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EN36 - Đọc tiếng Anh 5
EN36 - Đọc tiếng Anh 5
EN36 - Đọc tiếng Anh 5
html
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
What does Paul say about his performance of Elgar’s Cello Concerto?
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
b. tactful
c. capable
d. excellent
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
file:///C:/Users/Admin/Documents/Zalo Received Files/dap an/EN36.025.html 4/51
13:00, 06/10/2022 EN36.025.html
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
file:///C:/Users/Admin/Documents/Zalo Received Files/dap an/EN36.025.html 5/51
13:00, 06/10/2022 EN36.025.html
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
b. attempt
c. shock
d. plan
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
What does the word “they” in the fourth paragraph refer to?
b. Some lessons
c. Paul and Huw.
.
d. Weeks.
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation.
The primary purpose of the passage with reference to the society under discussion is to…
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
b. gently
c. abruptly
d. quickly
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
Which of the following is the best description of the author's technique in handling her material?
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
b. important responsibilities
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
It can be inferred that in the community under discussion all of the following are important except…
c. fishing skills
d. domestic handicrafts
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
file:///C:/Users/Admin/Documents/Zalo Received Files/dap an/EN36.025.html 11/51
13:00, 06/10/2022 EN36.025.html
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
file:///C:/Users/Admin/Documents/Zalo Received Files/dap an/EN36.025.html 12/51
13:00, 06/10/2022 EN36.025.html
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
c. produced benefits
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
“…chase the hare you know you're going to catch.” in Paragraph 5 means
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
b. was helpful
c. was clean
d. was cheerful
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
file:///C:/Users/Admin/Documents/Zalo Received Files/dap an/EN36.025.html 16/51
13:00, 06/10/2022 EN36.025.html
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
c. chosen a profession?
d. Dachieved success
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
file:///C:/Users/Admin/Documents/Zalo Received Files/dap an/EN36.025.html 17/51
13:00, 06/10/2022 EN36.025.html
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
The expression 'innocent of' (in the last paragraph) is best taken to mean
b. unsuited for
c. not guilty of
d. unskilled in
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
Which of the following if true would weaken the author's contention about 'lessons in cooperation' ?
III Individual girls cooperate with their mothers in looking after babies
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
file:///C:/Users/Admin/Documents/Zalo Received Files/dap an/EN36.025.html 19/51
13:00, 06/10/2022 EN36.025.html
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
d. was a foreigner.
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
file:///C:/Users/Admin/Documents/Zalo Received Files/dap an/EN36.025.html 22/51
13:00, 06/10/2022 EN36.025.html
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
How did the writer's childhood influence his own family life?
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
file:///C:/Users/Admin/Documents/Zalo Received Files/dap an/EN36.025.html 23/51
13:00, 06/10/2022 EN36.025.html
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
According to his father, what was typical about Gary’s behavior on his first day at college?
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
file:///C:/Users/Admin/Documents/Zalo Received Files/dap an/EN36.025.html 24/51
13:00, 06/10/2022 EN36.025.html
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
file:///C:/Users/Admin/Documents/Zalo Received Files/dap an/EN36.025.html 26/51
13:00, 06/10/2022 EN36.025.html
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
What mistake did Miss Temple soon realise she had made?
b. She should have followed Roger back to the Ministry when she had had the chance
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
When Roger left his office at about five o’clock, Miss Temple
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
b. she had other, more important things to do during the working day.
d. she didn’t want to risk him seeing her outside his office.
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
What do we learn in the third paragraph about the instruments John has made?
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
file:///C:/Users/Admin/Documents/Zalo Received Files/dap an/EN36.025.html 31/51
13:00, 06/10/2022 EN36.025.html
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
What will require some effort from John and Hetty Watkins?
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
What was boys’ attitude to girls when they worked in team to capture eels?
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
How did Miss Temple’s purchases make her feel about what she was doing?
b. more determined
c. less confused
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
Who do the girls or boys work in tean better, according to the passage?
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
c. needed to be repaired.
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
How did the writer find out what Ena's name was?
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
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13:00, 06/10/2022 EN36.025.html
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
b. He was not keen to tell his father that he was using it.
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
c. The place where the writer lives isolates him from nature.
d. The writer feels happy with the people he has met
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
c. was clean
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
b. Dachieved success
c. chosen a profession?
d. caught a hare
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
According to his father, what was typical about Gary’s behavior on his first day at college?
