. The PFL/AFL LED on the master section illuminates to war that the headphones and the meters are now responding to the PFL/AFL selection and the PFL LED on the input channel lights to identify the active channel, This isa useful way of listening to any required input signal without {interrupting the main mix, for making adjustments or tracing problems. When the PFL switch is released the LED on the channel serves as a PEAK indicator, to war when an excessively high signal level is present in the channel, ‘The signal is sampled at two points in the channel, immediately after the input amplifier (PRE HI-PASS FILTER) and POST EQ. The Peak LED will illuminate approximately 44B before clipping and therefore give waming of a possible ‘overload even if the peaks are removed by extemal equipment plugged into the Insert. ON Switch 12 The ON switch enables all outputs from the channel when pressed, and the associated LED illuminates to show that the channel is active. 44 Spirit Live 4 Technical ManualRouting Switches 13 The input channel signal may be routed to the main STEREO MIX (L-R) or pairs of GROUP busses (1-2, 3-4), by pressing the respective switches. ‘These may be used in conjunction with the PAN control (10 above) to route the channe! signal proportionately to any of the selected ‘busses. Channel Fader 14 This long throw fader determines the proportion ofthe channel in ‘the mix and provides a clear visual indication of channel level. Normal ‘operating position is atthe “O* mark, providing 10dB of gain above that point if required. Spirit Live 4 Technical Manual 45Stereo Sections Stereo Inputs 1 Each Stereo Input section comprises a pair of similar inputs. The inputs are electronically balanced and separate jacks are provided forthe Left and Right source signals. A mono signal may be plugged into the upper socket only for each pair to be fed equally to left and right busses. -10 Switch 2 The input jacks are normally set to match +4dBu nominal signal levels. Pressing the -10 switch alters the input sensitivity to match the -10dBV signals from most [Hi-Fi systems or semi-professional tape machines allowing the inputs to be quickly ‘switched to match, for instance, a cassette player for pre-show music. Equalisation ‘3 Each Stereo Input is provided with a 2-band shelving EQ section giving +154B boost & cut at fixed frequencies of 60H and 12kHz. Aux Send 4 A single control feeds a mono sum of the stereo signal to a choice of Aux Send. busses (see 5 below). Aux Selection 5 The flexibility of the Aux send control (4) is maximised by a choice of on 85 Los a> ons Pt om, Le vel « 1 . > Ee oa 5 198 gr} 085, on a uo? Pr cnt 8 Spirit Live 4 Technical Manual Stereo PCB ED3210A 7.3© Soundcraft Electronics Lid This drawing must not be copied, reproduced or ciscosed, in part or in whole to a thied party without writen permission Circuit Diagrams a ox rc FE} ows he i= | am Tg WISTED | PAIR WIP. i = Wi} ow 1 NI RE} owe wose 12 36 oF | C46 INS j i ce SF | i (ar 2 gus pd Smet 1 i ome oa! es i 7 i eH i jE 2e« oe 2th ; 2 ; Bas ote Lae. ce on £ J : Lx | cusew [gs gen 5 fe ; bs Ce} a Wee ae] it 7 2 ca Far Spirit Live 4 Technical Manual Stereo PCB ED3210B 7.4© Soundcat Bectonics Ltd This drawing must not bo copied rprodvead or sdoead. nar or in whol 1 @ tid party witeut writen permission Circuit Diagrams = i ye ox a] Oa ai on ares cee on igi fs ae | ove sso wm 2 Bo ‘ot } 0 wos wa] Sues ar} frat au, 2 A eee \ LENSE ‘ ‘ * Fa vera ye ee a Sa Se ee ep ae a ea anus j carl et a +S | a8 BR U0 220k | 80 150 ci Tate = a8 oR 10 Spirit Live 4 Technical Manual