Professional Documents
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Alabarces-Populism in LA Compilación Clift and Tomlinson
Alabarces-Populism in LA Compilación Clift and Tomlinson
Alabarces-Populism in LA Compilación Clift and Tomlinson
Clift and
Alan Tomlinson
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This book examines and establishes the sociological relevance of the concept
of populism and illuminates the ideological use of sport, leisure, and popular
culture in socio-political populist strategies and dynamics. The first part of
the book – Themes, Concepts, Theories – sets the scene by reviewing and
evaluating populist themes, concepts, and theories and exploring their cul-
tural-historical roots in and application to cultural forms such as mega-
sports events, reality television programmes, and music festivals. The second
part – National Contexts and Settings – examines populist elements of
events and regimes in selected cases in South America and Europe: Argen-
tina, Brazil, Greece, Italy, and England. In the third part – Trump Times –
the place of sport in the populist ideology and practices of US President
Donald Trump is critically examined in analyses of Trump’s authoritarian
populism, his Twitter discourse, Lady Gaga at the Super Bowl, and populist
strategy on the international stage. The book concludes with a discussion of
the strong case for a fuller sociological engagement with the populist
dimensions of sport, leisure, and popular cultural forms. Written in a clear
and accessible style, this volume will be of interest to sociologists and social
scientists beyond those specialising in popular culture and cultural politics
of sport and leisure, as the topic of populism and its connection to popular
cultural forms and practices has come increasingly into prominence in the
contemporary world.
Typeset in Goudy
by Taylor & Francis Books
Populism in Sport, Leisure, and Popular Culture; edited by Bryan C. Clift and
Alan Tomlinson
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Contents
PART 1
Themes, concepts, theories 1
1 Populism, sport, leisure, and popular culture: Setting the scene 3
ALAN TOMLINSON, BRYAN C. CLIFT, AND JULES BOYKOFF
PART 2
National contexts and settings 87
6 Blame Games: Sport, populism, and crisis politics in Greece 89
JACOB J. BUSTAD
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7 From fascism to five stars: Sport, populism, and the figure of the
leader in Italy 102
SIMON MARTIN
PART 3
Trump times 183
12 Blue collar billionaire: Trumpism, populism, and uber-sport 185
DAVID L. ANDREWS AND BEN CARRINGTON
15 Art of the deal: Donald Trump, the 2026 FIFA Men’s World
Cup, and the geopolitics of football aspiration 234
ADAM S. BEISSEL AND DAVID L. ANDREWS
Index 260
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Nonetheless, in each case, football was not involved. Then again, football
had become a mass phenomenon very early on and, consequently, also had
become a spectacle, or commodity, which national governments had very
little opportunity to appropriate and even less intentions of distributing
democratically. It is possible that the most noteworthy example was the very
recent nationalisation of the television broadcasting rights of football in
Argentina between 2009 and 2016, but even this initiative, the most notor-
ious advance on the “private” property of the television monopoly on the
continent’s football narratives, was much closer related to the Peronist gov-
ernment’s goal of attacking the multimedia conglomerate Clarín – the holder
and beneficial owner of the broadcasting rights – than with the alleged
“democratisation” they proclaimed (Alabarces, 2014). Anyway, we return to
this case later.
Nevertheless, even until today the presence of government leaders and
state policies has accompanied the whole process we are narrating. If mere
match attendance was already an indicator – Argentine President Alejo Julio
Argentino Roca Paz’s presence at the fixture between Alumni and South-
ampton in 1904 shared, at the very least, a spectacle of his own social class
put on for itself – after 1930 this would become procedure during the dic-
tatorship of Getulio Vargas in Brazil through to the subsequent democratic
government, according to German historian Stefan Rinke (Rinke, 2007).
Until then, a more or less active, or merely honorary intervention, such as
the presentation of an award, existed at the school or institutional level.
Since the 1930s, active involvement appeared in the construction of sta-
diums throughout the entire continent, in some cases the property of local
government. Nacional of Lima was inaugurated by the dictator Augusto
Leguía as early as 1923 and re-inaugurated in 1952 by the dictator Manuel
Odría. Nacional of Santiago de Chile was inaugurated by Arturo Alessandri
in 1938 and re-inaugurated (for the football World Cup) by his son, also
President, Jorge Alessandrini in 1962. Nonetheless, this also occurred with
club stadiums: both the Monumental Stadium of River Plate (1938) and the
Bombonera of Boca Juniors (1940) were constructed in the same decade.
