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To Jean, my lovely wife since 1972

Wedding Cantata
Alfred, Lord Tennyson (1809-1892) 1. Marriage Morning Peter Bird
Allegretto q = 112
  
          
       




PIANO
  
p
  
  
mp
  
 


 

7
     
     
mf
 

S.
Light! on Earth! You send a

  
mf
A.         
Light, so low up - on Earth,
  
         
mf
T.     
 Light, so low up - on Earth, You send a

  
mf
      
B.

Light! on Earth,
      
           
       
 

PNO.

      
mf




 



    
   
 

 

14
      
 
mf
S.        
flash to the Sun. Gold - en close.
 
mf mp
      
mp
        
A.

Flash! Sun. Gold - en close. Ah;
      
          
mf

T.     
 flash to the Sun. Here is the gold - en close of love; All of my

                    
mf
 
mp
B.
  
Flash! Sun. Here is the gold - en close of love; All of my
 
                 
      
           



PNO.
          
mp
    

  
  
  
Copyright © 2016 by George Peter Bird. This edition may be freely distributed, duplicated, performed, and recorded.
Wedding Cantata
2

23
 
mp

              
S.

Oh, all the woods and mead - ows: Woods where we


mf mp

A.             
   
 All the woods and mead - ows; Woods where we
ah.
                 
mp

    
T. 
 woo - ing is done. Oh, all the woods and the mead - ows: Woods where we

              
mf
B.
 
woo - ing is done. Oh, all the woods and the mead -

  
       
   
      

PNO.

   

          

  
    
  
   

31
  
   
p
      
S.  
hid from the wet, We hid from the wet, Stayed

   
p
A.            
 
hid from the wet, We hid from the wet, Stiles where we


mp
  
T.            
 hid from the wet, Stiles where we stayed to be
    
mp
         
B.
 
- ows: Woods where we hid from the wet, We stayed
  
     
         
 
PNO.

 
  
 

  
 

p
 
      

Wedding Cantata

rit. A 3
a tempo (q = 112)
38
 
    
    
mp mf
S.

         
to be kind, Mead - ows in which we met! Light, so
mp mf

A.                   

stayed to be kind, Mead - ows in which we met! Light!


      
mf
T.            
 kind, Mead -ows in which we met! Light!
  
             
  
mf
B.  

to be kind, Mead - ows in which we met! Light, so

rit.
A
a tempo (q = 112)
           



PNO.
      
  
mp mf

     

   
  

46   
       
mp

S.
 
     
low in the vale, Light - en a - far,
 mp

A.              
   
Light! You flash and light - en a - far,

  
T.               
 Light! Light! Light - en a - far, For
 
                   
B.
 
low in the vale, You flash and light - en a - far, For

       
          
             
PNO.

      

  
  
   



 
      
Wedding Cantata
4

54
  
mf
      
mp
       
mf 
 
S.
 
Gold - en morn - ing of love and you are his morn - - ing star.
mf  mp
A.              
Gold - en morn - ing of love
            
T.          
 this is the gold - en morn - ing of love and you are his morn - ing star.

B.
        
   
    

this is the gold - en morn - ing of love and you are his morn - ing star.

                      
   
       




PNO.
             
    

62
    
  
mp
     
p
S.           
Flash! I am rea - dy; I start By mead - ow and stile and wood. Oh,
 
mf mp
A.            

         
 
Flash! I am rea - dy; I start By mead - ow and stile and wood.
f
     
      
mf
      
T.

 Flash! I am rea - dy; I start By mead -ow and
f
             
mf
B.          

Flash! I am rea - dy; I start Mead - ow and stile and wood.
       
                   
          



PNO.
             
f mf
       
mp
          
  

Wedding Cantata
5
rit.

   
70
                  
S. 
light - en! Oh, light - en in - to my eyes and my heart, In - to my

    
p
A.           
    
Stile and wood. Oh, light - en in - to - my eyes and heart, In - to my

             
mp
    
mf

   
T.

 stile and wood. Oh, light - en in - to my eyes and my heart, In - to my

           
mp
   
B.
 
Oh, light -en in - to my eyes and heart, In - to my
rit.
   
        
     
        
     
PNO.


