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258 – Na Rocha Eterna Firmado

Letra e Música: Wm. J. Kirkpatrick


Arranjo: Júlio Duó

Score
258 - Na Rocha Eterna Firmado
Wm. J. Kirkpatrick
Ja. S.


q=90 K Arranjo: Júlio Duó - Set/2007
q = iiq
      
Flute I    
p

      
Flute II    
p

Oboe           

  
p

I Clarinet in Bb    
p



II Clarinet in Bb     


p
 
I Alto
Saxophone    
p



II Alto
Saxophone     
p

  
   
Solo
     

3

    
3
I Tenor
Saxophone
mf 3 3

 

  
II Tenor
Saxophone

    
p

Horn in F      
p



I Trumpet in Bb     
p

II Trumpet in Bb      
p

   
 
III Trumpet in Bb


p

   
I Trombone


p

   
II Trombone
p

III Trombone
    
p



 


 
IV Tromb./Tuba

p
Am
C Dm11 G6
      
Electric Bass      
p



Timpani    

                       
            
Drum Kit
   



 
Am

C
       
Dm11 3 G6
  
3

     
3

mf
 
3

 
Piano
   
       


K


q=90 q = iiq

  
Violin I 
p

   
Violin II 
p

Viola     


p

   
Violoncello
p

  
Contrabass
  
p 1 2 3 4
2

Na Roha Eterna Firmado

      
5

I Fl.  

      
II Fl. 

      
Ob. 


  
I Cl.           
mf 3



 
II Cl.        


mf
      
I A. Sax.  


 
    
(Sax Tenor Solo)
II A. Sax.

   
  
  
Solo
I T. Sax.
p

  

II T. Sax.    

    
  
    
Hn.


I Tpt.         


II Tpt.         


III Tpt.      

 
 
Solo
        
I Tbn.
mf

 
 
Solo
        
II Tbn.
mf


III Tbn.
      


   
    
 

IV Tbn./Tba.

Em A7(b9) Dm4/7 GË(9)


   
E. Bass
   

Timp.
    

                       
Dr.             



Em A7(b9) Dm4/7 GË(9)

    
       

 
Pno.
     

        


Vln. I       

Vln. II       

   
Vla.         
mf
 
          
Vc.


mf



  
Cb.

mf 5 6 7 8
3

Na Roha Eterna Firmado


 
9

I Fl.     

II Fl.      

Ob.      

  
    
I Cl.

  
    
II Cl.

  
    
I A. Sax.

        
II A. Sax.         

   
  
       
I T. Sax.  

 
II T. Sax.
     

      
Hn. 

  
    
I Tpt.

  
    
II Tpt.

  
    
III Tpt.

I Tbn.
     

II Tbn.
     

III Tbn.
     

 

IV Tbn./Tba.    

  
C2 C2/E F/A C2/E F6/G
  
E. Bass
  
 
Timp.
    

    

     

     

     

  
Dr.      


    
C2 C2/E F/A C2/E F6/G

      
   
  

Pno.
        
        
 
Vln. I     

Vln. II      

Vla.      

Vc.
     

 
Cb.
    
9 10 11 12
4

Na Roha Eterna Firmado


  
13

I Fl.       

II Fl.         

Ob.        

     
I Cl.     


II Cl.        

     
I A. Sax.    

          
    

(play)
II A. Sax. 

           
I T. Sax.  

  

II T. Sax.      

         
Hn. 

   
I Tpt.      


II Tpt.         


III Tpt.    
    
    
I Tbn.
   

    
II Tbn.
   

        
III Tbn.


      
IV Tbn./Tba.
 

C2/E C F/C C Dm7 G7 C/A G7


     
  

E. Bass


Timp.
      
                       
Dr.           


 
C2/E C F/C C Dm7 G7 C/A G7

 
 
 
    
 
  
 
Pno.
      
           

      
Vln. I 

Vln. II       


Vla.    

   
Vc.
  


Cb.
      
13 14 15 16
5

Na Roha Eterna Firmado


      
     
17

     
I Fl.


3

      
       
II Fl.   
3


         
Ob.     
 
3

         
I Cl. 


3

         
II Cl. 
 
3

          
I A. Sax.        


3


             
 
II A. Sax.
  

  

3

      
    
I T. Sax.    
3

 
                
II T. Sax.
 
   
3
 
Hn.  

    
  
      

 

3

I Tpt.   
     

  


  
II Tpt.           
 


III Tpt.    

     

  
            
I Tbn.
 

              
II Tbn. 

             
III Tbn. 

 
     
IV Tbn./Tba.
       

C C(#5)/E F Ebdim6 Ebdim6/7


      
E. Bass
 

Timp.
     

                       
Dr.           


   

C C(#5)/E F Ebdim6 Ebdim6/7

 
    
    
 

Pno.
       
      

    
Vln. I     

Vln. II      

  

       
Vla.

      
   
 
Vc.

