Portfolio 1.2.

Damjan Zhupanoski
Manchester School ofArchitecture
ID: 18056983
Group: 8
1.2.1 Site / Product / Programme

1.2.2 Resolution

1.2.3 Exhibit

1.2.4 Events
1.2.1 Site / Product / Programme
Site

Photocollage
 Location
Bu

et
ns

re
en

t
rS
St
re

ve
et

Le
tle
et

Lit
re
Da

St
le

r
ve
St
re

Le
et
(M
ain
)

The site is located in Manchester, Northern Quarter,between

Bunsen Street, Little Lever Street and Dale Street.
One can get there by car, bus and bicycle and by foot.
 21 March 21 June 21 December

Sun Path
9am

12pm

5pm

In the Uk there are four different seasons with different sunpaths.

The sunlight on the Site is variable. Summer is a season with a light
throught the whole day , and in winter it’s the opposite of nearly
zero light coming to the site.
Therefore the building to access direct sunlight should be facing
south or have a multi floor height. From this I was observing which
spaces of my design are most important or that require light.
 Views
View Diagram showing views towards the site and the surrounding streets
 Materials
Cobblestone on
Red Brick Old Brick White Brick Stone Red Brick
the sidewalks

DALE STREET
 Site Model
Modeling the site model helped me completely understand the three
dimensional shapes and the scale of the site and It’s buildings.
Process of making the Product Wine
 Client Customer Segments

18% of consumers 12% of consumers

26% of profits 14% of profits
24% wine’s share of alcohol 24% wine’s share of alcohol
consumption consumption
$12 average price per bottle $13 average price per bottle

Imagine seekers Engaged Newcomers

20% of consumers 21% of consumers
22% of profits 14% of profits
44% wine’s share of alcohol 38% wine’s share of alcohol
consumption consumption
$10 average price per bottle $8 average price per bottle

Everyday Loyals Price Driven

B2B 10% of consumers 19% of consumers
15% of profits 9% of profits
40% wine’s share of alcohol 34% wine’s share of alcohol
consumption consumption
$13 average price per bottle $9 average price per bottle

Enthusiasts Overwhelmed

Winery
Users Target customers: Image Seekers

*Status symbol
*Are just discovering wine
*Have basic wine knowledge

Characteristics:
*Like to be the first to try new wine
*Open to innovative packaging
*Prefer Merlot
In-winery
B2C *Check restaurant wine lists online and research scores
store *Millennials and Males
 1700
Ergonomics

1:1 on A3
500

950

100
46 A3 paper scale 1:5
300

200

100 55
numbers are in millimeter
155
1000 560 65
75
Internal Vignettes of the three key spaces

Educate
Make Space
Sell

First sketch model
For my manufacture
process of my product I
needed a closed space with
cold temperature and dry
moisture. I decided making it
in a lower goround floor. For
the ground floor i
decided taking a small space
where I leave room for
exporting the raw
materials. Lastly for the first
floor I wanted more space,
capacity for educating.
digesting and selling the
product.
Sketch
Second sketch model
models
For the second model I tried
doing it approximate to
scale 1:200. In here I
increased the range of
space of the ground
level as most of it was left
unused. I thought about the
entrance, and the experience
with in it, and I decided to
have an iron
construction below the first
floor, where grapes would
hang. Also I thought about
having the presentation
covered bellow the terrace I
made. It would be in an open
space and people passing by
could get interested in the
presentation.
Final sketch model

In the third model i extended

the ,,terrace’’, however i
decided to make it as a whole
iron construction for a grapes
growing making the building
noticable and the winery more
recognisable.
In Manchester the climate is
damp so I changed the idea of
having the presentation
outside. Instead decided to
use the ground open space
as a small square. As there
are not many green spaces in
this area this would give the
client an opportunity to sit,
relax and get attracted to
the winery seeing the
crushing part from the inside.
Axonometric diagram

The Circulation is presented in two

different colours:

Workers : Blue

Customers: Yellow

In the axonometric diagram the

volumes of the spaces are shown
coloured in different colours.

