Line 6 Helix Effect Models

Distortion Models

Model Subcategory Based on

Minotaur Mono, Stereo Klon® Centaur
Compulsive Drive Mono, Stereo Fulltone® OCD
Valve Driver Mono, Stereo Chandler Tube Driver
Top Secret OD Mono, Stereo DOD® OD-250
Scream 808 Mono, Stereo Ibanez® TS808 Tube Screamer®
Hedgehog D9 Mono, Stereo MAXON® SD9 Sonic Distortion
Vermin Dist Mono, Stereo Pro Co RAT
Arbitrator Fuzz Mono, Stereo Arbiter® Fuzz Face®
Triangle Fuzz Mono, Stereo Electro-Harmonix® Big Muff Pi®
Industrial Fuzz Mono, Stereo Z.Vex Fuzz Factory
Tycoctavia Fuzz Mono, Stereo Tycobrahe® Octavia
Megaphone Mono, Stereo Megaphone
Added with firmware 1.06
Teemah! Mono, Stereo Paul Cochrane Timmy® Overdrive
Benadrian Kowloon Walled Bunny Dis-
KWB Mono, Stereo
tortion
Bitcrusher Mono, Stereo Line 6 Original
Added with firmware 2.0
Wringer Fuzz Mono, Stereo Garbage’s special BOSS® FZ-2
Added with firmware 2.10
Stupor OD Mono, Stereo BOSS® SD-1 Overdrive
Added with firmware 2.20
Darkglass Electronics® Microtubes B7K
Obsidian 7000 Mono, Stereo
Ultra bass preamp/overdrive/EQ
Wounded Paw Battering Ram bass over-
Clawthorn Drive Mono, Stereo
drive
Added with firmware 2.30
Kinky Boost Mono, Stereo Xotic® EP Booster
Thrifter Fuzz Mono, Stereo Line 6 Original
Added with firmware 2.60
Deranged Master Mono, Stereo Dallas Rangemaster Treble Booster
BOSS© DS-1 distortion pedal (classic
Deez One Vintage Mono, Stereo
Made-in-Japan version)
BOSS© DS-1 distortion pedal (Keeley
Deez One Mod Mono, Stereo
mod version)
Added with firmware 2.80
Dhyana Drive Mono, Stereo Hermida Zendrive
Analogman Prince of Tone (basically half
Heir Apparent Mono, Stereo
a King of Tone)
Analogman King of Tone V4 (basically
Tone Sovereign Mono, Stereo
two Prince of Tones in one)
ZeroAmp Bass DI Mono, Stereo Tech 21® SansAmp Bass Driver DI V1
Ampeg Scrambler Mono, Stereo Ampeg® Scrambler Bass Overdrive
Added with firmware 2.90
Alpaca Rouge Mono, Stereo Way Huge® Red Llama (modded)
Carvin VLD1 Legacy Drive (high gain
Legendary Drive Mono, Stereo
channel)
Xenomorph Fuzz Mono, Stereo Subdecay Harmonic Antagonizer
Added with firmware 3.00
Horizon Devices Precision Drive. In-
cludes an extra Gate Range parameter
Horizon Drive Mono, Stereo
that, when set to „Extended,“ drops the
gate‘s threshold down to -90dB
BOSS® HM-2 Heavy Metal Distortion
Swedish Chainsaw Mono, Stereo
(Made in Japan black label)
Pocket Fuzz Mono, Stereo inspired by the Jordan Boss Tone Fuzz
1973 Electro-Harmonix® Ram‘s Head
Bighorn Fuzz Mono, Stereo
Big Muff Pi
Ballistic Fuzz Mono, Stereo Euthymia ICBM Fuzz
Added with firmware 3.10
Ratatouille Dist Mono, Stereo 1984 Pro Co RAT

Dynamic Models

Model Subcategory Based on

Deluxe Comp Mono, Stereo Line 6 Original
Red Squeeze Mono, Stereo MXR® Dyna Comp
LA Studio Comp Mono, Stereo Teletronix® LA-2A®
Noise Gate Mono, Stereo Line 6 Original
Hard Gate Mono, Stereo Line 6 Original
Added with firmware 2.20
3-Band Comp Mono, Stereo Line 6 Original multiband compressor
Autoswell Mono, Stereo Line 6 Original
Added with firmware 2.30
Kinky Comp Mono, Stereo Xotic® SP Compressor
Added with firmware 2.90
Ashly® CLX-52 and created in conjunc-
Rochester Comp Mono, Stereo
tion with Billy Sheehan
Added with firmware 3.00