Both projects were made possible thanks to the concession of cheap loans
from the national government presided by General Justo, who rose to power
through the conservative fraud of that era. As a “colourful” aside, River
Plate’s stadium was later remodelled and re-inaugurated in 1978 by General
Jorge Rafael Videla’s dictatorial regime to be the headquarters of that year’s
football World Cup.
The period of Brazilian political history from 1930 until Vargas’s suicide
in 1954, known as Varguism, was the first successful populism in Latin
America (see also Chapter 8 this volume for further discussion of Vargas’s
populism). Its significant interest in sport could only be emulated by the
second great populism; Argentine Peronism between 1945 and 1955, with
various returns to power (1973–1976, 1989–1999, and 2002–2015). This
Populism in Sport, Leisure, and Popular Culture; edited by Bryan C. Clift and
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on the period, Israeli historian Raanan Rein (2015) indicates that Peronism
represented itself simultaneously as many things: government propaganda,
of course, and attempts of social control under the cloak of “class reconci-
liation” that populism tried, and tries, to achieve; at the same time, Peronism
proposed, as we said, the production of democratic narratives in which
popular sporting heroes could represent patriotism. It also established mas-
sive athletic programmes. In the cases analysed by Rein and his collabora-
tors, it can be clearly seen that State intervention in sport was complex. For
example, during the football players’ strike in 1948, the negotiation between
various actors can be seen: civil servants, key government figures – Eva
Perón herself – sporting directors, labour unionists, with postures that even
contradicted the official administration and were not stifled or suffocated in
an authoritarian manner. Conflict resolution was far from following official
expectations.
Likewise, Rein’s research stems from the base that sport clubs, civil
associations in Argentina, were key mediators in the organisation of the
phenomenon: the analysis of different cases shows the different relation-
ships in which the popular clubs engage with the national or provincial
government, meticulously negotiating honour and benefits from the mod-
erate to the excessive, generally in the form of loans for athletic facilities,
or simply to get out of tough situations. Although a certain mythology
focuses on the case of Racing Club, favoured by state credits for the
building of its new stadium, named President Perón. Historical research
reveals two things. On the one hand, the principal actor involved was
Minister Ramón Cereijo, fanatic of Racing Club, not Perón directly.
Nobody knew with complete certainty if the president was a supporter of
Racing Club or Boca Juniors or if he didn’t even care for football. On the
other hand, a 1947 law enabling the concession of loans to athletic institu-
tions imitated a similar one dictated by the conservative Presidency of
General Justo ten years earlier.
In 1951 at Wembley stadium (London), Argentina and England played
their first football match in history: the English team won 2–1, a result which
the Argentines judged as a dignified defeat in which goalkeeper Miguel
Rugilo was the indispensable hero (nicknamed “the Lion of Wembley”). The
rematch was played two years later in Buenos Aires, and Argentina defeated
the “perfidious Albion” for the first time, 3–1. This time, the hero was
Ernesto Grillo who converted a goal which would be called “rioplatense”
(from the River Plate region) by the euphoric sports press of the era – the
characterisation alluded to the goal’s combination of surprise, dribbling, and
quality, traits typical of the “estilo criollo” (“creole style”). Argentine author
Osvaldo Bayer, in his script for the documentary film Fútbol Argentino
(Argentine Football), asserts that he found a newspaper of the time which said:
“First we nationalised the trains [Perón had done so in 1949], today we
nationalise football.”
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This match was played on 14 May 1953: in its memory, the Day of the
Argentine (Male) Footballer is celebrated, a new wrinkle in the nation’s
unwavering local narcissism.
Military times
A few years later, already into the 1960s, almost the entire subcontinent was
living under military regimes, which would consolidate their power in the
following decade. In 1978, only Mexico, Costa Rica, and Venezuela enjoyed
democratic administrations, while Colombia was amidst a civil war. The
ways in which football felt the consequences of Latin American totalitarian-
ism were very different, but the climax can be found in the organisation of
the 1978 football World Cup in Argentina.
Argentina was chosen in 1966 as host of the 1978 football World Cup,
twelve years earlier when there was a democratic President. When the
administrators returned to Argentina, the dictator Juan Carlos Onganía was
in power. The first serious steps of the organisation were taken during the
democratic government of 1973, but the definitive organisation was carried
out by the most infamous dictatorship in Argentine history, which began in
1976 and lasted until 1983.