Make

Sell

Present

Entrance

Office

Toilet
First Initial Draft Plan + Section
First Floor / plan

Ground floor / plan

Section
Lower ground / plan

1:100 drawings
1.2.2 Resolution
Precedents

Lagravera / SALA FERUSIC Architects

600.0 m2

For my precedents study i looked through a

lot of wineries to which helped me
develop the plan, the circulation and the
look of my design. Wineries of different
dimensions were considered making mine. My
sight with only 324 m2 is really small,and
from the research I found massive ones
with over 3000 m2. I was curious in the
details of some winaries such as Lagravera.
Used the connection between the office and
the tanks, which is a great idea of having a
Glazed tasting room by Waechter Architecture overlooks
visuals betweeen them. Furioso Vineyards in Oregon.
I was captured with the thought of the only way of enjoying
wine is having a good environment and good view, which this
Winery in Kutjevo / Dva arhitekta one had this open tasting area with the sight of a landscape.
3330.0 m2

Considered making an entrance with these type of

coloumns.
Facade Precedents

Gallery of Aalto University Väre
Building.
Discovered many combinations of
materials combined with bricks.
The town house in Zurenborg,
Belgium consists of traditional
brick, the idea of having glazed
bright green bricks that shine
and fits well in the green garden
scenery gave me a deep
impression.
Cracked Glassitecture
A proposal of how the Gimpo Art
Hall in South Korea would look
like. I really liked the concept of
having huge glass decorated with
irregular shapes.
1st.Gallery of Aalto University Väre Building.
2nd. Gallery of Damesalen Laboratories - Københavns Universitet.
3rd. Glazed renovation to Ottawa’s Canadian Museum of Nature
Loved the idea of having an open space on the top floor where
people can sit, drink wine and have a good view, but also from
external view to reflect the neighbouring buildings.

Seeing many facades and ideas for my design. I wanted
my building to stand out but also not to neglect the
surrounding buildings. Therefore I decided to use glazed
brick with a colour of grape.
This colour would attract attention but also mirror the
neighbouring buildings.
In the previous initial plans I designed a small square
outside of the building with grapes falling down the roof
making a pleasant entrance and a place to sit.
My idea has furthered change into modifying the green
square to the top of the building. The building will become
more noticable and compelling.
Volumetric model

This volumetric model shows the idea of how my spaces changed. Considered that make space
needs to be two height because of the fermentation tanks which are part of the production
process. Also with this shape i can connect the presentation with the production with a glass
between where the customers can see the production process while the presentation is being held.
 Sectional Model

Sell

Raw materials get

exported from here

Manifacture process

Storage

Presentation

Entrance corridor
Underground Floor plan
1:50 A2
Ground Floor plan
1:50 A2
1st Floor plan
1:50 A2
2nd Floor plan
1:50 A2
section
1:50 A2
facade faced from Little lever street
Facade faced from Little lever street in context
1.2.3 Exhibit
 Exhibit process