   
      

     
        


B
Andante (q. = 76)
78
   
         
mp mf mp
      
mf
S.  
heart and my blood! Heart, are you great e - nough

 
mp mf mp

         
mf
      
A.
  
heart and my blood! Heart, are you great e - nough
 
 
mp

             
mf
T.   
 heart and my blood! Heart, are you great e - nough

     
mf

mp
    
 
mf
     
B.
  

heart and my blood! Heart, are you great e - nough

B
  (q. = 76)    
Andante
      
      
           



PNO.
             
   
mf
       
       
 

Wedding Cantata
6

84
          
mf
S.        
For a love that nev - er tires? Oh heart, are you

  
      
mf
A.       
     
For a love that nev - er tires? Oh heart, are you

             
mf
T.
   
 For a love that nev - er tires? Heart, are you

          
mf
B.      

For a love that nev - er tires? Heart, are you

  

                  
PNO.

 
  
  
mp


   

  


89
 f          
         
mp
S.     
great e - nough for love? (I have heard of thorns and bri - ars. Of

  
f mp
     
A.                
great e - nough for love? (I have heard of thorns and bri - ars. Of

      
    
f mp
T.           
 great e - nough for love? (I have

         
f

mp
B.     
 
great e - nough for love? Ah (I have

      
  
         


  
 
   
PNO.
   
f mf mp
       

        

Wedding Cantata
7

94
   
p
        

S.
   
thorns and bri - ars.) O - ver thorns and
p
A.       
   
   
 
thorns and bria - ars.) O - ver thorns and

  
p

T.                   

 heard of thorns and bri - ars.) O - ver thorns and

      
      
p
B.     


heard of thorns and bri - ars.) O - ver thorns and bri - ars,

              
 

  
 
  
    
 
PNO.

  

          
   


p

       
 
 

99
   
mp
        
  
mf
S. 
bri - ars, O - ver mea - dows and stiles, O - ver the
mp
 
mf
            
A.

bri - ars, O - ver mead - dows and stiles, O - ver the

    mp
        mf
T.        
 bri - ars, Mea - dows and stiles, O - ver the

        
 mp mf
B.        

O - ver mea - dows and stiles, O - ver the

       


  
       
     
PNO.

      
mp mf
             

    

Wedding Cantata
8

104 subito f
                
   
 
S.   
world to the end of it; Flash of a mil - -

 
subito f
   
A.              
world to the end of it; Flash of a mil - -

 
subito f
    
T.   
        
 world to the end of it; Flash of a mil - -

            
subito f
B.
           

world to the end of it; Flash of a mil - -
       
              
    
PNO.

 

(hemiola)
 
      
 


f

    

 



109
         
 

S.  
- - ion miles.

   
    

A.     
- - ion miles.


     

T.      
 - - ion miles.

        
 
B.
    
- - ion miles.

         
 
   




PNO.
 
mf
           


 
Wedding Cantata
C 2. It's All I Have to Bring Today 9
Emily Dickinson (1830-1886) Peter Bird
114 Andante (q = 80)
      
S.  

A.       

T.       

B.
      
 
C
Andante (q = 80)
                      
      


         
 
  
PNO.

  
mp mf
         
 
                


 
  3

119
     
p
        
S.    
It's all I have... Ah
 
       
mp
A.      

It's all I have to bring to -
 
p
    
T.     
 Ah. Oo

     
p
B.     

  Ah. Oo
   
                                  

           

PNO.

        
mp p
                 
      

Wedding Cantata
10

125
        
      
S. 
Ah

   
A.                   

day This, and my heart be - side
   
T.            
 Oo Ah.

      
B.         
Oo
 
                                      
         

PNO.

    
mp

        
     


D
131
  
         
mf
S.    

It's all I have to bring to - day


  
mp
   
      
A.
  
It's all I have bring to - day
to
  
  
p
     
T.
 
 Oo Oo

        
p
  
B.
  
Oo Oo
D
                     
         

     
 
PNO.

 
  
  
mf





 
  

Wedding Cantata
11

136
             
S.            
This, and my heart be - side This, and my heart,

        
      
   
A.

This, and my heart be - side This, and my heart,

      
T.                
 Oo And my heart be - side. Oo

         
B.
         
Oo Oo
           
      
        
 

PNO.

  


   
    

 mf
   
 

mp


142
     
           
mf
 
3

S.
and all the fields, and all the mea - dows wide. Wide.

        
mf
A. 
  
        
and all the fields, and all the mea dows wide. Wide.
     
  
mf
T.      
 Oo Wide.

     
mp
   
mf
B.
          
Oo All the mea - dows wide.

           
        
PNO.