Argentina won its own World Cup; it was the last country-host to do so until
France 1998, and since then it has not happened again. Both the organisation and
the elaboration of the tournament took place in an ominous and repressive cli-
mate, which included the explicit prohibition of criticism of the national football
team in the press. The stadium where the inauguration and the final were played,
River Plate’s Monumental, was located 200 metres from the worst concentration
camp and extermination facility of the dictatorship, the sinister Mechanical
School of the Navy (ESMA). The costs of the tournament were extremely high;
it was more expensive than the following tournament in Spain, even though eight
fewer teams participated. The groups of political exiles in Europe moved in
favour of a boycott by the European teams, accusing the military government of
the disappearance and torture of dissenters, but no government or football
association adhered. Fédération Internationale de Football Association (FIFA)
was even less inclined to boycott; at that time the governing body was led by the
only Latin American to reach the presidency, Brazilian João Havelange, who
explicitly supported the Argentine dictatorship; he was, after all, a recognised
party member of the Brazilian dictatorship of the time. Unconvinced by the
support at FIFA, in the following years, Havelange named the Argentine Carlos
Lacoste, a high-ranking navy officer, as Vice President with responsibility for the
organisation of the tournament. Lacoste was widely and repeatedly accused of
much of the uncontrolled corruption surrounding the competition.
At any rate, football was also played, with the presence of a still strong
Peruvian team which would win its group, and a Brazilian squad which fin-
ished far short of the post-Pelé legacy, barely making it through to the
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second round. However, in the next round, the three Latin American teams
ended up in the same group along with Poland. Peru lost to Brazil and
Poland to Argentina in the first match. The second fixture saw Peru lose
once again but this time against Poland, while Brazil and Argentina ended in
a goalless draw. In the third match, Brazil defeated Poland 3–1 two hours
before the match between Argentina and Peru, obligating the home team to
win by at least four goals in order to make it to the final against Holland.
As the world now knows, Argentina would go on to win 6–0.
The controversy surrounding the match with Peru began significantly after
the tournament. In Argentina, nobody doubted the legitimacy and legality of
the triumph, though in the rest of the world, principally in the Brazilian
press, the game was quickly and repeatedly classified as the product of an act
of corruption, of negotiations between governments, of massive bribes. In
1979, Peruvian player Rodulfo Manzo, who had recently joined Argentine
club Vélez Sarsfield, confirmed in a conversation with his new teammates
that all the Peruvian players were paid bribes, except Juan José Muñante.
Argentine journalist Pablo Llonto managed to obtain the testimony of Per-
uvian player Juan Carlos Oblitas who, in 1986, affirmed that: “Four or five
Peruvian players received money” (Llonto, 2005).
At the same time, Ricardo Gotta, the Argentine journalist who worked
the most thoroughly on that fateful fixture, lists Manzo’s confession, suspi-
cious calls between Argentine and Peruvian government officials, the dona-
tion of wheat (estimated at $2 million), the fluid contact between both
dictatorships, and the fact that the son of Peruvian dictator Morales Ber-
múdez presided over the delegation (Gotta, 2008).
The best interpretation of this scandal was offered by the 2003 documentary
film Mundial 78: la historia paralela (World Cup 78: the parallel story), scripted by
Argentine journalist Ezequiel Fernández Moores. The film was the first to affirm
that the dictator Videla visited the Peruvian changing room, accompanied by
none less than former US Secretary of State, Henry Kissinger, to speak about
Latin American unity and wish the athletes luck. In the documentary, Juan Carlos
Oblitas does not hesitate to label the action as a kind of pressure, though he claims
to be unaware of any bribes or other explicit suggestions, despite his 1986 state-
ment to the contrary. It seems that the presence of the dictator was enough to
pressure the Peruvians. It is unknown whether Videla violated the intimacy of the
Argentine changing room before any of the matches, though he routinely visited
the players afterwards; it seems nevertheless that his presence with the Peruvians
that night functioned as a successful and suggestive manoeuvre. With or without
bribes and/or grain shipments, the presence of Videla must have sufficed.
modern opium of the people hypothesis, which was popular amongst intellec-
tual sectors at the end of the 1960s on the southern continent. According to
this premise, football emerged as a kind of substitute for religion to desen-
sitise and derange the popular conscience. Thanks to football, the public’s
attention would be distracted from what was actually important – the
exploitation, the totalitarianism – to be preoccupied with such banalities as
the goals of Pelé or Maradona. In Latin America, this hypothesis was, sys-
tematically, tied to conservative right-wing military dictatorships, never to
“populist” regimes.
