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Light in August
Light in August
TENSE
What's Inside Light in August is told in a mix of present and past tense.
g Quotes ........................................................................................................ 27
GENRE In 1929 the first major novel of Faulkner's career, The Sound
Tragedy and the Fury, was also set in this fictional county. This pattern
would hold true for other acclaimed major novels, including As I
PERSPECTIVE AND NARRATOR
Lay Dying (1930), Light in August (1932), and Absalom,
Light in August is told by an omniscient third-person narrator
Absalom! (1936). It would also be the setting of his
who conveys the thoughts and feelings of characters across
commercially successful but controversial novel Sanctuary
time. However, many characters relate first-person stories
(1931). He returned to Yoknapatawpha County with the 1938
through dialogue, which aides in their characterization.
publication of The Unvanquished as well as the Snopes Trilogy
Light in August Study Guide In Context 2
(beginning with The Hamlet in 1940). A map of the layout of his decision permitted "separate but equal" facilities for black and
fictional county, drawn by Faulkner, is archived in The William white citizens. Although the decision specified "equal" facilities,
Faulkner Collection at the University of Virginia. the reality is that this was seldom the case. Black schools,
public bathrooms, drinking fountains, and other facilities and
institutions rarely equaled those for whites. The Plessy v.
Prohibition and Bootleggers Ferguson decision was not reversed until 1954.
author, Faulkner also works in what is called the Southern to live with Phil Stone, a poet and literary mentor who had
Gothic. His fiction deals with issues in the modern era that recognized Faulkner's tremendous talent and helped him hone
were central to the South, and he does so in a way that is his writing skills. To continue his literary studies, Faulkner
intentionally grotesque to shock the reader's sensibilities, give enrolled at the University of Mississippi. He published his first
them a new perspective on humanity, and force them to think poems and short works in the student newspaper, but he soon
about ancient and complex themes differently. Among these lost interest in coursework and dropped out after 3 semesters.
are the divisions between "Old South" and "New South," as well
as topics of miscegenation (mixture of races) and a "mythic
past." Growth as a Writer
The tendency to see the past as present to some degree
In 1924 Phil Stone helped Faulkner publish a book of poetry,
explains another aspect of Faulkner's style—the so called
The Marble Faun. Two years later, another literary mentor,
"Faulknerian" prose. Faulkner tends toward a non-linear style
writer Sherwood Anderson, helped Faulkner publish his first
of writing. In Light in August the reader will note that there are
novel, Soldiers' Pay, about a wounded aviator returning home
swaths of the novel that are entirely back story to the current
after World War I. Anderson then encouraged Faulkner to start
events. Faulkner wrote, in one of his often-quoted passages
writing about his native Mississippi—a suggestion that inspired
from his novel Requiem for a Nun (1951), that "the past is never
Faulkner's greatest literary successes. His first well-known
dead. It's not even past." The idea that the past, the familial and
novel, The Sound and the Fury (1929), was set in
cultural history, factor into the present story is a hallmark of
Yoknapatawpha County, a fictional place very similar to
Faulkner's style, as well as much of Southern fiction.
Lafayette County, Mississippi, where Faulkner grew up. The
Another trait of Faulknerian fiction is a fluid narrative structure. Sound and the Fury centers on the Compson family, a once-
Not only is the timeline non-linear, but the point of view is often wealthy Southern family in decline. Written in an experimental,
fluid as well. The reader will note that the idea of "authority" is often stream-of-consciousness style, with a fine ear for
sometimes unreliable. When the reader learns of the murder of Southern speech, the novel wasn't immediately successful, but
Joe Christmas's biological father, it is by Byron Bunch telling over time it brought Faulkner great critical praise; in 1998 the
Hightower. Byron learns this from Mrs. Hines, who learns it Modern Library ranked the novel 6th on its list of 100 best
from Doc Hines. No person who was present at that murder is novels of the 20th century.
Early Life would go on to have a daughter, Alabama, who died only a few
days after she was born.
Nobel Prize–winning author William Faulkner was born William Faulkner wrote both Sanctuary (1931) and As I Lay Dying (1930)
Cuthbert Falkner on September 25, 1897, in New Albany, during the early days of his marriage. Sanctuary was written
Mississippi. (He later changed the spelling of his last name.) before As I Lay Dying, but it was published after it. A
When Faulkner was 5 years old, his family moved to Oxford, sensational novel about the brutal rape of a young woman,
Mississippi, where he would spend most of his life. The oldest Sanctuary was Faulkner's first commercial success.
of 4 boys, Faulkner read widely, wrote poetry, and loved to
draw, but as he grew older, school began to bore him, and he Faulkner claimed he wrote As I Lay Dying in 6 weeks, between
dropped out in 11th grade. During his teens, Faulkner fell in love midnight and 4 a.m., without revising a word. Although he may
with a vivacious and charming girl named Estelle Oldham. have been exaggerating a bit, the resulting novel eventually
When Estelle agreed to marry another man, Faulkner was was recognized as every bit the "tour de force" he proclaimed
heartbroken. He decided to move to New Haven, Connecticut, it. Like The Sound and the Fury before it, As I Lay Dying, Light in
Joanna Burden
Joanna Burden was raised by a religious man who taught her
that her duty and her "curse" was to "raise up" black men and
Byron Bunch
Byron works at the mill in Jefferson, Mississippi. Both Joe
Christmas and Joe Brown work there briefly. Byron encounters
the very pregnant Lena Grove, who is seeking Lucas Burch.
Instead, she finds Byron Bunch, who inadvertently reveals that
Lucas is there under the name of Joe Brown. He takes on the
role of protecting Lena, eventually offering to marry her, a
proposal she refuses. He also seeks the help of his friend,
Reverend Hightower, to save Joe Christmas. At the close of
the novel, he is traveling with Lena, still offering marriage, and
helping her look for Joe Brown.
Character Map
Lena Grove
Pregnant young woman;
searches for her unborn Loves
child's father
Father of
her child
Fellow
Joe Christmas
bootleggers
Rejected wanderer;
has a troubled past
Coworkers
Coworkers
Reverend Gail
Byron Bunch
Hightower
Friends Mill worker; choir director
Defrocked minister
Main Character
Minor Character
offer to help her. Mr. Armstid gives her a ride and shelter for
Mrs. Hines is married to Doc Hines,
mother to Milly, and grandmother to the night. Byron Bunch gives her his room at the boarding
Joe Christmas, whom she's not seen house. She also meets Mrs. Martha Armstid, who gives her
Mrs. Hines
since he was an infant. She attempts to money but also shows her disapproval.
save him when she learns of his murder
charge.