  












   
 
mp


Wedding Cantata
12 E
accel. Andantino (q = 95)
149
    
      
mf
S.    
Be sure you count, should I for -


 
mf
          
A.
    
Be sure you count, should I for - get,

          
    
mf
T. 
 Be sure you count, should I for - get,

   
mf
   
B.
  
E Be sure you count,
accel. Andantino (q = 95)
       
     
    
PNO.

   
                              


mf

154
       
S.                 
get, Be sure you count; Some - one the sum could tell.


A.           

      

 
Be sure you count, should I for - get, Some - one the sum could tell.

T.                       
 Be sure you count; Some - one the sum could tell.
         
B.
           

should I for - get, Should I for - get, Some - one the sum could tell.
      

           
 
       


  
PNO.
   
                 
    
    
Wedding Cantata
13

161
      f

               
S.
     
This, and my heart, and all the bees That
 f
A.        
          
This, and my heart, and all the bees That


f

T.                   
 And my heart, and all the bees That

              
B.
 
This, and my heart, All the bees That
 

                 
             


  
PNO.     
mp
   
  

     
   
     
 

F
rall. a tempo (q = 80)
168
                 
    
mf

mp
S.    
in the clo - ver dwell. Dwell. It's all I have

 mp
          
mp
A.     
  
in the clo - ver dwell. Dwell. It's all I have
[In a large chorus, include some women.]
        
            
mp mf
T. 
 in the clo - ver dwell. Dwell. It's all I have

     mp
f
      
mp
B.      

in the clo - ver dwell. Dwell. Ah

F
rall. a tempo (q = 80)
 
               
  

     
PNO.

         
mf

    
             
  
Wedding Cantata
14

175
               
S.      
to bring to - day This and my heart be -


A.                   
   
to bring to - day This, and my heart be -
            
T.           
 to bring to - day This, and my heart be -

              
B.
   
Ah Ah Ah

                          
                          
PNO.

  
    
  
   

 
   
 
  

 

      
    

181
    
S.             
side This, and my heart, and all fields,

 
A.            

side This, and my heart, and all the fields,
  
T.           
 side This, and my heart, and all the fields,

          
B.
   
Ah

 

                       
               
     
PNO.

 
f
          
                

Wedding Cantata
15

185
   
mp
   
p
  
 
S.  
all mea - dows... Wide.

    
p
 
 

A.        
and all the mea - dows wide. Wide.

     
mp

p
    
3


T.     
 and all the mea - dows wide. wide.

 
        
p
   

B.   
All the mea - - dows wide.

             
               

 
   



PNO.
      
mf mp
  
         

      
 

3
Wedding Cantata
16
3. The Privileged Lovers
Rumi (1207-1273) Peter Bird
191 (q. = 70)

S. 
     

A. 
    

T. 
    

 
mf

B.      
 
    
(q. = 70) Ah

                    


                   

 



PNO.   mf
  
    
f

      
       

   

195 mf
                
mp
S.      
Ah Ah The
mf mp
A.             
 
Ah The
mp

          
mf
T.            
 Ah The

                
mp
B.        

Ah The

           
      
            

PNO.


mp

                

       

  
   
  
Wedding Cantata
G 17

200
      
mf mp
S.             
Moon is now a dan - cer at this fes - ti - val - of love; this
 mf mp

           
A.
    
Moon is now a dan - cer at this fes - ti - val of love; this
    
mf

mp
T.             
 Moon is now a dan - cer at this fes - ti - val - of love; this
   
      
mf mp
B.
      

Moon is now a dan - cer at this fes - tiv - val of love; this
G
      
 
PNO.

  





 

    
   

[this phrase in strict rhythm]


204
          
mf
    
mf

f
S.    
dance of light; this sac - red bless - ing.

      
mf f mf
A.            
dance of light; this sac - red bless - ing.

  
mf
  
mf

     
f
T.      
 dance of light; this sac - red bless - ing. Di -
f   
     
mf
  
mf

B.
     
dance of love; this sac - red bless - ing. Di -
             
 
 
         
PNO.

         
mf
     
f mf
    
    
Wedding Cantata
18

208
            
mp
   



S.
To a world a - ris - ing new... ...Lov - ers...
mp
            
A.
    
To a world a - ris - ing new... ...Lov - ers...

          
T.       
 vine love beck - ons us... ...New, for these lov - ers with their

           
B.
     
vine love beck - ons us... ...New, for these lov - ers with their
                       
 
    

PNO.

      



         
   

  
  
 

H
213 attaca Fast and free (q. = 90)

 mf   
f
      
S. 


