Trumpet I

(Труба I) Extreme Make-Over

Metamorphoses on a Theme by Tchaikovsky
Johan de Meij

Andante cantabile ( = 60-63)

  
       

  
     
17 34

51 Poco piu mosso ( = 72) 58 Vivace ( = 156)

    
  
 
45

accel.

  
All entrances as soft as possible;

   
no attack - breath ad lib.

       
67

 
   3 
         
91
74


 
       
   
93

 
          
    
106

     
104


                
       
111

©
 
    
2 Extreme Make-Over

  
       
119

                  
             
  
125


132Poco meno mosso ( = 138)

         
  
 
130

 
        
    
       
139


  
154 Pesante ( = 72)
        
                  
3
149


162 Alla maecia ( = 104)
cresc.

  
174

   
155


     
  
                      
    
186

 
cresc.

 
                       
 
190

  

                                 

196
  
Extreme Make-Over 3

               
202

    
200

    

    
213


218             
cresc.


     
   
217


                     
 
       
221

                                 
  
225


      
               
         
   
229

234 Piumosso ( = 156)


      
  
            
3
233

                           

254 Agitato

                                   

257
4 Extreme Make-Over

                      
            
260

                           

263

                                  

266

                                   

269

                                   

272

                                             
278

 
275


279  
             
          

      
                        
             
285
3 3

3 3


              
         
Allargando poco a poco

                
289


3 3

 Extreme Make-Over 5

                
               
293 3 3 3 3
3 3 3

 3

                                     
 
297

3 3 3 3

  
Pomposo ( = 96)
3 3 3

       3        
3

  
cresc.

        
       
300


3
3

     
                               
 
304

3 3 3 3

                                          
 
309

3 3 3 3 3

   3     3                
 
314

Allegro non troppo ( = 108/112)

  
323 333 345



375 Tempo 1 ( = 108/112)

  

361 369 Poco meno mosso Accel... al Tempo 1

403 L’istesso tempo ( = 112)

   

387 395 419


  
6 Extreme Make-Over
431 439

                       
Solo

                           
    
451

 
                        
457 471

 
455 3 3

                     
       
496

 
494

 

                                
            
500 3 3

                
           
               

506


                               
3 3

      
511

           
           
520

      
   
516 3


3 3 3 3 3

   3                 
                   
 
523

3 3 3 3 3 3
3
 
                                
Extreme Make-Over 7

   
532 Striagendo.....

    
528

3 3 3 3 3 3 3


                               
533

3 3 3 3

         

            
538

 3 3 3 3 3

  
3 3

                  
               
542 Sempre affrettando...

3 3 3 3 3
3 3 3

                            
3

       
545

3 3 3 3 3 3 3

         
3 3

 
             
548 3 3


Maestoso ( =104)
3

     
    
3 3

 
3


552

 


555           
  
 

( =84)
                   
cresc.
Allarg... 561


559

 3 3
 
8 Extreme Make-Over

        
       
Allarg...

    
563 3


3

  
     
566

 