Horizon Devices Precision Drive‘s gate

circuit. Includes an extra Gate Range
Horizon Gate Mono, Stereo parameter that, when set to „Exten-
ded,“ drops the gate‘s threshold down to
-90dB. Works best before an amp
Added with firmware 3.15

based on the Ampeg Opto Comp com-

Ampeg Opto Comp Mono, Stereo
pressor pedal

Eq Models

Model Subcategory Based on

Simple EQ Mono, Stereo Line 6 Original
Low Cut/High Cut Mono, Stereo Line 6 Original
Parametric Mono, Stereo Line 6 Original
10-Band Graphic Mono, Stereo MXR® 10-Band Graphic EQ
Added with firmware 2.0
Cali Q Graphic Mono, Stereo MESA/Boogie® Mk IV’s 5-band EQ
Added with firmware 2.80
Low/High Shelf Mono, Stereo Line 6 Original
 Line 6 Original. Tilt is a subtle 6dB EQ
that boosts high frequencies while si-
multaneously attenuating low frequen-
cies (or vice versa). Great for quickly
Tilt Mono, Stereo
making tones a bit brighter or darker.
The Center Freq parameter sets the fre-
quency around which the boost and cut
pivot
Added with firmware 3.00
Acoustic Sim Mono, Stereo BOSS® AC-2 Acoustic Simulator

Modulation Models

Model Subcategory Based on

Optical Trem Mono, Stereo Fender® optical tremolo circuit
60s Bias Trem Mono, Stereo Vox® AC-15 Tremolo
Script Mod Phase Mono, Stereo MXR® Phase 90
Ubiquitous Vibe Mono, Stereo Shin-ei Uni-Vibe®
Gray Flanger Mono, Stereo MXR® 117 Flanger
Harmonic Flanger Mono, Stereo A/DA Flanger
Courtesan Flange Mono, Stereo Electro-Harmonix® Deluxe EM
Chorus Mono, Stereo Line 6 Original
70s Chorus Mono, Stereo BOSS® CE-1
Trinity Chorus Stereo DyTronics Tri-Stereo Chorus
Bubble Vibrato Mono, Stereo BOSS® VB-2 Vibrato
Vibe Rotary Stereo Fender® Vibratone
122 Rotary Stereo Leslie® 122
145 Rotary Stereo Leslie® 145
AM Ring Mod Mono, Stereo Line 6 Original
Pitch Ring Mod Stereo Line 6 Original
Added with firmware 1.06
Dynamix Flanger Mono, Stereo Line 6 Original
Deluxe Phaser Mono, Stereo Line 6 Original
Tremolo Mono BOSS® PN-2
Tremolo/Autopan Stereo BOSS® PN-2
Added with firmware 2.0
Harmonic Tremolo Mono, Stereo Line 6 Original
Added with firmware 2.20
PlastiChorus Mono, Stereo modded Arion SCH-Z chorus
Added with firmware 2.30
Bleat Chop Trem Mono, Stereo Lightfoot Labs© Goatkeeper
Double Take Mono, Stereo Line 6 Original doubler
Added with firmware 2.90
Pebble Phaser Mono, Stereo Electro-Harmonix® Small Stone phaser
Added with firmware 3.00
Poly Detune Mono, Stereo Line 6 Original

Added with firmware 3.00

Line 6 Original effect that simulates
playing a signal back from an analog
Retro Reel Mono tape machine. This signal can be distor-
ted, filtered to sound older or more lo-fi,
and modulated with wow and flutter.
Added with firmware 3.15

