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King Beginning Brass Observation-1
King Beginning Brass Observation-1
King Beginning Brass Observation-1
Dabback
11/29/22
Public School Observation - Oak Knoll Middle School
On November 22nd, I observed three classes at Oak Knoll Middle school in Hanover
County. The director, Richard Huggins, had two sixth grade beginning band classes and one
eighth grade band class on that day. I made observations and worked with the trumpet players for
a few of the classes, observing the brass players’ responses to Mr. Huggins’ teachings throughout
the class. Mr. Huggins does a fantastic job at drilling the fundamental facets of brass playing into
the students through repeated sayings and reminders towards the students that emphasizes
specifically their posture and their embouchure. Posture and a good body alignment is paramount
in Mr. Huggins’ pedagogical plan, emphasizing these ideas with almost catchphrase-like sayings
that are imbued into the students’ minds. In addition to a constant posture check, the warmup Mr.
Huggins employs utilizes and strengthens the embouchure of brass players, an important aspect
of playing that is necessary for the fundamental development. Starting on mouthpieces, the brass
players in the sixth grade classes were instructed to buzz sirens and high and low pitches,
beginning the ear training and facial movement needed to move around the instrument. The
students in this class have only had their instruments for a few weeks at this point, so elementary
technique is still being taught. After this buzzing warmup and a few exercises in a method book,
the students were taught two new notes: concert Eb and F. Mr. Huggins taught these notes in a
manner that allowed the students to work on their range when practicing these notes by having
the students play the first three notes of the concert Bb scale and then adding Eb and F. Mr.
Huggins emphasized how the playing of these five notes in succession will help train the
students to reach Eb and F with ease as their ear will lead them to these notes. I was able to work
with the trumpets on Eb and F in this class and the method of building up notes diatonically with
the Bb scale is simple enough where students’ ears will help them with the range. In general, the
students responded very well to Mr. Huggins’ teachings throughout the three class periods I
observed as his command to stay on-task and create a culture of achieving goals in a professional