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
file:///C:/Users/Admin/Documents/Zalo Received Files/18-3-2022/res_20220317/EN36.040.html 5/50
13:00, 06/10/2022 EN36.040.html
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
What will require some effort from John and Hetty Watkins?
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
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13:00, 06/10/2022 EN36.040.html
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
b. shock
c. attempt
d. plan
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
file:///C:/Users/Admin/Documents/Zalo Received Files/18-3-2022/res_20220317/EN36.040.html 11/50
13:00, 06/10/2022 EN36.040.html
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
b. capable
c. tactful
d. confident
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
c. He was not keen to tell his father that he was using it.
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
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13:00, 06/10/2022 EN36.040.html
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
Which of the following if true would weaken the author's contention about 'lessons in cooperation' ?
III Individual girls cooperate with their mothers in looking after babies
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
It can be inferred that in the community under discussion all of the following are important except…
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
What was boys’ attitude to girls when they worked in team to capture eels?
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
file:///C:/Users/Admin/Documents/Zalo Received Files/18-3-2022/res_20220317/EN36.040.html 15/50
13:00, 06/10/2022 EN36.040.html
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
c. household duties
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
c. The place where the writer lives isolates him from nature.
d. The writer would like to move to another place
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
“…chase the hare you know you're going to catch.” in Paragraph 5 means
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
How did the writer's childhood influence his own family life?
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
When Roger left his office at about five o’clock, Miss Temple
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
How did Miss Temple’s purchases make her feel about what she was doing?
b. more determined
c. better prepared
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
file:///C:/Users/Admin/Documents/Zalo Received Files/18-3-2022/res_20220317/EN36.040.html 27/50
13:00, 06/10/2022 EN36.040.html
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
What does Paul say about his performance of Elgar’s Cello Concerto?
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
What do we learn in the third paragraph about the instruments John has made?
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation.
The primary purpose of the passage with reference to the society under discussion is to…
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
How did the writer find out what Ena's name was?
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
Who do the girls or boys work in tean better, according to the passage?
Mô tả câu hỏi
The sons are composers and prize-winning musicians, while Dad makes the instruments. Matthew Rye reports.
Whole families of musicians are not exactly rare. However, it is unusual to come across one that includes not
only writers and performers of music, but also an instrument maker.
When South Wales schoolteachers John and Hetty Watkins needed to get their ten-year-old son, Paul, a cello to
suit his blossoming talents, they baulked at the costs involved. ‘We had a look at various dealers and it was
obvious it was going to be very expensive,’ John says. ‘So I wondered if I could actually make one. I discovered
that the Welsh School of Instrument Making was not far from where I lived, and I went along for evening classes
once a week for about three years.’
‘After probably three or four goes with violins and violas, he had a crack at his first cello,’ Paul, now 28, adds.
‘It turned out really well. He made me another one a bit later, when he’d got the hang of it. And that’s the one I
used right up until a few months ago.’ John has since retired as a teacher to work as a full-time craftsman, and
makes up to a dozen violins a year – selling one to the esteemed American player Jaime Laredo was ‘the icing
on the cake’.
Both Paul and his younger brother, Huw, were encouraged to play music from an early age. The piano came
first: ‘As soon as I was big enough to climb up and bang the keys, that’s what I did,’ Paul remembers. But it
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wasn’t long before the cello beckoned. ‘My folks were really quite keen for me to take up the violin, because
Dad, who played the viola, used to play chamber music with his mates and they needed another violin to make
up a string trio. I learned it for about six weeks but didn’t take to it. But I really took to the character who played
the cello in Dad’s group. I thought he was a very cool guy when I was six or seven. So he said he’d give me
some lessons, and that really started it all off. Later, they suggested that my brother play the violin too, but he
would have none of it.’
‘My parents were both supportive and relaxed,’ Huw says. ‘I don’t think I would have responded very well to
being pushed. And, rather than feeling threatened by Paul’s success, I found that I had something to aspire to.’
Now 22, he is beginning to make his own mark as a pianist and composer.
Meanwhile, John Watkins’ cello has done his elder son proud. With it, Paul won the string final of the BBC
Young Musician of the Year competition. Then, at the remarkably youthful age of 20, he was appointed principal
cellist of the BBC Symphony Orchestra, a position he held, still playing his father’s instrument, until last year.