based on the Ampeg Liquifier chorus

Ampeg Liquifier Mono, Stereo
pedal

Delay Models

Model Subcategory Based on

Simple Delay Mono, Stereo Line 6 Original
Mod Chorus Echo Mono, Stereo Line 6 Original
Multitap 4 Stereo Line 6 Original
Multitap 6 Stereo Line 6 Original
Ping Pong Stereo Line 6 Original
Sweep Echo Mono, Stereo Line 6 Original
Ducked Delay Mono, Stereo TC Electronic® 2290
Transistor Tape Mono, Stereo Maestro® Echoplex EP-3
Harmony Delay Stereo Line 6 Original
Bucket Brigade Mono, Stereo BOSS® DM-2
Adriatic Delay Mono, Stereo BOSS® DM-2 w/ Adrian Mod
 Electro-Harmonix® Deluxe Memory
Elephant Man Mono, Stereo
Man
Added with firmware 1.04.1
New Line 6 Original stereo delay with
separate time, feedback, and mix per
Dual Delay Stereo
channel. Includes high and low cut fil-
ters and Chorus or Vibrato modulation
New Line 6 Original; whatever you play
Reverse Delay Mono, Stereo in comes back at you backwards (up to
four seconds mono, two seconds stereo)
Added with firmware 2.0
Vintage Digital Mono, Stereo Line 6 Original
Added with firmware 2.10
Pitch Echo Mono, Stereo Line 6 Original
Added with firmware 2.20
Vintage Swell Mono, Stereo Line 6 Original
Adriatic Swell Mono, Stereo Line 6 Original
Added with firmware 2.30
Cosmos Echo Mono, Stereo Roland® RE-201 Space Echo
Added with firmware 2.50 (New HX Effects)
Line 6 Original bandpass-filtered multi-
Multi Pass Mono, Stereo
tap delay
Added with firmware 3.00
Line 6 Original performance delay that
lets you freely manipulate the repeats‘
Glitch Delay Mono, Stereo
behavior in real time.

Poly Sustain Mono Line 6 Original.

Added with firmware 3.10

Line 6 Original delay based on Euclidean

algorithms. Creates multitap patterns by
setting the length of the pattern (Steps)
and the number of taps (Fill) in the pat-
tern. The Euclidean algorithm spaces
Euclidean Delay Mono, Stereo
taps as evenly as possible throughout
the pattern, resulting in rhythms from
traditional to highly complex. Settle in
because this one‘ll require diagrams and
charts and whatnot.
 Added with firmware 3.15
Line 6 Original delay with reverb injec-
Heliosphere Mono, Stereo
ted into the feedback loop
Line 6 Original double-tracking tape
ADT Mono, Stereo
emulation
Line 6 Original dual delay with cross-
Crisscross Mono, Stereo
feedback between the two delay lines
Line 6 Original. Tesselator is part mor-
phing delay, part loop sampler, part
drone machine... it‘s stellar for creating
rhythmic pads, textures, or pitch/filter
ramp effects to play over and has been
placed in the Delay category so you can
run multiple instances at once. Once
Tesselator Mono, Stereo
audio is captured and repeating, you can
effectively transition/morph between
two states—First and Last, each with its
own time, speed/pitch, HP filter, and LP
filter—by applying increasing amounts
to each repeat until the target settings
are reached
Line 6 Original buffer sampler/delay.
Used to capture and loop a short snippet
of audio (whose length is determined
by the Time parameter) while the block
Ratchet Mono, Stereo is enabled. Great for rhythmic stutter
effects. You could almost consider Rat-
chet a simplified version of Tesselator,
where the audio is captured AFTER the
footswitch press, not before

Reverb Models

Model Subcategory Based on

Plate Stereo Line6 Original
Room Stereo Line6 Original
Chamber Stereo Line6 Original
Hall Stereo Line6 Original

Echo Stereo Line6 Original

Tile Stereo Line6 Original
Cave Stereo Line6 Original
Ducking Stereo Line6 Original
Octo Stereo Line6 Original
63 Spring Stereo Line6 Original
Spring Stereo Line6 Original
Particle Verb Stereo Line6 Original
Added with firmware 2.50 (New HX Effects)
Glitz Mono, Stereo Line 6 Original
Ganymede Mono, Stereo Line 6 Original
Searchlights Mono, Stereo Line 6 Original
Plateaux Mono, Stereo Line 6 Original
Double Tank Mono, Stereo Line 6 Original
Added with firmware 3.10
Dynamic Hall Mono, Stereo Line 6 Original Hall Reverb
Hot Springs Mono, Stereo Line 6 Original Spring Reverb
Added with firmware 3.15
Line 6 Original plate reverb typically
Dynamic Plate Mono, Stereo
found in high-end studio rack reverbs
Line 6 Original room reverb typically
Dynamic Room Mono, Stereo
found in high-end studio rack reverbs
Line 6 Original shimmer reverb. We ori-
ginally planned to release Shimmer as
two distinctly different reverbs—Luster
Shimmer Mono, Stereo and Sheen—but combining them into a
single model and letting you seamlessly
switch back and forth via a footswitch or
snapshots seemed cooler

