Bibliography of Chita Rivera

Institution

Professor

Student

Date
Agustin, Julio. "From Mu-Cha-Cha to Ay-Ay-Ay! A Critical Explication of the Use of" Latin"

Dance Styles and the Absence of Latinx Creatives in the Broadway Musical." Theatre

Topics 31.1 (2021): 43-54.

Choreography in the habanera and tango dance forms attracted enormous interest during the

Golden Era of musical theatre (1943-65). Those attributed with borrowing these performances'

polyrhythmic motions sometimes did so openly mentioning their references of influence, and

they were frequently hailed with Broadway's highest prize, the Tony Award for Outstanding

Choreography. Lately, resurrections of Latinx-themed broadways like Evita, The Man of La

Mancha, and the numerous manifestations of West Side Story have spotlighted samba, salsa,

rhumba, mambo, and chachachá dance designs, but their common repetition highlights the

institutional bigotry in advertising cinema and its desire for artistes who are white and nearly

invariably male.

Das, Joanna Dee. "HOW CHOREOGRAPHERS AND DANCERS WORK." The Routledge

Companion to Musical Theatre (2022).

Global in nature The Routledge Companion to Musical Theatre, with thirty-five chapters written

by further than fifty dance, music, and theatre academics and professionals, explains the

principles of musical theatre research and emphasizes emerging worldwide tendencies in

performance and study. The Routledge Companion to Musical Theatre is a thorough guide for

individuals studying the elements of musical entertainment, its background, professionals,

customers, and goals. It investigates the who, what, when, where, why, and how of international

musical theatre. The Companion broadens the study of musical theater to encompass how we
develop and enjoy musicals, how they interact with technological, and how they navigate

worldwide financial markets. The Companions is the first book to feature worldwide musical

theatre in every chapter, emphasizing the musical's standing as the greatest renowned theatrical

genre worldwide. This book combines practice and study, with contributions by renowned and

rising academics as well as celebrities including Chinese musical theater musician San Bao,

Tony Award-winning performer André De Shields, and Tony Award-winning producer Diane

Paulus. This is a must-have reference for theatrical and performances trainees, as well as a

significant text for academics and professionals in these fields.

Daugherty, Elaine DiFalco, Deborah Hertzberg, and Darrell Wagner. "Offstage Intimacy: Best

Practices for Navigating the Intimacy of Costuming." Theatre Topics 30.3 (2020): 211-

216.

Communication should act as an umbrella idea since it must coexist alongside all of the other

foundations in need for them to operate. The complete mechanism fails if there is no precise,

precise connection. Any personal action is choreographed to be particular and reproducible.

Agreement is undoubtedly at the heart of this work. As proponents of bodily sovereignty, we

argue for seeking authorization to contact and be contacted instead of presuming that somebody

's existence in a circumstance indicates agreement. Recognizing the goal of whatever we are

doing is referred to as contextual. Intimacy Directors International (IDI) and Dramatic

Sensitivity Education were the two key institutions that started the endeavor to instruct, develop,

and encourage superior procedures (TIE). Intrapersonal counseling is based on certain

fundamental ideas that are shared by all professionals, however the terminology used to explain

those concepts varies.

Flavin, Sandra. The Cultural Perspectives of West Side Story. Diss. University Honors College

Middle Tennessee State University, 2020.

This thesis investigates the cultural viewpoints of West Side Story and how the song must be

classified as historical. Customs, outerwear, dialect, music, the arts, individuals, and

accomplishments of a specific country describe civilization. This thesis examines how the

musicals West Side Story depicts Puerto Ricans and contemporary society. This thesis has been

influenced by significant study from textbooks on the authors of West Side Story, the

background of American and Puerto Rican society, and innumerable interviews, films, journals,

webpages, and academic publications. Using this knowledge, I was prepared to determine that,

while West Side Story has not adequately portrayed Puerto Rican heritage, it is a live, dynamic

creative form that might be reinterpreted, changed, and recreated for future generations.

Lemoine, Xavier. "American Musicals: Stage and screen/L’écran et la scène. Anne Martina &

Julie Vatain-Corfdir (dir.). Paris: Sorbonne Université Presses. Paris, 2019, 254

p." Caliban. French Journal of English Studies 63 (2020).

The third book of the "e-Theatrum Mundi" series, this electronic collaborative effort provides a

multilingual plunge into the cinematographic and visual universe of American musical humor

from the 1930s to the current day. The directors of American Musicals: Stage and Screen /

L'screen et la scène investigate the occurrence of adjustment and, extra widely, the

transformation of this exercise conceived of the vibrant connection among Broadway and

Hollywood via seven educational chapters and six discussions with artists and producers. Every
writer and author have conducted remarkable and intriguing study, the accuracy of which might

just be admired. The four college articles in the label's second section are about great musicals

from the late 1950s and 1960s. Aloysia Rousseau, on the other hand, emphasizes the essential

possibilities of the cinematic rendition of My Fair Lady through her painstaking examination of

structuring and camera angles in order to imbue it with a deeper feminist interpretation than we

typically wish to offer it.

Spivak, Eduardo Daniel, et al. "Annotated catalogue and bibliography of marine and estuarine

shrimps, lobsters, crabs and their allies (Crustacea: Decapoda) of Argentina and Uruguay

(Southwestern Atlantic Ocean)." (2019).

Twenty-seven years ago, the ComisiónTécnica Mixta del Frente Martimo authored a collection

of marine copepods and stomatopod crustaceans enrolled in Argentina's coasts, transatlantic shelf

and slope, and deep waters, which involved 93 decapod organisms. Eventually, a list of 107

marine and estuarine decapods from Uruguay surfaced. Since then, the awareness of the

importance of heterogeneity for the humanity and the many processes impacting it, such as the

increased rates of biomedical incursions and worldwide temperature change essential to reassess

earlier knowledge on biodiversity. Additionally, the incresing use of genetic methods in

morphological revisions have uncovered the presence of misdiagnosis taxa and organisms

complex in quantities that dramatically modify our previous considerations on organism’s

abundance at the local and continental scales. The current catalogue includes the addition and

removal of species, as well as an update to the published bibliography on them. The research

region includes the estuaries and marine waters of the Southwestern Atlantic Ocean in front of
Uruguay and Argentina(33-60ºS), such as the coasts, continental shelf and gradient, the adjoining

abysal flatlands Malvinas, Georgias del Sur and Sandwich delSur Islands and the Scotia Sea.

Tuan, Iris H., and Iris H. Tuan. "Dance Tango and Sing for Revenge in Chicago and The

Visit." Pop with Gods, Shakespeare, and AI: Popular Film,(Musical) Theatre, and TV

Drama (2020): 113-130.

This chapter delves on women's vengeance, romance, and the evil side of mankind, avarice, in

John Kander and Fred Ebb's joint musical Chicago. The sensual Tango dance music "Cell Block

Tango" depicts women's vengeance and power in Chicago. In The Visitation, the song "I Will

Never Forget You & One Footed Tango," performed and performed by performer Chita Rivera,

who played Chaire Zachanassian, her retinue, Butler, and two Eunuchs at the age of 82,

demonstrates the similar attitude of feminine vengeance. Chicago and The Visit, two magnificent

melodic songs by K&E, employ unique problematic topics to symbolize anti-heroic femmes

terribles and women avengers capable of undermining the surface law and phony order in a

perverted culture.