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    Cor Iv

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    Xavier Dédé Iannone
    This document contains sheet music for a quartet in B-flat for four horns. The sheet music is presented over 128 measures divided into four parts. It includes musical notation for the melody, harmony, tempo, and dynamics to be played by four horn instruments.

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    © All Rights Reserved
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    Cor Iv

    Uploaded by

    Xavier Dédé Iannone
    12 views2 pages
    This document contains sheet music for a quartet in B-flat for four horns. The sheet music is presented over 128 measures divided into four parts. It includes musical notation for the melody, harmony, tempo, and dynamics to be played by four horn instruments.

    Original Description:

    Original Title

    COR IV

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    © © All Rights Reserved

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    This document contains sheet music for a quartet in B-flat for four horns. The sheet music is presented over 128 measures divided into four parts. It includes musical notation for the melody, harmony, tempo, and dynamics to be played by four horn instruments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    12 views2 pages

    Cor Iv

    Uploaded by

    Xavier Dédé Iannone
    This document contains sheet music for a quartet in B-flat for four horns. The sheet music is presented over 128 measures divided into four parts. It includes musical notation for the melody, harmony, tempo, and dynamics to be played by four horn instruments.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 2

    4 Mvt I - Quartet in Bb

    for 4 horns in F

                               
    Constantin Homilius, Op. 38

            
     = 132 3

     3 3 

                                         
    3

                                          
     3 3 

    14
        3

                           
     3  3 3

                 

    21

         
     

                
      
    27

    
                         
     

       
       
    36

            
     3

               
    3

             
    44

                    
    3   

      
    3

             
    53

            
                   
      

       
    61

                  
    3 3 3 3 

          
           
    66

    typeset by Andrew Lee


                        
    2

            
    74

                                     
        

    80

           
                          

    86

                       

     

    93

     

                                

    100

     3 3

                                        
    
    107
    3

     3  3 3

                                              
    113 3

      

     
    3 3

                     
                
    120

     3 3

     

                             
       
    128

    3 3 3  3
     

    typeset by Andrew Lee

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