Meanwhile, in Jefferson, Lucas Burch has been going by the
name Joe Brown. He'd been working at the mill with Joe
Milly Hines had relations with a man
Christmas, a man who believes himself to be of mixed
she believed to be a Mexican and ran
Milly Hines away with him. Her father (Doc Hines) ancestry, and Byron Bunch, a steady worker and quiet man.
killed him, and Milly died in childbirth; Brown and Christmas are no longer working at the mill. They
she is the mother of Joe Christmas. have quit and are making a living as bootleggers. The men live
at a cabin on the Burden property.
Mr. McEachern adopts Joe Christmas
when the boy is 5 years old, and then Inadvertently Byron reveals a detail about Joe Brown clarifying
Simon physically abuses him, which he calls
that he is Lucas Burch. At the same time, there is news of a fire
McEachern discipline. When Joe is 18, McEachern
is attacked by Joe (and presumed and a murder at Miss Burden's place. Byron hides this
dead). information from Lena because of the potential for Joe
Brown's involvement.
Mrs. McEachern is Joe Christmas's
adoptive mother, and in her way, she
Mrs.
tries to care for him. She lets him know
McEachern
of her secret money, brings him food, Reverend Hightower
and tries to be kind.
The novel switches from the current time to the history of
Mooney is the foreman at the mill Reverend Gail Hightower. Hightower was a minister in
Mooney where Joe Christmas and Joe Brown
Jefferson, but a scandal over his wife—who would vanish for
work.
lengths of time and eventually died—caused the town to fire
him. Hightower's wife died in Memphis where she was with
The sheriff is the chief law
enforcement officer in Jefferson. He another man. That death was either suicide or murder.
Sheriff
investigates the murder of Joanna Hightower also ran afoul of the Ku Klux Klan and was
Burden. assaulted by them. Now he lives quietly in Jefferson on his
own.
Gavin Stevens is the District Attorney
Gavin Stevens
in Jefferson for Joe Christmas's trial. The story switches to the present tense, and Byron is visiting
Hightower. Byron updates Hightower on Lena and the fire, and
Varner is the owner of a store in tells him that Joe Christmas and Joanna Burden were intimate
Varner
Jefferson, Mississippi.
the last 3 years.
Joe is then adopted by Mr. and Mrs. McEachern. The man is The sheriff and deputy discover that Lena is now living in the
cold and stern, and he uses physical punishments often. When cabin, and they learn that Joe Brown is actually Lucas Burch
Joe is 8, he is punished with a whipping and passes out as a and the father of her child. A black man comes to town telling
result. At 14, Joe is with other boys, and one of them has of a "white man" who showed up at his church revival. The man,
arranged with a young black woman to have sex with the boys whom readers later learn was Joe Christmas, cursed God and
in a shed. When Joe Christmas gets his turn, he begins beating was violent and abusive to the worshipers. The story switches
her, and the other boys stop him. to Joe Christmas who is not dead but is in a state of shock, in
part from sleep deprivation and hunger. Joe Christmas
At 18, Joe meets Bobbie Allen, a woman he thinks is a waitress. eventually rides into Mottstown, where he is arrested.
He sneaks out of the McEachern house to see her, and they
begin a sexual relationship. Joe discovers that she is a An old man in Mottstown, Doc Hines, witnesses Joe's arrest
prostitute. He hits her, but continues seeing her. Simon and is rattled.
McEachern catches Joe with Bobbie at a dance one night, and
McEachern attacks him. This time Joe responds with rage. He
knocks the man down, violently striking him and presumably More History
killing him. Joe offers to marry Bobbie, who rejects him and
leaves with Max and Mame Confrey (owners of the cafe and Doc Hines and his family take up the story of Joe Christmas's
house of prostitution where she works). Joe is left beaten and family. The Hines had a daughter, Milly, who took up with a
injured. Mexican circus employee that Mr. Hines swore was black. He
followed Milly when she ran away with the circus worker, killed
Afterward Joe leaves town and begins to travel. He continues
the man, and brought Milly home. Hines tried to find a doctor to
doing so until he is 33 years old. At that time he arrives in
perform an abortion, but then lost his temper. He went into a
Jefferson. He squats in a cabin and takes up with Joanna
church meeting and began speaking racist things and
Burden, a 40-year-old unmarried white woman who lives on
brandishing a gun. Ultimately he landed in jail and when he got
her own in the plantation house adjacent to the cabin. For 3
out, it was near Milly's delivery time. She gave birth to Joe
years, they have a relationship. Joanna finally says that she's
Christmas, and she died. Hines took the baby to an orphanage
become pregnant. Instead of suggesting marriage, she
in Memphis and left the infant on the doorstep. Hines worked
suggests that Joe study and become a lawyer to take over her
as a janitor at the orphanage.
business affairs. When Joe refuses, she presses him to
reconsider and asks him to pray with her. He refuses again,
and when she attempts to shoot him, he kills her.
Back to the Present
Joe Christmas is now being held in Jefferson. Mr. and Mrs.
Return to the Present Hines are there, too. Byron Bunch, who is at Hightower's house
with Mrs. Hines, asks Hightower to lie to provide an alibi for
The story returns to the present where the townsfolk are
Joe Christmas. Reverend Gail Hightower is furious and kicks
assembled at the site of the fire and the nearly beheaded body
them out. The next morning Lena Grove delivers her child.
of Joanna Burden. Upon learning of her death, Miss Burden's
nephew offers "a thousand dollar reward for the capture of her Byron sets out to ask the sheriff if he can tell Joe Brown about
murderer." In Jefferson, Joe Brown comes to see the sheriff, the baby. Mrs. Hines is confused, mistaking Lena for her
hoping to collect the "thousand dollars reward." Dogs and men daughter, Milly. She thinks the baby is her grandson, Joe
hunt for Joe Christmas, who is on the run. Christmas. Mr. Hines sets out to incite a lynch mob. The deputy
brings Joe Brown to see Lena and the baby, but he flees,
Reverend Gail Hightower and Byron Bunch talk about Joe
taking a train out of town, but not before fighting Byron.
Brown's revelation that Joe Christmas is racially mixed,
although this is never confirmed. Hightower and Byron also talk Meanwhile Percy Grimm organizes people to patrol the
about Byron's feelings toward Lena Grove and his decision to Jefferson downtown and ends up himself pursuing Joe
protect her. Christmas, who has escaped from police custody. Percy finds
Plot Diagram
Climax
7
Falling Action
6
Rising Action
5 8
4
9
3
Resolution
2
1
Introduction
Rising Action
Climax
Timeline of Events
1920s August
Joe Brown and Joe Christmas quit their jobs at the mill.
Shortly after
Sunday
Monday
The deputy brings Joe Brown to see Lena Grove and the
baby.