Now, however, he has acquired a Francesco Rugeri cello, on loan from the Royal Academy of Music. ‘Dad’s not
said anything about me moving on, though recently he had the chance to run a bow across the strings of each in
turn and had to admit that my new one is quite nice! I think the only thing Dad’s doesn’t have – and may acquire
after about 50–100 years – is the power to project right to the back of large concert halls. It will get richer with
age, like my Rugeri, which is already 304 years old.’
Soon he will be seen on television playing the Rugeri as the soloist in Elgar’s Cello Concerto, which forms the
heart of the second programme in the new series, Masterworks. ‘The well-known performance history doesn’t
affect the way I play the work,’ he says. ‘I’m always going to do it my way.’ But Paul won’t be able to watch
himself on television – the same night he is playing at the Cheltenham Festival. Nor will Huw, whose String
Quartet is receiving its London premiere at the Wigmore Hall the same evening. John and Hetty will have to be
diplomatic – and energetic – if they are to keep track of all their sons’ musical activities over the coming weeks.
What does the word “they” in the fourth paragraph refer to?
c. Some lessons
d. Dad and Dad’s mates.
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
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13:00, 06/10/2022 EN36.040.html
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
The expression 'innocent of' (in the last paragraph) is best taken to mean
b. unsuited for
c. not guilty of
d. unskilled in
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
Which of the following is the best description of the author's technique in handling her material?
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
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13:00, 06/10/2022 EN36.040.html
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
d. produced benefits
Mô tả câu hỏi
The restaurant owner John Moore writes about his relationship with his son Gary, the famous TV chef.
I believe everyone's given a chance in life. My son, Gary, was given his chance with cooking, and my chance
was to run a restaurant. When l heard about the opportunity, I rushed over to look at the place. It was in a really
bad state. It was perfect for what I had in mind.
Coming into this business made me recall my childhood. l can remember my mother going out to work in a
factory and me being so upset because l was left alone. With that in mind, I thought, 'We want time for family
life.' My wife dedicated herself to looking after the children and did all my accounts, while I ran the business.
We lived over the restaurant in those days, and we always put a lot of emphasis on having meals together. It's
paid dividends with our children, Gary and Joe. They're both very confident. Also, from a very early age they
would come down and talk to our regular customers. It's given both of them a great start in life.
Gary was quite a lively child when he was really small. We had a corner bath, and when he was about seven he
thought he'd jump into it like a swimming pool, and he knocked himself out. When he was older he had to work
for pocket money. He started off doing odd jobs and by the age of about ten he was in the kitchen every
weekend, so he always had loads of money at school. He had discipline. He used to be up even before me in the
morning. If you run a family business, it's for the family, and it was nice to see him helping out.
Gary wasn't very academic, but he shone so much in the kitchen. By the age of 15 he was as good as any of the
men working there, and sometimes he was even left in charge. He would produce over a hundred meals, and
from then I knew he'd go into catering because he had that flair. So when he came to me and said, 'Dad, I've got
to do work experience as part of my course at school,' I sent him to a friend of mine who's got a restaurant.
Gary recently took up playing the drums and now he has his own band. Goodness knows what will happen to the
cooking if the music takes off. My advice to Gary would be: if you start chasing two hares, you end up catching
neither, so chase the hare you know you're going to catch. He understood when I said to him: 'Gary, if you're
going to get anywhere in life, you've got to do it by the age of 30. If you haven't done it by then, it's too late.
Gary went to catering college at the age of 17, and on his first day he and the other new students - they're
normally complete beginners - were given what's supposed to be a morning's work. But within an hour Gary had
file:///C:/Users/Admin/Documents/Zalo Received Files/18-3-2022/res_20220317/EN36.040.html 39/50
13:00, 06/10/2022 EN36.040.html
chopped all his vegetables, sliced all his meats. He'd prepared everything. That's my son for you! In the end, he
was helping other people out.
