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  • Severance by LS PDF

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    Thibaut Lemarié
    385 views3 pages
    The document is a piano score for the soundtrack of the film Severance. It contains musical notation for a piano piece in 3/4 time composed of variations on chords in the key of C minor, F sharp, F, and A flat minor over 31 measures. The piece was arranged for piano by Laura Scarborough and composed by Theodore Shapiro for the film soundtrack.

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    Severance by LS.pdf

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    The document is a piano score for the soundtrack of the film Severance. It contains musical notation for a piano piece in 3/4 time composed of variations on chords in the key of C minor, F sharp, F, and A flat minor over 31 measures. The piece was arranged for piano by Laura Scarborough and composed by Theodore Shapiro for the film soundtrack.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    385 views3 pages

    Severance by LS PDF

    Uploaded by

    Thibaut Lemarié
    The document is a piano score for the soundtrack of the film Severance. It contains musical notation for a piano piece in 3/4 time composed of variations on chords in the key of C minor, F sharp, F, and A flat minor over 31 measures. The piece was arranged for piano by Laura Scarborough and composed by Theodore Shapiro for the film soundtrack.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 3

    Severance - Piano Soundtrack


    arr: Laura Scarborough
    comp. by Theodore Shapiro

       
     = 115

      
      
    Cm F# F Abm

         
       
     

       


          
      
    Cm


    F# F Abm
    5

         
       
        


      
      
    Cm


    F# F Abm
    9

         
       

      


            
    
    Cm


    F#


    13

          
           
      


         
        
    F


    Abm
    15

          
            

    

          
       
    2 Cm
    F#


    17

              
          


         
        
    F


    Abm
    19

      
           
     
    


            
      
    Cm F# F Abm
    21

          



    

    
       


      
      
    Cm


    F# F Abm
    25

      
        

    

    
       


          
       
    Cm
    F#


    29

               
        


      

       
       
    F


    Abm
    31

           
            
     

          
       
    Cm 3
    F#


    33

      
        

            
     


         
        
    F


    Abm
    35

         
       
      
     


            
      
    Cm F# F Abm
    37


         
       


         
    Cm


    F# F Abm
    41

        
         

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