Within hours
That week
Shortly after
Within hours
Sometime after
In contrast to Byron, Joe Brown (Lucas Burch) is an Jews, immigrants, gays and lesbians and, until recently,
irresponsible man. He has abandoned Lena and even changed Catholics." The group was formed at the end of the Civil War to
his name in an attempt to hide from her. He and Joe Christmas intimidate Southern African Americans—and any whites who
are engaging in the illegal act of selling alcohol. The reader will would help them—and to deprive them of their civil rights. In
recall that the novel takes place during the period of this chapter, the KKK threatened Hightower's (black) cook and
Prohibition (1919–33). assaulted him. They function almost as a side note within the
text, notably because they were not an atypical presence in
the post-war South. They are, in context, a more violent version
Chapter 3 of the town's censure of Hightower as a result of his wife's
scandalous death. Hightower did not bend to the town's will,
and he woke to a note tied to a brick "commanding him to get
Summary out of town by sunset and signed K.K.K." When he didn't obey,
he was tied up and beaten until he was unconscious.
house, as well as the romantic history between Burden and woods and exits to encounter a group of black men and
Christmas. Byron Bunch was not present at the murder, the women—who think he is white. He thinks about the razor in his
fire, or the romance. He was not a confidante of either Burden pocket and listens to the courthouse clock, which is 2 miles
or Christmas, yet he relates these current and past events as if away. He does this at 10, 11, and 12 o'clock as he sits outside
they are factually accurate. The reader expecting a true and Miss Burden's house.
accurate accounting of "facts" of the back story will not find
them easily because of Faulkner's style here. To piece
together the events in Light in August may require reading the Analysis
novel more than once. Additionally, noting the character who is
relaying the information and his relationship to the situation Here, the narrative repeats some of what the reader had
may help—or raise useful questions in interpreting the plot. learned in the previous chapter. This is a part of Faulkner's
storytelling style. The important details that Byron Bunch
Here, Byron is speaking of an unmarried couple: Burden and provided are validated from the point of view of Joe Christmas.
Christmas who were together as if "man and wife." He, This establishes Byron as a more reliable voice within the
however, is staying with Lena Grove (an unmarried woman). He novel. Christmas was intimate with Joanna Burden. Christmas
is not "with her" in intimate ways. Moreover, Lena and Joe recalls that he would "take his sure way through the darkness
Brown are of the same race. The topic of miscegenation, or to her bed. Sometimes she would be awake and waiting and
race mixing, underlies the public reaction to Burden and she would speak his name." There is no mistaking the
Christmas. Joanna Burden was an abolitionist. Earlier (Chapter truthfulness of Byron's version of the intimate nature of the
2) Byron says of Joanna, that "she is a Yankee ... They say she relationship between Burden and Christmas.
is still mixed up with niggers. Visits them when they are sick,
like they was white." He adds that "folks don't ever go out Further, in the prior chapter Byron notes that Miss Burden's
there" because of this, except for Joe Christmas and Joe head was "cut pretty near off." The reader will easily see a clue
Brown. While Byron is not saying such things here to that the murder was by Christmas's hand as there are
Hightower, he did say them to Lena when describing Joanna references to his pocket knife and using it "with the cold and
Burden. bloodless deliberation of a surgeon" to remove buttons that a
woman had sewn on his clothes. Also in this chapter Christmas
is noted, pointedly, as removing several items "from the floor
Chapter 5 beneath his cot." Those items are a magazine with picture of
"young women in underclothes or pictures of men in the act of
shooting one another," as well as his razor, brush, and shaving
soap. At this time the razor that he would likely have had is
Summary what modern readers would think of as a straight razor.
Ultimately Joe vomits from eating the toothpaste. Miss Atkins decided that someone who was one-eighth African American
is furious and calls him a "little rat" and "little nigger bastard." was considered black.
The woman worries for 3 days and then asks him, "are you
going to tell?" He cannot figure why he would tell that he stole The question that the adult Joe Christmas has wrestled with
toothpaste and vomited. She gives him a dollar to keep silent for years is reflective of societal fixations on ethnicity that
and that "next month maybe I'll give you another one." He dominated the South in the time of the novel (and since). Joe, a
refuses, saying he doesn't want more, and she mistakenly young child, is abandoned, mistreated, and hated due to a
Miss Atkins approaches the janitor, noting that he has watched Faulkner also introduces the question of religious "tolerance"
the child for 5 years. (The janitor is unnamed at this point in the at this point in the novel. Simon McEachern is strict, but that
novel. Later it is revealed that he is Doc Hines, Joe Christmas's manifests as a continuation of a lack of affection in Joe
grandfather.) After a tense conversation in which the janitor Christmas's young life. The reader might find it useful to make
remarks on her "womanfilth" and that no one "can hurry the note of McEachern's actions for later comparison with Doc
Lord God," the dietitian leaves. She knows Joe is black and Hines (Joe Christmas's biological grandfather, who at this time
decides to tell the matron of the orphanage so the boy will be is introduced as the "janitor" at the orphanage).
The dietitian is in her room when the janitor comes in, saying Chapter 7
more hateful things about women. He asks if she has told the
matron that Joe is black. He says if she has, Joe will be sent to
the orphanage "for niggers." In the morning the janitor and Joe
Summary
are both gone. They are found, however, and the boy is
returned to the orphanage. Not long after he is adopted by Mr.
The story resumes when Joe Christmas is 8. He is whipped 10
McEachern, who explains that he will "find food and shelter
times with the strap by his adoptive father, Simon McEachern,
and the care of Christian people," but that "sloth and idle
for not learning his catechism—then 10 times again, and 10
thinking" are abominable. He tells the boy that his name is now
times yet again. Joe passes out, and when he wakes Mr.
Joe McEachern not Joe Christmas.
McEachern asks him to come pray. Neither of them has eaten
yet that day. Later Mrs. McEachern brings Joe food, which he
initially rejects until she says that Mr. McEachern hadn't sent it.
Analysis He stands, walks to the corner, and dumps it. An hour after she
leaves he goes and eats "like a savage, like a dog."
Faulkner's nonlinear storytelling is readily apparent here. Joe
Christmas, who is in his mid-30s in the current time of the Joe is 14 in the next section. A young black girl meets Joe and
novel, is a child in this current chapter. The reader has ample 4 other boys at a shed. The others take turns in the shed with
reasons to know that the adult Joe is a murderer and has been her. At Joe's turn, he begins kicking her and hitting her
committing what would have been considered an immoral act viciously. The other 4 boys stop him. Afterward, when they
at the time. There were also laws preventing marriage between part, one of them says, "See you tomorrow at church, Joe." Joe
races. In the 1920s in Mississippi it was a felony—with returns home late to find Mr. McEachern waiting with the strap
imprisonment for life—for an African American to marry a white because Joe has failed to do his evening chores.
person. (This 1865 law was expanded in 1906 to include
Asians.) These "anti-miscegenation" laws were not challenged A few years later when Joe is 18, and almost the size of
until 1967. At that time, the U.S. Supreme Court decided in McEachern, Joe sells a heifer he has been raising and lies
Loving v. Virginia that laws prohibiting marriage between races about it to Mr. McEachern. Mr. McEachern punches Joe. After
in various states were unconstitutional. Moreover, while accepting the first 2 blows, Joe stops him. Later, inside the
modern readers might realize that there is no reason that house, Joe hears the way Mrs. McEachern attempts to cover
people of different races should not marry or have children for Joe. The section ends with Joe hearing, "KNEEL DOWN,
together, that was not the case in the 1920s. In 1890 it was WOMAN. Ask grace and pardon of God; not of me."