   

Cb.      
17 18 19 20
6

Na Roha Eterna Firmado


      
21

I Fl.       

         
II Fl.   

      
Ob.   

       
I Cl.   
  

     
II Cl.      
  

      
I A. Sax.      


II A. Sax.   

         

          
I T. Sax.   

    
II T. Sax.
        

   
 
      
Hn.     

 
I Tpt.        

   

 
II Tpt.        

   

 
III Tpt.        

   
          
I Tbn.
     

         
II Tbn.
     

             
III Tbn. 


        
IV Tbn./Tba.
 

C/E C G/B Gsus6/7 G C C


          
E. Bass

 
Timp.

   

                       
           
Dr.



 
C/E C G/B Gsus6/7 G C C
 
      
  
   
Pno.
    
       

 
  
   

 
Vln. I     

  

     
  

Vln. II

            
Vla.

  
    

Vc.  



        
Cb.

21 22 23 24
7

Na Roha Eterna Firmado



25          
I Fl.    

         
II Fl.    

           
Ob.  


            
I Cl.
 
  
II Cl.             

           
I A. Sax.    

          
II A. Sax.     

           
I T. Sax.    

  

        
II T. Sax.
 
             
Hn.    


            
I Tpt.
 
  
II Tpt.             


III Tpt.    

     

 

          
   
I Tbn.

           
II Tbn.  

           
III Tbn.  







       
 
IV Tbn./Tba.

G G7/F C/E Dm7/G C2


    
E. Bass
     

Timp.
      

                       
Dr.           


 
G
  
G7/F
  
C/E
 

Dm7/G

C2
 
    

3
Pno.
 






    
 
   
       
 
 
    

Vln. I       

 
  
Vln. II         

           
Vla.
 

          
Vc.   






     
Cb.
    27
25 26 28
8

Na Roha Eterna Firmado


    
29

I Fl.        

   
II Fl.        

         
Ob.
 

      
I Cl.      


II Cl.    
       

    
I A. Sax.        

     
II A. Sax.       

    
I T. Sax.            

 
II T. Sax.
        

      
Hn.       

  
I Tpt.    
     


II Tpt.    
       


III Tpt.    
       
   
          
I Tbn. 

     
II Tbn.
         

            
III Tbn.   

       

IV Tbn./Tba.
      

Dm7 Dm/C G/B C C/G Dm/G


         
E. Bass

 

   

Timp.

                       
Dr.            


Dm7 Dm/C G/B C C/G Dm/G

    
             
   


Pno.
    
     

  
 
 
 



Vln. I     
 




 



Vln. II     
 




  
 
Vla.      

Vc.
  
  

Cb.

      
29 30 31 32
9

Na Roha Eterna Firmado



33            
I Fl.   

           
II Fl.   

           
Ob.   

            
I Cl.  

    
II Cl.   

      

            
I A. Sax.   

            
II A. Sax.   

           
I T. Sax.   

           

II T. Sax.   

             
   
Hn.

         
I Tpt.     

 

II Tpt.         
   


  
III Tpt.            
          
I Tbn.
  

        
  
II Tbn.  

           
III Tbn.  

 
IV Tbn./Tba.
   
    

  


C 2 C/E C2/F C(#5) F 6 Fm/Bb Faug(#11)


     
E. Bass
     


Timp.      

                       
Dr.               


   

C 2 C/E C2/F C(#5) F 6 Fm/Bb Faug(#11)
     
     
 
Pno.
     

      
  

  

      
       

Vln. I     

        
   

        

Vln. II

        
           
Vla.  

       
Vc. 

 
Cb.
       
33 34 35 36
10

Na Roha Eterna Firmado


         
   
37

I Fl.  

         
II Fl.     

             
Ob.

    
  
I Cl.        

    
   
II Cl.       

               
I A. Sax.  

     
II A. Sax.    

     

      
    
I T. Sax.   

     

II T. Sax.      

                


Hn.  
 
I Tpt.          

 
II Tpt.           



     
  
III Tpt.

           
I Tbn.
 

          
II Tbn. 

          
III Tbn.

 

    
IV Tbn./Tba.
   

Em7 Eb7(#5) D7sus4 G C#º/A C#º/Bb A7(b9)/C# A7


    
E. Bass
    


Timp.
    

                       
Dr.           


 
Em7 Eb7(#5) D7sus4 G C#º/A C#º/Bb A7(b9)/C# A7

     
    
 
    
   
  
Pno.
     
      
  


    
Vln. I        



         
Vln. II


  
Vla.       

      
Vc.
  



      
Cb.
 
37 38 39 40
11

Na Roha Eterna Firmado


     
41

I Fl.   
3

       
II Fl. 
3


3

Ob.        

      
I Cl.  
3

II Cl.

        
3

   
I A. Sax.      
3

 
II A. Sax.        



3

   
I T. Sax.   

 

   

II T. Sax.  

