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Module - 3 Drill and Command
Module - 3 Drill and Command
CHAPTER 1
“Troops who march in an irregular and disorderly manner are always in great danger
of being defeated.” – Vegetius: De Re Militari: A.D. 378
1.1 Purposes and Scope. This portion of the manual provides guidance for AFP-
wide uniformity in the conduct of drills. It includes methods of instructing drills,
teaching techniques, individual and unit drills, manual of arms for infantry weapons
and various other aspects of basic drill instruction. This is designed for use by soldiers
of all military occupational skill, including cadets and recruits in the initial training
environment. So as to maintain consistency throughout the AFP, the procedures
prescribed herein shall be adhered to as closely as possible.
1.2 General. The AFP prescribes its own drill regulations with the end goal of
cultivating to the full alertness and the presence of mind of each military personnel
not only during drills but at all times. These attributes of character are essential to the
members of the AFP. All movements in this manual are precision movements
designed to foster proper coordination among military personnel. Teamwork is the
final result. In the military service, we help attain teamwork through drill and
ceremonies. Drills consist of certain movements by which the squad, platoon,
company or battalion is moved in an orderly manner from one formation to another.
These movements are executed with smartness, order and precision. Each individual
in the squad, platoon or company does his part exactly as how he is supposed to
perform. The primary purpose of drill is to teach a precise and orderly way of doing
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things. As drills increase skill and coordination, they accustom a soldier to respond to
commands. Drills also promote teamwork. It is important for a soldier to know and
understand a drill; otherwise, its value is lost. It must be remembered that a drill is
conducted with precision. Hence, perfection is the only accepted standard. Drill
periods are frequent and of short duration. Finally, everyone gets a certain amount of
pleasure from doing anything well in joint effort with others. A military ceremony
provides the same reaction. After every successful ceremony, every soldier-
participant can proudly claim: “I was there”. To help understand the meaning of drill
terms, the following definitions are included:
i. Distance (Layo). The space between elements when the elements are
one behind the other. Between units, it varies with the size of the
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m. Eyes Right (Handa, Tingin sa Kanan, Na). The direction of the face
during the eyes right should be 45 degrees to the right side.
n. File (Tudling). Two men, the front-rank man and the corresponding
man of the rear rank. The front-rank man is the file leader. A file,
which has no rear-rank man, is not a file. The term file applies also to a
single man in a single rank formation. It is a single column of men one
behind the other.
s. Guide (Gabay). The man with whom the command or element thereof
regulates its march. This is often the case in battle or on practice
marches. In a squad drill, a private (number 1 front rank) is often the
guide.
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x. Loose Pieces. Rifles and automatic rifles not used in making stacks.
z. Order Close. The formation in which the units, in double rank, are
separated by intervals greater than that in close order.
Aa. Pace. 30 inches is the length of the full step in quick time. The pace at
double time is 36 inches.
Ab. Piece. The term piece as used in this text means the rifle or automatic
rifle.
Ac. Point Of The Rest. The point at which a formation begins, especially
the point toward which units are aligned in successive movements. For
instance, in executing “ON RIGHT INTO LINE”, the point of rest is
the place where the leading squad halts.
Ad. Quick Time (Siglang Hakbang). Cadence at a rate of 120 steps per
minute.
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Af. Sword Swing. The swinging of sword must be 6 inches to the front and
3 inches to the rear of the trouser seams.
Ah. Step (Hakbang). The distance measured from heel to heel between the
feet of a man walking. A step maybe any prescribed number of inches.
The half step and back step are 15 inches. The right step and left step
are 12 inches. The steps in quick and double time are 30 and 36 inches,
respectively.
Al. Numbering Units. For drill purposes, platoons within each company
are numbered from right to left when the company is in line and from
front to rear when the company is in column. Squads within each
platoon are numbered from right to left when the platoon is in line and
from front to rear when the platoon is in column.
Am. Post. Post means the correct place for an officer or non-commissioned
officer to stand. This can be in front, behind or by the side of a unit.
When changes in formation involve changes of posts, the new post is
taken by the most direct route and, as soon as practicable, after the
command of execution. Officers and non-commissioned officers who
have prescribed duties in connection with the movements take their
posts when the duties are completed. In executing a movement or
facing, and when moving from one post to another, officers and non-
commissioned officers maintain a military bearing and move with
smartness and precision.
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CHAPTER 2
“The spirit of discipline, as distinct from its outward and visible guises, is the result of
association with martial traditions and their living embodiment.” – B.H. Liddell Hart,
Thoughts on War, 1944
2.1 General
(1) When at halt, the commander faces the troops when giving
commands. On commands that set the unit in motion (marching
from one point to another), the commander moves
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(2) When marching, the commander turns his head toward the
direction of the troops to give commands.
a. Most drill commands have two parts: the preparatory command and the
command of execution. Neither is a command itself, but the parts are
termed commands to simplify instruction. The command HANDA
(READY), SIPAT (AIM), PUTOK (FIRE) is considered to be a two-
part command even though it contains two pre-commands.
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2.3 English Version to Filipino Version. The AFP commands are derived from
English and subsequently translated to Filipino. This attempt to localize the English
version has brought about varied interpretations as to the preciseness of the terms
being used. In the command of execution, for example, the words RAP, NA, KAD,
TA and others are often misused/interchanged. The commander also opts to use what
he thinks is appropriate. To provide for uniformity, simplicity and preciseness and to
suit the Filipino commands in terms of voice control, distinctiveness, inflections and
cadence, the following guidelines are set forth. In general, the word NA is used to
signal the command of execution except for the following:
g. Combined commands
h. Supplementary commands
i. Mass Commands
j. Directives
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2.6 Mass Commands. Mass commands may be used to develop confidence and
promote enthusiasm. (They are definitely effective in developing a command voice
when instructing a leadership course.)
c. Mass commands for the execution of the manual of arms are given in
the same manner as described in sub-paragraphs a-c.
2.7 Directives. Directives are described as all oral orders given by the commander
that direct or cause subordinate leader to take actions.
b. Directives are given in sentence form and are normally prefixed by the
terms “IBUKA ANG TALUDTOD AT ITUNGKOD ANG
SANDATA”. Example: “ITANGHAL ANG
SANDATA”.“PAMUNUAN ANG INYONG PANGKAT O TILAP,
PULUTONG, BALANGAY” is the only directive with which a
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2.8 General. Everyone in the unit will easily understand a correctly delivered
command. Correct commands have a tone, cadence, and snap that demands willing,
correct, and immediate response.
d. The throat, mouth and nose act as amplifiers and help to give loudness
(resonance) and projection to the voice.
2.10 Distinctiveness.
a. Distinctiveness depends on the correct use of the tongue, lips and teeth that
form the separate sounds of a word into syllables. Distinct commands are
effective. Indistinct commands cause confusion. All commands can be
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2.11 Inflection. Inflection is the rise and fall in pitch and the tone changes of voice.
2.11 Cadence.
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