Pitch / Synth Models

Model Subcategory Based on

Pitch Wham Mono, Stereo DigiTech Whammy®
Twin Harmony Mono, Stereo Eventide® H3000
3 OSC Synth Stereo Line 6 Original
Added with firmware 1.06
Simple Pitch Mono, Stereo Line 6 Original
Dual Pitch Mono, Stereo Line 6 Original
Added with firmware 2.20
3 Note Generator Mono, Stereo Line 6 Original
4 OSC Generator Mono, Stereo Line 6 Original
Added with firmware 3.00
Poly Pitch Mono Line 6 Original
Line 6 Original, works equally well on
Poly Wham Mono
guitar and bass
Line 6 Original, works equally well on
Poly Capo Mono
guitar and bass
Line 6 Original 12-string guitar emulati-
12 String Mono
on

Filter Models

Model Subcategory Based on

Mutant Filter Mono, Stereo Musitronics® Mu-Tron®
III Mystery Filter Mono, Stereo Korg® A3

Added with firmware 1.06

Autofilter Mono, Stereo Line 6 Original
Added with firmware 2.80
Moog® Moogerfooger® MF-105M MIDI
Asheville Pattrn Mono, Stereo MuRF Filter (with both MuRF and Bass
MuRF voicings)

Volume / Pan Models

Model Subcategory Based on

Volume Pedal Mono, Stereo Line 6 Original
Gain Mono, Stereo Line 6 Original
Pan Stereo Line 6 Original
Added with firmware 2.30
Line 6 Original utility to collapse stereo
Stereo Width Stereo
paths
Added with firmware 3.00
Stereo Imager Stereo Line 6 Original
 Wah Models

Model Subcategory Based on

UK Wah 846 Mono, Stereo Vox® V846
Teardrop 310 Mono, Stereo Dunlop® Cry Baby® Fasel model 310
Fassel Mono, Stereo Dunlop® Cry Baby® Super
Weeper Mono, Stereo Arbiter® Cry Baby®
Chrome Mono, Stereo Vox® V847
Chrome Custom Mono, Stereo Modded Vox® V847
Throaty Mono, Stereo RMC Real McCoy 1
Vetta Wah Mono, Stereo Line 6 Original
Colorful Mono, Stereo Colorsound® Wah-fuzz
Conductor Mono, Stereo Maestro® Boomerang

Looper Models

Model Subcategory Based on

Added with firmware 2.60
Line 6 original (doesn’t leave Stomp
Switch Looper Mono, Stereo
mode)
Added with firmware 3.00
Shuffling Looper Mono, Stereo Line 6 Original.

Split

Model Subcategory Based on

Added with firmware 2.90
Dynamic Line 6 original

Legacy Effects

Helix Floor, Rack/Control, and LT with firmware 2.50 include a library of effects from M13,
M9, M5, DL4, DM4, FM4, and MM4. With firmware 3.15, 18 additional effects - most from
the FX Junkie model pack for POD Farm 2.5 - have been added to the Legacy subcategory in
their respective effects categories (Helix Floor, Helix Rack, Helix LT, Helix Native, HX Ef-
fects, HX Stomp, HX Stomp XL). Don‘t sleep on these! Legacy effects appear in a new „Lega-
cy“ subcategory in the model list.
 Type Model Description
A sweet, singing sustain craved by guita-
Distortion Tube Drive rists worldwide. Inspired by* the tone of
a Chandler Tube Driver®.
Inspired by the smooth medium-gain to-
nes of the collectable original, Screamer
Distortion Screamer
is based on* an Ibanez® Tube Screa-
mer®.
Inspired by* a DOD® Overdrive/Preamp
250, which was designed to slam the
Distortion Overdrive
input of a tube amp forcing it to distort
violently.
Angry and aggressive, Classic Distortion
Distortion Classic Dist
is inspired by* a ProCo Rat.
The industry-standard heavy metal dis-
Distortion Heavy Dist tortion of the late ’80s. Inspired by* a
Boss® Metal Zone.
Colordrive will transport you back to the
breeding ground of British guitar hero-
Distortion Colordrive
es. Inspired by* a Colorsound® Over-
driver.