In the final section of the chapter Joe recalls his relationship her death. This division in the representation of women
with Mrs. McEachern, who cares for him and shares her secret continues in the next chapter as the narration continues to
about her small tin of hidden money. He remembers her explore Joe Christmas's history.
bathing him and bringing food to him. However, he believes
that "she was trying to make [him] cry," and that if she had,
"they would have had" him—presumably referring to the ability Chapter 8
to manipulate him.
Summary
Analysis
Joe Christmas slips out his window and retrieves his hidden,
Faulkner's depiction of women is often deemed problematic by
new suit in the stable. He realizes Mr. McEachern knows about
modern critics. Women are often represented as mother
it. Still he dresses in the dark, leaves, and walks up the lane
figures, caretaking and sexless, or sexualized and dangerous.
where he will meet a car. He hears it approach. It is driven by
In Light in August that is abundantly clear. At this point the
Bobbie Allen, a waitress whom he met 6 months before when
reader has seen numerous damaging representations of
he was in the restaurant with Mr. McEachern. For 6 months he
women in the child Joe's life: Miss Atkins, the dietitian, at the
had not gone to the diner again, and when Joe sees her again,
orphanage (sexual and deceitful), the young black woman
it's spring. He's 18. He has a dime from Mr. McEachern, and he
(raped and subjected to a violent rage by the teenaged Joe
goes to the diner where he orders pie and coffee. He cannot
Christmas), and the mother figure who tries to nurture Joe but
afford both, so he sends the coffee back. When the blonde
is unable to truly help him. Further, Joe sees Mrs. McEachern's
woman at the counter—the proprietor's wife, Mame
offers of kindness as a ploy.
Confrey—questions Bobbie about the coffee, Bobbie lies,
The narrator notes the violence in Joe's behavior when he saying it was her fault: she misunderstood the order. Afterward
enters the shed where the young woman has just had sex with he sees Mr. McEachern who has purchased a heifer for him.
his friends. The violence is not atypical. The reader will recall Joe thinks that the cow is not a gift but a threat. A month later
that when Joe thought of being with Joanna in Chapter 5, he Joe returns to the diner to give Bobbie the nickel he owed her
considered that sometimes he would "take her as hard and as for the coffee. Bobbie isn't there and the proprietor refuses the
brutally before she was good awake." His violence against nickel. Outside Joe sees Bobbie, and they talk.
women did not begin with Joanna. It does culminate with her
Faulkner now jumps to another scene 4 years before in which
murder, however, as these aspects of his history portend.
Joe and his friends talk about girls. The boy who had arranged
This troubling representation of women is not simply an aspect the meeting with the girl in the shed observes that "they all
of Joe Christmas's character; it is an aspect of Faulkner's body want to ... but sometimes they can't," a reference to their
of work. Specifically in Light in August the reader can see it in menstrual cycles. The boy explains in detail, though not
the depictions of the two women who have been pregnant accurately. So Joe learned about menstrual cycles and it
outside of marriage. This pattern will be continued in the story upsets him, and he has trouble accepting it, and then he
By stepping back into the novel's present timeline, the reader Joe is now meeting Bobbie for a date. Bobbie tries to explain
sees two opposing representations of women: the pregnant that she is ill; she's forgotten "the day of the month." After she
Lena Grove and the sexualized Joanna Burden. Lena is kind explains her meaning to him Joe runs away and vomits. They
and asks only for the smallest of things; she is a mother willing meet again the next Monday and go into the woods to have
to walk for days and weeks to unite her family. She is not sex. Thereafter Joe begins to steal from Mrs. McEachern's
sexual, aside from a pregnancy that happened when she hidden money.
away" to Joe. She points out that she's with Joe on her own
time, not theirs. Joe and Bobbie are lovers for a month before
Summary
he sees her naked, and while they are there naked, he tells her,
Simon McEachern lies awake in bed, thinking about Joe's suit.
"I think I got some nigger blood in me." She doesn't believe him.
He sees Joe get in a car, so he saddles a horse and follows
Joe sees her at the house where she lives with Max and Mame
him to a schoolhouse where there's a dance. He sees Joe
Confrey. Several weeks later Joe goes to the house where
Christmas and Bobbie Allen and approaches, telling her, "Away,
Bobbie lives and sees a man in her room. He doesn't see her
Jezebel! ... Away, harlot!" McEachern starts striking at Joe, who
for 2 weeks, and when he does, he strikes her, but she
hits him with a chair. Bobbie is furious, screaming, flailing as
comforts him and explains that she's a prostitute. When she
people at the dance try to hold her. He goes after them with
says she thought he knew, he responds, "I reckon I didn't." Now
the chair, and they release Bobbie and back away. "I said I
that he's realized Bobbie is a prostitute, he begins to spend
would kill him some day!" Joe cries. Bobbie has fled the room
more time with her, drinking and smoking. However, he is sure
and gotten into her car. Joe follows and tells her to leave, that
to be home before daylight so he can "get into the house
he will see her back in town, but she is furious at him as well
before he was caught."
and strikes at him, pounding him in the face.
Chapter 9 Here in Chapter 9, Joe has found someone, Bobbie, who gives
him affection rather than violence. She is older and a
prostitute, but he wanted family and peace, an ordinary life. It is
then no wonder that Joe reacts as he does when McEachern
interrupts the dance, calling Bobbie names and then striking He also has a relationship with a very dark-skinned black
out at Joe. His rebuff by Bobbie adds insult to injury, and the woman who cannot help him to identify as an African
beating that follows further demoralizes him. American.
Chapter 10 Chapter 11
Summary Summary
The chapter picks up where the last one ended. Joe Christmas This chapter continues chronologically from the last one. Joe
remembers a blond woman putting a banknote in his pocket Christmas lives in the cabin adjacent to the big house. He
before she left. Eventually Joe gets up and goes "toward the recalls that although Miss Joanna Burden appeared to be no
door, his hands out before him like a blind man or a more than 30, later she told him she was 40. The narration
sleepwalker." The narrator notes that after "that night the notes that "even after a year" when Joe saw her, "it would be
thousand streets ran as one street, with imperceptible corners on Saturday afternoon or Sunday or when he would come to
and changes of scene." Joe's life from then until years later is the house for the food." They did not talk much and when they
summarized as a series of rides—on trains, trucks, and did, they were like strangers despite their physical intimacy. He
wagons—as he grows from 20 to 25 and 30. He travels to learns about the work she does via her correspondence of
"Oklahoma and Missouri and as far south as Mexico" and then "advice, business, financial and religious, to the presidents and
returns north to Chicago and Detroit. The narrator tells of Joe faculties and trustees, and ... alumnae, of a dozen negro
both being with a white woman unmoved by his confession that schools." The narration recounts the first time he went to
he thinks he is black and living with a black woman "who Burden's bedroom and had relations with her. He thought that
resembled an ebony carving" and trying to "breathe into afterward he would be sent away, but he is not. Come spring
himself" the essence of being black. he "went to work." The following September, he returns to the
cabin one day to find her there, waiting to talk.
