PHILIPPINE CONTEMPORARY MUSIC THAT USES TRADITIONAL STYLE

"Sa Ugoy ng Duyan" - This lullaby, composed by Lucio San Pedro with lyrics by Levi Celerio,
is a beloved Filipino classic that has been covered by many contemporary artists. One notable
example is the version by singer-songwriter Joey Ayala, who rearranged the song using
indigenous instruments such as the kulintang and the hegalong. Ayala's rendition of "Sa Ugoy
ng Duyan" adds a unique texture and flavor to the already nostalgic melody.

"Hatinggabi" - This folk song from the Bicol region of the Philippines has been reinterpreted by
several contemporary artists, including the band SUD. In their version, SUD incorporates
elements of pop and rock music while still retaining the song's traditional flavor. The use of
acoustic guitar and other live instruments gives the song a warm and organic feel.

"Ginintuang Araw" - This song, which translates to "Golden Day," is a popular traditional love
song from the Tagalog region of the Philippines. It has been covered by many contemporary
artists, including the group Apo Hiking Society. In their version, Apo Hiking Society infuses the
song with a jazzy and upbeat vibe, incorporating piano, saxophone, and other instruments.

"Mutya ng Pasig" - This folk song tells the story of a beautiful woman named Mutya who lives
by the Pasig River in Manila. The song has been covered by many artists, including the singer
Noel Cabangon. In his version, Cabangon uses acoustic guitar and other live instruments to
create a stripped-down and intimate rendition of the song.

"Oriental Fantasy" - This instrumental piece was composed by National Artist for Music
Francisco Feliciano and was inspired by traditional Asian melodies. The piece features
traditional instruments such as the koto and the shakuhachi, as well as western instruments
like the piano and the violin. "Oriental Fantasy" showcases Feliciano's skill in fusing traditional
and contemporary elements to create a unique and compelling musical experience.

In conclusion, these five pieces showcase how contemporary Filipino musicians are using
traditional styles and elements in their music, creating new and innovative sounds that pay
homage to the country's rich cultural heritage.
 PHILIPPINE CONTEMPORARY MUSIC AND THEIR MUSICAL ELEMENTS

"Sa Ugoy ng Duyan" is a traditional Filipino lullaby. Its musical elements include:
Melody: The melody is in a minor key and has a simple, flowing rhythm that mimics the gentle
swaying of a cradle. It is characterized by its descending and ascending melodic lines, which
create a sense of longing and nostalgia.
Harmony: The harmony is relatively simple, with basic chord progressions that support the
melody.
Texture: The song has a homophonic texture, with the melody and lyrics being sung in unison.
Instrumentation: The song is usually performed with a piano or guitar accompaniment,
although it can also be sung a cappella.

"Hatinggabi" is a Filipino folk song. Its musical elements include:

Melody: The melody is in a major key and has a lilting rhythm that reflects the song's theme of
romantic love. It is characterized by its use of syncopated rhythms and wide intervals.
Harmony: The harmony is relatively simple, with basic chord progressions that support the
melody.
Texture: The song has a homophonic texture, with the melody and lyrics being sung in unison.
Instrumentation: The song is usually performed with a guitar or banduria accompaniment.

"Ginintuang Araw" is a traditional Filipino love song. Its musical elements include:
Melody: The melody is in a major key and has a romantic and nostalgic quality. It is
characterized by its use of long, flowing phrases and wide intervals.
Harmony: The harmony is relatively simple, with basic chord progressions that support the
melody.
Texture: The song has a homophonic texture, with the melody and lyrics being sung in unison.
Instrumentation: The song is usually performed with a guitar or banduria accompaniment.

"Mutya ng Pasig" is a traditional Filipino song that pays homage to the Pasig River. Its musical
elements include:
Melody: The melody is in a major key and has a lively and celebratory quality. It is
characterized by its use of syncopated rhythms and playful, upbeat melodies.
Harmony: The harmony is relatively simple, with basic chord progressions that support the
melody.
Texture: The song has a homophonic texture, with the melody and lyrics being sung in unison.
Instrumentation: The song is usually performed with a guitar or banduria accompaniment.
"Oriental Fantasy" is a contemporary Filipino instrumental piece. Its musical elements include:
Melody: The melody is characterized by its use of pentatonic scales, which create a sense of
exoticism and otherworldliness. It is played on various instruments, including the flute and
guitar.
Harmony: The harmony is relatively simple, with basic chord progressions that support the
melody.
Texture: The song has a polyphonic texture, with multiple melodies and rhythms being played
simultaneously.
Instrumentation: The song is usually performed with a variety of instruments, including the
guitar, percussion, and wind instruments like the flute and saxophone.
Rodolfo Cornejo was a composer, conductor, and music educator who made significant
contributions to Philippine music. His most notable works include the opera "Noli Me Tangere"
and the ballet "Bernardo Carpio." Research on Cornejo includes biographical studies of his life
and career, analyses of his musical compositions, and examinations of his impact on
Philippine music education.

Francisco Buencamino was a composer and pianist who played a key role in the development
of Philippine art music in the early 20th century. He composed over 200 works, including
zarzuelas, operettas, and art songs. Research on Buencamino includes studies of his life and
career, analyses of his musical works, and examinations of his influence on Philippine music
during his time.

Nicanor Abelardo was a composer who is often referred to as the "father of the Kundiman."
He wrote numerous songs in the Kundiman style, including "Nasaan Ka Irog" and "Magbalik
Ka, Hirang." Research on Abelardo includes biographical studies of his life and career,
analyses of his musical compositions, and examinations of his influence on Philippine music.

Rosendo Santos was a composer, music educator, and conductor who helped to develop the
Philippine band tradition. He composed numerous works for band, including "Kundiman ng
Pag-ibig" and "Tibag." Research on Santos includes biographical studies of his life and
career, analyses of his musical works, and examinations of his contributions to Philippine
music education.

Alfredo Buenaventura was a composer and arranger who made significant contributions to
Philippine music, particularly in the areas of popular and film music. He composed over 300
works, including the theme songs for several Filipino movies. Research on Buenaventura
includes biographical studies of his life and career, analyses of his musical compositions, and
examinations of his influence on Philippine popular music.