Group PCB ED3211 7.5© Sounderat Electonics Lid This drawing must nat bo copled, reproduced oF ecosed, in part oF in whole to a third party without writen permission TR 528 }- Circuit Diagrams 47K — CE }—- 15K cs ALL LveS02 vat a} f eK. & Ieee ets i - [su 3-—= =" J ge 1K JICL-B 24K | Be | i j | Ne 5} 4X Il ins | (Ne §-———9—* I sea — | | | ic GAN ETC a 1 if key Ne Los ups” | Lo? SS ss ‘< © © per 5 ay 3 wp uy ays s] 7 a Rie CR Wo) ++ +e + ee a70n 360R 300 220k 1808 1508 160R 120R eR SIR Spirit Live 4 Technical Manual Master Module -LH PCB ED3212A 7.6© Sounderat Electonics Lid THs drawing must not be copied, reproduced or disiosad, in part or in whola oa thed party witout watten permission Circuit Diagrams Ea xe ee wea paso reio Spirit Live 4 Technical Manual Master Module - RH PCB ED3213A 7.7‘© Soundcraft Electronics Lid This drawing must not be copied, reproduced or disclosed, in part or in whole to a third party without waitien permission Circuit Diagrams ve > —LRr METER DECOUPLING WW i | RED RED RED AME t Ra} RB} Rag }-o—[ RIOD }-#- RoE + te J} -s ie sais sf Riis? Rio} sR 300R 220R 180R 150R 160R 120R eR SIR a7R 100R 17 Spirit Live 4 Technical Manual Master Module - RH PCB £D3213B 7.88. Maintenance Introduction 8.3 Fault Finding 8.4 Removing Channel Cards 8.5 Internal Settings Operating Level Diagram _8.6 Selectable Options 8.7, Spirit Live 4 Technical Manual 8.18.2 Spirit Live 4 Technical ManualeCToINo Lela) Every console that leaves Soundcraft undergoes a thorough testing at all stages of ‘manufacture. These tests include individual testing of every function on all the PCB's, a thorough testing of all the functions of the completed mixer, a soak test of two bours before the final test (which consists of listening, measuring and ‘mechanical function checks) prior to packaging and shipment. In this way we try to ensure that any faulty components sbow up long before the console leaves the company. Thus a ong and trouble-free life can be expected. Although all Soundcraft consoles have been designed with long-term reliability in ‘mind, itis inevitable that occasional maintenance will be required. However, due to the amount of attention given to the problems of maintenance during the design stages of this console, and the modular construction, servicing tends to be extremely simple to carry out, withthe minimum of test equipment needed to isolate andrectfy faults. 8.3Umar} With the exception of the electronically balanced microphone amplifier, and the hybrid discrete/op amp summing amps, all signal electronics are configured around high slew rate, low noise integrated circuits. The microphone amplifier is a proprietary design, utilising a discrete transistor, low noise cancelling front end. The use of integrated circuits means thatthe majority of audio faults can be repaired by simply replacing the I.C,, having fist isolated the fault to a particular stage in the signal chain, ‘The isolation can often be done without even having to remove the module from the console, by judicious use of insert points, and/or switching the module to various modes. As with all servicing, a good knowledge of signal flow is necessary for best results, and a time spent becoming thoroughly familiar with the console block diagrams will be very helpful. Basic Principles Each channel should be viewed as a number of signal blocks, through which the signal must flow. If the signal appears atthe input toa block, but not atthe output, then the fault clearly lies within that block. By dividing a channel into individual sections, what may at first appear