This document provides an overview of elements of visual arts and performing arts as part of a midterm art appreciation lesson. It discusses the key elements of visual art, including line, shape, texture, form, space, perspective, volume and color. It then covers color harmonies and the principles of art, explaining complementary colors, split complementary, analogous, triadic, and monochromatic color schemes. The principles of art discussed are balance, emphasis, harmony, movement, pattern, proportion, repetition, rhythm, unity and variety.
This document provides an overview of elements of visual arts and performing arts as part of a midterm art appreciation lesson. It discusses the key elements of visual art, including line, shape, texture, form, space, perspective, volume and color. It then covers color harmonies and the principles of art, explaining complementary colors, split complementary, analogous, triadic, and monochromatic color schemes. The principles of art discussed are balance, emphasis, harmony, movement, pattern, proportion, repetition, rhythm, unity and variety.
This document provides an overview of elements of visual arts and performing arts as part of a midterm art appreciation lesson. It discusses the key elements of visual art, including line, shape, texture, form, space, perspective, volume and color. It then covers color harmonies and the principles of art, explaining complementary colors, split complementary, analogous, triadic, and monochromatic color schemes. The principles of art discussed are balance, emphasis, harmony, movement, pattern, proportion, repetition, rhythm, unity and variety.
LESSON 4: Understanding the Elements of Visual Arts and Performing Arts
Objectives: At the end of the lesson, the students will be able to: a. enumerate the elements of visual art b. observe and apply the different color harmonies in art works c. observe and apply principles of art d. express appreciation through active participation ELEMENTS OF VISUAL ARTS Elements of arts refer to the stylistic features included within an art piece that help communicate the artists idea. These common elements are line, shape, texture, form, space, perspective, volume and color. Other authors add mark making and materiality. These elements are the building blocks or ingredients of art. 1. Line is basic among the elements of art. Line could be straight, diagonal, horizontal, vertical or curve. Lines suggest ideas. While vertical straight line suggests poise, height or confidence, horizontal line suggest peace, rest, width or calmness. Diagonal or slanting line suggests movement or direction. Diagonal line suggests instability. Curved lines suggest softness, safety, familiarity or relaxation. Is it not that a calm sea is presented in horizontal line? A thin statue standing vertically seems taller than a bigger or stout statue. A pattern of curved lines gives us a relax feeling. Crooked or jagged lines express energy, violence conflict and struggle. All forms of art e.g. painting, sculpture, architecture, dance, theater use lines. 2. Texture in art refers to how the object feels to the touch or the surface quality of a work of art as perceived by people as smooth or rough. It could be perceived as bumpy or slippery; it maybe is slimy or grainy; perhaps it feels or seems sandy or gritty. It means the physical composition of something, or the look and feel of a work of art.. It is an element of two dimensional and three-dimensional designs and is distinguished by its perceived visual and physical properties. In art there are four types of texture namely: actual, simulated, abstract or invented. 3. Perspective refers to how we perceive the appearance of an object as the effect of distance. In painting, it means the how we see the position of objects in space. This enables us to perceive distance and to see the position of objects in space. The two Kinds of perspective are a.) linear perspective and b.) aerial perspective. 4. Shape is the result when the ends of a line meet to enclose an area. A circle can be created by having the ends of a line meet together. A line can create an oblong, a square or any polygon. 5. Form refers to the over-all design of the piece of art. This implies a plan or an arrangement of the parts or elements, or an observation of principles of design and media to achieve the desired effect or convey the message. Form as an element of art is three-dimensional and encloses space. Like a shape, a form has length and width. Forms are either geometric or free form. 6. Space refers to the distances or areas around, between and within components of a piece. Space can be positive or negative, open or closed, shallow or deep and two-dimensional or three-dimensional. 7. Volume refers to the amount of space occupied in three dimensions. It refers to solidity or thickness. We perceive volume in two ways by contour lines or shapes of objects, and by surface lights and shadows. 8. Color does not only refer to hue but also to value. Hue is the name of the color while value refers to the degree of luminosity whether there is enough light or the lack of it (dark). Color can tell us a lot about a work of art. Bright colors can make us happy, while darker colors can make us feel sad. Some colors have universal meaning i.e Red means passion, love, anger; Orange means energy, happiness, vitality; Yellow means happiness, hope, deceit; Green means new beginnings, abundance, nature; Violet suggests royalty, dignity, power; Black means evil, uncertainty.