...Eyes... Pas - sion.


mf

f
A.        
  
...Eyes... Pas - sion.

    

f
T.    
  
 eyes of fier - y pas - sion.
      
      
f
   
mf
B. 

eyes of fier - y pas - sion. Cho - sen ones who have sur - ren - der'd!
H
Fast and free (q. = 90) 
        

     



PNO.

f
  
mf
     
           
   
    
 
 
Wedding Cantata
19

217
      
S.
 mf
          
Cho - sen ones who have sur - ren - der'd! Once on - ly a light; now they are

  
mf
A.          
 
Cho - sen ones who have sur - ren - der'd! Once on - ly a


mp
        
mp
 
T.      
 Ah Ho Hup Hup
     
          
B.

Once on - ly a light; now they are Sun - beams re - u - nit - ed!

    
     
     
        
PNO.

      
f

               
      

221
       
mf
       
S.  
Sun - beams re - u - nit - ed! Cho - sen ones who have sur - ren - der'd!

  
mp
           
  
A.
light; now they are Sun - beams re - u - nit - ed! Ah

 
            
mf mf

        
T.

 Ho Hup Hup Ho Hup Hup Ho Cho - sen ones who

                
B.

Cho - sen ones who have sur - ren - der'd! Once on - ly a light; now they are

            


     
 

       
PNO.

 mf
   

 



   
 

f


   
   
 
  

Wedding Cantata
20

225
               
S. 
Once on - ly a light; now they are Sun - beams re - u - nit - ed!

A.         
    
Oh Ah

            
T.     
 have sur - ren - der'd! Once on - ly a light; now they are Sun - beams re - u -
 
    

B.    

Sun -beams re - u - nit - ed!
       
             
  
PNO.

      
  

  

 
 
 
mf


  

  

229
 f         
        
S. 
Ah Ah Ya

 
f
A.           
 
Cho - sen ones who have sur - ren - der'd! Once on - ly a

 
f
         
T.     
 nit - ed! Cho - sen ones who have sur - ren - der'd! Once on - ly a

B.
    

     
                           
  

PNO.

      
 
 
f
  
     

   
 
Wedding Cantata
21

233
  
   
f ff

S.

     
Once on - ly a light; now they are

  
     
ff
A.       

light; now they are Sun - beams re - u - nit - ed! Now they are

         
     
ff
T.   
 light; now they are Sun - beams re - u - nit - ed! Now they are

 f             
ff  
B.

Cho - sen ones who have sur - ren - der'd! Once on - ly a light; now they are

    


         
    


 
          
PNO.
 
   

 
        
  


  

237 A tempo (q. = 70)


       
S.       
Sun - beams re - u - nit - ed!

A.        
  
   
Sun - beams re - u - nit - ed!

 
T.      
     
 Sun - beams re - un - nit - ed!
  
    

B.   
   

Sun - beams re - u - nit - ed!

 A tempo (q. = 70)


   
      
            
   
PNO.

      
        
ff
 
mf
         
    
 
  
Wedding Cantata
22

242
I
 
       
mp mf mp
   
S.         
They have left be - hind the world of fool - ish games, of fool - ish games.
 mp mf mp
A.                   
 
They have left be - hind the world of fool - ish games, of fool - ish games.
  
     
mp mf
      
mp mf
T.         
 They have left be - hind the world of fool - ish games, of fool - ish games. Di -
     
          
mf

   
mp mp mf
B.


They have left be - hind the world of fool - ish games, of fool - ish games. Di -
I 
                     
           
     
PNO.

                              
mf

          

rit.
247 mp
                   
S. 
Ah To a world a - ris - ing new for these
mp
A.                  
Ah To a world a - ris - ing new for these

    
    
mp
   
mf
T.   
 vine love beck - ons us... A - - new, for these

       mf  
B.        

vine love beck - ons us... A - new, for these

      
rit.
         

      
     
 
PNO.

   






 



 
 
    


 








Wedding Cantata
23

251
            
mf f
   

S. 
lov - ers with their eyes of fier - y pas - sion!

  
f
 
mf
          

A.
lov - ers with their eyes of fier - y pas - sion!

      
       
f


T. 
 lov - ers with their eyes of fier - y pas - sion!

    
        
f
  

B.

lov - ers with their eyes of fier - y pas - sion!

                    
 

   


PNO.