Take a deep breath and repeat: “I can’t

Distortion Buzz Saw get no (duh, duh, duh) Satisfaction.” Ins-
pired by* a Maestro® Fuzz Tone.
Bottom-heavy distortion inspired by* the
Arbiter Fuzz Face, which is associated
Distortion Facial Fuzz
with the tones of Jimi Hendrix and Eric
Johnson.
Jumbo Fuzz delivers a bright bite remi-
niscent of the fuzz tones heard all over
Distortion Jumbo Fuzz
the first two Led Zeppelin records. Inspi-
red by* a Vox® Tone Bender.
Fuzz Pi delivers plenty of thick distor-
tion and oceans of sustain inspired by*
Distortion Fuzz Pi
the tone of an Electro-Harmonix® Big
Muff Pi®.
Part fuzz/part phaser, Jet Fuzz delivers
Distortion Jet Fuzz the best of both. Inspired by* the Ro-
land® Jet Phaser.
If we could go back to the 60s and be a
part of the fuzz revolution, this is what
Distortion Line 6 Drive
we’d design. Inspired by* the Color-
sound® Tone Bender.
 Completely saturated and over the top,
Line 6 Distor-
Distortion Line 6 Distortion is massive and totally
tion
crazy.
Biting fuzz with an octave below! Ex-
Distortion Sub Oct Fuzz cellent for bass guitar. Inspired by* the
PAiA Roctave Divider.
White-hot fuzz with an octave above!
This classic fuzz+octave effect was used
Distortion Octave Fuzz
by Jimi and other pioneering players.
Inspired by* the Tycobrahe® Octavia.
Added with firmware 3.15
based on the Maestro® Bass Brassmas-
ter. Originally designed for bass, but
equally cool on guitar, the Maestro®
Bass Brassmaster is considered by many
to be the Holy Grail of bass distortion
Bronze Mas- units, an ultra-rare bird designed in the
Distortion
ter early 70’s for Maestro® by synth genius
Tom Oberheim. NOTE: The Blend para-
meter is not like overall distortion Mix;
instead, it sets how much of the filtered
signal passes through the clipping/octa-
ve circuitry
based on the BOSS® Metal Zone MT-
2. Equipped with a dual gain circuit,
the MT-2 provides amazing sustain plus
heavy mids and lows similar to a stack
Distortion Killer Z
of overdriven amps. We’ve simplified
the EQ controls a bit to make the Killer
Z model, but you’ll still find the sought
after flavor of the MT-2 style sound

Tube-style compression with added low-

end warmth inspired by* the characte-
Dynamics Tube Comp
ristic color of the Teletronix® LA-2A®
compressor, a studio standard.
Red Comp evens out your volume and
adds plenty of sustain. Ideal for slow
Dynamics Red Comp
leads. Inspired by* the MXR® Dyna
Comp stompbox compressor.

Inspired by* the Boss® CS-1 Compressi-

on Sustainer (with the treble switch off),
Dynamics Blue Comp Blue Comp delivers warm, percussive
qualities that are great for cleaner to-
nes.
 Blue Comp Inspired by* the Boss® CS-1 Compressi-
Dynamics
Treb on Sustainer with the treble switch on.

Taken from Line 6’s guitar amplifier

– Vetta II. With a fixed ratio of 2.35:1,
Dynamics Vetta Comp
adjustable threshold and up to 12dB of
gain available at the Level knob.
A colorful boost taken from Line 6’s Vet-
ta™ II guitar amplifier, Vetta Juice pours
Dynamics Vetta Juice
out up to 30dB of available gain at the
Level knob.
A punchy boost of gain inspired by* an
MXR® Micro Amp. The compressor can
Dynamics Boost Comp
add hang time to your sustain and fill
out your leads.