Three Dimensions of Color a. Hue refers to the shade of a color. It means the color without any added white or black to lighten or darken. It is the pure color. Hue gives color its name. When we say the flower is yellow we are naming its hue. Colors like red, yellow, blue, green and violet indicate the color characteristic called hue. Blue, red and yellow are primary colors while green, orange and violet are secondary colors. Secondary colors results from combining or mixing primary colors. Mixing red and yellow produces orange; Red and blue produce violet while green is produced by mixing blue and yellow. b. Value refers to the lightness or darkness of a hue also sometimes called chiaroscuro. Chiaroscuro means light and shadow. Tints are values above the normal value while shades are the values below the normal. When we add white to a hue, it lightens the hue and it produces a high-value color called a tint. When black is added to a hue, a shade is produced. Any hue when added with white results to a tint, whereas adding black to a hue results to a shade. c. Intensity- also called chroma refers to the intensity or saturation. Intensity means the strength of brightness or darkness of color. Two colors may be the same yellow or red but one is more intense than the other. Adding white or black to any color would weaken the intensity of that color. LESSON 5: COLOR HARMONY Everything around us has colors. The sky, the sea, the trees and flowers, the animals, the fish, insects and every object visible to the naked eye have colors. Colors affect the senses. Colors possess a power of their own. How many of us are enthralled just by looking at a beautiful painting because of the colors used by the artist? An ordinary wall comes alive when a color is applied. A simple surface creates a pleasant or odd feeling because of its color. Every pigment of color when used properly and intelligently on a piece of art can bring people an experience so great it can have a different impact to them. To the artists, for example, a painter, colors are not just pigments to be applied on a canvas. To a sculptor, colors are not just hues of a surface. They are part of their being; they are part of their emotions, their ideas, including their conscious and sub-conscious feelings. When colors are picked, they form part of the idea or the process of getting into the idea. Colors help the artists achieve their desired effect or objectives. That is why understanding colors is important i.e. what colors go together and what not. SIX COLOR HARMONIES a. Complementary Colors are pairs of colors which when combined or mixed, cancel each other out by producing a grayscale color like white or black. When placed next to each other, they create the strongest contrast for those two colors. These are also called opposite colors. Examples of complementary colors are Green and Red, Yellow and Violet, Blue and Orange. They are positioned opposite on the color wheel. [ b. Split Complementary Color is a color scheme using one base color and two secondary colors. Instead of using a complementary color, two colors placed symmetrically around on the color wheel are used. Basically, split complementary color scheme involves there colors. You start with one color, then find its complement and then use the two colors on either side of it. For example, the complement of blue- green is red-orange and the split complement of blue-green would be red and orange. c. Analogous colors group of three colors that are next to each other on the color wheel and a tertiary color. Examples are Red, Orange and Red-Orange, Violet, Red Violet and Red, Yellow, Green and Yelow Green. d. Triadic color harmonies – a triadic color scheme uses colors that are evenly spaced around the color wheel. This is comprised of three colors. For example: Red, Blue and Yellow, Orange, Purple (Violet) and Green. e. Tetradic harmonies uses four colors that are two sets of complements, for example Yellow- Violet and Green-Red. The tetrad colors do not need to be equally spaced in the color wheel, as long as they are couples of complementaries. f. Monochromatic harmonies use only one color in different tones, tints and shades. This is achieved by adding white or black to a certain hue. For example, adding white to red creates pink, adding black to red creates maroon, etc. The resulting color depends on the amount of white or black added to a particular hue. Principles of Art The ten principles of art are balance, emphasis, harmony, movement, pattern, proportion, repetition, rhythm, unity and variety. 1. Balance, one principle of organization of visual or structural elements, refers to the sense of distribution of perceived visual weight that offset one another. It equalizes visual forces or elements in a work of art. If a work of art has a visual balance, the viewer feels that the elements have been in a satisfying way. Two types of Balance a. Symmetrical Balance refers to balance achieved by arranging elements on either side of the center of a composition in an equally weighted manner. Symmetrical balance can be thought of as 50/50 balance or like a mirror image. b. Asymmetrical Balance is a design that looks balanced despite a lack of symmetry. This is an alternative to symmetry that is far more difficult to master or achieve. 