This volume contains nearly twenty essays that represent the most wide-ranging attempt to examine obscenity in medieval culture across literature, art, theater, and law from places like France, Scandinavia, Germany, Ireland, Wales, Byzantium, and Slavic regions. The essays are divided into six sections exploring how obscenity was introduced, its rhetoric and language, how it was visualized, performed, its legal aspects, and how it appeared in Old French literature. The readership for this volume includes those interested in medieval literature and culture, classical traditions, rhetoric, theology, law, and women's studies.
This volume contains nearly twenty essays that represent the most wide-ranging attempt to examine obscenity in medieval culture across literature, art, theater, and law from places like France, Scandinavia, Germany, Ireland, Wales, Byzantium, and Slavic regions. The essays are divided into six sections exploring how obscenity was introduced, its rhetoric and language, how it was visualized, performed, its legal aspects, and how it appeared in Old French literature. The readership for this volume includes those interested in medieval literature and culture, classical traditions, rhetoric, theology, law, and women's studies.
This volume contains nearly twenty essays that represent the most wide-ranging attempt to examine obscenity in medieval culture across literature, art, theater, and law from places like France, Scandinavia, Germany, Ireland, Wales, Byzantium, and Slavic regions. The essays are divided into six sections exploring how obscenity was introduced, its rhetoric and language, how it was visualized, performed, its legal aspects, and how it appeared in Old French literature. The readership for this volume includes those interested in medieval literature and culture, classical traditions, rhetoric, theology, law, and women's studies.
This volume contains nearly twenty essays on obscenity in
medieval culture. These essays represent the most wide-ranging attempt ever to probe the natures, origins, and consequences of Pages: x, 360 pp. obscenity in medieval literature, art, theater, and law. Although 36 illus. a core is devoted to obscenity in medieval French literature Language: (where the fabliaux have elicited more previous attempts to English come to terms with obscenity than has any other type of Subjects: medieval literature), other contributions to the volume explore Medieval manifestations of obscenity in cultures and languages of History, History, Scandinavia, Germany, Ireland, Wales, Byzantium, and even Intellectual western Slavdom. The book is divided into six di ferent sections: History, History Introducing Obscenity; The Rhetoric of Obscenity; Visualizing Publisher: Brill Obscenity; Performing Obscenity; Legal Obscenity; and Courting Obscenity in Old French. Series: Cultures, Beliefs Readership and Traditions: Medieval and All those interested in medieval literatures and cultures, the Early Modern classical traditions, rhetoric, theology, law, and women's Peoples, Volume: studies. 4 Hardback Publication date: 07 Apr 1998 ISBN: 978-90- 04-10928-5 List price EUR €145.22 / EUR €137.00 excl. VAT Biographical Note
Jan M. Ziolkowski, Ph.D. (1982) in Medieval Latin, University of
Cambridge, is Professor of Medieval Latin and Comparative Literature at Harvard University. He has published extensively on the Latin Middle Ages, from editions and translations to books on intellectual history and literary history.
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