Finally Joe arrives one afternoon in a small town in Mississippi.
There he learns of the woman in the big house, Miss Joanna The narration shifts to the Burden family history, related by
Burden, who is looked after by "colored folks around here." He Joanna to Joe. Calvin Burden was the youngest son of a
settles in town and goes into Burden's house one night. Upon minister, Nathaniel Burden. Calvin's son, also called Nathaniel,
seeing him, she is unafraid. She says, "If it is just food you want, ran away. When he returned, he brought with him a young
you will find that." Spanish wife and infant son. The infant son was Joanna's
brother, although not by the same mother. The boy grew up
and was killed 14 years before Joanna was born. There was a
Analysis quarrel, it seems. "He was killed ... by an ex-slaveholder and
Confederate soldier named Sartoris, over a question of negro
The novel skips over many years of Joe's life. Instead, its focus voting." Joanna recounts her father taking her to the family
is his foundational experiences with women. These include the graveyard when she was a child and speaking of "the white
deceitful woman at the orphanage, his weak mother, the young race's doom and curse," which was black men and women.
woman in the shed whom he beats, his reaction when he learns
about menstruation, and his rejection by a prostitute. All of They discuss why her father didn't murder the man who
these experiences lead the story back to Jefferson, murdered her brother, and Joe says he would have done so. In
Mississippi, where Joe Christmas encounters Joanna Burden, the dark, Miss Burden then asks Joe, "You don't have any idea
the woman he will murder 3 years later. who your parents were?" He replies that he doesn't, but that he
knows "one of them was part nigger." She pressed, asking,
The narrator does make a point of detailing Joe's sexual "How do you know that?" He has no answer save, "If I'm not,
encounters with both white and black women. He continues to damned if I haven't wasted a lot of time."
see prostitutes and to occasionally be beaten by other patrons.
sees her "once more within the next two months." Around this
Analysis time Joe invites Joe Brown (Lucas Burch) to live in the cabin
with him.
For all the novel's focus on Joe Christmas's race, he is
unprepared in this chapter for Joanna Burden's unanswerable Christmas returns to the cabin one night to find a letter from
question. At the same time she is asking this question, she is Joanna Burden on his bed and is relieved. He thinks, "It will be
sharing her own family history. She knows hers: they are like it was before." After a few words with Brown, Christmas
"Yankees." In Chapter 2, Byron Bunch says of Joanna, "she is a goes to the house to see Joanna. Joe Brown follows, and they
Yankee ... They say she is still mixed up with niggers. Visits have an altercation. Brown disappears into the dark. Upon
them when they are sick, like they was white." seeing Joanna, Joe Christmas discovers that his relief was
premature. She has plans for him to go to school, which he will
Joanna is well aware that she is not accepted in Jefferson or
not have to pay for because he is black. She wants him to
the South. She tells Joe, "They hated us here. We were
study in Memphis with her lawyer and then "take charge of all
Yankees. Foreigners. Worse than foreigners: enemies." As she
the legal business." Joe asks, "Tell niggers that I am a nigger
speaks to him, she tells him the people there thought that her
too?" They argue, and Christmas hits her. The section ends
family was "stirring up the negroes to murder and rape" and
with Joanna saying, "Maybe it would be better if we both were
"threatening white supremacy."
dead."
Joanna reveals to Joe—and the reader—that she was raised to
In the following scene, Joe Christmas and Joanna Burden are
believe that the "white race" was "doomed and cursed." That
at a hostile point in their relationship. She no longer leaves
curse was a "black shadow already falling upon them before
meals for Joe, and she pressures him to kneel and pray. He sits
they drew breath." Significantly, however, she freely tells her
outside all night watching the house and "saying to himself I
history to Joe herself. In contrast, Hightower's, Joe's, and
had to do it already in the past tense; I had to do it." Again she
Lena's histories have all been revealed by the narrator or by
asks him to kneel. This time he sees "her right hand come forth
others. What Joanna reveals is a motivation for her actions that
from beneath the shawl." She's holding a gun. The section ends
is self-serving and—like Joe's—influenced by her own
abruptly as he is "watching when the cocked shadow of the
upbringing. Joanna's father told her that she "must raise the
hammer flicked away."
shadow [negroes] with you. But you can never lift it to your
level." Joe Christmas is not accepted here any more than he In the final pages of the chapter Joe leaves, stops a car, and
was during his childhood. He is part of the burden that, in an gets in. The couple inside are nervous, and the car is driven
example of verbal irony, Joanna Burden must carry. quickly. Eventually he gets out and realizes he is holding the
"ancient heavy pistol" in his right hand, and this is why the
couple was afraid of him. After noticing that there were 2
Chapter 12 loaded chambers "for her and for me," he throws the pistol
away.
Summary
Analysis
The story continues on a linear path as it recounts Joe
Christmas's history with Joanna Burden. The narrator In reading this chapter, which continues the description of the
describes a "second phase" of their relationship. Joe events leading up to the murder of Joanna Burden, readers
Christmas "watch[es] her pass through every avatar of a must keep in mind the racial environment of the 1920s and
woman in love." She has fits of jealousy and sets up a secret 1930s. The Jim Crow laws enacted between 1877 and the
place to hide letters and notes. The third phase of their 1950s enforced racial segregation in the South. One of the
relationship centers around her announcement, "just after most well-known of these was the Plessy v. Ferguson decision
Christmas," that she is pregnant. Joe expects her to pressure by the Supreme Court in 1896. That decision supported
him to marry her, but that does not happen. Instead she segregation by allowing states and local governments to
explains her plan to hand over her business affairs to him. He provide "separate but equal" facilities for black and white
people. The purpose of these laws, of course, was to protect and begin a hunt for Joe Christmas.
white supremacy. The Plessy v. Ferguson decision was not
reversed until 1954. Other laws prohibited white and black The narration now shifts to Byron Bunch and Reverend Gail
people from marrying. These laws were not reversed until a Hightower. The two men discuss Byron's plan to relocate Lena
decade later, in 1967. Thus Joanna's relationship with Joe puts Grove, who is nearing her due date. Hightower notes Byron's
both characters at risk. Joanna is a Yankee and a willing interest in Lena. Byron regrets that he accidentally revealed
advocate for raising up "the shadows," but she has also been Joe Brown's identify to Lena. Lena decides she wants to go
instructed by her father, as related in Chapter 11, that "you can out to the cabin at the Burden place where Brown and
never lift it to your level." Christmas had been staying. Lena considers it Brown's home,
so it's hers as well. After settling Lena in the cabin, Byron
The violence that ends Joe and Joanna's relationship is an returns to Hightower's house. Hightower asks about hiring a
outgrowth of cultural norms. The murder continues a pattern of doctor, and Byron says he hasn't yet. After Byron leaves,
violence detailed over numerous chapters describing Joe's Hightower thinks "I should not have got out of the habit of
past. Joanna's suggestion that Joe attend what is, in essence, prayer." He goes to the wall of books in his study and selects a
a "separate but equal" college and work for her implicitly states volume of Tennyson.
that he is less than her—not a man to marry, but an employee.
