SPEECH AND THEATER Communication Universals

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SPEECH AND THEATER Communication Models of Communication

universals *Aristotle Model- speaker-speech- Principles and Characteristics of Good


1. You cannot “not” communicate. audience-effect Speech and Delivery
2. All communication has content and *Berlo’s Model- source encodes message- Features of an Effective Speech
relationship dimension. channel decodes receive Clarity—clear, unambiguous
 Content-info, literal --source~com.skills, attitudes, knowledge, Conviction of message—subject matter is
 Relationship-between sender and social system, culture relevant and definite; central issue or idea
receiver --messages~content, elements, Conciseness—precise, short
 Features of relationship-liking, treatment, structure, code Interesting—add stories, quotes, humor
responsiveness, control, trust --channel~hearing, seeing, touching, Personal Touch--personal experiences;
3. Communication is a series of smelling, tasting more believable, effective
punctuated events. --receiver~com.skills, attitudes, Considering the Audience—background,
4. …is irreversible and unrepeatable. knowledge, social system, culture nature, interest of audience
5. …is culture-specific. Shannon and Weaver Model Soft and slow speech—emphasize ideas
8 essential components Sender-source; noise and disturbance in Use body language foe Emphasis—non-
Source, message, channel, receiver, channel; to receiver and back verbal cues, appropriate gesture
feedback, environment, context, Schramm’s Model (Wilber Schramm) Audience Participation—involve, attentive
interference (noise) Prime importance of encoding,
Barriers to communication understanding, and decoding A good speech flow begins with intro,
Semantic barriers-faulty Helical Model then points developed in body and
words/translation Frank Dance; 3 dimensional; closure through closing paragraph.
Psychological barriers-emotional/mental communication is dynamic; like helix or
state string-upward to down; communication
Organizational barriers-strict org. begins in birth Self-confidence—view on abilities to
structures Purpose of Listening accomplish something
Personal barriers- personal reasons *To understand the message being sent Self-esteem—opinion of yourself
Levels of communication or communicated Self-efficacy—self-confidence in specific
Intrapersonal- self-talk *to gain the perspective of the speaker’s situations
Interpersonal- two people; intimate, ideas and his POV
formal, impersonal *to critically evaluate what is said Qualities of a confident person
Group- 3-8 people *to look at non-verbal cues to enhance Open minded, gives compliments,
Public- one to a group understanding operates in principles, accepts others
Mass- powerful way *to concentrate, and show concern and differences, makes decisions quickly,
Guidelines attention keeps learning and growing, self-assured,
1. Purpose or reason for speaking *to encourage open and honest sociable and asks for help, humble and
2. Central message communication does not try to impress others, treats
3. Audience *to be considerate of the speaker people with respect, displays composure
*to compromise by having an agreed and grace
Types of communication views and understanding
Verbal-speak Principles in speech delivery Tips
Non-verbal-movements; facial 1. Pronunciation/articulation— Talk positively to yourself.
expressions, non-verbal cues breathing, phonation, resonation Think and congratulate yourself for your
Written—memos, letters, socmed 2. Modulation—manipulation of sound achievements.
Visual—images and videos & voice timbre; fine-tunes his pitch Look at what you have made or
Listening is the beginning of and tone; volume, pauses accomplished so far.
understanding 3. Stage presence—own the stage, Set a measurable and attainable goal.
Types of Listening personality, projection; appearance, Get a hobby, listen to good music and
Appreciative body posture, use of space; keep yourself busy.
Emphatic—feeling the shoe, message and confidence and stage presence Be with people who influence you
conviction 4. Gestures & facial expression—free positively and make you feel good.
Comprehensive—focus or concentration; from inhibitions; purposeful Put beautiful pictures around you
active participation 5. Audience rapport—on-the-spot especially those that give you good vibes.
Critical—evaluate; analyze; looking at the relationship; dress well, confident,
content and judging validity organized, inclusivity; no jargons,
positivity, openness, eye contact,
body language
JOURNALISM-written, oral, visual e. Content—routine story, police
Modern Campus Paper Functions reports, science news, developmental
Information, Opinion, Education, news, sports stories
Watchdog, Laboratory, Documentation, f. Minor forms—news brief, news
Entertainment, Developmental bulletin, news-featurette, flash
Paper—daily, weeklies Writing the Lead
National paper—popular, heavy or quality Kinds of Lead—
*Conventional or summary lead (5W’s
SECTIONS OR PARTS of Campus Paper and H)
a. Front Page—local, foreign, *Grammatical beginning lead
dateline, weather, index, others (prepositional phrase lead, infinitive
(nameplate, ears, banner, running phrase lead, participial phrase lead,
head, headline, deck, lead, news gerundial phrase lead, clause lead
story, columns, column rule, fold, *Novelty lead (astonisher, contrast,
byline, box, cut, cutline, kicker, epigram, picture, background, descriptive,
credit line) parody, punch, one word, quotation,
b. Editorial Page—folio, masthead, question.
editorial proper, editorial column, Writing the News Story
editorial cartoon, editorial liner, Various Types of News Structure
letter to the editor 1. Straight news story—summary
c. Sports page lead, elaboration of w, another w,
d. Special features—life and leisure another w, further elaboration
(the arts, religion, entertainment, 2. News-feature story—lead,
and Comics); finance and narrative, surprise climax :
business. *The single-feature story—lead of
Manila Bulletin—home and one isolated event, elaboration of
culture, entertainment, comics, lead, more details
shopping, classified ads, movie, *The several-feature, multiple-angle
TV and radio guides, comics page or composite story—lead angle,
summary of other angles, detail of
Letterpress Printing lead angles, more details, more
Source to city editor to copyreader or details,
deskman to composing room to linotype 3. Fact story—lead fact, secondary
man to compositor fact, fact III, fact IV
4. Action Story--lead incident told,
Elements of News more details retold, more details
Conflict, immediacy or timeliness, retold, more details retold
proximity or nearness, prominence, 5. Speech report, quote, and
significance, names, drama, oddity or interview stories: lead summary,
unusualness, romance and adventure, quote, summary, quote, summary
sex, progress, animals, number, emotion

Types of News Stories


a. Scope or origin—local, national,
foreign, dateline
b. Chronology or sequence—advance or
anticipated, spot news, coverage
news, follow-up news
c. Structure—straight news, news-
feature (single-feature or one-
incident story, several feature,
multiple-angled, or composite story
d. Treatment—fact story, action story,
speech report, quote story, interview
story

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