to be an extremely complicated piece of equipment can be simplified intoa series of sequential stages. This is the basic first ‘move inall types of fault finding, and usually requires no more than a certain amount of logical thought. Servicing a console is more a matter of clear thinking and having an understanding of what should be happening, than having a highly developed technical knowledge. To illustrate the method of logical fault finding, let us assume that we have a ‘non-functioning input channel, in both microphone and line modes. ‘+The first step is to ensure that a fault really does exist! Check that the channel is in the comect mode of operation, and that no jacks are inserted in the insert points which may be interrupting the signal flow. Check also thatthe expected input signa is actually present by plugging it into another channel. ‘© Ifin doubt about the channel operation, set up an adjacent channel in exactly the same way, which will allow a direct comparison between a working and possible non-working channel, ‘© Route the channel directly to L-R, so thatthe channel may be monitored inthe ‘normal way. Using an oscillator set it to approximately IkHz and patch the oscillator signal into the channet Line Input. Ifall is wel, an undistorted signal should now be heard. More likely, because of the fault, it won't ‘© Route channels to differents outputs or to auxiliary sends to identify problems (on the Master section, ‘© Use PFL and AFL to monitor the signal a selected points. Large sections of the channel circuitry can be by-passed by monitoring the signal atthe insert send, or by feeding the insert send directly with the line level source. I by-passing a section causes the signal to re-appear, then the fault is located in that section, and can be traced at component level and the faulty components replaced after removing the channel from the front panel or the PCB may be replaced as a complete assembly. Integrated circuits, due to their internal complexity, are the ‘most likely cause of problems, followed by mechanical components such as switches and faders, which are susceptible to physical contamination from ‘oxidation, dust and liquids, Spirit Live 4 Technical Manualaah Lae) nnel Ca Warning! The removal of circuit boards and the replacement of components requires care and skill In soldering to avoid damage to the PCB and should only be attempted by competent technicians. Always check that power has been removed trom the console before attempting to release the top panel or remove PCBs. Removal of Top Panel Place the console om a flat, clear surface, allowing plenty of space in which to work and undo the screws on both the top and base. With the console base down with the faders towards you, hold the top panel by the frontextrusion and lif the panel upwards while sliding gently wo the rear to separate it from the base. With the base removed, access is now available to all parts of the console, and the signal may be traced through the various stages, using an oscilloscope, millivoltmeter, or even high impedance headphones. Removal of PCBs Replacement of components will often require removal of the relevant PCB from the top panel following the procedure below: ‘© Unplug the motherioom connector from as many channels as necessary toallow clearance to remove the required PCB. Unplug any other connectors, noting carefully their location for reassembly. ‘+ Remove all knobs on the particular channel by pulling finmly upwards. ‘+ Undo the plastic nuts securing jack sockets where applicable. '* Undo the nuts securing