  3
  
Hn.       

I Tpt.

   

   
(Solo)



II Tpt.      



  

III Tpt.


      
I Tbn.
  

     
II Tbn.  

       
III Tbn. 


    

IV Tbn./Tba.

D7sus4 F6/G C F%/G

 
E. Bass
      


Timp.
      

                   
       
Dr.       



       
D7sus4 F6/G C F%/G

  


 


Pno.


 
  
  
 
Vln. I    


Vln. II    



Vla.   

Vc.
    

Cb.

    
41 42 43 44
12

Na Roha Eterna Firmado



45

I Fl.     

II Fl.     

Ob.     


I Cl.     


II Cl.     


I A. Sax.     


II A. Sax.     


I T. Sax.     



II T. Sax.    

     
Hn. 


   

       
I Tpt.
 

II Tpt.     


III Tpt.     

I Tbn.
    

II Tbn.
    

III Tbn.
    


IV Tbn./Tba.
    

C Gm6 C(#5)/F# Fmaj9 C F6/G


    
E. Bass
     

Timp.
    

                       
Dr.           


 
C Gm6 C(#5)/F# Fmaj9 C F6/G

      


   


Pno.
 

      
   
    
Vln. I 

Vln. II     

Vla.     

Vc.
    


Cb.
    
45 46 47 48
13

Na Roha Eterna Firmado


     
49

I Fl.   

    
II Fl.   

Ob.        

     
I Cl.   

  
II Cl.      

     
I A. Sax.   

II A. Sax.

      

    
I T. Sax.    

     

II T. Sax.  

        
Hn. 

 
I Tpt.            



 
II Tpt.     



 
 
III Tpt.
  
   
I Tbn.
  

     
II Tbn.  

III Tbn.
      


       

IV Tbn./Tba.
  

C2/E C F/C C Bb Dm G/E F/G


      
E. Bass
    


Timp.
     
                       
Dr.           


 
C2/E C F/C C Bb Dm G/E F/G

        


 
 

 
Pno.
      
     
   

    
Vln. I 

Vln. II     

Vla.     

Vc.
    


Cb.
    
49 50 51 52
14

Na Roha Eterna Firmado



53
         
I Fl.     

          
II Fl.    

          
Ob.    

        
    
I Cl.  

      
 

   
II Cl.  

         
I A. Sax.  
    

         
II A. Sax.       

          
         
I T. Sax.    

        
             
II T. Sax.
 
         
              
3 3
Hn.          

 
   
  
  
           
I Tpt.   

     
II Tpt.          

 

    

  
III Tpt.     
  
  
          

               
I Tbn.
         

       
         
II Tbn.      

             
III Tbn.     

   

  
              
IV Tbn./Tba.
           

 
C C(#5)/E F Fm7/C Gm/Bb Fm/Ab Bb/G Fm
              
E. Bass
        
  
Timp.
       

               





               
Dr.
         


3 3 3

 
  
C C(#5)/E F Fm7/C Gm/Bb Fm/Ab Bb/G Fm
             
          

        
Pno.
   
 
         
          

        
Vln. I     

      
     

Vln. II

        
Vla.    

      
Vc.      

        
           
Cb.
     
53 54 55 56
15

Na Roha Eterna Firmado


        
57

I Fl.     
fp

         
II Fl.   
fp

         
Ob.   


fp

         
I Cl.   


fp

       
II Cl.     
fp

           
I A. Sax.  
fp

       
     
II A. Sax.

fp


     
     
I T. Sax. 
fp
    

II T. Sax.        

 
 
fp
 
Hn.         
  
fp

       
I Tpt.    
fp

II Tpt.

  

        
fp

 
III Tpt.            

fp
        
  
I Tbn.


fp

         
II Tbn.

fp

          
III Tbn. 
fp



IV Tbn./Tba.
    
fp

C/E F%/G F/A G


 
E. Bass
        

 
Timp.
     
fp
                      
           
Dr.


3

 
   
C/E F%/G F/A G

   


 


Pno.



 

  
          
Vln. I    
fp

        
Vln. II     
fp

            
Vla.

  
fp
         
Vc.
 
fp


 

Cb.
  
57 58 59 fp
60
16

Na Roha Eterna Firmado



61
         
I Fl.  

         
II Fl.  

           
Ob.
 

           

I Cl.
 

 
 
II Cl.             

         
I A. Sax.  

      
II A. Sax.      

      
I T. Sax.      

 

II T. Sax.
         

      
Hn.        

            
I Tpt.
 


 
II Tpt.          

 
III Tpt.          

        
    
I Tbn.

          
II Tbn.   

           
III Tbn.  

 

     
    
IV Tbn./Tba.

G/B Dm6/A E7 Am F6/G C2


        
E. Bass  


Timp.
         

                       
Dr.           



   
G/B Dm6/A E7 Am F6/G C2

        





Pno.
   

