The document discusses how Emily Dickinson was able to write unique poetry because she lacked protective layers over her heart and mind from living a secluded life. It argues that in order to write truly expressive poetry, one must be willing to remove self-defenses against the world and be vulnerable to life, as Emily was through her uncalloused emotions. Her sensitivity both increased her suffering and capacity for enjoyment, allowing her to express feelings in her poetry that others cannot perceive or express themselves.
The document discusses how Emily Dickinson was able to write unique poetry because she lacked protective layers over her heart and mind from living a secluded life. It argues that in order to write truly expressive poetry, one must be willing to remove self-defenses against the world and be vulnerable to life, as Emily was through her uncalloused emotions. Her sensitivity both increased her suffering and capacity for enjoyment, allowing her to express feelings in her poetry that others cannot perceive or express themselves.
The document discusses how Emily Dickinson was able to write unique poetry because she lacked protective layers over her heart and mind from living a secluded life. It argues that in order to write truly expressive poetry, one must be willing to remove self-defenses against the world and be vulnerable to life, as Emily was through her uncalloused emotions. Her sensitivity both increased her suffering and capacity for enjoyment, allowing her to express feelings in her poetry that others cannot perceive or express themselves.
The document discusses how Emily Dickinson was able to write unique poetry because she lacked protective layers over her heart and mind from living a secluded life. It argues that in order to write truly expressive poetry, one must be willing to remove self-defenses against the world and be vulnerable to life, as Emily was through her uncalloused emotions. Her sensitivity both increased her suffering and capacity for enjoyment, allowing her to express feelings in her poetry that others cannot perceive or express themselves.
After you have scraped your hands, your sensory acuity
increases not because you have decided you are going to be hypersensitive, but simply because you are missing a protective layer of skin. Emily felt things as she did not because she had decided to be a superior poet but simply because she was missing that protective layer over her heart and mind that most of us develop throughout life. In the whirl of the world, we become accustomed to our lives as they are, to the point where we do not recognize them for what they could be. We adopt little ways of looking at things and thinking about them, and hesitate to deviate from those norms. In her secluded life, Emily lacked the familiarity and conventions that dull our vision and deaden our senses. She saw things as they appeared to her own eyes, not as they were glossed over by others' perceptions. As natural as it is for the human heart to be tender, it is also natural for the heart to form protective layers around itself at the least touch of pain or cold. In order to write poetry that is unique and truly expressive, we must be willing to get rid of those self-defenses against the world; we must be willing to be vulnerable to life.
Emily's uncalloused mental and emotional nerves
increased both her suffering and her capacity for enjoyment. As a result, she was able to express the things she felt for those of us whose senses are not delicate enough to perceive them - as well as for those of us who do feel some of the same things, but cannot yet express them.
This certain poems show a sensitivity and an
understanding about loneliness and singularity that seems particularly relevant to everyday life even through the changing of the times