the pots to the panel, taking care to avoid scratching, the panel. + Undo the two screws securing XLR connectors (where appropriate) and also the two screws holding the fader. ‘¢ The PCB may now be removed from the panel for repair or replacement. Spirit Live 4 Technical Manual 85dBu a 3 Channel Insert OdBu 421dBu max, Channel Fader Left/Right/Mono Insert OdBu Mix/Group Fader Left/Right¥Mono Outputs 8.6 Spirit Live 4 Technical ManualItal melee) Removal of +48V on Mic Inputs To disable the +48V phantom powering on the microphone inputs, remove link J3 from Input PCB SC3209. This can be done without removing the PCB as shown below, by carefully cutting the leads of the link above the PCB atthe points marked, To reinstate the +48V, fit a replacement link, Part No. AZ2222, which is available from your dealer. INPUT BOARD SC3209 Sf J3 cur Edge view of PCB. Spirit Live 4 Technical Manual 87Reconfiguring Aux 2 as a Post Fade Send ‘Aux 2is configured as a PRE FADE send atthe factory, but may be altered to be POST FADE if required by repositioning a link on the Input PCB SC3209 as shown below. INPUT BOARD SC3209 ‘To change AUX 2 to POST FADE, remove the PCB from the console and carefully uunsolder link J1 using the minimum of beat to avoid the possibility of tracks lifting ‘on the PCB. Replace the link in position 12. ‘This operation should only be carried out by competent techniclans who ‘Possess the necessary soldering skills. 8.8 Spirit Live 4 Technical Manual_______9. PCB Layouts _ Input PCB _SC3209 9.2 Stereo PCB SC3210_ 9.3 Group PCB_SC3211_9.4 MasterLH PCB SC3212_ 9.5 Master RH PCB_SC3213_ 9.6 Spirit Live 4 Technical Manual 94PCB Layouts Pre URN, Iga 1s ee Component Ident & Track Side A Spirit Live 4 Technical Manual Input PCB SC3209 9.2Track Side A Cd ~ = o 2 = 3 < 6 a € 3 oO‘© Sounderatt Electronics Ltd This drawing must not be copied, reproduced or disclosed, in part or in whole to a third party without writen permission PCB Layouts out Component Ident & Track Side A Spirit Live 4 Technical Manual Group PCB SC3211 9.4© Soundcraft Electonics Lid This drawing must not be copied, reproduced or disclosed, in part of in whole to a thd party without written permission PCB Layouts S\stseje ll ld Tel 1 Bl lL Al (J bl [ Pl == PETER DECORTING ae aps cos FH os Ft a PY Lg FM a Ba) ee @ FED ioe RED ips GRN Log GRN Loe CRN pig CRN pS | 1 RED i | aS Feo oe GN GN ES YAUX_SY i feo ets ts * 2 «7 {> | Rei Te 8 Bp rc < 4. Using a screwdriver remove the screws securing the right-hand side cheek of ease the console chassis, 'S Fit the side cheek to the right-hand side of the Expander using the screws emoved in stage 4, > Spirit Live 4 Technical Manual 10.136 Using the M5 screws, washers and nuts supplied, bolt the Expander chassis 10 the Console chassis as shown, NB. Ensure correct orfentation and alignment. 7. Re-assemble the Expander top panel and base, gently sliding the units together as the pane! is lowered and threading the Expander bus loom and earthing lead through the aperture into the console base. ‘8 The Expander carthing lead must now be joined to the existing earthing point ‘on the main console top panel, which should be placed knobs down with the front ‘extrusion next to the front ofthe chassis. The earthing screw is located on the right. hand side, retained in the front extrusion, with an earthing lead running to the power ‘connector. Remove the securing nut and washer and reassemble with the expander ‘earthing lead connected in contact with he existing earthing lead as shown opposite. Ensure that the aut is tightened securely. 