   

       
 
  
         
Vln. I
 


  
Vln. II          

           
Vla.
 

          
Vc.   

  

  
Cb.

61 62 63 64
17

Na Roha Eterna Firmado


          
65

I Fl.      

        
     
II Fl.

       
Ob.        

           
I Cl.     

     
II Cl.           

        
I A. Sax.       

       
II A. Sax.         

          
I T. Sax.      

     
         
II T. Sax.

     
         
Hn.
     
  
I Tpt.              


II Tpt.                


     
        

III Tpt.

   
           
I Tbn.

     
        
II Tbn. 

      
III Tbn.
        

       

   
IV Tbn./Tba.

Dm7 Dm/C G/B C C/G Dm/G


         
E. Bass  

 
Timp.
       
                       
Dr.           


C/G Dm/G
Dm7 Dm/C G/B C

        


      
     


Pno.
    
     

  
 
 
 



Vln. I     

 




 



Vln. II     
 




  
 
Vla.      

Vc.
     

Cb.

      
65 66 67 68
18

Na Roha Eterna Firmado



69            
I Fl.   

          
II Fl.    

          
Ob.   

            
I Cl.  

    
II Cl.   

      

           
 
I A. Sax.  

            
II A. Sax.   

        

  
I T. Sax.  

           
 
II T. Sax.  

   
  
           

Hn.

  
I Tpt.   

    
   

 

II Tpt.         
   


  
III Tpt.            

            
I Tbn.
 
           
II Tbn.
  

         
   
III Tbn. 

   

  
IV Tbn./Tba.
       

C 2 C/G C2/F C(#5) F 6 Fm/Bb Faug(#11)


  
E. Bass
       


Timp.      

                       
Dr.           


   

C 2 C/G C2/F C(#5) F 6 Fm/Bb Faug(#11)
    
      
 
Pno.
     

      
  
  

      
       

Vln. I     

        
   

        


Vln. II

        
           
Vla.  

       
Vc. 

    

Cb.    
69 70 71 72
19

Na Roha Eterna Firmado


           
73

I Fl.    

        
II Fl.      

             
Ob.

     
 
I Cl.         

    
     
II Cl.      

              
I A. Sax.  

    
II A. Sax.    

      

      
    
I T. Sax.   

    

II T. Sax.       

              
Hn.   

 
I Tpt.           

 
II Tpt.            

   
       
III Tpt.

            
I Tbn.
 

          
II Tbn. 

 
         
III Tbn.


IV Tbn./Tba.
         

Em7 Eb7(#5) Dm7sus4 G C#º/A C#º/Bb A7(b9)/C# A7


     
E. Bass
    


Timp.
    

                       
Dr.           


 
Em7 Eb7(#5) Dm7sus4 G C#º/A C#º/Bb A7(b9)/C# A7

     
    
 
    

  
Pno.
     
      
  



  
Vln. I          



 
      

Vln. II


      
Vla.   

      
Vc.
  

    

Cb.
    
73 74 75 76
20

Na Roha Eterna Firmado


  

1.
   
77

I Fl. 
 
3

II Fl.         
 
3


3

Ob.           


        
I Cl.  
3

II Cl.


          
3


     
I A. Sax.      
3

    
3

II A. Sax.        



       
I T. Sax.   

  
   

II T. Sax.  

  3
  
Hn.          

I Tpt.

   

     

 

II Tpt.        

III Tpt.

         
  

     
I Tbn.
   

   

     
II Tbn.

III Tbn.
   

      




IV Tbn./Tba.
 


  


D7sus4 F6/G C Am F%/G


     
E. Bass  
 

    
Timp.


                      
       
Dr.      


3

  
     
D7sus4 F6/G C Am F%/G

   
 



 
Pno.


 
  
 

 


1.

Vln. I        

      
Vln. II 

Vla.        

Vc.
       

   


Cb.
   
77 78 79 80
21

Na Roha Eterna Firmado



81

2.
    
I Fl. 

    
II Fl. 

        
Ob. 
3

         
I Cl. 
3

   
 
II Cl.      
3
  
    
  
I A. Sax.  

     
II A. Sax. 

 
     
    
I T. Sax.

      

II T. Sax.
   

       
3
 
Hn.     

  

 
I Tpt.     


 
   
II Tpt.
 

    
III Tpt.


     
     
I Tbn.

        
II Tbn. 

       
III Tbn. 

IV Tbn./Tba.

   
  


C Bb6
 A7

Dm7sus4 F6/G

E. Bass        

Timp.
    

                  
        
Dr.      


 


 
C Bb6 A7 Dm7sus4 F6/G

 
   



Pno.
   

   
  

   
  
2.

Vln. I  

 
    

Vln. II

    
Vla.  

    
Vc. 

   
Cb.
    
81 82 83 84
22


Na Roha Eterna Firmado
  


rit.
85

I Fl. 

   

II Fl. 

Ob. 
   

 

I Cl.    

