4.

DOTTE D QUARTE RS A N D TIE D EIG HTHS IN SIMPLE METE R

As a dot extends a note by half the value of the note, a dotted quarter-note repre­
sents a quarter extended by an eighth-note:

Dots must be used instead of ties whenever possible. However, it is a rule of

notation that only a whole note, a dotted half-note, or a half-note beginning on the sec­
ond beat may span the middle of a four-four measure. In any more complicated pattern
where a note sounds across the beginning of the third beat, that beat must be

t
J nvJ J

J j)
shown by a note tied to the preceding note. For example, must be
written with a tie so the middle of the measure is visible, because writing the third

note as a dotted note- J. J -makes the pattern more difficult to read.

etc.) helps us get the 3:1 ratio of the lengths correct, and conducting helps us feel the
In performing dotted notes, counting the divisions of the beat (here, 1 & 2 &,

beat and place correctly a note that follows off the beat.

.h n iJ J .h :ii
4. 1) J = 72-144

nJ i J Ii: J
.h J Ii: .h J n i J .h J :ii
.hJ :ii ---

n J iJ >
:ii

l J i J n J i J n J i J .hJ i J f J i n n J i
4. A) Andante con moto (J = 92)

In nJ I J .hn Ji f J I J .hn i J .hn i

iJ J J J
I f n InJ n in nJ i J .hJ I j II
4. B) Allegro (J = 120)

ni
pp

22
£Z:

I I l rl� r�T� ·r1 � ·r1 u UI l UTU Ul

1�� ·r1 u ui l r1� r �1� ·r1�
-r I u u !
·r1 � ·r1
I u u I l u I� r � I � ·r I�
(ZSl i) a:l�A!A (:I "17

11 ·l l r1� ·r r r r rT� ·r � ·r1� ·l /. � 1. �1

=

1 r r r r� ·r1 r r r ru r 1 � ·l 1.� l I � ·r r r r rT
-

I'"'� -r� ·r1� ·l 1.� 1.�1 � ·r r r r r1� ·r� ·r1� i

(001 = i) ona.1�anv (O ·17

11: � r � r u1 r r r r�u r:11

1 - 11 : r r r rr r rr:11 - 11: � r ��u r:11
- 11: � r �� r �:11
- 1
11: Wf'u r:11 - 11: r u�u r:11 - 11: r uu ri
17171-'lL = i (Z "17

11 l r1 r r r r1 ·r�1 � ·r1 u r1 l r1 ·r�1 r u1

ifjo,

1 r u 1 � ·r 1 l r 1 u r 1 � ·r1 � ·r1 u r i
a �

(Zfl = i) o.1�anv CJ ·17

11 l r1 r r r1 r � ·r1 u � ·r 1

1 u ·r1 u
ifjo, a

l r1 r� l r1 r� ·r 1
l j).Jl I J j)J I J j).Jl I j)J j).Jl I J j).Jl I J j).Jl I
4.F) Allegro (J = 120)

I j)J j)Jl I j)J J j) I J I j)Jl I j)Jl i.hJ .hJlJ

L.hJ J .hi J 1.hn I J .hi J JJ .hi.hJ J .hlJ 111
J
J
n n
4. 3) = 60-120

l� l iJ U i :: I - : i . D i :: I -- I:i : D i . ::
l .h J - :J J J J
>

- l:i U
- :J - .hJ .hJ:
}J i :I: - l:J: i Di. ::I -- :J: Di Di:
>

� t J .hJ JiJ JiJ JiJ n J �� J J Ji n J Ji

4. G) Andante (J = 84)

� l i U i i U i i i i i �� r ur r ur
JiJ J .h J �� J .hn .hJ Jin .hJ J Ji J ��
i i i i �� i U i r ur r rc.r i�� I
4. H) Moderato (J = 100)

� i J n .h J .h J n Ji J Ji J � J J
�i i i U i U i i u i � iU
t
Ui I
nJ nJ J n J � J n JiJ Ji J nJ
D i D i U D i D i � ii U i
1 n J JiJ JilJ JJ J J � I
Ir u i � i UT Di D i U1 Di D r �
Lj) J Ji J � J J

24
�i � J � J � J J J J �J � J i � �J
4. I) Andante (J = 88)

l iDDr DDr DDr D r r r r r

p
mp

J J J J �J � J i � J
i DDr D
�J � t· �
pp

J J J J �J �
D r DD r DCrrrr i DD r DD r D
t· J
Dr D UiD Dr D Dr DDr D r r r r r i
�J � J � �J i
p

4. J) Allegro (J = 1 16)

�tJ J J J � JJ J � Jt t n J IJ J �·
� t t t r r r r· Dr r r· Dr t t ur u
nJ J � J t i � n J nJ �lJm). � Jt t
r· Derr r·Dr t Derr
i er Ir· Dill! r·Dr

J J J J
(J
3J
4. K) Allegro moderato = 112)

J J � J � JJJ t
l J �J J �J J �J J
'4,_ mf
�J J J J
t uuu uuu uuu uuu r t u
mp

� nJ n J
p

J J nJ nJ. t
J �J J �J J �J J �J J t t
uuu uuu uuu uuu ur �

25