9 Rotate the main console top panel backwards and reassemble tothe base, taking ‘care not to strain the earthing lead and connecting the bus loom from the Expander ‘onto the track-side pins of the bus connector on the Console Master PCB as shown. Carefully adjust the position of the bus Loom as the panel is lowered to ensure that the slack in the cable folds on the right-hand side of the Master PCB and does not ‘become trapped between the boards and the base panel. 10. To ensure good mechanical fit, some realignment can be carried out as the top and base panel screws are tightened. NB. If you take care with paintwork, use the correct tools and keep screws safely, the expansion of your SPIRIT LIVE should take no longer than 15 minutes. 10.14 Spirit Live 4 Technical Manual11. Spare Parts Input PCB Assembly RB3209 11.2 Stereo PCB Assembly RC3210 11.4 Group PCB Assembly RB3211 11.7 LH Master PCB Assembly RB3212__11.10 RH Master PCB Assembly RB3213__11.11 Headphone Jack Skt WFMRV2665_11.15 Power Input WEM RV2230_ 11.15 Input Fader WFM RV2554_11.15 Master Fader WEM RV2557_ 11.15 Master Fader WFM RV2662__11.15 Stereo Fader WFM RV2663__ 11.16 Stereo Link WEMRV2664_11.16 Spirit Live 4 Technical Manual 41.1Input PCB cee + Input PCB Assembly eee IDENT ..... DESCRIPTION .. . » PART No. a VERT ELECO.2" 47UF 63V E0402 ce VERT ELEC O.2"47UF 63 E02 3 VERT ELEC 0.2" TPD 100MF 10 E0003 a VERT ELECO.2' TPD 100MF 10V cE0ws os VERT ELEC 1000UF/10v : ce0439 os VERT ELEC 0.2" TRO 47M 25V E0401 o [MICRO-BOX 54M 9% 100V 1N5 ‘cooase o MICRO-BOX SMM 6% 100V 1NS conse o CCAP 0.2" PRFRM TPO 100 22PF ..... . . CAQ004 10 CICAP 0.2" PRFRM TPD 100V 22PF cA0008 on se POLY-CAP SMM 5% 100478 conte ce POLY.CAP SMM 5% 100V.47N 2s. C0048 C13... 2... POLY.CAPBMMAS% T00VENG cooks ou : POLY.CAP 5MM5% 100V6NB coos ons POLY. CAP 5MM 5% 100 6N8, ‘conats ceo... POLY.CAP 5MM5% 100V22N coos or POLY. CAP 5MM 5% 100.471 coats C18... . POLY-CAP SMM 5% 100 2N2 conato C19 POLY-CAP SMM 5% 100V 4N7 conte 20 + VERTELECOZ' PD AMF 25V0 2... . CEO4OT neers VERT ELECO.2* TPD A7MF25V cE0401 ce VERTELECO.2 TPO ATMF25V........ . CEO4OT es VERT ELECO.2°TPD22MF 50V E0416 cma. CCAP 0.2" PRFAM TPD 100V.22PF ...... . CAD004 es POLY-CAP SMM 5% 65V 100N cess 000252 28... . POLY-CAP SMM 5% 63 100N cones 27... 2... VERTELECO.2 TPD 47MF 25V ‘cE0401 28 VERT ELEC0.2" TPO A7MF25V cepa 20 MICRO-BOX 5M 8% 100V 1N5 conese OND 2.22. 1BWYRVAML HOR FROTTA o DIODE 1N6145 Baocot ve DIODE 1Ne148 Ba000 Ds DIODE 1N4148 : BAQ001 oe DIODE 1Ne4s = BA0001 0s DIODE 1N4148 BA0001 Fer 2.2.2... DUALOP AMP IC TLo7ace : E0413 tee S++ DUAL OP AMP IC TLoT2GP E043 Ics DUALOPAMPICTLOTZ0P =. BEO«3 WBKTI....... JACK SKTM208.02 STER, FHovas vskr2 JACK SKT M203.02 STER BREAK FHOTAS JSKTS. JACK SKT M209.02 STER BREAK FHo7AS wor 1 SMM S.BAT LED RED PRF.SHORT sao0e0 Loe 1 SMM S.BRT LED GRN PRF. SHORT A0058 Ms7i6 SPIRIT LIVE UP FOR WEM vz554 Rt ME 0.25W RES 2% 6X8 ore) re ME 0.25W RES 2% 6k Duss Rs ME 0.25W RES 2% 242 ‘AD0487 me MF 0.25W RES 2% 10K ‘apo473 RS MF 025W RES 2% 10K = ADDATS Fe (MF 0.25W RES 2% 47K boas "7 ME 025W RES 2% 1K3 : D045 11.2 Spirit Live 4 Technical ManualPe MF 0:25W RES 2% 47K D049 Ro (MF 0:25W RES 2% 1K8 DOMES R10 «MF 0.25W RES 2% 47K ADo«so Ru MF 0.25W RES 2% 47K D089 Riz MF 0.25W RES 2% SKI Does Ris MF 0.25W RES 2% SKI Doss Ria MF 0.25W RES 2% 12K AD0«75 ANS: MF 0.25W RES 2% 12K AD0«75 rig ME 0.25 RES 2% 108 ‘Ao4o1 RI7 ME 0.25 RES 2% 12K AD0«7S Rie MF 0.25W RES 2% 12 ‘ADO«7S Ri9 ME 0.25W RES 2% SK AD0«68 R20 ME 0.25W RES 2% SK ‘Apoass rat ME 0.25W RES 2% 22K ‘ADoas1 ree MF 0:25W RES 2% 22K AD0481 