Professional Documents
Culture Documents
Module 6
Module 6
INTRODUCTION
This module is about Juan Luna and Fernando Amorsolo. The two important artist in the history of
visual arts in the Philippines. Their artworks illustrate important points in Philippine history. This section
focuses on the life of these two artists and their most important works.
DIAGNOSTICS
Juan Luna showcased his artistic skills to illustrate the situation of the Philippines under the
Spanish colonial administration. Image that you are tasked to describe the Philippine nation to a foreigner
who does not have any idea about the Philippines through a visual work. Draw or sketch a representation
of the Philippine nation according to your own understanding of its present condition.
III. LECTURE
Juan Luna was born on October 23, 1857 in Badoc, Ilocos Norte. He was third
among the seven children of Joaquin Luna de San Pedro y Posadas (from
Zambales) and Laureana Novicio y Ancheta (from La Union). He married
Maria de La Paz Pardo de Tavera and had two children. He was granted the
title Licentiate Pilot for High Seas after passing the government examination
for sailors. He was also a member of the Hong Kong Revolutionary
Committee (Hong Kong Junta) that tried to convince Emilio Aguinaldo during
his exile in Hong Kong to return to the Philippines and take part in the armed
rebellion against the Spaniards.
Many Filipino middle class families had the chance to
study not only in the Philippines but in Europe as
JUAN LUNA (1857 – 1899) well, allowing them to be exposed to new ideas and
ideologies. It was during this time that Juan Luna
became famous for his artistic works.
Aside from his award – winning paintings, Juan Luna is also renowned for the following remarkable
works: (1) the El Pacto de Sangre which shows the blood compact between Datu Sikatuna and Miguel
Lopez de Legazpi; (2) the Parisian Life which shows a lady sitting uncomfortably in a couch in a public bar
while discretely observed by three men who, according to public interpretations, resemble Jose Rizal, Juan
Luna, and Dr. Ariston Lin – Bautista; and (3) the Portrait of a Lady which was first titled Paz Pardo de
Tavera, after the wife of Luna which shows a woman holding a rosary in a scene that seems to be after a
sexual interlude. However, the Lady in the painting does not look like Juan Luna’s wife at all. Some critics
suppose that it resembles the image of Luna’s favorite model, a Caucasian named Angela Duche while
others believe the lady is an image of Luna’s idealized vision of his wife. This particular painting is
controversial for it contains no foreshadowing to the tragedy of Luna’s marriage which ended with him
shooting his wife in September of 1892.
Fernando Amorsolo was born in Calle Heran (popularly known today as Pedro
Gil) in Paco, Manila on May 20, 1892. He studied at the Art School of the
Liceo de Manila and the University of the Philippines’ School of Fine Arts. He
worked as draftsman for the Bureau of Public Works, as a Chief Artist at the
Public Commercial Company, and as a part time instructor in the University of
the Philippines.
Amorsolo painted and sketched more than 10,000 pieces over his lifetime
FERNANDO AMORSOLO using natural and backlighting techniques, which gave him numerous awards
(1892 – 1972) and recognitions. The themes of his paintings are mostly rural
Philippine landscapes. Two of Amorsolo’s award – winning works are (1) the Leyendo El Periodico which won
second place in the Bazaar Escolta in 1908 and (2) the Afternoon Meal of Rice Workers which won first prize at
the New York World’s Fair in 1939. Other works of Amorsolo include the Making of the Philippine Flag, The First
Baptism in the Philippines which was based on the accounts of Pigafetta, and Under the Manggo Tree.
On April 24, 1972, Amorsolo died from heart failure. In the same year, Amorsolo was declared the first
National Artist of the Philippines in painting. He is also considered as the “Grand Old Man of Philippine Art”.
IV. ASSESSMENT
Assessing the importance of Primary Sources in Understanding the Grand Narrative of Philippine History
Name & Section: _____________________________________________________________________
Instructions: Give at least three reasons why the paintings of Luna and Amorsolo are important to the grand
narrative of Philippine history.
1. __________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
2. __________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
3. __________________________________________________________________________________
____________________________________________________________________________________
____________________________________________________________________________________
V. OTHER REFERENCES:
A Collection of some of Juan Luna’s masterpieces. (2016, May 3). Retrieved from
https://kahimyang.com/kauswagan/articles/1315/a-collection-of-some-of-juan-lunas-masterpieces
A Small Collection of Fernando Amorsolo’s paintings. (2016, May 2). Retrieved from
https://kahimyang.com/kauswagan/articles/1372/a-small-collection-of-fernando=amorsolos-paitings
Martinez, E. (n.d.). Biography of Fernando Amorsolo. The Fernando C. Amorsolo Art Foundation. Retrieved
from http://ncca.gov.ph/about-culture-and-arts/in-focus/the-art-of-juan-luna
Torres, E. (2004). In focus: The art of Juan Luna. Retrieved from
http://ncca.gov.ph/about-culture-and-arts/in-focus/the-art-of-juan-luna