Engage up to four tremolo patterns to

Pattern Tre- play in sequence. This is a truly original
Modulation
molo textural effect inspired by* a Lightfoot
Labs Goatkeeper.
This effect pans back and forth between
Modulation Panner your left and right channels. If you run it
in mono, it’s basically tremolo.
Bias Trem is inspired by* the 1960
Vox® AC-15 Tremolo, which got its
Modulation Bias Tremolo
pulse by literally varying the bias of the
power amp tubes.
Opto Trem is inspired by* the optical
tremolo circuit that was used in the
Modulation Opto Tremolo
blackface Fender® amps like the ’64
Deluxe Reverb®.
Just add the “brown” sound and you’re
emulating one of rock’s most celebra-
Modulation Script Phase ted guitar tones! Inspired by* an MXR®
Phase 90. Speed control only, just like
the original.
A hypnotizing phaser that slithers from
Panned Pha- side to side. Inspired by* the sound of an
Modulation
ser Ibanez® Flying Pan, which is a four-sta-
ge phase shifter with a panner built in.
 A classic effect from the world of modu-
lar synths. Depending on how you set it,
Modulation Barberpole this phaser either sounds like it’s always
going up or always down. Set to stereo
you get both!

Dual Phaser delivers a big jet sound ins-

Modulation Dual Phaser
pired by* a Mu-Tron® Bi-Phase.
Inspired by* the pulsing push of the
Modulation U-Vibe now-legendary Uni-Vibe®. One listen to
“Machine Gun” and you’ll be hooked!
Phaser is inspired by* the sound of an
MXR® Phase 90 but it’s got a few extra
Modulation Phaser
parameters to bring you there and back
again.
Inspired by* the Boss® VB-2, which
contained a circuit that produced a bub-
bly vibrato. This pedal (and this model)
Modulation Pitch Vibrato
feature a “rise time” control that when
engaged speeds up to where you last set
it.
Inspired by* the Roland® Dimension D,
one of the first true-stereo chorus units.
Modulation Dimension It’s relatively subtle in nature and be-
came an industry standard for double-
track effects.
Inspired by* the big and warm tones of a
Analog Cho-
Modulation Boss® CE-1 Chorus Ensemble, the origi-
rus
nal stompbox chorus.
Tri Chorus is inspired by* the larger-
Modulation Tri Chorus than-life sound of a Song Bird/DyTronics
Tri-Stereo Chorus.
Inspired by* the classic MXR® Flanger,
Analog Flan- which was made classic on Van Halen’s
Modulation
ger Fair Warning and Women and Children
First.
Compared to Analog Flange, Jet Flanger
is more dramatic with a different wave
Modulation Jet Flanger
shape. Inspired by* the signature jet-like
sweep of an A/DA Flanger.
The variety of vibey effects available
Modulation AC Flanger from AC Flanger are inspired by* the
classic tones of the MXR® Flanger
 The gritty and spacey sweeps of 80A
Modulation 80A Flanger Flanger are inspired by* the distinctive
sound of the A/DA Flanger.

Shift frequencies up or down and set the

Frequency mix to 100% for an otherworldly tone.
Modulation
Shift Or dial it back to add interesting colors
to leads.
Perfect for those late-night jams when
Ring Modula-
Modulation only the weirdest, wildest sounds will
tor
do.
Inspired by* the Fender® Vibratone.
Modulation Rotary Drum This rotating speaker effect was popular
with SRV. Think “Cold Shot.”
Inspired by* a Leslie® 145 tube-driven
Rotary Drm/ cabinet with a rotating speaker. Gui-
Modulation
Horn tarists have always loved its signature
shimmer.
Added with firmware 3.15
Line 6 Original. If you’ve ever had a
cassette player eat a tape before you’ll
Modulation Tape Eater know what we’re talking about. Try this
with a slow speed setting and a 100%
wet mix
Line 6 Original. This effect is reminis-
cent of the Sweeper model, but when
used subtly it can produce a nice mild
Modulation Warble-Matic phasey sound or with Depth maxed out
you can simulate the sound of an alien
spacecraft landing in one of those old
50’s sci-fi movies
Line 6 Original. This has a similar effect
as the old Oberheim® Voltage Cont-
rolled Filter. It creates changes in tone
Modulation Random S&H by randomly emphasizing certain fre-
quencies. Try pressing the Speed knob
to lock it to tempo and playing single
chords to that tempo
 Line 6 Original. Imagine having 2 wah
pedals on steroids separated in a stereo
field that are pulsating in opposite po-
sitions and you’re close to what you’ll
hear here. Use the Q and Freq parame-
Modulation Sweeper
ters to set the character of the sweep
and adjust Depth to go from subtle to
full on freak out. Any resemblance to
guitar tracks heard in a particular genre
of B films is strictly coincidental