Fes MF 0.25W RES 2% 47K ‘ADo«89 Ree MF 0:25W RES 2% 47K ‘ADo4e@ Fes MF 0:25W RES 2% 47K ‘AD0«89 26 MF 0.25W RES 2% 618 ‘Apos69 rer MF 0:25W RIES 2% 12K ‘ADOATS 8 + MF 025W RES 2% 12K ‘ADOATS reo MF 0:25W RES 2% 12K ‘ADOATS a0 + MF 0.25W RES 2% 12K ‘ADOATS Rat MF 0:25W RES 2% 6k2 D048 ez MF 0:25W RES 2% 6k2 Doses Roa MF 0.25W RES 2% 75, aDo«z2 Ros. MF 0.25W RES 2% 6k AD0469 ae MF 0.25W RES 2% 6x8 D049 Rs7 MF 0.25W RES 2% 6kS AD0469 Ase. . MF 0.25W RES 2% 6kB ‘AD0469 Roe MF 0.25W RES 2% 22K ‘aDosst Fao MF 0.25W RES 2% 2x2 ‘A00487 Rat MF 025W RES 2% SKI ADosss Raa MF 0.25W RES 2% 15K ‘ADosr7 ras. MF 0.25W RES 2% 15K ‘aD0477 Raa MF 0.25W RES 2% 15K 00877 ras. MF 0.25W RES 2% 15K a00477 ras MF 0.25W RES 2% 15K ‘aD0477 Pav «MF 0.25W RES 2% 15K ‘AD0877 rae MF 0.25W RES 2% 100K ‘D047 rao MF 0.25W RES 2% 12K ‘AD0«75 50. MF 0.25W RES 2% 680K ‘A00517 R51 ME 0.25W RES 2% 242 ‘AD0457 52 MF 0.25W RES 2% 15K ‘AD0«77 ss ME 0.25W RES 2% 22K ‘apo4s1 sa RES MF 107.2% 025W RADIAL ‘Avooot ss. RES MF 10R 2% 025W RADIAL ‘avooo1 se RES MF 10R 2% 025W RADIAL ‘Avooo1 67 ME 0.25W RES 2% SKI Doses se. ME 0.25W RES 2% 270K = ADOSO7 se ME 0.25W RES 2% 270K ‘AD0507 eo ME 0.25W RES 2% 75K D044 Ret ME 0.25W RES 2% 108 ‘A041 Rez ME 0.25W RES 2% 21 = AD04S7 Fes MF 0.25W RES 2% 75R Anoee Rea MF 0.25W RES 2% 75R ADo«22 Re. ME 0.25W RES 2% 68, D049 sca209 SPIRIT 4UP PCB 483200 Spirit Live 4 Technical Manual 11.3sw ‘ALPS (SUN TYPE}2 POLE PUSH SWT DFos16 swe ‘ALPS (SUN TYPE}2 POLE PUSH SWT . . .. . . DFO516 swe ‘ALPS (SUN TYPE}2 POLE PUSH SWT DFost6 sw = ++ + ALPS (SUN TYPE)2 POLE PUSH SWT . . DF0516 Sw +. ALPS (SUN TYPE}2 POLE PUSH SWT DF0516 swe +++ ALPS (SUN TYPE)2 POLE PUSH SWT... . . . DFO5'6 sw7 +++ + ALPS (GUN TYPE)2 POLE PUSH SWT . . OF 0516 TR sss ++ TRANS 2807865 ‘800350 Tre ‘TRANS 2807865, Bo000 + « BD0950 TR NPN TRANS 28C2240BL(TAPED) pos2 NPN TRANS 2802240BL(TAPED) ‘800802 vat 1+. ALPSTIMMSKRDREVLOG =... . DM1129 ‘ALPS 20KB C/D 11MM M1191 ‘ALPS 200KC 11MM DMti82 vee ‘ALPS 20KB CD 11MM 2. MISE vps ‘ALPS 200K0 11MM DMti32 vps ‘ALPS 20K8 C/D 11MM oMnist var + ALPS20KK 11MM see BMT190 vps ‘ALPS 20KK 11MM M1130 RO... ..... ALPS20KK 11MM cee es DMITSO vaio ‘ALPS 20KK 11M . M1130 vai ALPS 20KK 11M M1190 vane ‘ALPS 14MM 10KAC X2 CD M1137 Xun XLR CON FML NC3FPRHO- =. FRO@S2 Stereo PCB Bo ‘Streo PCB Assomby + RESZI0 IDENT ..... DESCRIPTION .............PARTNo, a ‘CICAP 0.2" PRFRM TPD 100V.22PF canons @ CCAP 0.2" PRFRM TPD 100V.22PF ++ CxDO04 o - - VERTELECO.2" TPO 47MF 25V £0001 a + VERTELECO2" TPD A7MF 25V E0401 @ VERT ELECO2" TPD 47MF 25 2s. C0401 oe [MICRO-BOX 5M 5% 100V 1N5 ++. 00230 a POLY-CAP 5MM 5% 100 47N coo248 o ‘CICAP 0.2" PRFRM TPD 100V 22PF caxoo04 o ‘CICAP 0.2" PRFRM TPD 100V 22PF caooo4 cto . VERTELECO2"TPD A7MF 25V. cz0401 ou + GICAP 0.2" PRFRM TPD 100V 22PF caooo4 C12)... ..... C/CAP0.2" PRFRM TPD 100V22PF cagoos C13. ........ VERTELECO.2" TPD 47MF 25V ss + CE0MOH ou VERT ELECO.2" TPD 47MF 26V cE 0401 ons. » VERTELECO2" TPO 47MF 25 E0401 cre \MICRO-BOX 5M 8% 100V 1N5 cee » C0029 or vss» POLY-CAP EMM 5% 100V 47N coos crs ‘C/CAP 0.2" PRFRM TPD 100V22PF ...... . CADO04 cre ‘C/CAP 0.2" PRFRM TPD 100V 22PF canons 20 ~ VERTELEC 0.2" TPD A7MF 25V. ++. C0401 ca. = VERTELECO2" TPD 47MF 26 £0401 ce +. VERT ELEC 02" TPD A7MF 25 E0401 cs VERT ELEC 0.2" TPD 47MF 25V +» £0401 coe +» VERT ELEC 0:2" TPD A7MF 25V E0401 oat ‘CICAP 0.2" PRFRM TPD 100 22PF = +. CAgODA cs2 ‘CICAP 0.2" PRFRM TPD 100V 22PF ‘cao004 cs 1» VERTELECO2" TPD A7MF 25 cz0401 34 VERT ELECO2" TPD A7MF 25V E0401 035. VERT ELECO.2' TPD 47MF 25V - +. C50401 11.4 Spirit Live 4 Technical Manual