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Lecture Notes From Cinematic Language For Composers
Lecture Notes From Cinematic Language For Composers
These principles are different for film music, mostly due to the need of silence in film. The
parameters are used in a different manner. The principles are (almost) always true for
autonomous composition, in film music a question arises: are these principles true?
Micro level:
Musical structure and musical content per cue. At micro level, the form and content of a cue
is determined by the scene.
Macro level:
The musical structure of the entire film. The music follows the structure of the film and the
composer creates the connections. This level connects the entire film into a coherent score.
Micro level: what determines the structure and musical content of a given scene?
The question ‘what do you want the viewers to experience?’ determines the emotional
impact of the scene. It also determines the structure of the music.
It is important to structure the emotions shown in a scene. Note every emotion in the scene
to help make a choice which emotion to follow. Not every emotion has to be reflected in the
music composed for a scene. A composer might make a choice to follow the emotion of the
main character. An important question to ask yourself is ‘With whom does the viewer
sympathize the most?’, which is based on the question ‘What does the viewer know?’.