Two separate channels of delay. The

Delay Ping Pong output of each channel bounces into the
other to create the ping pong effect.
Dynamic Delay features a ducking con-
trol to keep the delays from overwhel-
Delay Dynamic ming what you’re playing. Inspired by*
a T.C. Electronic® 2290 Dynamic Digital
Delay.
The secret to the “Big L.A. Solo” sound
of the ’80s! Set one side as a fast echo
Delay Stereo with many repeats, and the other side
as a slow delay with few repeats. Voilà,
you’re famous!
A great workhorse effect, this straight-
Delay Digital up digital delay has a transparent and
pristine echo-echo-echo-echo…
Digital Delay w/ Mod adds a juicy chorus
Delay Dig w/ Mod
effect to your digital delay.
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Delay Reverse – Whatever you play comes out back-
wards.
Inspired by the unique grunge and noi-
Delay Lo Res se of early digital delay units. Many of
which had only 8-bit resolution.

Like peanut butter and chocolate, tubes

Delay Tube Echo and tape are a great combination. Tube
Echo is inspired by* a Maestro® EP-1.

Tape Echo is inspired by* the unmista-

kable depth and sweetness of the Maes-
Delay Tape Echo
tro® EP-3 Echoplex, which used transis-
tor sound electronics instead of tubes.
 Add a sweeping warble to the Tube Echo
repeats and you’ve got Sweep Echo.
Delay Sweep Echo
This unique tone adds a tangy flavor to
your delays.

Inspired by* a Binson EchoRec, which

inspired bands like Pink Floyd. Rather
Delay Echo Platter
than using tape, the EchoRec used a ma-
gnetic platter to record and play back.
Analog Echo is inspired by* the warm
Delay Analog Echo and distorted delays of a Boss® DM2
Analog Echo.
Inspired by* the cherished tone of an
Electro-Harmonix® Deluxe Memory
Analog w/
Delay Man, Analog w/ Mod delivers an orga-
Mod
nic-sounding analog delay with a ge-
nerous dollop of lush, spatial chorus.
Two effects in one! A volume fade-in
Auto-Volume
Delay swell and an echo complete with tape-
Echo
style wow-and-flutter modulation.
Multi-Head delay is inspired by* the
sound created by the multiple playback
Delay Multi-Head
heads of the Roland® RE-101 Space
Echo.
Added with firmware 3.15
Line 6 Original. Starting with the basic
tone of our EP-1 tape delay emulation,
they’ve added something very much like
a Uni-Vibe to the delay repeats. The re-
Delay Phaze Eko
sult is an echo unit that gives you unique
new creative possibilities for adjusting
the tone of your delays with a beautiful,
burbling texture
Line 6 Original. Bubble Echo has a
sample-and-hold filter on the repeats.
It takes a filter sweep (like the one on
Delay Bubble Echo Sweep Echo), chops it up into little bits,
and rearranges them semi-randomly, so
that it sounds like sudden little bits of
wah pedal randomly sprinkled about
 This effect gives you a single clean note
one octave down. Bassists love it but gu-
Pitch/Synth Bass Octaver itarists (including Jeff Beck) are known
to bust it out, too. Inspired by* the tone
of an EBS OctaBass.
Turn that 6-string into a 12-string, rip
Smart Harm- some ’80s dual leads and so much more.
Pitch/Synth
ony This intelligent pitch shifter is inspired
by* an Eventide® H3000.

Not to be missed, Octisynth provides

textures that are equally at home in
Pitch/Synth Octi Synth a mad scientist’s laboratory or miles
below sea level among its eight-armed
namesake.
Synth-O-Matic features waveforms from
Synth O Ma-
Pitch/Synth a mouth-watering collection of vintage
tic
analog synths.

