This document provides background information on Indian American writer Chitra Banerjee Divakaruni. It discusses that she was born in Kolkata, India and immigrated to the US for university where she received a BA and PhD. It outlines her publications which include novels, short stories, poetry and children's stories. The document also discusses her work focusing on South Asian women's lives in India and the US and her co-founding of an organization helping South Asian women facing issues like domestic violence. It provides analysis of her poem "Indian Movie, New Jersey" and the role of cinema in acculturation.
This document provides background information on Indian American writer Chitra Banerjee Divakaruni. It discusses that she was born in Kolkata, India and immigrated to the US for university where she received a BA and PhD. It outlines her publications which include novels, short stories, poetry and children's stories. The document also discusses her work focusing on South Asian women's lives in India and the US and her co-founding of an organization helping South Asian women facing issues like domestic violence. It provides analysis of her poem "Indian Movie, New Jersey" and the role of cinema in acculturation.
This document provides background information on Indian American writer Chitra Banerjee Divakaruni. It discusses that she was born in Kolkata, India and immigrated to the US for university where she received a BA and PhD. It outlines her publications which include novels, short stories, poetry and children's stories. The document also discusses her work focusing on South Asian women's lives in India and the US and her co-founding of an organization helping South Asian women facing issues like domestic violence. It provides analysis of her poem "Indian Movie, New Jersey" and the role of cinema in acculturation.
This document provides background information on Indian American writer Chitra Banerjee Divakaruni. It discusses that she was born in Kolkata, India and immigrated to the US for university where she received a BA and PhD. It outlines her publications which include novels, short stories, poetry and children's stories. The document also discusses her work focusing on South Asian women's lives in India and the US and her co-founding of an organization helping South Asian women facing issues like domestic violence. It provides analysis of her poem "Indian Movie, New Jersey" and the role of cinema in acculturation.
Roll No. :- 232 Subject:- (1201) Compulsory English Chitra Banerjee Divakaruni BACKGROUND • Indian American writer – author of poetry, short stories, novels, children’s stories . • Born in Kolkata in 1956, came to US in 1976 for university studies . • Completed BA in Wright State University . • Ph.D. from University of California at Berkeley. • She is married and have two children , lives in Houston, Texas PUBLICATIONS • Fictions : Arranged Marriage : Stories (1995) The Mistress of Spices (1997) Sister of My Heart (Novel) (1999) The Unknown Errors of our Lives (stories) (2001) Neela: Victory Song (Novel) (2002) The Vine of Desire (Novel) (2002) Queen of Dreams (Novel) (2004) The Palace of illusions: A Novel (2008) Shadowland: Book Three of the Brotherhood of the Conch (2009) One Amazing Thing (2010) Oleander GIRL (2013) • Poetry : The Reason for Nasturtiums (1990) Black Candle (1991) Leaving Yuba City (1997) Indian Movie, New Jersey WORK • “She is centrally concerned with giving shape to South Asian women’s lives in gendered India and United States Society” (Aldama). • Co-founder of ‘MAITRI’ , an organization that “helps South Asian women facing domestic violence , emotional abuse, cultural alienation , human trafficking or family conflict .” Indian Movie , New Jersey • In the poem under discussion here , “Indian Movie , New Jersey”, Divakaruni creates a setting in which the moviegoers are able to lose themselves in fiction, stop thinking (or least speaking ) of inequities, racism , violence and entertaining thoughts of the ‘American Dream ’. • Interesting take on familiar theme of cinema/television and their role in acculturation . • Physical space of cinema and role of cinematic narrative are both important . THNAK YOU