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DANCE

TERMS
(PART 1)
(EPISODE 3)
“Abrasete”
girl at the right side, holds right arm
of partner with her left hand, free
hands down at the sides. This term is
of Spanish origin and is used in
Rigodon and in other dances.
“Arms in lateral
position”
both arms are at one side,
either sideward right or left.
This may be done at the
shoulder, chest, or waist level.
Arms in reverse “T”
arms are at the side horizontal,
elbows bent at right angles, forearms
parallel to
head, palms forward or facing
inward, fists loosely closed.
“Bilao”
to turn palms of hands up
and down alternately, hands
at waist level in front, elbows
close to waist.
Brush

weight on one foot, hit the


floor with the ball or heel of
the other foot (the free foot)
after which that foot is lifted
from the floor to any
direction.
“Cabeceras”
when dancers are in square
formation, the couples occupying
FORMATION the width of the hall are called
“cabeceras” or head couples.
This is of Spanish origin.
Clockwise
like the motion of the hands of
the clock. Right shoulder is
toward the center of an
imaginary circle. When facing
center, the movement is toward
the left.
Counterclockwise
the reverse direction of clockwise.
Left shoulder is toward the center of
an imaginary circle. When facing
center, the movement is toward the
right.
“Costados”
when dancers are in square
formation, the couples
occupying the length of the hall FORMATION
are called “costados” or side
pairs. This is of Spanish origin.
Crossed arms
partners are facing each other or
standing side by side, girl at the right of
boy. They join their left hands together
and their right hands together; either
right over left or left over right hands.
Cross-Over
two couples (the vis-a-vis) are opposite each other. Each couple
proceeds a straight line to
the opposite place. The girls pass by their left shoulders between the
boys. Boys bow to each other when
they meet at the middle or about one-third of the way, then proceed to
the opposite place. Upon reaching
the opposite place, partners turnabout; girls stand at partners’ right
side.
Cut
to displace quickly one foot
with the other, thus completely
taking off the weight of the
body from the
displaced foot.
DANCE DEMONSTRATION. Through the dance terms that was discussed,
kindly demonstrate correctly the dance terms by following the dance
instruction below.

1. Starting with your right foot, do the Brush step by moving clockwise.

2. Do a cut step while your arms is in Reverse “T” Position. Do this right and
left alternately.

3. Do the brush step while doing Bilao. Do this right and left alternately.

4. Do the brush step while your Arms is in Lateral position.

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