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  • Assassin's Creed Unity (Main Theme)

    Uploaded by

    David
    9 views5 pages
    The document is the main theme from the soundtrack of Assassin's Creed Unity. It consists of musical notation written in a complex format with symbols representing notes, rhythms, and other musical elements. The notation appears to describe a melodic theme that builds in layers of instruments and complexity over its duration.

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    The document is the main theme from the soundtrack of Assassin's Creed Unity. It consists of musical notation written in a complex format with symbols representing notes, rhythms, and other musical elements. The notation appears to describe a melodic theme that builds in layers of instruments and complexity over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    9 views5 pages

    Assassin's Creed Unity (Main Theme)

    Uploaded by

    David
    The document is the main theme from the soundtrack of Assassin's Creed Unity. It consists of musical notation written in a complex format with symbols representing notes, rhythms, and other musical elements. The notation appears to describe a melodic theme that builds in layers of instruments and complexity over its duration.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 5

    Assassin's

    Creed Unity
    (main theme)

          
          
    = 65

         

      
       
                 
             
                     

      = 80 
                    
        
    7

       
          
     
     
    2

              
                              
    10

       
           
       



    3

            
                               
    13

      
             
       



    4

                               
      
    16

       
           

     
     
                     
    19

        
            
        


           
     
    22

                         
      
           

          

    5

    
      
    24

                                         
    

     
        

    27

                           
     

         

    29

                           
     

          
              
               
    31

        
       
                   
           


    37

     

      
     

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