This theory was emphatically refuted in the early 1980s by the first scho-
lars of sport on the continent, specifically Brazilian anthropologist Roberto
Da Matta. In a compilation titled O universo do futebol (The Football Universe),
Da Matta (1982) rejected this interpretation, demonstrating how the world of
football facilitated a representation of the dilemmas and conflicts of Brazilian
society – its injustice, its racism – and not their concealment. However, at
the same time, football enabled the development of a fiction that all fans
recognise as such but still enjoy: about a transitory equality, a democracy
imagined on the field of play, a place where the weak can defeat the power-
ful, as is remarked by Allen Guttmann (1994). In this manner, the Brazilian
dictatorship could celebrate the triumph of Mexico 1970 as its own while the
crowds (astutely?) gave themselves up to carnivalesque celebrations, to that
form of celebration which inverts hierarchies and frees bodies and souls, at
least temporarily. The same could be said of the popular celebrations in
Argentina in 1978: it was the only time when the streets could be occupied
during the dictatorial terror, celebrating a sporting victory that did not,
necessarily, include the oppressors. The mobilisations in Buenos Aires
avoided Plaza de Mayo, the political centre of the nation, where popular
political demonstrations were regularly held. The fans were celebrating their
players, not necessarily their dictators.
Undoubtedly, both dictatorships hoped to capitalise politically on the
successes, but neither could prove, undoubtedly, that their goal had been
achieved.
was left only with the empty yet grandiloquent rhetoric of its sponsors, which
continued to be plagued with the clichés of patriotic sermons.
The problem is that the Argentine government did the same.
In 2009, the programme Fútbol para Todos (Football for All) appeared, the
nationalisation of the broadcast of Argentine domestic football, which was
later complemented in 2011 by Deporte para Todos (Sport for All) which
established the mandate for the open transmission on public television of
any sporting event involving decisive competitions for Argentine athletes.
Thus, a policy of patrimonialisation of sport was presented, framing the con-
sideration of certain intangible goods, insomuch cultural and mediatic pro-
ducts, as public patrimony. The Argentine government had produced a legal
instrument that finally confirmed the relationship between sport and father-
land, at least as patrimony of a national-popular culture: a kind of definitive
affirmation of the nationalist possibilities of sport. Nevertheless, it limited
itself to produce sport – it could only produce it – as a cultural commodity,
a kind of ratification that, despite democratic temptations, the dominant
logic is that of a cultural industry. At this point, there is no patriotism which
is more than simply merchandise. The sports that the national government
incorporated as patrimony were, of course, just those with significant televi-
sion audiences: the rest were not worth worrying about.
In 2014, however, things got complicated. Once again, Fútbol para Todos had
acquired the exclusive broadcast rights for the football World Cup in Brazil,
monopolising almost the entire voice on television, at least on open access
channels (the cable network TyC Sports as well as the satellite network, Direct
TV, also transmitted Argentina’s matches). First, the programme presented its
journalists in a formation like a football team, wearing suits but also with jer-
seys and football boots, singing the national anthem on a pitch while imitating
the movements of players with the slogan “a football team and a team of
journalists for one unique Argentine passion”. In this way, the press coverage
resembled the game itself, as though representative. Let us put it this way: the
journalists also went for the conquest of the Cup, which could explain why
the commentaries were so unbearably patriotic, loudmouthed, xenophobic
and even racist, and also homophobic.
Along with the journalistic performances, State advertisements were also
promulgated. As in the transmission of domestic football matches, the
public broadcast prioritised the slots to promote the State’s advertisements.
One politically correct advertisement condemned human trafficking at mega-
events. Others banalised the State’s supposedly successful social “inclusion”
programmes – obtaining a credit for a home, graduating at a new uni-
versity – transforming them in goal celebrations of their beneficiaries
(another now explicit turn of the screw in the footballisation of the social
and political). However, the culmination was the advertisement “Nobody
wins a World Cup alone,” which assimilated all the “achievements” of the
Kirchner administrations with the avatars of the national team: “to win, the
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fallacy which descended directly from the rhetoric used by the dictator-
ship during the 1978 World Cup and which was reiterated in the
unbearable commentaries of the commentator of Argentina’s matches
[…] This piece constitutes an unbearable banalisation and a spurious use
of serious issues
(Verbitsky, 2014, p. 10)
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