None of us can believe how successful Gary's TV cookery series has become. I'm extremely proud of him. I've
always tried to tell him that if you want something, you've got to work jolly hard for it, because no one gives you
anything. He's seen the opportunity he's been given and grabbed hold of it with both hands. You know, you talk
to your children as they grow up, and if they only take in ten per cent of what you've told them, you've got to be
happy with that. The things Gary says, the things he does, I think, well, he must have listened sometimes
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
file:///C:/Users/Admin/Documents/Zalo Received Files/18-3-2022/res_20220317/EN36.040.html 42/50
13:00, 06/10/2022 EN36.040.html
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
b. she believed that was the time she could find out what she wanted to know.
c. she had other, more important things to do during the working day.
d. she didn’t want to risk him seeing her outside his office.
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
What mistake did Miss Temple soon realise she had made?
Mô tả câu hỏi
It would be simple enough to follow him. Roger was a man of habits, and even when his hours of work were
irregular he would still take his mid-day meal, whenever he did take it, at Percy’s. Miss Temple found an antique
bookshop across the street where, as she was obliged to purchase something for standing so long watching
through its window, she is on impulse selected a complete four-volume Illustrated Lives of Sea Martyrs. The
books were detailed enough for her to spend the time in the window, apparently examining the books, while
actually watching Roger first enter and then, after an hour, exit alone, from the heavy doors across the street.
He walked straight back to his office in the Ministry courtyard. Miss Temple arranged for her purchase to be
delivered to the Boniface, and walked back into the street, feeling like a fool. She had re-crossed the square
before she convinced herself that she was not so much a fool as an inexperienced observer. It was pointless to
watch from outside the restaurant because only from inside could she have discovered whether or not Roger
dined alone or with others, or with which particular others - all imponant information.
She had a pretty good feeling that the crime she believed he had committed was not to benefit his work, which
meant she was likely to learn nothing from observing his working day. It was after work that any real
information would be gathered. Abruptly, she entered a store whose windows were thick with all shapes of
luggage, hampers, oilskins, lanterns. telescopes, and a large assortment of walking sticks. She left wearing a
ladies’ black travelling cloak, with a deep hood and several well hidden pockets, opera glasses, a leather-bound
notebook and an all-weather pencil. Miss Temple then took her tea.
Between cups of tea and two cakes, she made entries in the notebook, summarising her plan and then describing
the day’s work so far. That she now had a kind of uniform and a set of tools made everything that much easier
and much less about her particular feelings, for tasks requiring clothes and supporting equipment seemed
somehow more objective, even scientific, in nature. In keeping with this, she made a point to write her entries in
a kind of code. replacing proper names and places with synonyms or word-play that hopefully would not be
understood by anyone but herself.
Miss Temple left the tea shop at four o'clock, knowing Roger to leave usually at five, and hired a carriage. She
instructed her driver in a low, direct tone of voice, after assuring him he would be well paid for his time, that
they would be following a gentleman, most likely in another carriage, and that she would knock on the roof of
the coach to indicate the man when he appeared. The driver nodded, but said nothing else. She took his silence
to mean that this was a usual enough thing, and felt all the more sure of herself. When Roger appeared, some
forty minutes later, she nearly missed him, amusing herself for the moment by peering through the opera glasses
into nearby open windows, but a sudden feeling caused her to glance back at the courtyard gates just in time to
see Roger, standing in the road with an air of confidence and purpose that took her breath away, flag down a
coach of his own. Miss Temple knocked sharply on the roof of the coach. and they were off.
The thrill of the chase, complicated by the nervousness of seeing Roger, was quietly lost when, after the first few
turns. it became obvious that Roger’s destination was nowhere more interesting than his own home.
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
d. was a foreigner.
Mô tả câu hỏi
By the time a child is six or seven she has all the essential avoidances well enough by heart to be trusted with the
care of a younger child. And she also develops a number of simple techniques. She learns to weave firm square
balls from palm leaves, to make pinwheels of palm leaves or frangipani blossoms, to climb a coconut tree by
walking up the trunk on flexible little feet, to break open a coconut with one firm well-directed blow of a knife
as long as she is tall, to play a number of group games and sing the songs which go with them, to tidy the house
by picking up the litter on the stony floor, to bring water from the sea, to spread out the copra to dry and to help
gather it in when rain threatens, to go to a neighboring house and bring back a lighted faggot for the chief's pipe
or the cook-house fire.
But in the case of the little girls all these tasks are merely supplementary to the main business of baby-tending.