 

II Cl.    

   

I A. Sax. 

   

II A. Sax. 

    

I T. Sax. 

    
II T. Sax.

  

 
 
Hn.   
 

 
I Tpt.    

 

II Tpt.    



III Tpt.    

    

I Tbn.

    

II Tbn.

III Tbn.
    

 
IV Tbn./Tba.
    



F C/E Dm7 C
 
E. Bass
 
 
Timp.
   



  
Dr.       



3

 
F C/E Dm7 C

     
 


Pno.
   
   
 
 
rit.
 
 

Vln. I  

Vln. II     

    

Vla.


Vc.
    




 

Cb.
85 86
Flute I
Ja. S. 258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick
Arranjo: Júlio Duó - Set/2007
K
q=90 q = iiq
      
   
p

5
     
 


 
 
9
9-14
   

     
     
17

    
 
3

21
       
    

25          
   

29     
     

33            
 

           

37

 

    
41
 

3
2 258 - Na Rocha Eterna Firmado - Flute I

45
45-50      

53
         
    

       
57

   

fp

61
         
 

65
         
    

           
69
 

73
          
   




1.
   
77

  
3

81

2.
    

85    


rit.
Flute II

Ja. S. 258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick


Arranjo: Júlio Duó - Set/2007
q=90 q = iiq K


         
p

     
5

 


 
9
9-14
     

     
17
 
      

 

3

     
21

     

         
25

   

29   
   
   

33
          
  

      
37
     
 

  
41

     
3
2 258 - Na Rocha Eterna Firmado - Flute II

45
45-50      

53
         
   

       
57
  
 
fp

61
         
 

65
     
     
   

69
           
  

73
        
     



1.

77

      
3

   
2.

81

   

85


rit.
Oboe
258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick
Arranjo: Júlio Duó - Set/2007
Ja. S.
K


q=90 q = iiq

         
p

 
5
    


 
9

 
9-14
  

 
    
17
      
 
3

    
21

   

  
25

  

       

29 
    
    

          
33

 
 

 
37

           


41 3

       

45 

45-50
    

53
         
   

2 258 - Na Rocha Eterna Firmado - Oboe


57

          

fp

 
61

         
 
65

    
          

        
69
  
 

 
73

        
   


77 1.
3

          

2.
   
81
   
 
3


  
85

 
rit.
I Clarinet in Bb

Ja. S. 258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick

  
K


q=90 q = iiq Arranjo: Júlio Duó - Set/2007

 
p

   
  
5

      
mf 3

  9-14  
 
 
9

   

17
           

3

        
21

   
 

 
25

   

    

  

29
      
   

             
33

 

     

37

        

      
41

 
3

45
 45-50      

        
   
53

  

2 258 - Na Rocha Eterna Firmado - I Clarinet in Bb

          
57
  

fp



61

   

    

 

         
 
65
   

             
69

 

     

73

        


        
77 1.

 
3

 
2.
      

81


3

  

85

 
rit.
II Clarinet in Bb
258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick
Arranjo: Júlio Duó - Set/2007
Ja. S.
K


q=90 q = iiq

    
p



 
5

      
mf


 
 9-14
9

    

          
17


3

      
21

      
 

  
25

            

29
 
        

    
33
     
   

37
    

          

     
41
 
 
3

45
 45-50  
   

      
     
53

  

2 258 - Na Rocha Eterna Firmado - II Clarinet in Bb

       
57

      
fp

   
61

            

    

65

       
  

    
69
     
   


73
   

         

     
1.

77
   
 
3

   
  
2.

81
  

3

 

85

  
rit.
I Alto
Saxophone
258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick
Arranjo: Júlio Duó - Set/2007
Ja. S.


K
 
q=90 q = iiq
 

p

       
5

 

  9-14 
 
   
9

 

17
           
 
 
    
3

     
21

      

25
          
   

29
     
     

            
33

  

             
37

  

  
41

     
3

      
45
45-50

       
53
     
 
2 258 - Na Rocha Eterna Firmado - I Alto Saxophone

       
  
57

 
fp
61
          
 

65
        
       

            
69

  

  
73
           
 


   
1.
 
77

     
3
  
      
2.

81
 


  
85 

rit.
II Alto
Saxophone
258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick
Ja. S. Arranjo: Júlio Duó - Set/2007
K



q=90 q = iiq

   
p


 
5

    
(Sax Tenor Solo)

            
  
9

 

        
13
 
    

(play)

         
17

       
  
3

  
21

           

        
25
 
    

29
   
      

          
33

 
 

  
37

            


41

      
 
3


45
   
45-50


2 258 - Na Rocha Eterna Firmado - II Alto Saxophone

       
53
 
      

57
         
  

fp

     
61

      

        
65
      

           
69
  

  
73
          
 

   
77 1.

3

       

     
81 2.