It is a rejection of any possibility that they can take their
relationship to a new level. Analysis
So there are several paradoxes at play in the relationship The response of the local people to Joanna Burden's violent
between Joe and Joanna. They explain Joanna's words, death confirms that it was the only possible outcome of her
"Maybe it would be better if we both were dead," and her relationship with Joe Christmas. Joanna's suggestion that she
attempt to kill both Joe and herself. could hand her business to Joe was tragically flawed. Joe's
expectation that she might insist on marriage was equally
flawed. She was an outsider in Jefferson, despite a lifetime
Chapter 13 there. Her roots as a Yankee were too significant to the
community—as were her dealings with African Americans.
there and is soon to have a baby. Byron Bunch, he says, is their story is the arrest of Joe Christmas, who happens to be
camped there and looking after her. One of the men who had their grandson. Mrs. Hines goes to the jail, hoping to see Joe.
been living there is the father. "It's Christmas, is it?" the sheriff She is denied, so the couple travels by train to Jefferson.
asks. The deputy answers that it's not, it's Joe Brown, whose Amidst this is the revelation that Doc Hines is religiously
real name is Lucas Burch. They decide not to tell Brown that extreme. The chapter closes with him shouting, "Bitchery and
Lena is there. abomination! Abomination and bitchery!"
Christmas is their daughter Milly's child. Mrs. Hines says she's What Doc Hines is pursuing for Milly is illegal and dangerous.
there to stop Doc Hines from inciting a lynch mob to kill Joe. He is so opposed to miscegenation that he would risk her life
Doc Hines yells, "It's God's abomination of womanflesh!" Mrs. to end the pregnancy. To make this abundantly clear to the
Hines and Byron explain that Milly slipped out of the house and reader, the novel ties together the pursuit of a doctor for
had sex with a man from the circus. The man said he was "a abortion with Doc Hines going to a revival and expressing
Mexican," but Doc Hines was sure the man had black ancestry. white supremacist sentiments.
Eventually Milly Hines ran away with her lover, but Doc Hines
went after them, killed the man, and brought Milly home. He
tried to find a doctor to perform an abortion, but then he went Chapter 17
into a wild rage and attacked the doctor. He went to another
town, and there he went to a prayer meeting and preached
about white supremacy and brandished a gun—which resulted
Summary
in his being jailed.
Summary
Chapter 19
Byron goes to the boardinghouse to settle accounts. He had
no money due, and his things are gathered for him. He then
tells the sheriff that Joe Brown needs to see Lena Grove and
find out about the baby. Byron pretends to be willing to let go
Summary
of Lena and leave town.
The chapter begins with a summary of Joe Christmas's escape
The deputy takes Brown to the cabin where Lena is and sends and how he had "taken refuge" in Hightower's house. Some
him inside—telling him nothing about who waits there. He sees people wondered why he had gone there; others gave an easy
Lena and promptly commences lying, claiming he sent for her answer. "Like to like," they said, referring to what people
and that he'd meant to have the cabin ready for her. Lena regarded as the disgrace and criminality shared by Hightower
mentions, "There is a preacher here. That has already come to and Christmas. A new character, Gavin Stevens, is introduced.
see me." She presses him for plans for the future, and he Stevens, the District Attorney, is from an old Jefferson family
continues to lie. Then he tiptoes to the window and climbs out. and his grandfather was a slave owner. A friend of Stevens
He finds a young black boy to carry a note to the sheriff asking sees the D.A. as he puts Mr. and Mrs. Hines on the train,
for his reward for helping to find Joe Christmas. assuring them, "I'll see that the boy is on the train in the
morning." Stevens's friend, a professor, listens as Stevens
Byron catches up to Brown near the railroad tracks where explains why Christmas went to Hightower's house: he says, "I
Brown intended to wait for his reward to be brought to him. think it was his grandmother." He goes into long detail in which
They fight, at Byron's insistence. Byron expects to lose, and he he says she confused the child born that day and her grandson
does. Brown then hops a train. The chapter closes with Byron in her mind. Ultimately Stevens says that he thinks Mrs. Hines
learning about some "excitement" in Jefferson: "That nigger, "told him about Hightower, that Hightower would save him."
Christmas. They killed him." Stevens goes into a rambling account of what he thinks Joe
did because of his "black blood" and his "white blood." His
"black blood" is blamed for every wrong act, and the "white
Analysis blood" for courageous or good acts.
Much as with the initial revelation of Joanna's death, the first The perspective shifts to Percy Grimm, a 25-year-old captain
revelation of Joe Christmas's death is a simple statement. The in the State national guard. Clearly racist, Grimm believes "the
details are absent. Like the fire, it is merely noted in passing. white race is superior to any and all other races" and "the
American is superior to all other white races." Grimm goes to
Both "pursuits"—Lena Grove's pursuit of Joe Brown and the the American Legion and assembles a group of about 15 or 20
sheriff's pursuit of the fugitive Joe Christmas—have been men to patrol downtown. The sheriff disapproves, but later
resolved. Lena has found Brown, and the sheriff has makes Grimm a "special deputy." When Joe Christmas
apprehended Joe Christmas. Christmas is now dead. Lena's escapes, Grimm pursues him. Eventually Grimm sees
pursuit of Joe Brown, however, is not over. Joe Brown stands Christmas enter Hightower's house. Hightower tries to calm
before her and lies. Lena asks about his promise he made to Grimm, but to no avail. Grimm shoots Joe Christmas repeatedly
be with her, "When will it be, Lucas?" She stresses that she and then castrates him with a butcher knife before he is dead.
was patient before, but she has "a right to worry now" that she He says, "Now you'll let white women alone, even in hell."