I wanted to experiment shadowing on a black

paper with white pencil. I also combined white
markers to outline the walls and floors and pen
to highlight things.
For the background I used a sketchup site
model and tried different styles for it.
1.2.4 Events
 GORSE GORSE
HILL HILL
STUDIO STUDIO
20 YEARS
20 YEARS
ON ON
- AGENDA - - AGENDA -
B e i n g a s a n e w c h a r i t y, G o r s e Hi l l S t u d i o s t r u g g l e s o f f u n d i n g f o r n e w B e i n g a s a n e w ch a r i ty, G o r se H i l l Stu d i o str u g g l e s o f fu n d i n g fo r n e w
d e v e l o p me n t s . To p r o v i d e s u p p o r t o f r e d e v e l o p me n t , we h a v e c h o s e n t o d e v e l o p me n t s . To p r o vi d e su p p o r t o f r e d e ve l o p m e n t, w e h a ve ch o se n to
In the Events I took part in the Group G with r e - d e s i g n o n e o f t h e ma i n c o mmu n i c a t i v e s p a c e s - t h e r e c o r d i n g s t u d i o . r e - d e s i g n o n e o f th e m a i n co m m u n i ca ti ve sp a ce s - th e r e co r d i n g stu d i o .
- COORDINATORS
the project of Recording Studio - for GHS. We To i n i t i a t e t h e d e s i g n , we h a v e c-oCOORDINATORS
l l a b o r a t e d wi t h Un i v e r s i t y -o f S a l f o r d t o v i s iTo
t i n i t i a t e t h e d e si g n , w e h a ve co l l a b o r a te d w i th U n i ve r si ty o f Sa l fo r d to vi si t
t h e p r o f e s s i o n a l s o u n d l a b a n d u n d e r t a k e a n e x p e r i e n c e t o u r i n Me d i a Ci t y. t h e p r o f e s s i on a l so u n d l a b a n d u n d e r ta ke a n e xp e r i e n ce to u r i n M e d i a C i ty.
divided as Katwo
m Iagroups
n J e s s ic aand
Cha ncame
[Pla tfoup
rm] with two
A c o u s t i c d i r e c t o r f r o m B DP wo u l d Ka a sms i sI ta nwiJt he sdseisciag nCh
d ea vne[l P
o pl ame
t f onr tm]
s from A c o u s t i c d i r e cto r fr o m BD P w o u l d a ssi st w i th d e si g n d e ve l o p m e n ts fr o m
Ans on Ho[USE] An s o n Ho [ US E ]
s t u d e n t s . We h o p e t h e s e d e s i g n p r o p o s a l s wo u l d b e b e n e f i c i a l t o t h e G o r s e s t u d e n t s . We h o p e th e se d e si g n p r o p o sa l s w o u l d b e b e n e fi ci a l to th e G o r se
different designs.
Alic e We ng Sa m Iu [L UL U] Al i c e We n g S a m I u [ L UL U] Hi l l S t u d i o .
Hi l l S t u d i o .
I helped the group
Yingy ing Zhouproject
[CPU] with research and Yi n g y i n g Z h o u [ CP U]
Runzi Zhu [USE] Ru n z i Z h u [ US E ]
ideas for the plan, and how every room should - COLLABORATOR - - COLLABORATOR -
be connected
We a re toineachother.
te re ste d in h o w We a r e i n t e r e s t e d i n h o w
ff e rr os vcer et ha et i v e , s o c i a l a n d G o r s e Hi l l S tu d i o s - a n i n d e p e n d e n tl y r u n ch a r i ty o ffe r s cr e a ti ve , so ci a l a n d
G o r s e Hi l l S t u d i o s - a n i n d e p e n d eanr ct lhyi treucnt ucrhea cr iat yn oi mp
a rch ite ctu re ca n imp ro ve th e
However the main part i took was for the p e r s o n a l d e v e l o p me n t o p p o r t u n i t iqeusa. l Ii tt yh oa fs l ai fne af or rratyh eo fswo
q u a lity o f life fo r th e so cia l o c irakls h o p s i n c l u d i n g
p e r s o n a l d e v e l o p m e n t o p p o r tu n i ti e s. It h a s a n a r r a y o f w o r ksh o p s i n cl u d i n g
a nndo dr iitgy.i t a l a r t s wh i c h mo s t l y t a r g e t s a t y o u mu
mu s i c , d a n c e , d r a ma , v i s u a l a r t s mi n g s i c , d a n c e, d r a m a , vi su a l a r ts a n d d i g i ta l a r ts w h i ch m o stl y ta r g e ts a t yo u n g
vocal room.min o rity. p e o p l e wi t h a d d i t i o n a l n e e d s a n d t h o s e s t r u g g l i n g wi t h ma i n s t r e a m e d u c a t i o np.e o p l e wi t h a d d i ti o n a l n e e d s a n d th o se str u g g l i n g w i th m a i n str e a m e d u ca ti o n .
From researching all the materials and how
in a small room i i n mo s t mo d e r n p r o f e s s i o n a l s p e-cDr
- CRAFT - T h e Un i v e r s i t y o f S a l f o r d S o u n d LCRAFT
a b - a b u i l t-f a c i l i t y a t t h e h e a r t o f Me d i a Ci tTyhUK e Un i v e r s i ty o f Sa l fo r d So u n d L a b - a b u i l t fa ci l i ty a t th e h e a r t o f M e d i a C i tyU K
they should be aligned i f i ac awit inognss a n d i s a v a i l a b l e f o r s t u d e n t s , i n mo s t mo d er n p r o fe ssi o n a l sp e ci fi ca ti o n s a n d i s a va i l a b l e fo r stu d e n ts,
Dra win g s
designed the r e s e a r c h e r s a n d co m m e r ci a l cl i e n ts.
Mo d eperfect
llin g vocal room. r e s e a r c h e r s a n d c o mme r c i a l c l i e nMo
ts.delling
Dig ita l Te ch n iq u e s Di g i t a l Te c h n i q u e s
Co mmu n ica tin g B DP - a ma j o r i n t e r n a t i o n a l p r a c t iCo o f a rnci chai ttei nc gt s , d e s i g n e r s , e n g i n e e r s a n d B DP - a ma j o r i n te r n a ti o n a l p r a cti ce o f a r ch i te cts, d e si g n e r s, e n g i n e e r s a n d
c e mmu
urbanists. urbanists.

