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  • Take On Me: Driving Pop Rock

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    Cédric Gonon
    14 views1 page
    The document is a musical score for the song "Take On Me" by a-ha. It contains musical notation including staffs, time signatures, key signatures, dynamics, tempo markings, and lyrics. The score details how the different instruments such as guitar, bass, drums, and keyboards should be played throughout the song.

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    The document is a musical score for the song "Take On Me" by a-ha. It contains musical notation including staffs, time signatures, key signatures, dynamics, tempo markings, and lyrics. The score details how the different instruments such as guitar, bass, drums, and keyboards should be played throughout the song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    14 views1 page

    Take On Me: Driving Pop Rock

    Uploaded by

    Cédric Gonon
    The document is a musical score for the song "Take On Me" by a-ha. It contains musical notation including staffs, time signatures, key signatures, dynamics, tempo markings, and lyrics. The score details how the different instruments such as guitar, bass, drums, and keyboards should be played throughout the song.

    Copyright:

    © All Rights Reserved
    Download as PDF, TXT or read online from Scribd
    Flag for inappropriate content
    Download as pdf or txt
    of 1

    Take

    On Me

            
                                                                  
    
    Driving Pop Rock  = 168

         
    5

           
    13

         
    Clarinette 1 en Si♭

     

             
                       
                      
                   
           
    21 25

             

     
    14

     

              
                            
         

      
     
    To Coda

           

    26

     
         

                 
                                                            
                 
    41
    49

       
    41


       

      
                                       

         
    D.S. al Coda

          

    52


         
               
                       

      
    57

      

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