has a child. Feeling trapped, Brown leaves the cabin, slipping
out through the window just as Lena did to see him and to
leave her brother's house. Significantly, when Brown leaves, he
moves "almost like a long snake." In a text with so much overt
Analysis Summary
Gavin Stevens, the District Attorney, and his companion, the This chapter is primarily about Reverend Gail Hightower and
professor, represent law and education. Unfortunately they are his memories. He imagines he lives among phantoms, as he
no more reasonable or ethical than Percy Grimm, the other thinks of the people who hold power in his memories. He thinks
character who is introduced here. All 3 men look down on of his grandfather, who was a slave owner, and his father, who
Christmas's race, blaming his blackness for his violence and was an abolitionist "almost before the sentiment had become a
flaws. Stevens, for example, describes how it was Joe's black word." His father didn't fight in the Civil War and instead
blood that caused him to seek out Hightower. And somewhat became a doctor. Hightower thinks of the "negro woman, the
later, he comments that "the black blood failed him again ... He slave" who stayed at the house after his grandfather's death,
did not kill the minister." Finally, in Christmas's last stand, he refusing to believe the man was dead. He recalls his romance
tells how Christmas "defied the black blood for the last time" with and marriage to his wife, a minister's daughter, and his
when he allowed Grimm to shoot him although he held a failures as a husband. Then he recalls the people of Jefferson
loaded pistol in his hand. Stevens's mind appears to work in a with an elongated image of a wheel—a "sandclutched wheel of
manner not unlike Percy Grimm's. thinking [that] turns on with the slow implacability of a medieval
torture" device. Beneath this wheel is the "wrenched and
Grimm, the novel's most extreme racist, represents both broken sockets of his spirit, his life." He thinks of Joe
Southern racism and the nationalist ideals that were flourishing Christmas, Byron Bunch, and Lena Grove. The chapter closes
at the time of the novel's writing. The reader will recall that as he hears "the wild bugles and the clashing sabres and the
Light in August is set in the 1920s, but it was published in 1932. dying thunder of hooves."
In the 1930s, the publisher William Randolph Hearst was
opposing President Franklin Roosevelt with the stance of
"America First," arguing in favor of the nationalism popular in Analysis
Germany and Italy. The phrase had originated with President
Woodrow Wilson, who had argued for "America First" when Reverend Gail Hightower's reflections serve as a reminder to
asking for Congress to declare war on Germany in World War I. the reader that history matters, including family history.
Both the racism and anti-miscegenation stance that pervades Hightower's history is complicated. His family owned slaves but
the book and the nationalism that Grimm espouses were also had abolitionist tendencies. He is a true Southerner,
issues with which Faulkner's readers were quite familiar. wrestling with questions of race, slavery, and war. He weighs
all this history in Chapter 20. He has been a peripheral figure in
The two most shocking acts of violence in the novel are tied to
many lives, both in his years as a minister and in the lives of
miscegenation: Joanna Burden's near-beheading by Joe
Byron Bunch, Lena Grove, Joe Christmas, Mrs. Hines, and Joe
Christmas and the castration of Christmas. The virulent racism
Brown.
that Percy Grimm embodies leads to the most brutal violence
in this already dark novel: he castrates Joe while the man is still Hightower was present at the brutal death of Joe Christmas at
alive so he cannot have intimate relations with any "white the hands of a racist. He cautioned mercy—and yet he was
women." This punishment is exacted even though Joanna aware that Joe Christmas was a murderer. The chapter closes
Burden was a "Yankee" ostracized in her adopted town. with his familial memory of "wild bugles and ... clashing sabres."
Whiteness alone placed her higher on Grimm's hierarchy of The image calls to mind the Civil War, which tore apart families
worthiness than Joe Christmas. and was still fresh on the minds of Southerners decades after
its end. The many "phantoms" that fill his mental pondering
recall the scope of the novel. Light in August has repeatedly
Chapter 20 looked to the past to explain present events. On a smaller,
more personal scale, this is precisely what Hightower himself is
doing—examining his own life through the lens of history.
Chapter 21 g Quotes
— Armstid, Chapter 1
Analysis
Armstid is thinking about women after he has offered Lena
The novel's main characters have functioned outside Grove a place to sleep at his home and she has replied that
mainstream society, and Faulkner has brought their stories to a she "wouldn't be beholden." The right to vote had only just
close. Joe Christmas, Joanna Burden, Reverend Hightower's been granted to women in the United States in 1920 with the
wife, and Milly Hines are all dead. Each of these characters had passing of the 19th Amendment. The world is changing, he is
sexual relationships outside of marriage. saying, and he doesn't appear certain it is for the better. The
fact that the women in his life also dip snuff and smoke
Lena Grove, however, is the exception. She is alive, with a child,
indicates that the women he knows are very poor and working
and she is unmarried. The novel leaves her largely where she
class.
began—seeking her child's father. She is not promiscuous; she
rebuffs Byron's advances. Motherhood has made her less
sexual. Ending the novel on a hopeful note, she has attained
the facsimile of a traditional family, with a man who stands by "Did you ever hear of a white man
her and her child.
named Christmas?"
— Mooney, Chapter 2
Christmas's identity, particularly his race, which this quote hints For all of Joe's acts of rage and crime, what he sought
at. The world in which he lived insists that his identity and his (according to him) was a home, acceptance, and love. These
race are equivalent, and that his race determines his destiny. things were denied to him from his earliest memories. From
However, Christmas "passes" in an effort to transcend his this point, the novel begins to explore Joe's history from age 5
destiny. to the present. It starts this journey by planting in the readers'
minds this clear expression of what he sought in this world.
Readers will witness the path he took that leads to violent
"It's the dead ones that lay quiet in murder.
— Narrator, Chapter 6
Faulkner's focus on the past, a hallmark of Southern Literature,
is both personal for his characters and cultural for the
This enigmatic line, often quoted, is reflective of the novel as a
community. Here, it is personal. Byron is speaking with
whole. The history of the major characters is revealed to lesser
Reverend Gail Hightower—who lost his position in town when
degrees in some cases (Lena Grove) or exhaustively in others
he lost his wife. "It's the dead folks that do him the damage,"
(Joe Christmas). This line transitions the reader from the
Byron is thinking.
present day of the novel when Joe Christmas is an adult
murderer to his experiences as a 5-year-old unwanted child in
an orphanage.
"Her head had been cut pretty
near off."
"Each one was cracked and from
— Byron Bunch, Chapter 4 each crack there issued
something liquid, deathcolored,
Joanna Burden was not only murdered, she was savagely
killed. The attack against her nearly decapitated her. There is a and foul."
violence here that raises questions about what could lead a
man to such acts. Light in August does not provide the easy — Narrator, Chapter 8
answer many people of the era might have given by suggesting
that the black race is naturally more violent than the white
At this point in Joe Christmas's young life, he is about to
race. Rather, after this revelation, the text explores Joe
embark on sexual relations with his girlfriend—a prostitute
Christmas's past, allowing the reader to wonder what
named Bobbie Allen. She has just told him about menstruation,
experiences in his past led to this moment.
something that shocks him, although he has heard something
of it before. He runs away, and his imagination raises up this
image of "suavely shaped urns," and vomits. His experience
"'That's all I wanted,' he thought. and reflection on it are part of the novel's exploration of the
'That don't seem like a whole lot to female as both giver of life and harbinger of death.
ask.'"