2. Emphasis in art is defined as an area or an object within the artwork that draws attention and becomes a focal point. Subordination is defined as minimizing or toning down other compositional elements in order to bring attention to the focal point. 3. Harmony is the visually satisfying effect of combining similar, related elements. For instance, adjacent colors on the color wheel, similar shapes, etc. 4. Movement is the action suggested in the artwork. Moreover, it means the tendency or style in art with a specific common philosophy or goal followed by a group of artists during a specific period of time. 5. Pattern is described as a repetition of specific visual elements. 6. Proportion in art is the relationships of two or more elements in a composition and how they compare to one another with respect to size, color, quantity, degree, setting, etc. 7. Repetition is seen as one of the fundamentals of creativity. It helps to create a sense of movement within an artwork. It is a recurrence of a particular line, pattern shape or other visual elements in a single or part of the series. 8. Rhythm in art is a principle of design that suggests movement or action. Rhythm is easily achieved by repetition of lines, shapes, color, and more. It creates a visual tempo in artworks and provides a path for the viewers’ eyes to follow. 9. Unity in art is a principle that refers to a set of compositional strategies used by an artist to make the parts of a painting or another work of art hang together as a whole through visual relatedness. 10. Variety in art is a principle that adds interest to an artwork. Variety works through juxtaposition and contrast. When an artist places different visual elements next to one another, he/she is using variety. LESSON 6 The Artists and their Mediums Lesson 1 Understanding the Mediums of Painting Objectives: At the end of the lesson, the students will be able to: a. state the difference between mediums and technique b. state the points of differences of various arts c. express appreciation of art through exploration of its elements d. show enjoyment in doing class activities On Mediums and Techniques Mediums refer to the materials which are used by an artist. Medium in art answers the question: “What is it made of?”. The artist chooses or picks a medium he/she can successfully manipulate to express his feelings or thoughts. These are the same materials he uses to produce a work of art. Many of these mediums have been used in creating different works of art. Architects use wood, bamboo, bricks, stones, concrete and various other building materials. A sculpture uses steel, marble, bronze, copper, metal or wood. While a musician uses sound and instruments to create a work of art called music, a writer uses words in writing pieces of literature. Some artists are good working with a particular medium that somehow limits his/her success using other mediums. Some works of art are better achieved through a particular medium. For example, a sculpture may be excellent in using wood but lousy in marble. A painter is maybe very good in using oil but encounters difficulty using watercolor. The success of a medium largely depends on the artists’ ability to manipulate it. Some medium have special characteristics that others lack. Therefore, the success of an artist solely depends on his choice of medium. Meanwhile, technique is the manner at which the artist controls his medium to achieve a desired effect. It simply refers to the skills used by the artist in manipulating the medium. For example, although there are many techniques in painting, brushing remains the basic technique. One of these techniques is pointillism where the artist uses points in creating images on a surface. Spray painting means the artist uses sprayer in creating a visual art. Blotting is another technique. A painter who has mastered many techniques has an advantage to produce a variety of aesthetic effects on his works. A type of artist may use a particular technique or a combination of these. What do you think are the techniques of a sculptor; of a ceramic or pottery maker? The Artist and his Mediums Before an artist begins to create a work of art, he has to choose a medium or mediums and think about the right technique or techniques to apply. Oftentimes, the matter of selecting a medium solely depends on the artist himself since this is part of his inspiration. He, of course, selects a medium because he thinks he can handle the medium with ease and where his plan is most likely to succeed. The distinctive character of the medium determines the way it can be manipulated or controlled by the artist to come up with a work of art. The nature of a medium determines how a work of art may be realized. For example stone must be chiseled, metal must be cast, and wood must be carved. Each medium has its own