85
    


rit.
I Tenor
Saxophone

Ja. S.
258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick
Arranjo: Júlio Duó - Set/2007

K
q=90 q = iiq
  
      
    
  
Solo 3
3

mf 3 3

     
Solo

5

  
p

         
 
  
9

  

           
13

 

   
  
    
17

      
 
3

          
21
  

         
25
 
   

   
29

   
      

            
33

  

37
         
 
  

     
41

    
 
2 258 - Na Rocha Eterna Firmado - I Tenor Saxophone

45
 45-50     

      
     
53

      
    

       
57

     

fp

    
61
      


65
         
     

            
69
 

      
 
73

     

      

1.

77

    
 

   
2.
81
    
   

85
    


rit.
II Tenor
Saxophone 258 - Na Rocha Eterna Firmado
Ja. S. Wm. J. Kirkpatrick
Arranjo: Júlio Duó - Set/2007
K

 
q=90 q = iiq

   
p
  
5

     


  
 
9
9-14
    

  
      
17

        
 
3

  
21
  
        

 
25

   

    

  


29

   
    

        
33
 
   

     
37

      

  

41

  


     
45


45-50

 
 
53
        
         
 
2 258 - Na Rocha Eterna Firmado - II Tenor Saxophone

  
57
 
         
fp


 
61

        

   
65
 
   
     

          
69

   

    
73

        


    

77 1.

   

 2.     
81

    

    
85


rit.
Horn in F

Ja. S. 258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick


Arranjo: Júlio Duó - Set/2007

 
K

      
q=90 q = iiq

p

  
   
  
5
 

 
 
 
9
9-14
   

 
  
 
     

17
         

3


    

21
         

          
25

   
 
29
   
     
 

   
 
  
33
      
 

 
 
   
37
        
 

   
41 3

      

45
    
 
45-50

      
    
53
        
           
3 3

   
2 258 - Na Rocha Eterna Firmado - Horn in F

  
 
57

     
  

fp

  
61

        
 


65

          
       

  
   

69
          

 
 
 
73
        
  

 
77 3

1.

     
    


2.
 
81 3

       
 


 

85
 
   
rit.
I Trumpet in Bb

Ja. S. 258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick


K
q=90 q = iiq Arranjo: Júlio Duó - Set/2007



    
p


5

        

  
 

9
9-14
    

 

17

 

    

 

 
21

        
   

 
25

   

    
   

29
  

 
     

  
33

 

    
   

 
37

          


  
 
41

    
(Solo)


 
45

       


  

 

49

        

2 258 - Na Rocha Eterna Firmado - I Trumpet in Bb

            
53

          
 

      
57
     
 
fp

 
61

   

    

  

 
65

       
     

  
69
      
    

 
73

          

  
  
77 1.

      

  

  
81 2.

   



  
85
 

rit.
II Trumpet in Bb

Ja. S. 258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick


Arranjo: Júlio Duó - Set/2007
K
q=90 q = iiq

     
p



5

       


 
 9-14
9

     


  
17

        
  


21

       

   

  
25

            

29
 
     
   


 
33

        
   


37

   
        



41

     

45
 45-50 
 
   

 
53
     
            
   
2 258 - Na Rocha Eterna Firmado - II Trumpet in Bb

  
57

         
fp

  
61

        


65

   

         

  
69

          


73

          

 

77


1.

 
   

 2.    
81

   

 

85

  
rit.
III Trumpet in Bb
258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick
Ja. S. Arranjo: Júlio Duó - Set/2007
K
q=90 q = iiq

   
p
 


  
5

 
 

  9-14 
 
9

   
 


17

   

     

  


21

       

   



25
  
         
29
 
 
       


 
33

     
    


36


   
      



40

  
 
45
 45-50 
 
   

  
53

     
  
        
 
2 258 - Na Rocha Eterna Firmado - III Trumpet in Bb


57

            
fp


61

        


65

   

        


 
69

    
      


73


 
       

 
77

  
1.

   

 
 2.
81

  




85

  
rit.
I Trombone

Ja. S. 258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick


Arranjo: Júlio Duó - Set/2007


K


q=90 q = iiq
 

p
 
       
5
 
Solo


mf
   
 
9


9-14

17             
 

21          
     

           
25
  

   
   
29
       

        
 
33
  

      
     
37

41

 
   

 

45     
 45-50

53
              
          
2 258 - Na Rocha Eterna Firmado - I Trombone

         

57
 


fp

   
     
61

  

 
  
65
          

69
         
    

      
      
73

  

     
77 1.
   


     

2.

81
   

85
   


rit.
II Trombone

Ja. S. 258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick


K Arranjo: Júlio Duó - Set/2007


q=90 q = iiq

   
p

 
       
5
 
Solo

mf
 
  9-14    
9


              
17

21
      
      


          
25

 

   
 
29
         

 
        
33
 
 

          
37

     
41

 

    
45
 45-50

        
        
53

      
2 258 - Na Rocha Eterna Firmado - II Trombone

57
         
 
fp

   
      
61

  

    
     
65
    

         
 
69
  

          
73

   
   
1.