"I know now that what makes a
— Joe Christmas, Chapter 5
Joe Christmas is on the run and has just accidentally slept for "Now you'll let white women alone,
hours and has lost all sense of time. He has had to ask
someone what day it is. His sense of time has been erased by
even in hell."
shock, flight, hunger, and sleeplessness. This sort of poetic
phrasing is a mark of much of Faulkner's prose. It conveys — Percy Grimm, Chapter 19
information, but it often does so in a beautiful way even when
Percy is the extreme manifestation of the anti-miscegenation Joe's experience of the street is that of a long journey that "ran
sentiment that pervaded the United States, especially the into Oklahoma and Missouri and as far south again as Mexico
South, for more than a century. He says this as he enacts and then back north to Chicago and Detroit and then back
brutal violence on Joe Christmas, castrating him as he dies. south again and at last to Mississippi." No matter where he
runs, it's the "same" street.
l Symbols Fire, like the symbol of the slain sheep in Light in August, is
drawn from Christian imagery. Joanna Burden is a Yankee. Her
family had moved to the South looking for post-war
Streets advantages. Miss Burden lives in solitude, an unmarried woman
who spent 3 years having sexual relations with Joe Christmas.
Her death is followed by a fiery conflagration that is the earthly
equivalent of hellfire and damnation for her "immoral" ways.
The first character to be introduced in the novel is Lena Grove,
The local people come and watch the Burden house burn;
a placid, young, pregnant woman sitting beside a road, or
"Within five minutes after the countryman found the fire, the
street, in the midst of her journey. The narrator notes that "she
people began to gather."
is looking ahead, to where the road curves on and away,
crossslanted with shadows." Her road is the journey of life, and
she continues on it with surety and calm. Lena is unflappable.
She believes she is walking toward something and is certain
she will find it in time.
m Themes
In contrast Joe Christmas has been running from something.
The narrator writes that Joe has been following "one street"
for 15 years, noting that "the thousand streets ran as one
Memory and the Past
street, with imperceptible corners and changes of scene."
While Lena has the refrain of a "fur piece" (a long distance),
Perhaps the most well-known line in the novel is "Memory
believes before knowing remembers. Believes longer than to find a relationship with a black woman "who resembled an
recollects, longer than knowing even wonders." This line leads ebony carving" and trying to "breathe into himself" the essence
into the chapters recounting the boyhood and teen years that of being black. He tried telling white lovers that he was of
formed Joe Christmas into the man who killed Joanna Burden. mixed ancestry, to various results. Midway into the novel Joe
takes a walk through a white neighborhood and observes a
It is not only Joe Christmas whose memories shape his actions quiet, happy family. "That's all I wanted," he thought. "That don't
in the novel. Both Joanna Burden and Reverend Gail Hightower seem like a whole lot to ask." Throughout his life, all Joe
reveal their histories in the course of the novel. In Hightower's wanted was to belong, but it was forever denied to him.
final chapter in the book—Chapter 20—he expresses his belief
that he is surrounded by "phantoms"—his memories of the Joanna Burden is also shaped by her isolation. When Byron
people in his past. Likewise Joanna Burden is haunted by the Bunch first describes her after her house has been lit on fire,
story of her brother's murder. Joanna says, "He had just turned he tells Lena Grove that "folks in this town will call it a
twenty when he was killed in the town two miles away by an judgment on her" because she is a "Yankee." When Joanna
ex-slaveholder and a Confederate soldier." She didn't know her recounts being a young child and her father taking her to the
brother, so her "memory" is less memory than "past." This is family graveyard, she tells Joe Christmas that her father "hid
true of Hightower's phantoms, as well. He imagines hearing the graves." She explains that he had to do so because
"the wild bugles and the clashing sabres and the dying thunder "someone might see it and happen to remember" the past. As
of hooves." This, too, is family history, not personal memory. they speak further Joanna notes "we were foreigners,
strangers, that thought differently from the people whose
In Joe Christmas's case, the memories that haunt him are his country we had come into without being asked or wanted."
own. However, his family past is as much a factor as his Decades later, she is still treated as an outsider. Her first
memories. His mother was an unwed mother, pregnant by a intimate relationship is with Joe Christmas—and it ends in her
man she claimed was "a Mexican" and whom her father, Doc death and in his arrest and eventual death as well.
Hines, claimed was black. Hines murdered Joe's biological
father, stole the infant Joe, and left him at an orphanage. The
past—both his memories and his familial history—shaped Joe
Christmas's life, just as they did with Hightower and Burden. Race and Identity
The past shaped the experiences that led to tragedy and death
in all of these characters' lives, as they do for all those who live
in Faulkner's South.
Another powerful theme in Light in August is race and identity.
The novel never definitively answers the question of Joe
Christmas's race. Joe claims early on that he is black. His only
Alienation and Isolation proof of this is his personal belief. Eventually when Joanna
Burden questions Joe about his claims, he only says that he
knows that one of his parents was of African descent. She
asks, "How do you know that?" Joe cannot answer. All he can
The theme of alienation is central to Light in August. It is most say is "If I'm not, damned if I haven't wasted a lot of time."
obvious in the character of Joe Christmas. Joe wasn't sure at
any point in his life exactly who, or what, he was. His goal of Earlier encounters Joe had include a woman saying "I thought
finding a place where he belonged arguably drove him to the maybe you were just another wop." (Wop is a racist term for
situation that led him to commit murder and to his violent Italian.) The conversation about Joe when he's working at the
death. As Faulkner's narrative choices demonstrate, examining mill was "Did you ever hear of a white man named Christmas?"
Joe's past helps the reader understand the journey that led to When Joe Brown speaks to the sheriff about the murder and
such an end. Due to a childhood in which he was orphaned, fire at the Burden house, he also references Joe's race,
adopted by a cruel man, and raised with violence to a manhood "Accuse the white man and let the nigger go free." Likewise the
that included a first girlfriend who was a prostitute who woman on the road who saw Joe Christmas "told them about
rejected him, Joe yearned for acceptance. He sought it, trying the white man on the road." Similarly when Joe walks into the
revival (again while on the run), the narrator notes that the
black men and women there "saw that his face was not black" e Suggested Reading
and elsewhere notes that "they saw that the man was white."
Blotner, Joseph. Faulkner: A Biography. Random, 1984.
Joe's identity and his long search to find where he belongs
drives his life, his choices, and thus the novel. It is a theme Juhasz, Leslie. William Faulkner's Light in August: A Critical
made all the more important because Light in August is set in Commentary. Monarch, 1965.
the South in the early 20th century when questions of race and
identity were being addressed, often with violence and hatred. Kazin, Alfred. "The Stillness of Light in August." Twelve Original
Essays on Great American Novels, edited by Charles Shapiro,
UMI, 2000, pp. 257–83.
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