Very small boys also have some care of the younger children, but at eight or nine years of age they are usually
relieved of it. Whatever rough edges have not been smoothed off by this responsibility for younger children are
worn off by their contact with older boys.
For little boys are admitted to interesting and important activities only so long as their behavior is circumspect
and helpful. Where small girls are brusquely pushed aside, small boys will be patiently tolerated and they
become adept at making themselves useful. The four or five little boys who all wish to assist at the important,
business of helping a grown youth lasso reef eels, organize themselves into a highly efficient working team; one
boy holds the bait, another holds an extra lasso, others poke eagerly about in holes in the reef looking for prey,
while still another tucks the captured eels into his lavalava.
The small girls, burdened with heavy babies or the care of little staggerers who are too small to adventure on the
reef, discouraged by the hostility of the small boys and the scorn of the older ones, have little opportunity for
learning the more adventurous forms of work and play. So while the little boys first undergo the chastening
effects of baby-tending and then have many opportunities to learn effective cooperation under the supervision of
older boys, the girls' education is less comprehensive. They have a high standard of individual responsibility, but
the community provides them with no lessons in cooperation with one another.
This is particularly apparent in the activities of young people: the boys organize quickly; the girls waste hours
in bickering, innocent of any technique for quick and efficient cooperation
b. nonchalantly
c. quickly
d. gently
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
Mô tả câu hỏi
I chose a small house on the edge of the city. It was an ideal place for me, because I wanted fresh mountain air,
space, privacy, a place where one could feel the presence of ancient gods and the spirits of nature. The house
was merely an empty shell, but I chose it because it was on the sunny side of the valley, high enough to have a
good view over the town, with sufficient breeze to diminish the occasionally stupefying heat. It took me a good
year to make the place inhabitable.
The first thing that I did was to dig out the well at the side of the house, which had caved in on itself and was full
of mud and rocks. I was helped in this by a Frenchman named Antoine, a man of considerable culture who had
chosen to live here because he was attached to the people, with whom he had arrived in the original immigration.
We repaired the walls and the roof of the house, and painted the rooms completely white so that they became
suddenly clean, bright, and spacious.
Antoine and I managed, at some danger to ourselves, to install electricity by connecting up a cable to the
faltering system invented by a teacher. This man was Professor Luis, who had set up a row of windmills to
generate power; this was perfectly adequate for lighting, but was somewhat feeble when high amperage was
required, so that the electric cooker that I had flown in by helicopter turned out to be more use as a storage
cupboard.
It often happens when setting up a house that one finds quite suddenly that there is an urgent need for some item
overlooked during the last expedition. The track down from my house was a deeply pitted one that served as a
watercourse each time that it rained, and although I have stabilised it since, it was to begin with only negotiable
on foot or by mule, or by Antoine's ancient three-wheeled tractor. This tractor had been half-buried in the mud of
the flood at Chiriguana, but Senor Vivo's father, who is in fact General Sosa, governor of Cesar, had it dog out
and brought in slung under a vast helicopter gunship, at his son's request. It is commonly said in this country that
General Sosa is the only member of the military hierarchy who ever does anything useful.
There was, at the far end of the town, a tienda that sold goods brought in by mule-train from Ipasueno, and so
every few days I would find myself rattling and bumping my way to it on Antoine's formidable old tractor. This
shop was owned by a middle-aged couple who left the running of it to their daughter, a girl of twenty or so years
whose name was Ena, as I discovered by overhearing the father asking of her the price of a bottle of Ron Cana.
Ena was small and strongly built; usually she wore a plain, faded blue dress, and her feet were always bare.
Sometimes I used to think that her head was very slightly too large for her, but she had an appealing and serene
face framed by her long black hair. She reminded me forcibly of a Greek girl with whom I had once been in
love, for she had the same smooth and soft olive skin, and big brown eyes beneath eyebrows almost heavy
enough to meet in the middle. On her forearms were the traces of soft black downy hair, which to be frank, is
something that has always driven me crazy, and her fingers were slim and elegant.
The best thing about her, however, was her elfin spirit; she had an air of quiet amusement, an innocent devilry,
that gave her the aura of having existed from all eternity, and of being able to see tbe funny side of everything. I
perceived that she had a streak of mischief in her, as was to be revealed when I discovered how it was that she
had kept me for so long in ignorance
b. needed to be repaired.