characteristics which determine the physical appearance of the finished product. The Artist and his Technique Apparently, artists differ from one another in technique even if they use the same medium. Technique differs in the various artists. One artist’s technique in one medium will be quite different from the technique in another. A painter may have a fine technique in oil (medium) but has poor technique in water color (another medium). MEDIUMS OF VISUAL ARTS A. PAINTING Painting is the art of creating meaningful effects on a flat surface by the use of pigments. Each medium, exerts a pronounced effects on the finished product, is capable of varied treatment and determines its own stroke. The materials of the painter are pigments applied to wet plaster, canvas or paper. Mediums of Painting 1. Watercolor. As a medium, watercolor is difficult to handle because it is difficult to produce warm and rich tones but it invites brilliance and a variety of hues. 2. Fresco. This is painting on a moist plaster surface with colors ground in water or a limewater mixture. The colors dry into plaster and the picture becomes a part of the wall. Fresco is also known as wall painting. Michaelangelo’s “The Creation of Adam” in the Sistine chapel ceiling is an example of fresco. 3. Tempera. Tempera paints are mineral pigments mixed with egg yolk or egg white and ore. The egg white or yolk are used as binder due to its film forming properties and rapid drying rate. Corrections are difficult to make because it dries quickly and does not possess the flexibility of oil. 4. Pastel. This is a stick of dried paste made of pigment ground with chalk and compounded with gum water. Its colors are luminous; it is a very flexible medium. 5. Encaustic. This is one of the mediums used by Egyptians for the painted portrait on mummy cases. This is done by painting with wax colors fixed with heat. 6. Oil. Oil painting is the heaviest of painting media. It’s very flexible so corrections can be made. The artist can use a brush, palette knife or even his hands when applying. Although this medium dries slowly, turns yellowish or darker and breaks over a period of time, the finished work appears glossy and can last long. 7. Acrylic. Contemporary artist uses this medium because it possesses the transparency and quick-drying characteristic of watercolor and flexibility of the oil. This is a synthetic paint mixed with acrylic emulsions as binder for coating the surface of the artwork. It does not break easily over a period of time. 8. Mosaic. This art is a picture or decoration made of small pieces of inlaid colored stones or glass called “tesserae” which most often are cut into squares glued on a surface with plaster or cement. A mosaic is classified as painting although the medium used is not strictly pigment. 9. Stained Glass. This is common in Gothic cathedrals and churches. This is made by combining many small pieces of colored glass which are held together by bands of lead. It resembles a patchwork. The images or pictures in the stained glass reflect the lives of saints. 10. Tapestry. This is a fabric consisting of a warp upon which colored threads ate woven by hand to produce a design often pictorials, wall hangings, and furniture covering. 11. Drawing. This is usually done on paper using pencil, pen and ink or charcoal. This is considered the most fundamental training for artist because it enables him to concentrate on the use of line. 12. Bistre. It is a brown pigment extracted from the soot of wood and often used in pen and wash drawings. 13. Crayon. These are pigments bound by wax and compressed into sticks used for drawing. They adhere better on paper surface. 14. Charcoal. These are carbonaceous materials obtained by heating wood in the absence of oxygen. 15. Silverpoint. This was popular during the renaissance period. The artist draws with the silver stylus on specially prepared paper to produce thin grayish lines. 16. Printmaking. Anything printed on a surface that is direct result from duplicating process. This process enables the artist to produce more than one copy. There are five major types of prints namely: woodcut, engraving, relief, intaglio and stencil printing.
Photography as an Art Medium Photography is the art of taking and processing photographs. This is the art application and practice of creating durable images by recording light or other electro-magnetic radiation, either by means of an image sensor or chemically by means of a light sensitive material such as photographic film (https:/en.m.wikipedia.org). This results to a two-dimensional artwork like a painting. It arose as an art medium brought about by the advancement in technology.
Rule of Thirds is a Rule of Thumb or guideline in composing visual images. This means the photographer mentally divides up the image using 2 horizontal lines and two vertical lines. To put it simply, divide the image into nine equal sections.This is done to achieve an off-center composition which is believed to be more pleasing to the eyes than putting the subject at the center of the frame.