Nocturne

for two Violins and Piano

Music by Vaja Azarashvili

  Andante cantabile   
 
Argelia Sarely de la cruz Glez

Violín I

  
  
  
Violín II


                
              
Andante Cantabile


  
Piano 

4     



               
4

 
      
      
         
           
4

       
    
4

  
   

8        
   
1




    
            
   
8




              


                    
1

   
8

   

8

 


  
12             
      


            
    
12

   
                

  
 
            
   
12

  
   
  
 

     
16 
            
  
2




         
                
16


               


          
                      
16
2


        



 
 


           
20 


        
    
20

         
                        
  
20

       
        
 
  
  

-2-
23                 

3



           
   

23

    


 
                                   
              
23 3

   
   
  


   

                 
27   


    
       
  
27

        
                                   
                  
27

     
   
  

                
           
31

   
         
            
31

 
                         
                        
31

     

    
-3-
 34   
  
           
  
4




    

   
       
  
34




 4 
            
   
          
           
         
          
34

       
    


   


38                   




    

    
         
    
38

     


                    

                          
   
38

   
      
   
  


   

 
            
  
42
5

 


             
 
 
42

                     

                 
   
42 5

    
      


   
42

-4-
47                
    


       

    



cresc.

      
 
47


cresc.

  






 





  






  




 


47

    
  


   
cresc.

  
       
         
 
    
poco rit. a tempo


51
6

   
  


      
          

   
51



                   

   




                    
a tempo
poco rit.


51 6

   
   
  


 


                


55

        
    

55

                          
          
                     
55

     
 
   



-5-
        
59            
       
7

        


  
   
     
      
59

                 


               

           
59 7

    
    


    

Meno mosso
          
    
rit.
63




   
        
 

63

   


    
               
rit.


Meno Mosso


63










       
     
Sva bassa 