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  • Triad Pairs

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    Roberto Braga
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    The document describes two triad pairs that are a whole step apart and their corresponding hexatonic scales. The first pair is a major triad followed by a major triad a whole step higher, known as the Lydian mode. The second pair is a dominant triad followed by a major triad a whole step higher, known as the Ionian mode. It then lists several other triad pairs and their associated hexatonic scales, including minor, half-diminished, and dominant seventh triad pairs.

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    The document describes two triad pairs that are a whole step apart and their corresponding hexatonic scales. The first pair is a major triad followed by a major triad a whole step higher, known as the Lydian mode. The second pair is a dominant triad followed by a major triad a whole step higher, known as the Ionian mode. It then lists several other triad pairs and their associated hexatonic scales, including minor, half-diminished, and dominant seventh triad pairs.

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    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
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    33 views1 page

    Triad Pairs

    Uploaded by

    Roberto Braga
    The document describes two triad pairs that are a whole step apart and their corresponding hexatonic scales. The first pair is a major triad followed by a major triad a whole step higher, known as the Lydian mode. The second pair is a dominant triad followed by a major triad a whole step higher, known as the Ionian mode. It then lists several other triad pairs and their associated hexatonic scales, including minor, half-diminished, and dominant seventh triad pairs.

    Copyright:

    © All Rights Reserved
    Download as DOCX, PDF, TXT or read online from Scribd
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    of 1

    Triad pairs/ hexatonic scales

    1. two major triads a whole step apart

    Chord quality Pair 1 Hexatonic 1 Pair 2 Hexatonic 2

    Major 7 II/I (Lydian) C D E F# G A V/IV (ionian) CDFGAB

    Minor 6/maj7 V/IV CDFGAB

    Minor IV/ b III C Eb F G A Bb

    Minor 7 IV/b III (dorian) C Eb F G A Bb bVI/bVII (Aeolian) C D Eb F Ab Bb

    Half diminished bVI/#IV C Db Eb Gb Ab Bb

    Dominant I/bVII C D E F G Bb II/I (#11) C D E F# G A

    C Db Eb Gb Ab Bb
    Dom 7 alt bVI/#IV
    (b9 #9 #11 b13 b7)

    sus 7 I/bVII C D E F G Bb

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