Inspired by* a waveform and wave-sha-

Pitch/Synth Attack Synth ping functions of a Korg® X911 Guitar
Synth
A monophonic synth sound inspired by*
Pitch/Synth Synth String
the Roland® GR700 Guitar Synth.
Named Growler for a reason, this model
produces a sinister “Grrrrrrrrr” that’s
Pitch/Synth Growler
inspired by* a Roland® GR700 Guitar
Synth and a Mu-Tron® III.
Added with firmware 3.15
Line 6 Original. These are styled after
popular analog monophonic synth lead
Pitch/Synth Synth Lead
sounds from Moog, ARP and Sequential
Circuits
Line 6 Original. This emulates classic
synth string sounds like those found in
the ARP Solina String Ensemble and the
Elka® Synthex. The harder you pick,
the brighter the sound. We somehow
Pitch/Synth String Theory had two separate effects called „Synth
String“—one from POD Farm 2.5 and
the other from FM4, which was already
added to Helix/HX in 1.50. Renamed the
POD Farm version „String Theory“ to
avoid confusion
 Line 6 Original. These sounds aren’t
really designed to be musical. These are
Pitch/Synth Synth FX more “special effects” sounds. You’ll
hear a lot of these kinds of sounds in
movie soundtracks
Line 6 Original. These are cool combina-
tions of saw and square waves with fast
Pitch/Synth Buzz Wave vibrato. The 8 different Wave parame-
ters offer different vibrato speeds and
different pitches
Line 6 Original. These are all sweeping
low pass filter effects with the reso-
Pitch/Synth Rez Synth
nance set high. Resonance is a peak at
the frequency of the low pass filter
Line 6 Original. Ring modulators take
two signals (one supplied by your guitar,
the other supplied by the effect) then
adds and subtracts similar frequencies.
Electro-Harmonix® makes a ring modu-
Saturn 5 Ring
Pitch/Synth lator pedal called the Frequency Analy-
Mod
zer that is a popular guitar effect. The
only limiting factor is that the pitch of
the signal provided by the effect is con-
stant. Meaning you have to play only in
the key of that pitch to be musical
Line 6 Original. This effect has two oscil-
lators that track the pitch of your gui-
Pitch/Synth Double Bass tar—one square wave tuned one octave
down, and one saw tooth wave two octa-
ves down
Line 6 Original. This effect has an oscil-
lator that tracks the pitch of your gui-
tar. You can choose between 8 different
Pitch/Synth Seismik Synth
wave shapes which give you different
“flavors”—all of them one or two octaves
down from the original pitch
Line 6 Original. These are great for
funky synth guitar (or bass) lines. These
Pitch/Synth Analog Synth
sounds were made popular by Moog and
ARP
 Line 6 Original. If you loved those big
synth leads from 70’s era prog bands
then you’ll love this effect. There are
two synth waves at work here. Your
first two parameters allow you to choo-
Synth Harm-
Pitch/Synth se a pitch interval of your original note
ony
played. The Wave parameter works diffe-
rently from what you’d expect with the
other synth models; here it controls the
gain of the saw wave, while the square
wave gain remains constant

Let your guitar Come Alive with the

sound of a classic talk box. Inspired by
Filter Voice Box
vocoders, vocal tracts and surgical tu-
bing.
Your guitar “speaks” with an almost hu-
man voice in response to your playing.
Filter V Tron
Inspired by* Voice Box and a Mu-Tron®
III.
Your very own parked wah! Let your
solos soar with the colorful “honk” that
Filter Q Filter
became a signature tone of Mark Knopf-
ler and Brian May.
Up to nine “parked” wah filters set at
varying positions and then used in se-
Filter Seeker
quence to create a pulsating, hypnotic
vibe. Inspired by* the Z-Vex Seek Wah.
Obi Wah creates sequential changes in
tone by emphasizing random frequenci-
Filter Obi Wah
es. Inspired by* the Oberheim® Voltage
Controlled sample-and-hold filter.
Part Auto Wah and part triggered filter,
Tron Up delivers a seriously funky vibe.
Filter Tron Up
Inspired by* the Mu-Tron® III envelope
follower.

Part Auto Wah and part triggered filter,

Tron Down delivers a seriously funky
Filter Tron Down
vibe. Inspired by* the Mu-Tron® III en-
velope follower.
Perfect for a multitude of cool electroni-
ca-style sounds and textures, Throbber
Filter Throbber
is inspired by* the Electrix® Filter Fac-
tory.
 This triggered filter rolls off your high-
Filter Slow Filter
end with adjustable speeds.

This is what headphone mixes were

made for! Imagine two wahs panned
Filter Spin Cycle left and right working in opposite direc-
tions from each other. Inspired by* Craig
Anderton’s Wah/Anti-Wah.
Spooky and otherworldly, Comet Trails
Filter Comet Trails provides an enchanting pulse for you to
add to your tone.