77

 

       
81 2.
 

    

85

rit.
III Trombone
Ja. S.
258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick
Arranjo: Júlio Duó - Set/2007


q=90 q = iiq


 

p

 
5

      


     
9
 9-14 

  
17
          

     
21

        

      
25
    
 

     
29
         

   
33
       
 

 
37
        

    
41
  


45  
 45-50
 

         
53
       
   
2 258 - Na Rocha Eterna Firmado - III Trombone

     
57
    

fp

       
61
   
 

   
  
65
        

   
69
         

 
   
73
     

   
1.
 
77

     

 


2.
   
81



85
   
rit.
IV Tromb./Tuba

Ja. S.
258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick
Arranjo: Júlio Duó - Set/2007
K
q=90 q = iiq


 


 
p

 

5

      
  


 
9

  
9-14

  
17
      
       
21
        
 



25
 

       
 
  
29
           


33
    
       


37
    
     

 

41

 


 
45
 45-50
  
   

    
53

           
         
2 258 - Na Rocha Eterna Firmado - IV Tromb./Tuba


57

   
fp
61
       
     

 
65
        
  

  
69
  
      
 
73
 
    
  


1.


77
  
 
 


2.

 
81
   



85


rit.
  
Electric Bass
258 - Na Rocha Eterna Firmado
Wm. J. Kirkpatrick
Ja. S.
K Arranjo: Júlio Duó - Set/2007
q=90 q = iiq
Am
C Dm11 G6
      
     
p
Em A7(b9) Dm4/7 GË(9)


5
   
  

   
9 C2 C2/E F/A C2/E F6/G
 
  
13 C2/E C F/C C Dm7 G7 C/A G7
    
  
 
17 C C(#5)/E F Ebdim6 Ebdim6/7
      
 
21 C/E C G/B Gsus6/7 G C C
         
 
25 G G7/F C/E Dm7/G C2
    
     
29 Dm7 Dm/C G/B C Dm/G
       
  
33 C C/E C2/F C(#5) F 6 Fm/Bb Faug(#11)
    
    
 
37 Em7 Eb7(#5) Dm7sus4 G C#º/A C#º/Bb A7(b9)/C# A7
   
    

41 Dm7sus4 F6/G C F%/G

 
      

45 C Gm6 C(#5)/F# Fmaj9 C F6/G


    
     
2 258 - Na Rocha Eterna Firmado - Electric Bass

49 C2/E C F/C C Bb Dm G/E F/G


      
    

  
53 C C(#5)/E

      
 

55 F Fm7/C Gm/Bb Fm/Ab Bb/G Fm


      
      

57 C/E F%/G F/A G


 
        

61 G/B Dm6/A E7 Am F6/G C2


     
    

65 Dm7 Dm/C G/B C Dm/G


        
  

69 C 2 C/G C2/F C(#5) F 6 Fm/Bb Faug(#11)


 
        

Em7 Eb7(#5) Dm7sus4 G C#º/A C#º/Bb A7(b9)/C# A7



73
    
    


77 D7sus4 F6/G 1. C Am F%/G


     
 

 
81 2.C Bb6 A7 Dm7sus4 F6/G
    
   



85 F C/E Dm7 C
 
 
rit.
Timpani

258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick


Ja. S. Arranjo: Júlio Duó - Set/2007

 
K
q=90 q = iiq
 4-8


 
9
9-15

 

 

17
  
18-23

  

25
  
26-31
  
34-43
 

44    
  
45-51
    
54-57
 



58
    
  
fp




63
    
65-66
   



69 1.
   
70-78
  

 

81 2.
 81-84 

rit.
Drum Kit

Ja. S. 258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick


Arranjo: Júlio Duó - Set/2007
K
q=90 q = iiq

    
 
          

     
   
10

  

                       
Cr.


20

           

                       
Cr.


28

          

        
  
36

      

    
Cr.
           
  
45

           
3

 
Cr.
           
54

   
     
   
59
                      
               

3

   
63

  
71


          
1.


77

         

3

              
81 2.

