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RIZAL Hongkong Macau Japan Handout
RIZAL Hongkong Macau Japan Handout
1888 – 1892
(HONGKONG)
OBJCETIVES
Reason why Dr. Jose Rizal went to Hong Kong
Marked dates (Departures & Arrival)
Rizal’s trip to Macau
Rizal’s trip to Japan
Inerlude with O-Sei-San
On February 3, 1888, after a short stay of six months in his beloved Calamba Laguna,
Rizal left Manila (with a spy on his trail).
He was welcomed by Jose Maria Basa, Balbino Mauricio, Manuel Yriarte (son of a Mayor
in Laguna), and others
He stayed in Victoria Hotel.
-The boat Zafiro he rode on left. The first thing he did when he arrived in Hong Kong
was to write letters to Manila.
-He ordered his deceased sister Olimpia’s portrait to be made who died in 1887.
On February 11, 1888, A Chinese festival began which lasted until the 13th.
On February 14 1888
Laurel, the procurator of the Dominican Fathers.
On February 16, 1888, Rizal wrote a letter to Blumentritt about Hong Kong.
Rizal In Japan
Rizal arrived at Yokohama, Japan on February 28, 1888 and stayed at Grand Hotel.
Learned Japanese, and dedicated himself to the study of Japanese theater, art and
language.
Much Impressed in the city of Tokyo
Tokyo is bigger than Paris, vast walls are built in cyclopean character.
The streets are wide and well-lighted.
TETCHO SUEHIRO
Rizal befriended him on board
He is a fighting Japanese journalist, novelist, and champion on human rights.
He was forced by the Japanese government to leave the country.
Rizal told him about his life’s mission.
April 13 – December 1,1888 (8 mos)
Tetcho came to admire Rizal, whose patriotism and magnificent talents greatly
fascinated him and influenced him to fortify his own crusade for human rights in his
own country.
On December 1, 1888 Rizal and Tetcho parted ways – never to meet again.
In 1889, after his return to Japan, he published his travel diary
“Young as he was, he was proficient in seven languages.”
“S/S Belgic. I came to England by way of America with him.”
“Open-hearted man. He was not hair-splitting. He was an accomplished, good at
picture, skillful in exquisite wax work, especially.”
After the publication of his diary, Tetcho resigned his position as editor of Tokyo
newspaper, Choya, and entered politics.
The following year (1891), he published a political novel entitled Nankai-no-Daiharan
(Storm Over The South Sea)
Three years later (1894), he published another novel entitled O-unabara (The Big Ocean)
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