       
  

  
f


  


    

 
Wedding Cantata
24
4. A Faery Song
W. B. Yeats (1865-1939) J Peter Bird
255 Adagio (q = 72)
  
pp
S.           
We who are old,


     
pp
A.
  

  
We who are old,

 pp
         
T.   
 We who are old,


pp
       
B.
   
We who are old,
Adagio (q = 72)          J 
 
    
   
 
  


  
PNO. mp
          
    
  

   

261
  p       
mp p mp
S.              
  

old and gray, O so old! Thou -sands of years, thou -sands of

 p mp p
  
mp
   
         
A.
     
old and gray, O so old! Thou -sands of years, thou -sands of

    
p mp
  
mp p
T.             
 old and gray, O so old! Thou - sands of years, thou - sands of

         
p mp p

mp
B.
         
old and gray, O so old! Thou -sands of years, thou -sands of
 
    
                


  




PNO.
  
mf
      
           

   
Wedding Cantata

K 25

268
  mf
           
  
mp
S.     
years, if all were told. Give to these chil - dren, new from the world,

 mf  
mp

               
A.
  
years, if all were told. Give to these chil - dren, new from the world,
         
           
mf mp
T.

 years, if all, all were told. Give to these chil - dren, new from the world,

                
mf
  
mp
B.
 
years, if all were told. Give to these chil - dren, new from the world,

  K     
                       
      
PNO.

    
mf

       
f

              
          

277
      
mf
      
S.       
Si - lence and love; and the long, dew - drop - ping hours of the


mf
A.                    
 
Si - lence and love; and the long, dew - drop - ping hours of the

            
mf
T.        
 Si - lence and love; and the long, dew - drop - ping hours of the

      
mf
        
B.
     
Si - lence and love; and the long, dew -drop -ping hours of the

                          


           



PNO.
                 
    
          
 
  
Wedding Cantata
26

285
L
       
       
mp
  
p mp
    

S.
night, and the stars a - bove: Give to these chil - dren, new from the

 p mp mp

                   
A.
    
night, the stars a - bove: Give to these chil - dren, new from the

          
mp
       
    
p mp
T.  
 night, the stars a - bove: Give to these chil - dren, new from the

    mp    
mp
           
p
B.
 
night, and the stars a - bove: Give to these chil - dren, new from the
L
                 
 
         
    
PNO.

  


   
  


   

 
 
    
      
 


293
                
mf
S.     
world, Rest far from men. Is an - y -thing bet -


mf
A.                        
world, Rest far from men. Is an - y - thing bet -

       
  
mf
T.           
 world, Rest far from men. Is an - y -thing bet -

      
     
mf
    
B.   
world, Rest far from men. Is an - y - thing bet -

           


                
        
PNO.

 

      
 



  

       
 
    
 

  


Wedding Cantata
27
M
301
     
p

  
mp mp
S.              
ter? Is an - y - thing bet - ter? Tell it us then: Us who are

  p
  
mp

mp
        
       
A.


ter? Is an - y - thing bet - ter? Tell it us then: Us who are


p
   mp

             
mp
T.  
  
 ter? Is an - y - thing bet- ter? Tell it us then: Us who are

    
mp
         
p mp
    
B.
  
ter? Is an - y - thing bet - ter? Tell us then: Us who are
M
           
           
           
 




          
PNO.
        
mp
   
  
 
 
     

309
     
p
 
S.         
 
old, old and gray, O so old!


   
p

  
A.
         
old, old and gray, O so old!

 
p
T.               
 old, old and gray, O so old!


p
  
B.
      
   
old, old and gray, O so old!
 
            
          




 

PNO.
      
         
    
Wedding Cantata
28
p
314

mp
      
mf
 
mp
    

S.    

Thou - sands of years, thou - sands of years, if all were told.
p

mf mp

   
mp

  

A.
         
  
Thou - sands of years, thou - sands of years, if all were told.
p
       
mp
  
mp mf
T.         
 Thou - sands of years, thou - sands of years, if all, all were told.


p
  
mp
    
mf
    
mp 
B.   
Thou -sands of years, thou -sands of years, if all were told.

    

            
 

 
 


   
PNO.


   
   

mf











 

 
  
 
To Jean, my lovely wife since 1972
PIANO Wedding Cantata
1. Marriage Morning
Alfred, Lord Tennyson (1809-1892)
Peter Bird
Allegretto q = 112
  
        
      
 
     
  


  
p
  
    
mp

 
 


 
       
        
7
 

   

    
mf

13 
 
 


 
  
 
   
 

                  
          

 

20

  
 
  
  
 
   mp

 
 
   

      
       

     

27

               
  

 
   
         
        

 
  
      
      



32
        
            
 p

       

 
 

  

Copyright © 2016 by George Peter Bird. This edition may be freely distributed, duplicated, performed, and recorded.
Wedding Cantata
2 PIANO
37 rit.