- PRODUCTION - - PRODUCTION -
A p r e s e n t a t i o n t o s h o wc a s e r e c o r d i n g s t u d i o d e s i g n s o f MS A s t u d e n t s t o A p r e s e n t a t i o n to sh o w ca se r e co r d i n g stu d i o d e si g n s o f M SA stu d e n ts to
G HS s t a ff s a n d r e p r e s e n t a t i v e s . De s i g n i d e a s wi l l b e r e p r e s e n t e d t h r o u g h a G HS s t a ff s an d r e p r e se n ta ti ve s. D e si g n i d e a s w i l l b e r e p r e se n te d th r o u g h a
v a r i e t y o f me d i u ms i . e . p o s t e r s , mo d e l s , s k e t c h e s , 3 D r e p r e s e n t a t i o n , e t c . v a r i e t y o f m e d i u m s i .e . p o ste r s, m o d e l s, ske tch e s, 3 D r e p r e se n ta ti o n , e tc.
VOCAL ROOM
For the perfect vocal room i have considered : Proposal of how the Panels should be placed in the vocal room

-Bass Traps -Reflection Panels -Diffuser Panels -Ceiling Clouds

Placing the bass traps in the vocal room

Absorbing panels

smooth Eggcrate Pyramid Wedge Spade Grid

Chosen absorbing
panels:
*Smooth
-reflected rather than
absorbed
-sound proofing
*Wedge Testing with different kind of Diffuser panes
absorbs sound waves
smooth Wedge
Vocal Room Design

Suspended ceiling

Concrete

Ceiling clouds

Smooth
absorbing
panel -45mm plasterboard
-75mm stud -100mm derse block
-20mm mineral wool wall thk
in cavity -200m gap
-75mm stud - 100mm derse
Vertical Bass
-45 plasterboard block wall thk
traps in every
corner

Wedge
absorbing
panels
Microphone

Hard wood

height 3650mm
Batten

Concrete
 Ceiling Panels used as absorbing ma-
terials but also used as a source of
light.

Singer view towards both rooms View from the control room towards the vocal room