       
   



    
Cr.
84
 
        
rit. 
3

Piano
258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick
Arranjo: Júlio Duó - Set/2007

Ja. S.
K
q=90 q = iiq

   
Am

    

C
   
Dm11 G6

 
3

     
3
 
3

mf 3

      
  


  


Em A7(b9) Dm4/7 GË(9)

   
 
5

  
       
   
      
 

 
  


     


9 C2 C2/E F/A C2/E F6/G

     
  




        
   
     

 
13 C2/E C F/C C Dm7 G7 C/A G7

  
 
    
    
  
      
    
      

   

C C(#5)/E F Ebdim6 Ebdim6/7

 
17
    

   
 
     
  
 
    


  
C/E C G/B Gsus6/7 G C C
 
21

      
     

  

 
    

 
  

2 258 - Na Rocha Eterna Firmado - Piano

   
 
    
   
G G7/F C/E Dm7/G C2

25

   

3

 

       
       

C/G Dm/G
29 Dm7 Dm/C G/B C

     
             
     


    
 
 
  

   



C 2 C/E C2/F C(#5) F 6 Fm/Bb Faug(#11)
 
33

       


     

      

  
    


  
Em7 Eb7(#5) Dm7sus4 G C#º/A C#º/Bb A7(b9)/C# A7

  
 
37

  
  
 
    
   
      
      
    


        
41 Dm7sus4 F6/G C F%/G
 
    


  

 

 
 


  
45 C Gm6 C(#5)/F# Fmaj9 C F6/G

      


    
  
  

  

 

258 - Na Rocha Eterna Firmado - Piano 3

 
49 C2/E C F/C C Bb Dm G/E F/G

   
  
 
     
 

 
     

    

   

C C(#5)/E
   
53

        

    
      
     

  
 
F Fm7/C Gm/Bb Fm/Ab Bb/G Fm


55

       
      


  
   

   
    
  

 
   
57 C/E F%/G F/A G

 
   


 

 

  


   
61 G/B Dm6/A E7 Am F6/G C2
 
  
     
   
    

   
C/G Dm/G
65 Dm7 Dm/C G/B C

         
           
    


    
 
 
  
4 258 - Na Rocha Eterna Firmado - Piano

   



C 2 C/G C2/F C(#5) F 6 Fm/Bb Faug(#11)
 
69

       


     

      

  
    


  
Em7 Eb7(#5) Dm7sus4 G C#º/A C#º/Bb A7(b9)/C# A7

     
73
    
 
   
  

      
     
    


 
      
77 D7sus4 F6/G 1. C Am F%/G
  
  

 

    
     
   

 
2.


   
C Bb6 A7 Dm7sus4 F6/G


81

   
  


 
  

   
  

 
 
85 F C/E Dm7 C

  
 
 
rit.
    
   

Violin I

Ja. S. 258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick


Arranjo: Júlio Duó - Set/2007
K


q=90 q = iiq

  

p

    
5
 


 
 
9
    
9-15
   


   
  
21


 
 
 

      
  
 
    

  
25


 

 
 
 
 




29

   

 

      
        


33

  

 

37

          


 
41
 

45         
  
45-52
 

   
57
      
  
fp
2 258 - Na Rocha Eterna Firmado - Violin I

      
  
61
  
        
 
 
 
 
 




65

   
 

      
        


69

  

 

73

          

  
77 1.

    

  
  
81 2.

 



 
  


85

rit.
Violin II

Ja. S. 258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick


Arranjo: Júlio Duó - Set/2007
K


q=90 q = iiq


  
p

   
5

  


    
9
 
9-15
      

  
21
   
      

  
 
25

       

 




 
29



    

        
    

     
33

 

 
37

        



41

  

45        
   
45-52
 


57
        
  
fp

 
 
61

        

2 258 - Na Rocha Eterna Firmado - Violin II

 




 
65



    

        
    

     
69

  

 
73

        


77 1.

      

 

2.

81

 



85

   
rit.
Viola
258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick
Arranjo: Júlio Duó - Set/2007

Ja. S.
K
q=90 q = iiq

    
p


5

     
     

mf

 

   
9

  

    
21

       


25

          
 
 




   
 
 
29

  

         
          
33

 



37

        



  
41


       
45

    

      
57

    

fp


61

          
 
2 258 - Na Rocha Eterna Firmado - Viola

 




   
 
 
65

  

         
          
69

 



73

        

  
1.
 
77
  

  

81 2.
 
 



 
85
 
rit.
Violoncello

Ja. S. 258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick


Arranjo: Júlio Duó - Set/2007


q=90 K
q = iiq
   
p
 
       
5
  
mf


     
9
 
9-15

     
  
21
   
   

 

    
25
      
 

  
29

  


33
      


37
     
   

   
41



45      
   
45-52

   

      
     
57
 
fp

      
61

      
2 258 - Na Rocha Eterna Firmado - Violoncello

  
65

  


69
      

73
     
   

  
1.

77

  

 
2.
 
81
 



85
   
rit.
Contrabass
Ja. S. 258 - Na Rocha Eterna Firmado Wm. J. Kirkpatrick
Arranjo: Júlio Duó - Set/2007


q=90 q = iiq


 

p


5
  
 
mf



9
 9-15         
  
21
         


25
 

  
      


29
     
33
  

    

37
   
    

 
 
41



   
45     
 45-52           
    


 
57

 
fp

  
61
  

2 258 - Na Rocha Eterna Firmado - Contrabass


65
     


69
      


   
73
    


  
1.
 

77

  


2.
 
81
    


85
 
 
rit.

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