       

 

 
  
A
 

 

 


   
 mp

 

 


45
  
 
a tempo (q = 112)

        
      



   
                
mf

     

 
52
                
              




               
  
59
         
          
          

 


 

      mf
         
f 

   
    



66
  
                       


 
           
      
mp

    
 rit.
73    
       
          

  
       

      
 



Wedding Cantata
B PIANO 3
80
   
Andante (q. = 76)
         
    
           



    
 
mf
         
 

  
   
      
  
84 
                 


         

   

          
     
mp f 


    
90

        
           
     

 

  
     
mf
          

mp
 
            
           
96
   
       
 

          
p
         
mp

    
           
100
          
   
 
    


 
        (hemiola)
 
              
 mf

 
 
 
105   
          
  
   

 
 


      
f
         
  
 

  
110
   
     

   




    
        
mf 

      
 

 
Wedding Cantata
4 PIANO
Emily Dickinson (1830-1886) 2. It's All I Have to Bring Today Peter Bird
C
Andante (q = 80)
                     
114
    

            
 


 
mp mf
        
                  


         
                
118

           
       

          

mp

      

         

 3 
           
                        
123

               



p
         
      
   

D
129

                      
   

    

 
mp
  



     
mf
 

                             
133

           
  

  
 


 
 
 



   
   
Wedding Cantata
PIANO 5
138
        
      
  
   


 

 mf
   
 

mp
















E
 accel.

        
146
    
      



 
  
mp

 

    
 

152 Andantino (q = 95)


        
          
    


      

mf

 

           
      

  
        
157
    
             
  


  
      

mp
            
     

164 rall.
     
         
   
   


    
        
  
 
      
   


Wedding Cantata
6 F PIANO
171
 
  
a tempo (q = 80)
        
                   
      

    
            
mf


     
   
    
    

177
          
  
        

          
     

  
       
   

 
 
       
  



  
 

                
182

          

     
    
  
f
        
           

 
3

      
        
186

           


    
mf mp
          
     

190
 
 


 
 

Wedding Cantata
PIANO 7
Rumi (1207-1273) 3. The Privileged Lovers Peter Bird
              
191 (q. = 70)
           
             



 
 
    
f
   
 
mf
   

  


194   
        
               


   
 
                      
 

  
198
     G
              
 

   
202
   

  
mp




       


  
 [this   in strict
  phrase
  
  rhythm]
       
   
  



 
             
mf
     
f

     
206  
  
      
      

                       
   
mf

   
                    
210

   



              

        
    
213  
            
   





      
f 

     



Wedding Cantata
8 PIANO
H
215 Fast and free (q. = 90)
      
    
    



     f   
  
         
mf
   

  

218
  
      
      

     








 








   

 
   

221
           
      

             
f
     
mf
  


    


             
224
    

        

 

      
           mf   
               
 

     
 

228
   
               

          
f
     

             
231

        

        

     
 



 

Wedding Cantata
PIANO 9
234
          
      
  

 
 

  


 


  




236
         
       
 
     




          
ff
           
  


239
A tempo (q. = 70)
     
             
       

  




           
   

    
mf
   
    


I 
243
         
                   
    


                         
mf

        
247     
         
rit.
  
           
 

       
 
         
   

  

                      
251
 

 



       f 
          
      
 
 
Wedding Cantata
10 PIANO
W. B. Yeats (1865-1939) 4. A Faery Song Peter Bird
255 Adagio (q = 72)
         
  
         
 
 

mp
        


 

 
  
259
 J       
               
    

  

mf
    
        
  
 
264  
      

         
       

  
  
 
 
 






  
 

 

f
  
  

K  
273                     
          
 

               
     
mf

     
     
      

 
                  
280
   
            

  
   

    

 
   



    

 
   


Wedding Cantata
PIANO 11
L
288

  
                   
         


  


    
   

   
          
  
     

295
        
              
       


    
 
      
      

 
  

301
              
      
        



                  

      
  


    
 
   
308 M
   
          
   



  
    
mp

   

     
   


             
313
     
       

      



 



 
mf

 







  


  
  

 

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