KONSERVATORIUM MUSIK JAKARTA Music Theory & Solfegio Grade 5 1. This extract contains changes of fime signature. Add time signatures where they are needed. II begins on the first beat of the bar. © = o — 7 we a 2 Complete the tabie. @ Tuplet Name Witten = Quintuplet 3 : weennte = 3. Add barines to these extracts. They all begin on the first beat of the bar. (5) (6)5. White the key signatures of 4 Shagps. Using semibrewes, write one octave desosnding of the major scale that has the key signature, beginning on the tonic. © 4 e 6. Write as gemibreves one octave ascending of tne melodie minor scales with 6 flats, beginning on the tonic. (Do otuse a key signature but add any necessary accidentals.) © eH 7. Name the key. Rewrite the following, using a key signature, © ete v key SS SSS SSS = ate | & Write 2 note above the given note to form the harmonic interval @ és 0 © Major Se. (Compound Minor Ses Perfect Sin ‘Augmented 4 Diminished 5® ‘Compound Minor 2" Perfect.a™ Major 13° v9 Describe each numbered harmonic interval (e.g. major 2). @ 1 2 3 a 10. This passage are notated for Clarinet in A. Write it out at concert pitch (a minor 3 lower) and add in the new key signature and any necessary accidentals. @) 11. Name the key of the passage and then identify the chords (la, lb, IVc, etc.) (12)12 Name the key. Indicate 1 chord (I, Il, IV of V) at each of the places marked AE (In a 3-chord progression, the last 2 chords define the cadence.) a Key tu CADENCE 2g CADENCE Chord A Chord C Chord B Chord D Chord E 13, Rewrite the following in short score. © SOPRANO. ALTO TENOR BASS SOPRANO: ALTO. TENOR BASS14. Compose amelody for cello, bassoon or trombone, using the given opening. (Add performance directions.) (8) Instrument pe | $ | | 15. Explain the following terms (10) a. Nicht = . Ausdruck = b. Val ein & Attaca h Senza misura &. Smorzando = i. Dolore - @ Volante = = j. Langsam =SOLFEGIO —- GRADE 5 1. A. PERFECT CADENCE B. IMPERFECT CADENCE C. PLAGAL CADENCE 2A. B. 3. A. B. 4.A.2/4 B. 3/4 Cc. 6/8 (20) (15) (15) (20) (30)